A Love Affair with France: The Elizabeth Stafford Collection, Christie’s New York 1st November 2018

nyrpahan-fig

Mimi Stafford in the Dining Room of her New York apartment. © Christie’s Images Limited 2018

I have known of this remarkable collection for nearly two decades and have caught fleeting glimpses of it from time to time in exhibition catalogues and elsewhere, I just wish I could have had the opportunity to meet Mrs Stafford. However, now we have the chance to encounter her and her discerning eye in this sale and some of the more important pictures will appear in specialist sales either just before the 1st November or later in that month.

Claude Lorrain

CLAUDE GELLÉE, CALLED LORRAIN (CHAMPAGNE 1600-1682 ROME landscape with Apollo guarding the herds of Admetus and Mercury stealing them oil on canvas 20 x 27.1/8 in. (50.8 x 68.8 cm.) $700,000 – $1,000,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

Elizabeth (Mimi) and her husband Frederick collected across a wide spectrum as the 1966-67 exhibition of their collection – “Odyssey of an art collector: unity in diversity -5,000 years of art” – at the Isaac Delgado Museum in New Orleans showed. Indeed in May this year Christie’s sold Brancusi’s La Jeune fille sophistiquée (Nancy Cunard) for US$ 71 million. It had been bought by them from the artist in 1955.

nyrpahad-fig

Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

Mimi’s abiding passion was the arts of 18th century France and it was this that formed the background to her daily life, first of all in a Maison Jansen designed apartment in Paris’s Avenue Foch and then later in a New York apartment that had been created for Mr and Mrs Robert R Young by Maison Jansen’s legendary Stéphane Boudin. Both apartments were the perfect backdrop for the paintings, porcelain, furniture and drawings she acquired with an unfailing eye. As her daughter E. Alexandra Stafford says in an interview with Christie’s that “the first questions new friends asked when they entered the apartment was how could she live in such a museum? As they hesitated before sitting down on the silk brocade-covered 18th-century gilded chaise à la Reine, she would answer: ‘No problem!’”

nyrpagzz-fig

Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

That, of course, is how it should be as such things were made to be used and I am sure that Mimi Stafford would be excited and delighted that things she loved and cherished will be going on to new owners and enriching their lives.

stafford-d

The niche in the Stéphane Boudin-designed New York apartment’s salon, or living room, displayed a selection of the Sèvres bleu céleste that forms the core of the porcelain collection — including an oval bottle cooler from the first service made for Louis XV. © Christie’s Images Limited 2018

 

Étienne Aubry

ÉTIENNE AUBRY (VERSAILLES 1745-1781 PARIS) ‘La Turque’, presumed portrait of Mademoiselle Duthé Oil on canvas 25 3/8 x 32 in. (64.3 x 81.3 cm.) $300,000 – 500,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

 

LOT 1229

Lot 1229 A LOUIS XV ENAMELLED GOLD CARNET DE BAL MARKED PARIS, 1773, WITH CHARGE MARK OF JULIEN ALATERRE, 1768-1775, AND DECHARGE MARK OF JEAN-BAPTISTE FOUACHE, 1775-1781 Rectangular with beaded borders, decorated with cornfower blue stripes, one side mounted with a miniature of a lady in white gown with gold embroidery, the other side with a locket of woven hair under a gold script monogram, the hinged cover mounted with gold words SOUVENIR D’AMITIE, interior ftted with gold pencil case 3 æ in. (95 mm.) high $4,000–6,000 © Christie’s Images Limited 2018

 

B-A_After-nyrpahaa-fig

Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1212

1212 JEAN-AUGUSTE-DOMINIQUE INGRES (MONTAUBAN 1780-1867 PARIS) Portrait of Mrs. Jean-Pierre Granger, née Marie-Jeanne-Catherine Delaigle signed and dated in graphite ‘Ingres/ à Rome 1811’ (lower right) graphite 10 x 7æ in. (25.4 x 19 cm.) $200,000–300,000 © Christie’s Images Limited 2018

 

LOT 1963

Lot 1063 A PAIR OF FRENCH ORMOLU-MOUNTED CHINESE PORCELAIN TWO-LIGHT CANDELABRA THE PORCELAIN QIANLONG, THE MOUNTS PROBABLY BY ESCALIER DE CRYSTAL, 19TH CENTURY Each with a blue-glazed Chinese porcelain parrot on a rock work base fanked by coral-form ormolu branches. 9æ in. ( 25 cm.) high (2) $7,000–10,000 © Christie’s Images Limited 2018

