Celebrating Living Old Masters

The Second Half Career Art Exhibition: Celebrating Living Old Masters, The Second Half Centre, St Charles Centre for Health and Wellbeing, Exmoor Street, London W10, 13th & 14th October 2016

‘The Curling Crest of a Wave’ hand sculpture by Ute Decker in 18 ct Fairtrade gold now found in the Victoria and Albert Museum Modern Jewellery and Silver Collections www.utedecker.com

‘The Curling Crest of a Wave’
hand sculpture by Ute Decker in 18 ct Fairtrade gold
now found in the Victoria and Albert Museum Modern Jewellery and Silver Collections
http://www.utedecker.com


This is the fifth year that The Second Half Foundation, founded by the philanthropist and author Lady Jill Shaw Ruddock CBE, has held this fund-raising event which celebrates continued creativity as we grow older.

The nine artists taking part this year had different jobs in their earlier lives before turning to artistic creativity in the second half. Among those taking part is the talented jewellery designer Ute Decker who is making a well-deserved name for herself through her sculptural jewellery.

‘Quiet Gestures Reaching Out’ arm sculpture in 100% recycled silver www.utedecker.com

‘Quiet Gestures Reaching Out’
arm sculpture in 100% recycled silver
http://www.utedecker.com

The participating artists donate 50% of the money raised to support the The Second Half Centre which is run by Open Age. There is also a silent auction of a special work created and donated by Edmund de Waal.

 

Private view – by invitation only: Thursday 13th October

Public open day: Friday 14th October 11am – 8pm

 

thesecondhalffoundation.com

AUCTION ALERT: Russian Imperial Glasses

Ceramics and Glass Sale, Chiswick Auctions, 1 Colville Road, London W3 8BL, October 11, 2016

A collection of Russian Royal glassware spanning major important reigns

A collection of Russian Royal glassware spanning major important reigns

This is an interesting group of Russian Imperial Glassware dating from the reigns of Catherine I (1725-1727) to Nicholas II (1868-1918).  Estimates range from £500 upwards.

 

http://www.chiswickauctions.co.uk/

Frieze London 2016

Frieze London, The Regent’s Park, London NW1 4NR, (the entrance is off Park Square West), 6th-9th October 2016

Pilar Corrias Gallery Shahzia Sikander Singing Suns, 2016 HD-Video Animation music by Du Yun 3'24"

Pilar Corrias Gallery
Shahzia Sikander
Singing Suns, 2016
HD-Video Animation music by Du Yun
3’24”

This year’s Frieze is a week earlier than usual and it and the accompanying Frieze Masters as well as the other Fairs taking place will make London an art lovers dream destination. Over a hundred and sixty specialist contemporary galleries from around the world are taking part and there will be a new section The Nineties where major, influential exhibitions from that era will be recalled.  The popular Focus and Live sections will also be making a welcome return.

Marian Goodman Gallery William Kentridge Sister Box, part of the Three Sisters series. Bronze Courtesy the artist and Marian Goodman Gallery, New York, Paris & London

Marian Goodman Gallery
William Kentridge
Sister Box, part of the Three Sisters series.
Bronze
Courtesy the artist and Marian Goodman Gallery, New York, Paris & London

The Director of Frieze Fairs, Victoria Siddall, sums it up saying: ‘Frieze has become known for its strong curated sections and this year I am particularly excited to see Nicolas Trembley’s selection of artists who changed the conversation in the 1990s. This adds to the great range and diversity of work shown throughout the fair by the world’s leading galleries. I am also thrilled that we will have two official museum acquisition funds at the fair this year, including the Frieze Tate Fund – this was used to purchase Tate’s first-ever performance work at Frieze Art Fair 2004, Roman Ondák’s Queue, which was shown for the recent opening of the new extension. In the fair’s non-profit programme, Raphael Gygax will give a new perspective on Frieze Projects, contributing to the many elements which will make this an unmissable week.’

Stephen Friedman Gallery Juan Araujo ‘Goethe’s Triangle’ 2016 Oil on canvas 40 x 30cm (15 3/4 x 11 7/8in) Copyright the artist. Courtesy the artist and Stephen Friedman Gallery, London. Photography: Bruno Lopes

Stephen Friedman Gallery
Juan Araujo
‘Goethe’s Triangle’ 2016
Oil on canvas
40 x 30cm
(15 3/4 x 11 7/8in)
Copyright the artist. Courtesy the artist and Stephen Friedman Gallery, London. Photography: Bruno Lopes

The popular Sculpture Park in The Regent Park’s English Gardens will have eighteen works on display (this year they will be on view until 8th January 2017). Clare Lilley (Director of Programme at Yorkshire Sculpture Park) who has both chosen and placed the works said: ‘From the contemplative and ephemeral to the robust and monumental, the exhibition includes the park’s first-ever conceptual work – a remaking of a rare 1969 piece by Ed Herring – and classic painted sculptures by Claes Oldenburg and Jean Dubuffet alongside a newly created work by Eddie Martinez.

