Monthly Archives: October 2015

HERMAN SELLESLAGS

HERMAN SELLESLAGS: THE ARCHIVES, 88-Gallery, 86-88 Pimlico Road, London SW1, until 24th October 2015

Serge Gainsbourg and Jane Birkin,1970 © Herman Selleslags courtesy of 88-Gallery

Serge Gainsbourg and Jane Birkin,1970
© Herman Selleslags courtesy of 88-Gallery

There is still a chance to go and see this fascinating exhibition of photographs from the 60s and 70s by Flemish street photographer Herman Selleslags.

His subjects were often leading stars of music, sport and screen, including The Beatles, The Rolling Stones, Bob Marley, Tippi Hedren and of course Jane Birkin and Serge Gainsbourg.

 

http://www.88-gallery.com

Eskenazi Ltd

Transfigured Echoes: Recent Paintings by Liu Dan, Eskenazi Ltd, 10 Clifford Street, London W1, 14th October -14th November 2015

 

Liu Dan (b.1953) Redefining Pleats of Matter 縐褶被重新確定 Ink on paper 200.0cm by 301.0cm Signed: Jinling Liu Dan hua, (Painted by Liu Dan of Jinling [Nanjing])

Liu Dan (b.1953)
Redefining Pleats of Matter
縐褶被重新確定
Ink on paper
200.0cm by 301.0cm
Signed: Jinling Liu Dan hua, (Painted by Liu Dan of Jinling [Nanjing])

This very special exhibition opens in Frieze Week and closes at the end of Asian Art in London Week.  The artist Liu Dan (b.1953) is a contemporary master in the highly regarded Chinese art form – the traditional school of ink painting. These ten works, which have taken him four years to create, represent a new departure for him and are inspired by his great interest in Renaissance European drawings.

Raffaello Sanzio, called Raphael (Urbino 1483-1520 Rome) Saint Benedict receiving Maurus and Placidus black and red chalk, pen and brown ink, brown and grey wash, squared in black chalk, partially indented with stylus, an added section of paper at the left of the sheet 14½ x 16¼ in. (36.8 x 41.3 cm.)

Raffaello Sanzio, called Raphael (Urbino 1483-1520 Rome)
Saint Benedict receiving Maurus and Placidus
black and red chalk, pen and brown ink, brown and grey wash, squared in black chalk, partially indented with stylus,
an added section of paper at the left of the sheet
14½ x 16¼ in. (36.8 x 41.3 cm.)

The exhibition will feature Raphael’s drawing Saint Benedict Receiving Maurus and Placidus as it was the inspiration for the artist’s large-scale work Redefining Pleats of Matter (縐褶被重新確定).  There are also six works depicting scholar’s rocks, the stones that were highly prized by Chinese scholars, officials and connoisseurs for more than a thousand years.

Liu Dan (b.1953) Taihu Rock of the Shaoyuan Garden 五 勺园太湖石 水墨􀀀本 􀀀跋：此米万􀀀勺园太湖石今存北京大学􀀀可􀀀博物􀀀乙未仲夏刘丹写于北京并􀀀 􀀀印：刘丹之印 Ink on paper 309.0cm by 199.0cm Inscribed: Ci Mi Wanzhong Shaoyuan Taihushi jin cun Beijing daxue Saikele bowuguan yiwei zhongxia Liu Dan xie yu Beijing bing shu. (This Taihu rock of the Shaoyuan Garden, which belonged to Mi Wanzhong, is now in the Sackler Museum, Peking University. Written and painted by Liu Dan in Beijing in mid-summer of the yiwei year [2015].) Artist’s seal: Liu Dan zhi yin, (Liu Dan’s seal)

Liu Dan (b.1953)
Taihu Rock of the Shaoyuan Garden
五
勺园太湖石
水墨􀀀本
􀀀跋：此米万􀀀勺园太湖石今存北京大学􀀀可􀀀博物􀀀乙未仲夏刘丹写于北京并􀀀
􀀀印：刘丹之印
Ink on paper
309.0cm by 199.0cm
Inscribed: Ci Mi Wanzhong Shaoyuan Taihushi jin cun Beijing daxue Saikele bowuguan yiwei zhongxia Liu Dan xie yu Beijing bing
shu. (This Taihu rock of the Shaoyuan Garden, which belonged to Mi Wanzhong, is now in the Sackler Museum, Peking University.
Written and painted by Liu Dan in Beijing in mid-summer of the yiwei year [2015].)
Artist’s seal: Liu Dan zhi yin, (Liu Dan’s seal)

On the question of difference between him and the Old Masters Liu Dan has observed: ‘I don’t think there is any difference except that they are dead and I am still alive. On the other hand, because I’m still alive, they are alive too. I don’t advocate the literati ideology, but I endorse the literati spirit. I don’t belong to a particular tradition either. I just want to keep up the artistic tradition where freedom is unrestrained.’