 

Pissarro - Neige, soleil couchant, Eragny

CAMILLE PISSARRO (1830-1903) Neige, soleil couchant, Eragny signed and dated ‘C. Pissarro 94’ (lower left) oil on canvas 24 x 32 1/2 in. Painted in 1894 $2,000,000-3,000,000 Impressionist & Modern Art Evening Sale, November 2018 © Christie’s Images Limited 2018

 

Stafford Paris Apartment

Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1041

Lot 1041 JEAN-BAPTISTE CHARPENTIER (PARIS 1728-1806) Portrait of a man, traditionally said to be M. Larchey, son-in-law of the painter Jean-Baptiste Greuze, bust-length oil on panel, oval 7æ x 6Ω in. (19.7 x 16.5 cm.) $8,000–12,000 © Christie’s Images Limited 2018

 

Boudin Panel from New York apartment c1959

A panel from a set of boiserie installed by Stephane Boudin, circa 1959, 900 Fifth Avenue, New York City. © Christie’s Images Limited 2018

 

christies.com

BOOK REVIEW: Henri Samuel

Henri Samuel: Master of the French Interior

Written by Emily Evans Eerdmans, Foreword by Jacques Grange and Eva Samuel

Rizzoli

 ISBN: 978-0-8478-6186-6

 £57.95

HenriSamuel_cover

For someone who described himself as “a twentieth-century eclectic” Henri Samuel’s skill at historic design was truly remarkable. It was an innate skill since his interiors are not readily identifiable because they seamlessly blend the lifestyle, art and antiques of the very wealthy clients who used him, such as the Rothschilds, the Wrightsmans and the Gutfreunds. He learnt his craft with Jansen and Alavoine before setting up on his own when aged sixty-six.

We see the interiors he created for his clients on both sides of the Atlantic and remarkably they look as inviting and usable today as when first created.  He achieved this by acknowledging that however marvellous his clients’ collections may be they were in rooms that were meant to be lived in and so personal items and the occasional modern touch were subtly incorporated into the overall scheme. This is a book which has been long overdue because Henri Samuel certainly deserves to be in the Pantheon of the great interior designers.

 

 

https://www.rizzoliusa.com/

Chippendale at Wilton

VLUU L310W L313 M310W / Samsung L310W L313 M310W

South East facade of Wilton House. Copyright (c) Wilton House

Wilton House, near Salisbury, is an absolute delight combining architecture, fine interiors, paintings, sculpture and furniture with elegant gardens and the earliest Palladian Bridge in England. It has been the home of the Herbert family (Earls of Pembroke) since 1544.  It is famous for its suite of State Rooms which were designed by Inigo Jones and Isaac de Caux in the 17th century – many of you will recognise the Double Cube Room which has been used as a location for many films and television programmes but nothing quite prepares you for the wow factor of entering it for the first time.

In celebration of the Chippendale tercentenary the Earl and Countess have commissioned a small booklet that highlights Chippendale pieces within the house, including those which can be firmly attributed to his workshop. You will see many of these as you go around the house.

Chippendale at Wilton

.

The 10th Earl commissioned the architect Sir William Chambers to rebuild his London home, Pembroke House and also to provide designs for rooms. It is known from Chippendale’s Director that he provided furniture for these rooms.

Sadly the family papers no longer have any itemized accounts from Chippendale but a receipt for fifteen hundred pound eleven shillings certainly indicate the furniture maker had had a major commission. Other bills show that the firm was still patronised after Chippendale’s death when it was being run by his son Thomas Chippendale the Younger.

Among the items that are definitely ascribed to Chippendale’s workshop are the pair of bookcases in the Large Smoking Room which are en suite with the superb ‘Violin’ bookcase which can be seen in the view of the room. Elsewhere chairs, sofas, hall lanterns, tables, picture frames and pelmet boards remind us of Chippendale’s great design talent.

Smoking-Room-W-Pryce-2008-003 jpeg

The Large Smoking Room at Wilton House. Copyright (c) Will Pryce.

All in all I think the best word to sum up Wilton House is sublime!

