Ancient Landscapes Portrayed

‘British Art: Ancient Landscapes’, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 3rd September 2017

Alan Sorrell (1904–1974)
Sunrise Over Stonehenge
Watercolour on Paper
The Salisbury Museum

I am really grateful to Professor Sam Smiles (Emeritus Professor of Art History at the University of Plymouth) for his deep interest in archaeology and the history of art because they are engagingly combined in this important show. There is an accompanying catalogue by him too.

Eric Ravilious (1903-1942)
The Long Man of Wilmington,1939
Watercolour
© Victoria and Albert Museum, London

Prehistory in this country is celebrated in works from the 18th century onwards to the present time. Views of Stonehenge by Thomas Hearne, Charles Marshall, Constable, Turner, Henry Moore and Henry McKnight Kauffer are found among other archaeological sites both in Wiltshire and elsewhere. William Blake, John Piper, Barbara Hepworth and Derek Jarman are among the other artists you will experience in this hugely enjoyable exhibition.

Horace Brodzky (1885-1969)
Stonehenge, 1919
Linocut

The Museum’s Marketing Officer Louise Tunnard says: “We are so fortunate to live alongside the ancient landscapes that inspired these wonderful artists, and which remain relatively unchanged since pre historic times. I am hoping that we will inspire visitors to the exhibition to walk these landscapes too and discover their enduring appeal.” I am sure that they will!

J M W Turner (1775-1851)
Stonehenge c, 1827-28
Watercolour
The Salisbury Museum

 

http://www.salisburymuseum.org.uk/

Inspired by Rothschild Species

Creatures & Creations: Art by Platon H and designs by Mary Katrantzou inspired by Rothschild species, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 29th October 2017 (Wed-Sun)

Lionel Walter Rothschild and a tortoise, early 20th century;
Waddesdon (Rothschild Family) Photo © National Trust, Waddesdon Manor

The inspiration for this exhibition that combines digital art, fashion and animal specimens is Walter, 2nd Lord Rothschild and nephew of Waddesdon’s builder Ferdinand. Walter who lived at Tring Park. He was fascinated by natural sciences – birds, butterflies and giant tortoises. He even had zebras trained to draw his carriage. He was held in esteem and many species – creatures and plants – were named after him and known as ‘Rothschildi’.

Creatures & Creations, Waddesdon Manor.
Photo Derek Pelling (c) National Trust, Waddesdon Manor

 

Designs by Mary Katrantzou, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (50)

 

 

 

 

 

 

 

 

 

Fourteen Rothschild species – birds, butterflies and insects – have been the inspiration for the Greek artist Platon H’s digital collages which use their abstract natural patterns while the noted fashion designer Mary Katrantzou has created three couture gowns that celebrate the beauty of their nature. Combine this with specimens from the Natural History Museum at Tring, originally founded by Walter and opened in 1892 and it is an exhibition of wide appeal and imagination!

Galapagos Giant Tortoise from Tring Natural History Museum, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (14)

waddesdon.org.uk

http://www.nhm.ac.uk/visit/tring

 

Power and Portraiture

Power and Portraiture: painting at the court of Elizabeth I, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 29th October 2017 (Wed-Sun)

 

Nicholas Hilliard’s portraits of Queen Elizabeth I and Sir Amias Paulet at the Hamilton Kerr Institute.
Rothschild Family. Photo Tristan Fewings, 2017 © Getty Images

 Power and Portraiture: painting at the court of Elizabeth I is an intriguing display because it reveals these two portraits of Queen Elizabeth I and Sir Amias Paulet and makes an attribution to Nicholas Hilliard (?1547-1619) as their creator. Hilliard is of course celebrated for the exquisite miniatures executed in watercolour and vellum but documents exist that refer to his making pictures ‘in greate’ which means full-scale oil portraits.  The Pelican and Phoenix portraits of Elizabeth I are thought by scholars to be examples of works he painted or was involved with.

Power & Portraiture, Waddesdon Manor.
Photo Derek Pelling (c) National Trust, Waddesdon Manor

This is arrived at by comparing the depiction of faces, jewels and lace with Hilliard miniatures but the difference in scale between the two types of work must be factored in. These two portraits, which come from a branch of the Rothschild family, share the same similarities in style and technique. However scientific analysis at the Hamilton Kerr Institute reveals that rather than being painted on Baltic oak used in England they are on French oak. Sir Amias Paulet was England’s ambassador to France between 1576-79 and during part of his posting Hilliard was part of his household. The presence of Hilliard in France and the stylistic similarities with his other known works allows these ‘in greate’ pictures to be confidently attributed to him.

 

waddesdon.org.uk

 

‘The Caged Bird’s Song’

Chris Ofili: Weaving Magic, Sunley Room, The National Gallery, Trafalgar Square, London WC2, until 28th August 2017

Chris Ofili
The Caged Bird’s Song, 2014–2017
Wool, cotton and viscose
Triptych, left and right panels each 280 x 184 cm; centre panel 280 x 372 cm
Installation view, Chris Ofili: Weaving Magic, National Gallery, 26 April – 28
August 2017
© Chris Ofili. Courtesy the artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh. Photography: Gautier Deblonde

This is the first time that the Turner Prize winning artist Chris Ofili has worked in the medium of tapestry but I definitely think and hope that it will not be the last. Once again he looks at mythology for inspiration and combines it with the contemporary and the colour and the magic and tales of Trinidad. Alongside the tapestry woven in Edinburgh’s Dovecot Tapestry Studio, are the preparatory sketches for the piece.

