BOOK REVIEW: A Brush with Brown

A Brush with Brown

The Landscapes of ‘Capability’ Brown

Tim Scott Bolton

Dovecote Press
ISBN 978-0-9929151-3-1
£25.00

 

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In his thoughtful introduction Prince Charles reminds us that Brown was made Chief Master Gardener at Hampton Court Palace by George III and that he restructured the grounds of Buckingham House  ‘the foundations of which survive today as the gardens of Buckingham Palace’.

For this really enjoyable celebration of ‘Capability’ Brown’s genius the accomplished artist Tim Scott Bolton visited and recorded nearly a third of the gardens Brown is known to have been involved with from the north of England to the south.  The text is also enriched by Scott Bolton’s observations on the thoughts and processes behind his pictures.

I shall leave you with this thought:

A contemporary of ‘Capability’ Brown’s once said to him, ‘I very earnestly wish I may die before you, Mr Brown.’

‘Why so?’ he replied.

‘Because I would like to see Heaven before you have improved it.’”

 

 

http://www.dovecotepress.com

HS Projects in the Sala Brasil

What separates us, Sala Brasil, the Embassy of Brazil in London, 14-16 Cockspur Street, London SW1, until 2nd July 2016

Rodrigo Matheus A Tale in a Thousand, 2016 mixed media dimensions variable Photo credit: Panayiotis Sinnos Funded by Arts Council England

Rodrigo Matheus
A Tale in a Thousand, 2016
mixed media
dimensions variable
Photo credit: Panayiotis Sinnos
Funded by Arts Council England

I had the pleasure of visiting and writing about HS Projects Paradigm Store in the autumn of 2014 and now I am delighted to tell you about this exhibition of Brazilian artists – Tonico Lemos Auad, Adriano Costa, Rodrigo Matheus and Matheus Rocha Pitta.

HS Projects have great skill in marrying their exhibitions with the venues involved.  This one in the Sala Brasil which has themes of trade and travel examines the value of things, including art and reflects a space that has been a centre for shipping (Hamburg America Line, P&O) and trade.  Do try and get along and see it – it is thought provoking and fun.

Adriano Costa Novos Contemporâneos / New Contemporaries-tea time 2015 Site specific installation print on fabric Dimensions variable Ed. of 2 + 1 AP Photo credit: Panayiotis Sinnos Funded by Arts Council England

Adriano Costa
Novos Contemporâneos / New Contemporaries-tea time 2015
Site specific installation print on fabric
Dimensions variable
Ed. of 2 + 1 AP
Photo credit: Panayiotis Sinnos
Funded by Arts Council England

What separates us is funded by the Arts Council with the Brazilian Embassy in London, Christie’s Education and Sound in the City as additional supporters.

 

Opening hours: Tuesday – Saturday 12 – 6pm or by appointment

 

http://www.hsprojects.com

Advance Warning – Ceramics, 25th June 2016

Prestige Ceramic Fairs – London Fair, Kensington Town Hall, Conference Events Centre, Hornton Street, Kensington, London W8, 25th June 2016

Juno Antiques Early London decorated small Chinese teapot and cover, enamelled with white flower heads on a green seeded ground, surrounded by red and gilt tramline cartouches, c.1740.

Juno Antiques
Early London decorated small Chinese teapot and cover, enamelled with white flower heads on a green seeded ground, surrounded by red and gilt tramline cartouches, c.1740.

This twice yearly fair is a must do for those who collect ceramics whether 18th and 19th century British porcelain and pottery or their oriental equivalent.  It is nice that such a fair with its twenty plus specialist dealers still exists in the capital.

http://www.prestigeceramicfairs.com

www.junoantiques.com 

Pangolin London

Sculpture in the Garden, Pangolin London, Kings Place, 90 York Way, LondonN1, until 9th July 2016

Sculpture in the Garden at Pangolin London. Courtesy of Pangolin London, Steve Russell Studios.

Sculpture in the Garden at Pangolin London.
Courtesy of Pangolin London, Steve Russell Studios.

I don’t know how many of you recall my ‘Sculpture in the Home blog from May 2014 but this new exhibition is the second in the series of exhibitions the gallery is planning to show sculpture in a different way.