Liu Dan (b.1953) Credit: Do Do Jin Min

Liu Dan (b.1953)
Credit: Do Do Jin Min

 

 

 

 

 

 

http://www.eskenazi.co.uk

Frieze Masters 2015

Frieze Masters 2015, The Regent’s Park, London NW1, 14th-18th October 2015

Jan van Kessel, Snakes, Spiders and Caterpillars contorted to spell the Artist's Name, 1657, Copper, 15x20cm. Courtesy of Johnny van Haeften.

Jan van Kessel,
Snakes, Spiders and Caterpillars contorted to spell the
Artist’s Name, 1657,
Copper, 15x20cm.
Courtesy of Johnny van Haeften.

Now in its fourth edition this fair hosts a hundred and thirty one historical and modern galleries displaying works from across several thousand years.  So whether it is antiquities, drawings, old masters, illuminated manuscripts, books, Asian art, sculpture or modern art that draws your interest, you will certainly find something to engage you here.

Collections: Fontana Workshop Noli Mi Tangere ,c.1560 Maiolica, 43cm diameter. Courtesy of Bazaart Ltd

Collections:
Fontana Workshop
Noli Mi Tangere ,c.1560
Maiolica, 43cm diameter.
Courtesy of Bazaart Ltd

Sir Norman Rosenthal has curated a new section entitled Collections and says of it: ‘Each of these eight presentations by individual dealers, spanning millennia, contain within them germs of ideas for exhibitions that could easily take place at any of the great public institutions in the world. This section will show that it is still possible, with both knowledge and love, to put together outstanding collections of art that demonstrate the highest level of creativity in all different periods of history.’

 

Defendente Ferrari, The Virgin Suckling the Child, c. 1530, Oil on walnut wood panel, 85×58cm. Courtesy of Sarti Gallery.

Defendente Ferrari,
The Virgin Suckling the Child, c. 1530,
Oil on walnut wood panel, 85×58cm.
Courtesy of Sarti Gallery.

 

Utagawa Kuniyoshi, Returning from the Shin Yoshiwara by Moonlight, c. 1834, Color woodblock print, 27×38cm. Courtesy of Sebastian Izzard LLC.

Utagawa Kuniyoshi,
Returning from the Shin Yoshiwara by Moonlight, c. 1834,
Color woodblock print, 27×38cm.
Courtesy of Sebastian Izzard LLC.

 

Egon Schiele, Seated semi-nude with hat and purple stockings, 1910 Black crayon, gouache and watercolour on paper, 45×32cm. Courtesy of Wienerroither Kohlbacher.

Egon Schiele,
Seated semi-nude with hat and purple stockings, 1910
Black crayon, gouache and watercolour on paper, 45×32cm.
Courtesy of Wienerroither Kohlbacher.

 

Head of a stylized anthropomorphic statuette Cycladic art, c.2500BC, White marble, 8×5cm. Courtesy of David Ghezelbash Archéologie.

Head of a stylized anthropomorphic statuette
Cycladic art, c.2500BC,
White marble, 8×5cm.
Courtesy of David Ghezelbash Archéologie.

 

Samuel Palmer, Going to Evening Church,1874, Watercolour over pencil, heightened with bodycolour, 30×70cm. Courtesy of The Fine Art Society.

Samuel Palmer,
Going to Evening Church,1874,
Watercolour over pencil, heightened with bodycolour, 30×70cm.
Courtesy of The Fine Art Society.

friezelondon.com

Unknown artist, possibly German School, early 18th Century The World Turn’d Upside Down Oil on canvas: 75 x 45 in. (190.5 x 114.3 cm.) Courtesy of the Weiss Gallery

Unknown artist, possibly German School, early 18th Century
The World Turn’d Upside Down
Oil on canvas: 75 x 45 in. (190.5 x 114.3 cm.)
Courtesy of the Weiss Gallery

 

Frieze London 2015

Frieze London 2015, The Regent’s Park, London NW1, 14th-17th October 2015

Frieze Art Fair Courtesy of Frieze (2014)

Frieze Art Fair
Courtesy of Frieze (2014)

It will come as no surprise to those of you who are regular visitors that the huge “pavilion” houses some one hundred and sixty leading galleries drawn from nearly thirty countries around the world for this the thirteenth edition.