Chris Ofili
The Caged Bird’s Song (She) 1, 2014
Watercolour and charcoal on paper
39.5 x 26.3 cm
15 1/2 x 10 3/8 in
© Chris Ofili
Courtesy the artist and Victoria Miro, London

The artist says of it: “The Caged Bird’s Song is a marriage of watercolour and weaving. I set out to challenge the weaving process, by doing something free-flowing in making a watercolour, encouraging the liquid pigment to form the image, a contrast to the weaving process. With their response, which is an interpretation rather than a reproduction, the weavers have paid a type of homage to the watercolour that I gave them as well as to the process of weaving.”

It is quite magical. After the exhibition it will go to The Clothworkers’ Company, who commissioned it, in the City of London and will be on permanent display there.

http://www.nationalgallery.org.uk

The Royal Academy’s Summer Exhibition

Summer Exhibition 2017, The Royal Academy of Arts, Burlington House, Piccadilly, London, W1, until 20th August 2017

 

I am grateful to John Kirkwood for visiting and writing about this exhibition:

 

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

This year’s Show is vibrant and exciting and varied across several media.  Of particular note is Yinka Shonibare’s Wind Sculpture VI in the Annenberg Courtyard which explores the notion of harnessing motion and freezing it in a moment of time.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Gilbert and George are showing a new large-scale work from their Beard Speak series and there are works by Phyllida Barlow, Anthony Gormley, Sean Scully, Bob and Roberta Smith and Wolfgang Tillmans – a very impressive line-up!

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Farshoud Moussavi has curated the Architecture Gallery which celebrates architecture by focusing on construction coordination drawings which show the full complexity of a building.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

The Charles Woolaston Award has been won by Isaac Julien for his five-screen film WESTERN UNION: Small Boats which is apparently inspired by Visconti’s The Leopard. I have to say as that is one of my favourite films I couldn’t really see the connection apart from the two films being set in Sicily, however it is well worth a look.

 

As always, the show is a real treat for art lovers and the standard remains as high as ever.

 

http://www.royalacademy.org.uk

Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

I thought I would share this interesting blog with you:

 

It is impossible to walk in a room designed by Garrow Kedigian and not be blown away immediately by his clear enthusiasm and passion for what he does. Born in Montreal, Garrow attended the McGill School of Architecture and trained with renowned designer William Hodgins in Boston before moving to New York to start his […]

via Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

MEMORY KEEPER

MEMORY KEEPER – Aleksandar Duravcevic, Ordovas, 25 Savile Row London W1, until 29th July 2017

I am grateful to John Kirkwood for visiting and writing about this exhibition:

Memory Keeper installation view,
photography by Mike Bruce

This is the gallery’s second show dedicated to the work of a single living artist and the first major presentation of the work of Aleksander Duravcevic and it is an exquisite gem of an exhibition.

For the two Double Life diptychs, 2017,  depicting a double rainbow above Victoria Falls each panel is scaled and prepared in exactly the same way as a Byzantine icon painting and has the same awe-inspiring effect on the viewer.

Memory Keeper installation view,
photography by Mike Bruce

Also on display is Monument to the unknown hero, 2016, where the glittering purple is in contrast to the black and white Falls and his film Waiting shows an old woman in Montenegrin dress outside her home deep in thought,

His Touch me not, 2017, is a book in stone with no words or pictures except the natural grain of the travertine stone.

Memory Keeper installation view,
photography by Mike Bruce

As you can see, a highly original and complex artist whose work requires detailed attention and whose talent seems to have no limits.

http://www.ordovasart.com

Gilded Furniture!

Gilded: Golden Treasures of Georgian Furniture, Mackinnon Fine Furniture, 5 Ryder Street,
St. James’s, London SW1

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720

This beautiful display of gilded furniture is an absolute joy to behold.  We are more used to gilded arms and legs on chairs and stools or gilt mirror and picture frames but this collection includes furniture where the whole piece is gilded such as this outstanding bureau cabinet. C1720. Originally one of a pair intended for the Portuguese royal court it is attributed to James Moore who worked for George I. It really is as good as it looks.

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720 – Interior

As Charlie Mackinnon rightly says: ‘Gilt furniture is synonymous with Georgian elegance and glamour.  Bringing this group of pieces together is a rare opportunity to explore the style in depth and understand its value and attraction—especially for contemporary collectors.’

A Pair of George III Giltwood Armchairs attributed to John Linnell, England, circa 1775

 

A George I Carved Gilt Gesso Settee of Rare Small Proportions, England circa 1720

 

A George II Giltwood Table in the manner of William Kent, England circa 1730

 

 

 

 

 

 

 

 

 

 

 

 

http://www.mackinnonfineart.com

Masterpiece London 2017 – Les Enluminures

Les Enluminures at Masterpiece London 2017, until 5th July 2017

THE “SOISSONS MISSAL”
Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated
initials by Vincent Master (active Northeast France, c.1260-90)
In Latin, illuminated manuscript on parchment
334 x 220 mm.

This firm’s specialises, under the leadership of Sandra Hindman, in manuscripts, miniatures, rings and jewellery from the Middle Ages and the Renaissance. They have garnered a colourful and rich selection of important acquisitions as these images show and one can totally understand why they number major institutions among their clients.

ROMAN OPEN-WORK HOOP “UTERE FELIX”
Roman Empire, 3rd century
Gold Weight 21.8 gr.; circumference 63.84 mm.; US size 10 5/8; UK size V

 

Histoire Ancienne jusqu’à César and Fait des Romains
In French, illuminated manuscript on parchment
With 78 miniatures by the Master of the Coronation of
Charles VI and a collaborator
France, Paris, c. 1370-80

www.lesenluminures.com

www.masterpiecefair.com