Jon Buck, Matrilinear, 2014, Bronze, Edition of 5, 58 x 38 x 18cm. Pangolin London

Jon Buck,
Matrilinear, 2014,
Bronze, Edition of 5, 58 x 38 x 18cm.
Pangolin London

The gallery has been skilfully turned into a combination of formal, woodland and walled gardens which are beautifully ‘peopled’ with sculptures by artists including Anthony Abrahams, Jon Buck, Bruce Beasley, Geoffrey Clarke, Ann Christopher RA, Lynn Chadwick, Michael Cooper, Terence Coventry, Bryan Kneale RA, Jeff Lowe, Charlotte Mayer, Breon O’Casey, William Pye, Merete Rasmussen, Peter Randall-Page RA, Almuth Tebbenhoff and William Tucker.

Sculpture in the Garden at Pangolin London. Courtesy of Pangolin London, Steve Russell Studios.

Sculpture in the Garden at Pangolin London.
Courtesy of Pangolin London, Steve Russell Studios.

This is a refreshing experience and reminds us that sculpture works equally as well outdoors and need not be confined to interior spaces.

 

http://pangolinlondon.com/

Three Days

Crossing the Bridge, Willow Gallery, 40-41 Duke Street, St James’s, London SW1, 17th – 19th June 2016

Montague Dawson FRSA, RSMA 1895 - 1973 “Cleaving along, the Gilchrist” Canvas size: 20” by 30” Frame size: 28” by 38” Oil on canvas, signed

Montague Dawson FRSA, RSMA 1895 – 1973
“Cleaving along, the Gilchrist”
Canvas size: 20” by 30”
Frame size: 28” by 38”
Oil on canvas, signed

Although they are exhibiting at this year’s Olympia they are also holding this short show of European and British paintings from the 19th and 20th centuries which shows how painting evolved from the more academic traditions to Impressionism and onwards.  A nice hors d’oeuvres.

http://www.willowgallery.com

Behind the system

Fabio Lattanzi Antinori – Behind the system, Brun Fine Art, 38 Old Bond Street, London W1, until 28th June 2016

 And Then We Celebrated, 2015 Approx 70x50x25cm Somerset paper, screenprint, data from the last ten years of Lehman Brothers’ nancial trading, electric paint, custom supports. Edition: 2 of 5.

And Then We Celebrated, 2015 Approx 70x50x25cm
Somerset paper, screenprint, data from the last ten years of
Lehman Brothers’ nancial trading, electric paint, custom
supports. Edition: 2 of 5.

The Italian artist Fabio Lattanzi Antinori lives and works in London. The collapse in 2008 of Lehman Brothers served as the inspiration for his interactive works.  He manipulates commercial or financial data and their language to give us an unexpected but intriguing look “behind the system”.

The Abyss, 2013 2.20x1.20x1.0mt Sculpture + Data Resin, paint, microcontroller, steel, OLED display, acrylic, database containing descriptions of the cheapest goods on sale on amazon.co.uk and ebay.co.uk, an equal number of ameliorative synonyms and a selection of the most used adjectives of the last twenty years of advertising communication.

The Abyss, 2013 2.20×1.20×1.0mt
Sculpture + Data Resin, paint, microcontroller, steel, OLED
display, acrylic, database containing descriptions of the
cheapest goods on sale on amazon.co.uk and ebay.co.uk, an
equal number of ameliorative synonyms and a selection of the
most used adjectives of the last twenty years of advertising
communication.

http://www.brunfineart.com/

Belvedere, 2015 50x70cm One colour screen print on Somerset Paper 240gsm Edition: 1 of 6. Framed

Belvedere, 2015 50x70cm
One colour screen print on Somerset Paper 240gsm
Edition: 1 of 6. Framed

Hampstead Heath hosts the Affordable Art Fair

Affordable Art Fair, Hampstead Heath, London NW3, 16th – 19th June 2016

Sol Art An Apple a Day by Duda, mixed media on canvas, 70 x 95cm

Sol Art
An Apple a Day by Duda,
mixed media on canvas, 70 x 95cm

A hundred plus galleries and work from more than a thousand artists should mean that most visitors whether established or first timers should find something to grace their homes. Not surprisingly given the recent official 90th birthday celebrations for Her Majesty the Queen there will be works with a royal flavour.

Linda Blackstone God Save the Queen by Dganit Blechner, mixed media on canvas with paint, edition of 8 with 4 artist proof

Linda Blackstone
God Save the Queen by Dganit Blechner,
mixed media on canvas with paint, edition of 8 with 4 artist proof

Made in Arts London makes a welcome return to the Fair with works from graduates and students from London’s art colleges and reminds us how important it is to support and encourage new generations of creative talent.  The Fair’s charity partner this year is Anthony Nolan who work to help save those with blood cancer.