Edward Thomasson & Lucy Beech, 7 Year Itch, 2015, HD video with sound. Courtesy of the artists and Southard Reid, London

Edward Thomasson & Lucy Beech,
7 Year Itch, 2015, HD video with sound.
Courtesy of the artists and Southard Reid, London

It promises to be, as usual, a great fair with much to tempt visitors, a fact confirmed by the Fair’s director Victoria Sidwell who says of it: ‘The great response to the redesigned Frieze London last year has attracted an exceptional list of galleries for 2015 and I am thrilled to announce what I believe will be a really strong fair. Once again, both established and young galleries are planning special presentations of mainly new work so Frieze London will be a place to see art of the highest quality and discover emerging artists from all over the world.’

Alexandre da Cunha, Bust I, 2008 Courtesy of Thomas Dane Gallery

Alexandre da Cunha,
Bust I, 2008
Courtesy of Thomas Dane Gallery

Don’t forget to visit the Sculpture Park in the nearby English Gardens area of Regent’s Park.

 

Katherine Bernhardt, Hammerheads, Tostones, Malta De India, and Cigarettes, 2015 Acrylic and spray paint on canvas 96 x 120 inches (243.84 x 304.80 cm). Courtesy of the artist and Canada, New York.

Katherine Bernhardt,
Hammerheads, Tostones, Malta De India, and
Cigarettes, 2015
Acrylic and spray paint on canvas 96 x 120 inches (243.84 x
304.80 cm).
Courtesy of the artist and Canada, New York.

 

 

 

 

 

 

 

 

 

 

 

GUAN Xiao, Sunset, 2012, Installation, Lightbox photo, wood, metal, artificial flowers, reisin, Dimensions variable. Courtesy of the artist and Antenna Space, Shanghai

GUAN Xiao,
Sunset, 2012,
Installation, Lightbox photo, wood, metal, artificial
flowers, reisin, Dimensions variable.
Courtesy of the artist and Antenna Space, Shanghai

 

Rachel Harrison, Flan Chino El Mandarin, 2014, Mixed media, 64.1 x 54.6 x 15.2 cm. Courtesy of the artist and Galerie Meyer Kainer, Vienna.

Rachel Harrison,
Flan Chino El Mandarin, 2014,
Mixed media, 64.1 x 54.6 x 15.2
cm.
Courtesy of the artist and Galerie Meyer Kainer, Vienna.

 

Samara Scott, Harvest, Installation View, The Sunday Painter 2015. Courtesy of the artist and The Sunday Painter

Samara Scott,
Harvest, Installation View, The Sunday Painter 2015.
Courtesy of the artist and The Sunday Painter

 

 

 

 

 

friezelondon.com

PAD LONDON 2015

Pavilion of Art + Design London, Berkeley Square, Mayfair, London W1, 14th-18th October 2015

Tuomas Markunpoika Engineering Temporality Console, The Netherlands, 2015 83.5 x 140 x 45.5 cm Steel Courtesy of Gallery Fumi, PAD London 2015

Tuomas Markunpoika
Engineering Temporality Console, The Netherlands, 2015
83.5 x 140 x 45.5 cm
Steel
Courtesy of Gallery Fumi, PAD London 2015

This is the 9th edition of this Fair which, through its sixty three international exhibitors, displays some fine examples of art and design.  Here you will find Art Deco, Arts & Crafts, Twentieth century painting and design as well as Chinese and Islamic Art from many periods.  It is a place of inspiration for both serious collectors and those who wish to have stylish pieces in their homes.

Ulli figure New Ireland in Papua New Guinea Courtesy of Alain de Monbrison, PAD London 2015

Ulli figure
New Ireland in Papua New Guinea
Courtesy of Alain de Monbrison, PAD London 2015

 

Alberto Burri Nero Rosso Combustione, 1964 Plastic, acrylic, wood, vinavil and combustion on cellotex 28 x 29.5 cm Courtesy of Mazzoleni Art, PAD London 2015

Alberto Burri
Nero Rosso Combustione, 1964
Plastic, acrylic, wood, vinavil and combustion on cellotex
28 x 29.5 cm
Courtesy of Mazzoleni Art, PAD London 2015

 

William Arthur Smith Benson Oil lamp, ca. 1890 Copper and brass, vaseline glass shade 65.5 cm high Courtesy Oscar Graf, PAD London 2015

William Arthur Smith Benson
Oil lamp, ca. 1890
Copper and brass, vaseline glass shade
65.5 cm high
Courtesy Oscar Graf, PAD London 2015

Florence, c. 1500 Marsyas Bronze, rich, brown patina with traces of lacquer 30.5 cm Courtesy of Tomasso Brothers Fine Art, PAD London 2015

Florence, c. 1500
Marsyas
Bronze, rich, brown patina with traces of lacquer
30.5 cm
Courtesy of Tomasso Brothers Fine Art, PAD London 2015

 

Gavin Turk Ceremonial Biscuit, Large, 2014 18k gold 6.5 cm x 0.5 cm Courtesy of Louisa Guinness Gallery, PAD London 2015

Gavin Turk
Ceremonial Biscuit, Large, 2014
18k gold
6.5 cm x 0.5 cm
Courtesy of Louisa Guinness Gallery, PAD London 2015

 

 

http://www.pad-fairs.com

FRIEZE WEEK 2015 – OTHER FAIRS

SUNDAY Art Fair, Ambika P 3, University of Westminster, 35 Marylebone Road, London NW1, 14th -18th October 2015

Charlie Roberts Raspberry Brrrrrr-A, 2015 Gouache on canvas 120 x 100 cm (47.24 x 39.37 in) Courtesy of David Risley Gallery

Charlie Roberts
Raspberry Brrrrrr-A, 2015
Gouache on canvas
120 x 100 cm
(47.24 x 39.37 in)
Courtesy of David Risley Gallery

New and emerging artists and galleries are also the focus of this fair which is now in its sixth edition.  Some twenty-five galleries are participating alongside four UK institutions showing artist’s editions.

http://www.sundayartfair.com

 

 

THE OTHER ART FAIR, Old Truman Brewery, Hanbury Street, London E1, 15th-18th October 2015

Roy's People, 'Room For Two', mixed media. Courtesy the artist & The Other Art Fair

Roy’s People,
‘Room For Two’, mixed media.
Courtesy the artist & The Other Art Fair

This autumn sees the tenth anniversary edition of this popular bi-annual fair.  No doubt the fact that collectors can talk to these new and undiscovered artists directly is a major attraction and rightly so.

http://www.theotherartfair.com/visiting

 

 

MONIKER ART FAIR, Old Truman Brewery, Hanbury Street, London E1, 15th –18th October 2015

'Trike' (2015) by Kareem Rizk, courtesy of Smithson Gallery and Kareem Rizk

‘Trike’ (2015) by Kareem Rizk,
courtesy of Smithson Gallery and Kareem Rizk

With a reputation for being a showcase for art routed in contemporary urban culture this year’s event is no exception. The fair will be accepting Bitcoin payments for purchases.

http://monikerartfair.com

 

 

1:54 Contemporary African Art Fair, Somerset House, Strand, London WC2, 15th-18thOctober 2015

Aboudia Rouge a levres, 2015 Acrylic & oil pastel on canvas 150 x 94 cm (01668) Image courtesy Jack Bell Gallery, London.

Aboudia
Rouge a levres, 2015
Acrylic & oil pastel on canvas
150 x 94 cm
(01668)
Image courtesy Jack Bell Gallery, London.

Collectors and those interested in contemporary culture are given this great opportunity to see works in all mediums from across the African continent.  There are thirty-three exhibitors and five special projects as well as lectures, film screenings and panel discussions.

http://www.1-54.com

 

 

SLUICE_2015, Bargehouse, OXO Tower Wharf, South Bank, London SE1, 16th-18th October 2015

William Martin, Help Yourself, 2015, glazed ceramics on shelves with mint water demijohn, dimensions variable (Florence Trust)

William Martin, Help Yourself, 2015,
glazed ceramics on shelves with mint water demijohn, dimensions variable
(Florence Trust)

The biennial contemporary art fair returns this year and as usual is a not-for-profit, artist-run fair.  It provides a programme of education, publishing and performance.  This year the Florence Trust (see my July 5 2014 blog) is participating.

http://sluice.info/2015

Three Artists: Judy Chicago, Tetsumi Kudo and Anj Smith

Judy Chicago, Riflemaker, 79 Beak Street, London W1, until 31st October 2015.k St,

 

JUDY CHICAGO Ceramic Goddess #6 from The Dinner Party (1977) bisque clay, 9.5 x 7.5 x 3 in. photo © Donald Woodman

JUDY CHICAGO Ceramic Goddess #6 from The Dinner Party (1977)
bisque clay, 9.5 x 7.5 x 3 in.
photo © Donald Woodman

This new show features the work of the ground-breaking artist Judy Chicago.  She has arguably set the agenda for women artists both as an activist and through her writing and art. She helped bring the perspective of women’s’ art to the foreground and her influence continues to this day.  Some of her Car Hood sculptures are part of Tate Modern’s current “The World Goes Pop” exhibition.

 

http://www.riflemaker.org

 

Tetsumi Kudo, North Gallery, Hauser & Wirth, 23 Savile Row, London W1, until 21st November 2015

Installation view, ‘Tetsumi Kudo’, Hauser & Wirth London, 2015 © Estate of Tetsumi Kudo, ADAGP, Paris, ARS, New York and DACS, London 2015, Hiroko Kudo Courtesy Hauser & Wirth and Andrea Rosen Gallery Photo: Alex Delfanne

Installation view, ‘Tetsumi Kudo’, Hauser & Wirth London, 2015
© Estate of Tetsumi Kudo, ADAGP, Paris, ARS, New York and DACS, London 2015, Hiroko Kudo
Courtesy Hauser & Wirth and Andrea Rosen Gallery
Photo: Alex Delfanne

This main theme of Kudo’s work is a sense of disillusionment with the modern world. It is clearly reflected in these works which were created in the first ten years (1963-72) he spent in Paris.  The major piece, shown alongside works from his dome and cube series, is ‘Garden of the Metamorphosis in the Space Capsule’ (1968).

 

Anj Smith – Phosphor on the Palms, South Gallery, Hauser & Wirth, 23 Savile Row, London W1, until 21st November 2015

Installation view, ‘Anj Smith. Phosphor on the Palms’, Hauser & Wirth London, 2015 © Anj Smith. Courtesy the artist and Hauser & Wirth Photo: Alex Delfanne

Installation view, ‘Anj Smith. Phosphor on the Palms’, Hauser & Wirth London, 2015
© Anj Smith. Courtesy the artist and Hauser & Wirth
Photo: Alex Delfanne


This exhibition, which has been three years in the making, contains paintings where elements of portrait, landscape and still life are brought together.  Smith writes of her work: ‘Difficulties in identifying and separating out phenomena aren’t artificially simplified but embraced in all their complexities. Thresholds are hard to determine; clouds in the sky are indistinguishable from the scum washed up with the surf’.

 

http://www.hauserwirth.com

 

 

The Courtauld Institute of Art

Bridget Riley: Learning from Seurat, The Courtauld Institute of Art, Somerset House. Strand, London WC2, until 17 January 2016

This marvellous exhibition elegantly shows how Seurat has been a major influence in Bridget Riley’s artistic output.

Bridget Riley Copy after Seurat’s Bridge at Courbevoie, 1959 Oil on canvas 28 x 35 7/8 in © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, London.

Bridget Riley
Copy after Seurat’s Bridge at Courbevoie, 1959
Oil on canvas
28 x 35 7/8 in
© Bridget Riley 2015. All rights reserved,
courtesy Karsten Schubert, London.

Fascinated by Seurat’s Bridge at Courbevoie at the Courtauld.  She copied it in 1959, not directly from the painting itself as she though it would be too intimidating but from an illustration of it in R H Wilenski’s book on Seurat.  Her version which normally hangs in her studio now hangs close by to the original in this show. The other paintings show how her distinctive style developed from her move to the abstract black and white pictures and then on to her famous stripe paintings where her use of coloured stripes broke new ground just as Seurat’s use of dots of colour had done in his time. Throughout her work there is reference to the tonal qualities and light found in Seurat.

Bridget Riley Vapour, 1970 Acrylic on linen 37 3/4 x 35 3/8 in © Bridget Riley 2015. All rights reserved, courtesy Karsten Schubert, London.

Bridget Riley
Vapour, 1970
Acrylic on linen
37 3/4 x 35 3/8 in
© Bridget Riley 2015. All rights reserved,
courtesy Karsten Schubert, London.

courtauld.ac.uk

Inspired!

Brook Street: An Artist’s Eye, A selling exhibition in association with Adrian Sassoon, Sibyl Colefax & John Fowler, 39 Brook Street, London W1, 7th October – 27th October 2015

Hitomi Hosono Large Cherry Blossom Bowl, 2013 Moulded, carved and hand-built porcelain with interior of dancing sprigs H.21.5 Dia.26cm (H.8 1 / 2 Dia.10 1 / 4in)

Hitomi Hosono
Large Cherry Blossom Bowl, 2013
Moulded, carved and hand-built porcelain with interior of
dancing sprigs
H.21.5 Dia.26cm (H.8 1 / 2 Dia.10 1 / 4in)

Combine the showroom interiors and fabrics of Sibyl Colefax & John Fowler with the vision of the Japanese-born ceramicist Hitomi Hosono and the result is perfection.  One can easily understand why her works are in museum collections, including the British Museum and the V&A.

Hitomi Hosono A Large Orange Coral Bowl, 2014 Moulded, carved and hand-built coloured porcelain H.15.5 Dia.34cm (H.6 1 / 8 Dia.13 3 / 8in)

Hitomi Hosono
A Large Orange Coral Bowl, 2014
Moulded, carved and hand-built coloured porcelain
H.15.5 Dia.34cm (H.6 1 / 8 Dia.13 3 / 8in)

She says of this exhibition: “I enjoyed time spent in the Sibyl Colefax & John Fowler town house. The sumptuous interiors populated by an incredibly diverse collection of antiques and works of art were fascinating. I found myself drawn particularly towards objects with a history of trade and the Far East. In this magnificent English house a sense of cross-cultural spirit has flourished. One Colefax and Fowler fabric pattern which caught my eye featured beautiful roses and pansies, which appeared to be moving as if blown by a gentle summer breeze. The softness and delicacy of rose petals is something that I wish to communicate in my own work and has led me to explore new forms and ways of aligning sweeping porcelain petal elements along a curve, emanating from multiple dense centres.”

Hitomi Hosono Large Grape Bowl, 2015 Moulded, carved and hand-built porcelain with yellow gold leaf interior H.23.5 Dia.25.5cm (H.9 1 / 4 Dia.10in)

Hitomi Hosono
Large Grape Bowl, 2015
Moulded, carved and hand-built porcelain with yellow gold
leaf interior
H.23.5 Dia.25.5cm (H.9 1 / 4 Dia.10in)

Sibyl Colefax & John Fowler’s design director, Philip Hooper commented: “Hitomi’s work represents all I admire in contemporary ceramics. The craftsmanship, patience, vision and technical skill involved in creating these fragile pieces is almost beyond comprehension. I am thrilled that she has found so much inspiration in 39 Brook Street and that it has been a catalyst in helping her to create many new pieces that will be on show for the first time”.

Hitomi Hosono A Pale Peach Cherry Blossom Box, Dancing Top, 2015 Moulded, carved and hand-built coloured porcelain with red gold leaf interior H.20 Dia.14.5cm (H.7 7 / 8 Dia.5 3 / 4in)

Hitomi Hosono
A Pale Peach Cherry Blossom Box, Dancing Top, 2015
Moulded, carved and hand-built coloured porcelain with red
gold leaf interior
H.20 Dia.14.5cm (H.7 7 / 8 Dia.5 3 / 4in)

I think that many people will agree with these sentiments and find this a sublime show

 

http://www.sibylcolefax.com.

http://www.adriansassoon.com

 

A GENTLE REMINDER

The Esher Hall Antiques & Fine Art Fair, Esher Hall, Sandown Park Racecourse, Portsmouth Road, Esher, Surrey KT10, 9th – 11th October 2015,

Dame Laura Knight Giselle 1956 Kaye Michie Fine Art

Dame Laura Knight
Giselle 1956
Kaye Michie Fine Art

This is the eighth edition of this fair which attracts thirty specialist dealers many of which are BADA or LAPADA members.  There is a mixture of traditional, contemporary and unusual pieces on offer.

http://www.esherhallfair.com