Frieze Sculpture Park Claes Oldenburg, 'Fagend Study' (1975). Courtesy Luxembourg & Dayan

Frieze Sculpture Park
Claes Oldenburg, ‘Fagend Study’ (1975).
Courtesy Luxembourg & Dayan

 British post-war artists are represented by Eduardo Paolozzi, Barry Flanagan and Lynn Chadwick, whilst young and established international artists Nairy Baghramian, Zeng Fanzhi, Claude Lalanne, Huang Rui, Jose Dávila, Matthew Monahan and Goshka Macuga amplify the selection.

Mikayel Ohanjanyan, Renato Nicolodi, and Fernando Casasempere each offer newly made works, as does Conrad Shawcross, whose six-metre-high steel sculpture is a study for his major 2016 commission for the Greenwich Peninsula, while Henry Krokatsis’s imaginary sauna-shed reflects the traditional bandstands and shelters found in London’s parks.’

 The exhibition will captivate and energise both Frieze and Park visitors and I’m gratified that Camden Council has again agreed to extend the end date until January 2017, giving Londoners a wonderful cultural resource over the winter months.’

Lisson Gallery SIER160001-2 Santiago Sierra Línea de 30 cm Tatuada Sobre Una Persona Remunerada, Calle Regina # 51, Mexico D.F., Mayo 1998 / Person paid to have a 30 cm line tattoed on them, Regina Street # 51, Mexico City,May 1998, 2016 Black and White print 211 x 150 cm, 83 x 59 in © Santiago Sierra; Courtesy of Lisson Gallery

Lisson Gallery
SIER160001-2
Santiago Sierra
Línea de 30 cm Tatuada Sobre Una Persona Remunerada, Calle Regina # 51, Mexico D.F., Mayo 1998 / Person paid to have a 30 cm line tattoed on them, Regina Street # 51, Mexico City,May 1998, 2016
Black and White print
211 x 150 cm, 83 x 59 in
© Santiago Sierra; Courtesy of Lisson Gallery

 

Timothy Taylor Eddie MartinezUntitled, 2013 Oil paint and enamel on bronze 16.5 x 16.5 x 7.6 cm ©Eddie Martinez, courtesy Timothy Taylor, London Photo: Kristy Leibowitz

Timothy Taylor
Eddie MartinezUntitled, 2013
Oil paint and enamel on bronze 16.5 x 16.5 x 7.6 cm
©Eddie Martinez, courtesy Timothy Taylor, London
Photo: Kristy Leibowitz

 

303 Gallery The Nineties: Karen Kilimnik My blue pinafore sundress

303 Gallery
The Nineties: Karen Kilimnik
My blue pinafore sundress

 

 

 

 

 

 

 

 

 

 

CHEWDAY'S Female figure Marble 4500 - 4000 BC. H. 8 7/16 in. (21.4 cm) Courtesy CHEWDAY'S, London

CHEWDAY’S
Female figure
Marble
4500 – 4000 BC.
H. 8 7/16 in. (21.4 cm)
Courtesy CHEWDAY’S, London

 

Hauser & Wirth Louise Bourgeois Echo IV 2007 Bronze painted white, and steel 91.4 x 30.5 x 30.5 cm / 36 x 12 x 12 in © The Easton Foundation / DACS, London Courtesy the Foundation and Hauser & Wirth Photo: Christopher Burke

Hauser & Wirth
Louise Bourgeois
Echo IV
2007
Bronze painted white, and steel
91.4 x 30.5 x 30.5 cm / 36 x 12 x 12 in
© The Easton Foundation / DACS, London
Courtesy the Foundation and Hauser & Wirth
Photo: Christopher Burke

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Chi-Wen Gallery 《超距作用》Action at a Distance Three Channel Video Installation | Color, B&W | Stereo | 9min 16sec | 2015 Image Credit: Courtesy of the artist and Chi-Wen Gallery

Chi-Wen Gallery
《超距作用》Action at a Distance
Three Channel Video Installation | Color, B&W | Stereo | 9min 16sec | 2015
Image Credit: Courtesy of the artist and Chi-Wen Gallery

 

Proyectos Ultravioleta Vivian Suter Untitled Mixed media on canvas, n.d. 171 x 121 cm Installation view of Monstera Deliciosa Proyectos Ultravioleta, June 2016 Courtesy of the Artist and Proyectos Ultravioleta