 

http://www.wiltonhouse.co.uk/

BOOK REVIEW: Versailles – The Great and Hidden Splendours of the Sun King’s Palace

Versailles

The Great and Hidden Splendours of the Sun King’s Palace

 Catherine Pégard, Christophe Fouin

 Thames & Hudson
£50.00
ISBN: 9780500519868

9780500519868

Take one look at this book and you will clearly see why Versailles endures and attracts new admirers and visitors every year.  From the days of Louis XIV onwards the palace has acted like a magnet to all.

In this sumptuous volume the palace’s official photographers (Christophe Fouin, Thomas Garnier, Christian Milet and Didier Saulnier) take us on a journey, using images from their personal albums, that memorably reveals the place whether it be the Grand Apartments, Chapel, Orangerie or the private rooms of the King and his mistresses. The erudite captions tell of the history and treasures in these rooms and evoke a sense of what Versailles must have been like in the 17th and 18th centuries when the King was in residence.

It is and was a very different world and it is amazing to think that these rooms with their elaborate decoration and furnishings were part of everyday life for their royal inhabitants. Some spaces such as Madame de Pompadour’s “niche” in the Chapel or her maid’s bedroom are small and intimate while others such as the Hercules Salon or the Hall of Mirrors remind you that you are in the palace of a king.

There have been numerous books on Versailles over the years and to my mind this is the best! I shall revisit it frequently and no doubt linger a little over the picture of Madame Victoire’s library – a room I could very happily live in.

http://www.thamesandhudson.com

BOOK REVIEW: London Theatres

LONDON THEATRES

by Michael Coveney  (Author), Mark Rylance (Foreword), Peter Dazeley (Photographer)

Frances Lincoln
ISBN: 9780711238619
£30

 

 

This sumptuous book which explores a selection of London theatres is a must for theatre lovers everywhere.

It does not confine itself simply to the West End but also takes in architectural gems such as the Theatre Royal Stratford East and the Hackney Empire.  More intimate theatres like the Almeida and the Donmar are also included as well as hidden gems such as the Alexandra Palace Theatre.

It is also extremely useful when booking tickets online as you can have a look at the book and see the exact location of your seat whilst also admiring the surroundings in which you will find yourself.

 

http://www.quartoknows.com/Frances-Lincoln

 

I am grateful to John Kirkwood for reading and writing about this book

BOOK REVIEW: Villa Astor

VILLA ASTOR Paradise Restored on the Amalfi Coast

Introduction by The Right Honourable the Lord Astor of Hever

Text by Curt DiCamillo, Suzanne Tise-Isoré, Alexandra Campbell and Rita Vessichelli Pane Photography by Eric Sander

£40
Flammarion 
ISBN 978-2-08-137592-5

The Villa Astor has, as the cover illustration suggests, rather a splendid location in the town of Sorrento overlooking the Bay of Naples. A former American ambassador to Italy William Waldorf Astor (1848-1919) acquired the Villa and its surrounding properties in 1905 and then went on to transform it. He was certainly well practiced in such matters for in the United Kingdom he had an office at 2, Temple Place, and also homes at Hever Castle and Cliveden (he gave the latter to his son as a wedding present in 1906). As well as building up a large collection of classical sculpture at the Villa Astor he also had a Pompeian-style villa built on the east side of the gardens. Following Astor’s death the Italian government stepped in and said the sculpture collections and gardens should be protected and remain part of the villa.

 

It is a great survival having withstood different owners and World War II – and now following a restoration by the new owners, with the help of the famous French decorator Jacques Garcia. this extensively illustrated book celebrates the Villa in its full glory while telling the tale of its intriguing history. Can’t ask for much more really.

editions.flammarion.com

BOOK REVIEW: Robert Adam’s London

Robert Adam’s London

Frances Sands

£25

Archaeopress

Printed ISBN 9781784914622.

Epublication ISBN 9781784914639. 

This book is a delight and has wide appeal for devotees of Robert Adam’s architecture and interiors and lovers of London. Written by Dr Frances Sands (Curator of Drawings and Books at Sir John Soane’s Museum) to mark the exhibition held earlier there at the turn of the year it is a very much stand-alone volume too.  The starting point is Richard Horwood’s map of London (1792-99) and through this each of Adam’s projects can be discovered. It takes us on a fascinating stroll through the areas of London, both north and south of the river, where Adam worked and reveals that some buildings and interiors survive albeit much altered but certainly more than I had expected while others totally lost. So whether in the comfort of an armchair or in hand while searching the streets where Adam worked it is very much a book to savour and enjoy.

http://www.archaeopress.com