BOOK REVIEW: Robert Adam’s London

Robert Adam’s London

Frances Sands

£25

Archaeopress

Printed ISBN 9781784914622.

Epublication ISBN 9781784914639. 

This book is a delight and has wide appeal for devotees of Robert Adam’s architecture and interiors and lovers of London. Written by Dr Frances Sands (Curator of Drawings and Books at Sir John Soane’s Museum) to mark the exhibition held earlier there at the turn of the year it is a very much stand-alone volume too.  The starting point is Richard Horwood’s map of London (1792-99) and through this each of Adam’s projects can be discovered. It takes us on a fascinating stroll through the areas of London, both north and south of the river, where Adam worked and reveals that some buildings and interiors survive albeit much altered but certainly more than I had expected while others totally lost. So whether in the comfort of an armchair or in hand while searching the streets where Adam worked it is very much a book to savour and enjoy.

http://www.archaeopress.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

A new exhibitor at The Spring Decorative Antiques & Textiles Fair

The Spring Decorative Antiques & Textiles Fair, Battersea Evolution, Battersea Park, London SW11, 4th – 9th April 2017

Alison Elliott
Tinker
Oil on gesso panel
5.91 x 4ins (15 x 10cm)
Courtesy of Jonathan Cooper
Copyright Alison Elliott

This edition is slightly earlier than usual and its special stand – The Morning Room Revisited – near the fair’s entrance updates the traditional idea of such rooms by transforming them into a space where the outside can be brought in or as a place of display for collections.

Rebecca Campbell
The Artist’s Muse
Oil on linen
35.2 x 45.75ins (89 x 116cm)
Courtesy of Jonathan Cooper
Copyright Rebecca Campbell

The highly successful gallery Jonathan Cooper makes its first appearance at the fair and I feel sure that visitors will find much of interest among its fine contemporary artworks.

 

www.decorativefair.com

http://www.jonathancooper.co.uk

Retreat and Rebellion

Sussex Modernism: Retreat and Rebellion, Two Temple Place, London WC2, until 23rd April 2017

Duncan Grant (1885 -1978) Bathers by the Pond,c1920-21 Oil on canvas, 49x 90cm, Pallant House Gallery (Hussey Bequest, Chichester District Council) © 1978 Estate of Duncan Grant, courtesy Henrietta Garnett / DACS 2016

Duncan Grant (1885 -1978)
Bathers by the Pond,c1920-21
Oil on canvas, 49x 90cm,
Pallant House Gallery (Hussey Bequest, Chichester District Council)
© 1978 Estate of Duncan Grant, courtesy Henrietta Garnett / DACS 2016

While to many of us the coast or countryside of Sussex appear idyllic places to live in the first half of the 20th century avant-garde artists and writers were drawn to live there.  Their communities were experimental whether artistically or domestically.

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017 Two Temple Place, London WC2R 3BD All images courtesy of Two Temple Place and Rohan van Twest

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017
Two Temple Place, London WC2R 3BD
All images courtesy of Two Temple Place and Rohan van Twest

At Charleston Vanessa Bell and Duncan Grant not only painted but created interiors whose appeal lasts to the present day while at Ditchling Eric Gill and David Jones followed the arts and crafts tradition and at West Dean Edward James with Salvador Dali followed the Surrealist road (see my blog A Surreal Legacy, 07/12/2016).

David Jones (1895-1974) Madonna and Child in a Landscape, 1924 Oil on canvas, 61 x 61 cm, Ditchling Museum of Art + Craft © Trusteesof the David Jones estate. Image courtesy of Ditchling Museum of Art + Craft

David Jones (1895-1974)
Madonna and Child in a Landscape, 1924
Oil on canvas, 61 x 61 cm,
Ditchling Museum of Art + Craft
© Trusteesof the David Jones estate. Image courtesy of Ditchling Museum of Art + Craft

Add to this mix artists such as Edward Burra, Serge Chermayeff, Eric Ravilious, Henry Moore, John Piper, Lee Miller, Eileen Agar and Paul Nash and you will see how they individually reacted to their surroundings – some embracing and others more unsettled by them.

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017 Two Temple Place, London WC2R 3BD All images courtesy of Two Temple Place and Rohan van Twest

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017
Two Temple Place, London WC2R 3BD
All images courtesy of Two Temple Place and Rohan van Twest

The exhibition’s curator Dr Hope Wolfe summed it up saying: “The metropolis has long been assumed to be a catalyst for Modernism: a melting pot in which people from different places could meet, exchange ideas, and explore new ways of thinking and making. This exhibition asks what experimental artists, writers and makers of other kinds were doing in Sussex in the early twentieth century. For some, a rural retreat provided an opportunity for escape and alternative living. Enclaves were made of homes and communities, although works created in them are often suggestive of anxieties that accompanied attempts to break with convention. Others critiqued their new contexts, troubling the idea of Sussex as an idyll and sparking controversy with work created for local audiences. Comparing the lives and works of makers associated with different modernist movements, the exhibition illustrates how the regional setting both amplified their contrary energies and facilitated their attempts to live and represent the world differently. In turn, it shows how seemingly picturesque scenes were reimagined and transformed by the unsettled artist.”

 

 

Exhibition Opening Times: Monday, Thursday – Saturday: 10am – 4:30pm Wednesday Late: 10am – 9pm, Sunday: 11am – 4:30pm, Closed on Tuesday

www.twotempleplace.org

BOOK REVIEW: Pierre Gouthière: Virtuoso Gilder at the French Court

Pierre Gouthière: Virtuoso Gilder at the French Court

gouthiere-lo-res-frontcover

Christian Baulez and Charlotte Vignon. Contributions by Anne Forray-Carlier, Joseph Godla, Helen Jacobsen, Luisa Penalva and Emmanuel Sarméo

UK£54.95 / US$79.95
ISBN — 978-1-907804-61-8
Published by GILES in association with the Frick Collection

 

This is a wonderful book for anyone interested in 18th century French decorative arts and interiors. Published to accompany an exhibition – just closed at the Frick Museum but opening in Paris on March 16th – it is a detailed consideration of Gouthière’s work in every way.

9781907804618_interior_03

The essays by leading experts and scholars reveal his life and work; the architects and designers for whom he worked for and the craftsmen he used for the production of the finished commissions. There is a fascinating section on techniques and skills used in the creation of these stunning mounts.  Indeed Gouthière is believed to have invented dorure au mat – a matt finish for which his work is noted. The last essay considers the appeal of Gouthière’s name to 19th century British collectors and how things were often wrongly attributed to him.

gouthiere-0422-90

The last major work on Gouthière was published in 1912 and so this beautifully illustrated volume is extremely welcome, especially as it includes a catalogue raisonné of the forty-nine pieces that are definitely attributable to him. It’s interesting to note that he only once made furniture mounts and that was for a jewellery cabinet for Marie Antoinette which was sold after the French Revolution and most probably dismantled. I also hadn’t realised that he worked in silver-gilt on a dessert service and toilette set.

9781907804618_interior_04

It is sad to think that Gouthière (1732-1813) never regained the popularity he enjoyed up until the French Revolution in his lifetime but this book allows us to fully understand and appreciate just quite how talented a man he was and what a stunning legacy he left for us to enjoy today. While I will probably not get to see the exhibition I am more than consoled by the fact that I have a copy of the book – possibly the next best thing to owning a Gouthière piece!

The authors: Charlotte Vignon is Curator of Decorative Arts at The Frick Collection, New York. Christian Baulez is an historian of French 18th-century decorative arts and architecture and former Chief Curator at the Château de Versailles. Anne Forray-Carlier is Chief Curator of 17th- and 18th-Century Decorative Arts at the Musée des Arts Décoratifs, Paris. Joseph Godla is Chief Conservator at The Frick Collection. Helen Jacobsen is Chief Curator at the Wallace Collection, London. Luisa Penalva is Curator of Gold, Silver, and Jewelry Collections at the Museu Nacional de Arte Antiga, Lisbon. Anna Saratowicz-Dudyńska is Curator of Silver and Bronze at the Royal Castle, Warsaw. Emmanuel Sarméo is an independent scholar.

gouthiere-0422-9-1

Paris Exhibition: Or virtuose a la cour de France: Pierre Gouthière (1732-1813) will open at the Musée des Arts décoratifs,, 16th March – 25th June 2017.

gilesltd.com