Proyectos Ultravioleta
Vivian Suter
Untitled
Mixed media on canvas, n.d.
171 x 121 cm
Installation view of Monstera Deliciosa
Proyectos Ultravioleta, June 2016
Courtesy of the Artist and Proyectos Ultravioleta

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Laura Bartlett Gallery, Sol Calero Solo Pintura, 2016 Acrylic and mosaic on canvas 152 x 122.5 x 3 cm 59 7/8 x 48 1/4 x 1 1/8 in Courtesy Laura Bartlett Gallery, London

Laura Bartlett Gallery,
Sol Calero
Solo Pintura, 2016
Acrylic and mosaic on canvas
152 x 122.5 x 3 cm
59 7/8 x 48 1/4 x 1 1/8 in
Courtesy Laura Bartlett Gallery, London

 

 

 

frieze.com/fairs/frieze-london

 

FRIEZE MASTERS 2016

Frieze Masters, The Regent’s Park, London NW1 4HA, (the north-east corner of The Regent’s Park, near the London Zoo), 6th-9th October 2016

Prahlad Bubbar Ltd. Ladies celebrate Holi on a Pleasure Pavilion Leaf from an album made for Antoine Polier Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah Lucknow, India, c. 1775-1780 Opaque watercolour and gold on paper Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

Prahlad Bubbar Ltd.
Ladies celebrate Holi on a Pleasure Pavilion
Leaf from an album made for Antoine Polier
Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah
Lucknow, India, c. 1775-1780
Opaque watercolour and gold on paper
Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

 

The well-known architect Annabelle Selldorf has designed the structure for this the fifth edition of Frieze Masters and it will play host to one hundred and thirty-three leading historical and modern galleries from around the world.

BLAIN|SOUTHERN LONDON Lynn Chadwick, The Stranger, 1954, Courtesy The Estate of Lynn Chadwick and Blain|Southern, Photo: Matthew Hollow

BLAIN|SOUTHERN LONDON
Lynn Chadwick, The Stranger, 1954,
Courtesy The Estate of Lynn Chadwick and Blain|Southern,
Photo: Matthew Hollow

 

As Frieze’s Director Victoria Siddall commented: ‘The quality and breadth of work in Frieze Masters keeps it fresh and exciting each year. I am looking forward to seeing even more antiquities dealers in the fair, as well as Indian art, alongside the best Old Masters and 20th-century work. Curators play an important role in this fair as well as in our contemporary fairs, and this year we welcome Tim Marlow (Director of Artistic Programmes, Royal Academy, London) who is co-curating Frieze Masters Talks, and Toby Kamps of the Menil Collection in Houston who is presenting his first edition of Spotlight.

 Once again we will see galleries from different fields collaborate on ground-breaking presentations, as the fair continues to offer new models for looking at and collecting art.’

 

 

 

Daniel Crouch Rare Books Benjamin Read, View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836. Image courtesy of Daniel Crouch Rare Books.

Daniel Crouch Rare Books
Benjamin Read,
View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836.
Image courtesy of Daniel Crouch Rare Books.

 

Luxembourg & Dayan Robert Rauschenberg (1925-2008), Untitled (mud painting), 1953-1992 Courtesy Luxembourg & Dayan

Luxembourg & Dayan
Robert Rauschenberg (1925-2008),
Untitled (mud painting), 1953-1992
Courtesy Luxembourg & Dayan

 

Dr. Jörn Günther Rare Books AG Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328 image courtesy of Dr. Jorn Gunther Rare Books

Dr. Jörn Günther Rare Books AG
Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328
image courtesy of Dr. Jorn Gunther Rare Books

 

Mayor Gallery Ad Dekkers Relief met drie circkels 1967 Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

Mayor Gallery
Ad Dekkers
Relief met drie circkels 1967
Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

 

 

 

 

 

 

 

 

 

 

 

 

Waddington Custot Manolo Millares, Ínsula, 1967, mixed media on burlap. Courtesy Waddington Custot

Waddington Custot
Manolo Millares, Ínsula, 1967,
mixed media on burlap.
Courtesy Waddington Custot

 

Kallos Gallery Archaic Cretan Bronze Helmet, circa 650-620 BC. Credit Steve Wakeham & Kallos Gallery

Kallos Gallery
Archaic Cretan Bronze Helmet, circa 650-620 BC.
Credit Steve Wakeham & Kallos Gallery

 

Bernard Jacobson Gallery Robert Motherwell (1915-1991) Untitled (New England Elegy No.5) 1967 Oil on canvas 296.6 x 355.6 cms (116 3/4 x 140 ins) RM12608

