A Legacy of Beauty

JOSEPH DALTON HOOKER: A LEGACY OF BEAUTY – From Halesworth to the Himalayas, Halesworth Gallery, Steeple End, Halesworth, Suffolk IP19 8LL, 1st– 19th July 2017

Sarcococca hookeriana var.digyna by Elaine Searle (Chelsea School of Botanical Art’s course director),
watercolour and graphite, 35cm high x 25cm wide.
Common plant name: Sweet box

This is a wonderful celebration of the 19th century botanist and explorer Sir Joseph Dalton Hooker OM GCSI CB PRS  who succeeded his father as Director of Kew Gardens. The works are by the pupils and alumni of the Chelsea School of Botanical Art. Their founder and director, Helen Allen said:  We are delighted that the Halesworth Gallery has invited us to exhibit botanical paintings of plants relating to, and named after, Sir Joseph Dalton Hooker. We are also including other plant illustrations showing this traditional art.  This is a great opportunity for our School and its alumni, many of whom now earn their living through their painting.  We plan to show visitors the tools and the progression of creating a botanical painting, which traditionally combines art and science, through the work of present and past talented Chelsea School of Botanical Art students.”

Joseph Hooker, Director of Kew Gardens, London 1865.

“The list of plants named after Sir Joseph Dalton Hooker is extensive. Many of the species are no longer the same as they were when discovered by Hooker, some are very rare and protected. Therefore, in some cases, our artists have selected the current version to paint.  We will also be showing other botanical paintings and illustrations by our alumni.”

Echiveria x hookeri by Penny Price,
watercolour, 35cm high x 24cm wide.
Common plant name: Succulent

http://www.halesworthgallery.co.uk/

http://www.chelseaschoolofbotanicalart.co.uk/

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

Masterpiece London 2017 – Pangolin London

Pangolin London at Masterpiece London 2017, until 5th July 2017

LYNN CHADWICK (1914-2003)
Mobile, 1952
Steel and copper

Pangolin London has built up a strong reputation for it promotion of Modern British and contemporary sculptors and their estates through its exhibition programme. Their affiliation with the well-known sculpture foundry Pangolin Editions allows them to provide a welcome opportunity to commission, make and install new sculptures.

BREON O’CASEY (1928 – 2011) Reclining Nude, 2009
Acrylic on canvas

At the fair you will discover previously unseen works as well as sculptural jewellery.

ZAC EASTWOOD-BLOOM (b.1980)
Informazioni mangiato il mio tavolo’ (Information Ate My Table), 2016
Marble

 

www.pangolinlondon.com

www.masterpiecefair.com

Masterpiece London 2017 – E & H Manners

E & H Manners at Masterpiece 2017, until 5th July 2017

 

A Netherlandish Maiolica Jug, Utrecht
Dated 1558
Height to pewter thumbpiece: 21.8 cm
Height to top of rim: 19.0cm

This family-run Kensington Church Street firm will be well known to many collectors from the International Ceramic Fair and subsequently Art Antiques London. I am delighted to be able to tell you that they are now making their first appearance at Masterpiece.

A Large Meissen Octagonal Charger from the Christie-Miller Service
1740-44
34cm wide; 36 from point to point
Crossed swords mark with two dots in the pommels in under-glazed blue and Impressed numeral 22

They have built up a strong reputation for finding European ceramics of great rarity and quality and justifiably many of these pieces now adorn important public and private collections around the world.

A West Country Harvest Jug
Barnstaple or Fremington, Somerset
Dated 1771
32.3 cm. high
26.6 cm. wide

www.europeanporcelain.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

London Art Week – Tomasso Brothers

Canova and His Legacy , Tomasso Brothers Fine Art , Marquis House, 67 Jermyn Street, St. James’s, London SW1

Antonio D’Este (1754-1837)
(Workshop of)
Herm of Antonio Canova (1757-1822)
White Marble
55 cm (21 ½ in.) high
32 cm (12 ½ in.) wide

Having given a flavour of what exhibitions are on in Mayfair and St James’s in the post on Mayfair Art Weekend I thought it appropriate to focus on one gallery to indicate the myriad delights in store at London Art Week 2017 (30th June – 7th July 2017).

Antonio Canova (1757-1822)
Cast by Vincenzo Malpieri
Paris and Helen, 1812
Plaster
Paris: 72 x 30 x 26 cm
Helen: 67,5 x 33 x 29 cm
SIGNED
‘ANT • CANOVA • F • A • 1812’ (Paris)
PROVENANCE
Possibly Francesco Barisan, Castelfranco Veneto, Italy, purchased from Canova in 1814
Private collection, Veneto, Italy

How better than by marking the opening of Tomasso Brothers new gallery space with this exhibition which gloriously celebrates Antonio Canova’s genius and influence. Rafaello Tomasso says: “We chose Canova as a central subject for this exhibition because, like Michelangelo and Bernini, Canova was a revolutionary force in the field of sculpture.  His impact on the Italian School and beyond cannot be overstated.  Throughout the Neoclassical period his workshop represented the focal point of sculptural studies in Europe and for generations of marble carvers to come.  His legacy reached as far away as Denmark and Scotland, Germany and Spain.”

Cincinnato Baruzzo (1796-1878)
Baccante Cimbalista, 1837
White Marble
148 cm (58 ¼ in.) high

http://www.tomassobrothers.co.uk/

A Collectors’ Paradise

‘A Collectors’ Paradise’, Brian Haughton Gallery, 15 Duke Street, St James’s, London SW1, 30th June – Friday 7th July 2017

A Meissen porcelain dish by I Preissler, c 1725-1730 from CHRISTOPHE PERLES

This is a new feature for this busy period of the year when the Art World converges on London for the diverse exhibitions and auctions that make it such an exciting and desirable place to be in June. Taking part are London’s specialist dealers Brian Haughton and Robyn Robb and from Paris Christophe Perles and they will be offering fine examples of English and continental porcelain, pottery and faience.

A fine 18th century Worcester cup exquisitely painted with a Chinese figure holding a fringed parasol, c1752-53 from ROBYN ROBB

haughtongallery.co.uk

http://www.cperles.co

http://www.bada.org/art-and-antiques-dealers/d/robyn-robb/299

A very rare Chelsea asparagus box and cover, c 1755, length 18cm, Red anchor mark and numeral 13 to the interior of the cover from BRIAN HAUGHTON GALLERY