 

Made in Arts London Motion and Emotion by Kuniko Maeda, foam, plastic and metal wire, 40 x 30 x 15cm

Made in Arts London
Motion and Emotion by Kuniko Maeda,
foam, plastic and metal wire, 40 x 30 x 15cm

 

Manifold Editions SiD (green) by Dennis Morris, screen print, 96 x 75cm

Manifold Editions
SiD (green) by Dennis Morris,
screen print, 96 x 75cm

 

REN Fine Art In Safe Adventurous Hands by Kristin Vestgard, oil on canvas, 120 x 120cm

REN Fine Art
In Safe Adventurous Hands by Kristin Vestgard,
oil on canvas, 120 x 120cm

 

 

 

 

 

 

 

 

 

 

 

Mint Art Gallery Where Memories Linger by Laura Fishman, acrylic on canvas, 80 x 80cm

Mint Art Gallery
Where Memories Linger by Laura Fishman,
acrylic on canvas, 80 x 80cm

 

Hybrid Gallery Cinderella's Tails by Irene Jones, acrylic on panel, 26 x 22cm

Hybrid Gallery
Cinderella’s Tails by Irene Jones,
acrylic on panel, 26 x 22cm

 

 

 

 

 

 

 

 

 

 

 

http://affordableartfair.com/hampstead/

Clocks for the Wall and Hall

Lanterns and Taverns: Clocks for the Wall and Hall, Howard Walwyn Antique Clocks, 123 Kensington Church Street, London W8, 14th – 23rdJune 2016

 

Howard Walwyn is well known for his expertise in English horology and this summer he is holding a selling exhibition of these two popular types of clock with some thirty-five pieces on show.

An 18th century striking lantern clock, circa 1760, by John Thornton of Sudbury.

An 18th century striking lantern clock, circa 1760, by John Thornton of Sudbury.

It is not a strange coincidence that as the first domestic timekeeper brass lantern clocks have an enduring appeal and although known on the continent in the 16th century it was the early years of the 17th century before they were known here. There are some fine pieces on show, including a rare, small Commonwealth period lantern by Peter Closon, circa 1655-1660. The distinctively shaped tavern clock was around for about a hundred years from c1720 and one can quite understand why they suit both contemporary and traditional interiors nowadays.  There is a very fine rare, unrecorded example by Gabril Holland of Coventry.

A very attractive bombe shaped tavern clock of rare small size, circa 1765 by William Chalklen of Canterbury

A very attractive bombe shaped tavern clock of rare small size, circa 1765 by William Chalklen of Canterbury

There will be a series of lunchtime talks during the exhibition and the exhibition itself will also be shown on the Walwyn stand at The Art & Antiques Fair, Olympia, from 27th June to 3rd July.

 

http://www.walwynantiqueclocks.com

BOOK REVIEW: A Home to Kings and Emperors

A Day at Château de Fontainebleau

Guillaume Picon

Photography by Eric Sander

HC w/luxury slipcase, 224 pp., 170 illus.
ISBN: 978-2-08-020254-3
£25

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This attractive book takes us into the remarkable Château de Fontainebleau which has been the home of thirty-four French rulers.  For many years it was a centre of hunting for French kings and it was the place where Napoleon I abdicated in 1814 before his exile to Elba.  The fine interiors include those created for François I, Marie Antoinette, Napoleon, Josephine and Napoleon III. It provides a distinctive view of the various dynasties that have governed France and allows us to enjoy their story entwined with the history of this unique building.

editions.flammarion.com

Girls and their Pearls!

Maisie Broadhead – Pearls, Sarah Myerscough Gallery at Gallery S O. 92 Brick Lane, London E1, 10th-30th June 2016

Ball and Chain, 2016. Ed.6 Digital c-type and pearls, 108.5 x 83.5 cm

Ball and Chain, 2016.
Ed.6 Digital c-type and pearls,
108.5 x 83.5 cm

17th century female portraiture is the inspiration for this exhibition of new photographic and sculptural works and a video piece. In the 1600s wealthy families often had formal portraits of their young daughters painted to capture their beauty but also their wealth, expressed through the fabric of their clothes and through their jewels.

Hung, 2016. Ed.6 Digital c-type and pearls, 61 x 47 cm

Hung, 2016.
Ed.6 Digital c-type and pearls,
61 x 47 cm

Pearls were the most highly prized of that era and were also regarded as a symbol of purity and chastity. Their humorous use in these works, reflect the artist’s interest in the social history aspects of jewellery and give them a 21st century context.

Shackled, 2016. Ed.6 Digital c-type and pearls, 108.5 x 83.5 cm

Shackled, 2016.
Ed.6 Digital c-type and pearls,
108.5 x 83.5 cm

 

http://www.sarahmyerscough.com