Bernard Jacobson Gallery
Robert Motherwell (1915-1991)
Untitled (New England Elegy No.5)
1967
Oil on canvas
296.6 x 355.6 cms (116 3/4 x 140 ins)
RM12608

 

 

frieze.com/fairs/frieze-masters

The 2016 PAD LONDON

PAD LONDON, Berkeley Square, London W1, 3rd-9th October 2016

 

Matrice, Patrice, 2015 Fabrice Hyber, Vase d'Igny Pièces uniques, porcelaine Hight: 40 cm, diamètre: 11 cm Courtesy of Sevres

Matrice, Patrice, 2015
Fabrice Hyber, Vase d’Igny
Pièces uniques, porcelaine
Hight: 40 cm, diamètre: 11 cm
Courtesy of Sevres

This is the tenth edition of this Fair which combines design and art in a special way that appeals to international collectors.  Some sixty-six international galleries are taking part, including fourteen newcomers.

Christopher Duffy Abyss Horizon, 2016 High grade wood from Forest Stewardship Council managed forests and other controlled sources, glass, Courtesy of Sarah Myerscough

Christopher Duffy
Abyss Horizon, 2016
High grade wood from Forest Stewardship Council managed forests and other controlled sources, glass,
Courtesy of Sarah Myerscough

Among the latter is Sarah Myerscough who brings an exciting group of sculptural pieces to the Fair.  The Opera Gallery, also a newcomer, is bringing a display of works by Picasso and Léger as well as examples of Pop Art.

Fernand Leger Les Quatre Acrobates, 1954 Courtesy of Opera Gallery

Fernand Leger
Les Quatre Acrobates, 1954
Courtesy of Opera Gallery

Whether you are looking for an artefact from the 1st Millennium BC or the latest contemporary design PAD is the place to come to.

Nic Fiddian Green Dawn, 2016 Pendant, Blue Chrysomenlanite and 18k gold Courtesy of Louisa Guinness Gallery

Nic Fiddian Green
Dawn, 2016
Pendant, Blue Chrysomenlanite and 18k gold
Courtesy of Louisa Guinness Gallery

 

Exceptional Large Fruit Tray in Stoneware. Unique Piece. Jane Levy - Sevres Manufacture France, Sevres, dated 1939 H tray : 9 cm / 3.5 in. L tray : 69 cm / 27.2 in. D tray : 52 cm / 20.5 in. H fruits max : cm / in. Courtesy of DIDIER LUTTENBACHER , Atelier DL

Exceptional Large Fruit Tray in Stoneware. Unique Piece.
Jane Levy – Sevres Manufacture
France, Sevres, dated 1939
H tray : 9 cm / 3.5 in.
L tray : 69 cm / 27.2 in.
D tray : 52 cm / 20.5 in.
H fruits max : cm / in.
Courtesy of DIDIER LUTTENBACHER , Atelier DL

 

http://www.pad-fairs.com

1:54 Contemporary African Art Fair & Malick Sidibé

1:54 Contemporary African Art Fair, Somerset House, London WC2, 6th–9th October 2016

Dansez le Twist, 1965 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Dansez le Twist, 1965
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

This year’s fair features some forty leading specialist galleries drawn from eighteen counties with a total of over a hundred and thirty artists of African origin. One special feature is an exhibition of late Malian photographer Malick Sidibé (1935/6 – 2016) – he was not sure which year he was born in.

This is the first solo exhibition of his work and although being launched at the Fair it will continue as part of the Somerset House Winter Season.

Les Retrouvailles au bord du fleuve Niger, 1974 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Les Retrouvailles au bord du fleuve Niger, 1974
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Sidibé was the right man in the right place as he was in Mali’s capital Bamako at the time of the country’s independence and he very much caught the spirit of the place though his black -and-white imagery. There are forty-five original prints from the 60s and 70s on display and they are divided into three themed areas: ‘Au Fleuve Niger / Beside the Niger River’, ‘Tiep à Bamako / Nightlife in Bamako’, and ‘Le Studio / The Studio’.

Nuit du 31 Décembre, 1969 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Nuit du 31 Décembre, 1969
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Acknowledging Sidibé’s remark that “music freed us” the exhibition will have its own soundtrack which will recall not only the nightclubs where he took many of the images but also his own studio (Studio Malick) where “often it was like a party”. He was significantly the first African artist and photographer to be awarded a Golden Lion at the Venice Biennale in 2007.

Les jeunes bergers peulhs, 1972 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Les jeunes bergers peulhs, 1972
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

The exhibition Malick Sidibé: The Eye of Modern Mali continues until 15th January 2017.

 

1-54.com

www.somersethouse.org

A moi seul, 1978 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

A moi seul, 1978
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris