Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

White Ceramics Win!

An Exhibition and Sale: Inspired by Blanc de Chine – The Anthony Collection of White Porcelain, Stockspring Antiques, 114 Kensington Church St, London W8, 7th – 14th June 2017

Mennecy pot-pourri and cover, c. 1750-55

There is something alluring about white porcelain where the only decoration is moulded or applied giving the pieces a sculptural quality and one can quite understand why collectors such as Thelma Chrysler Foy and Mrs Charles Allen Jnr were drawn to it.

St Cloud cups and saucers, left c. 1720-40; right c. 1730-50

Now this exciting collection of more than one hundred and ten pieces of porcelain – Chinese, French, Italian, English and Meissen – dating from c1640 – c1795 gives collectors a great chance to acquire fine examples of this genre.

Meissen coffee pot and cover, c. 1725-30

Garnered over a period of around twenty years the Anthony Collection reveals the influence of Chinese blanc de Chine on European porcelain factories and how these factories then created shapes that were European in origin. It is a fascinating visual feast.

Bow sucriers, c. 1752-54

http://www.antique-porcelain.co.uk

A message to you all

It is now twenty-two years since I first started writing about art and antiques in London and they have been great fun years. I am so truly grateful to all who have read my pieces whether regularly or occasionally.

As my partner is finally retiring and because of some health issues I have decided that now is probably as good a time as any to cut back on the number of blogs I post.  It will be a difficult and somewhat painful exercise as it has been a 24/7 routine but over the next month or so you will see a reduction in the number of blogs. However this is not farewell as I shall still continue to share exhibitions, events and books with you.

At BAFTA, 30th April 2017

An update: Sir Edward Heath – at home

An update: Sir Edward Heath – at home, until 1st November 2017

The view from Sir Edward’s bedroom window

Further to my post on Sir Edward’s home in Salisbury on 28th July 2016 I thought you may well be interested to know that Sir Edward’s bedroom – now used as a meeting room – is open to the public for the first time but retains its original contents. The artworks include watercolours by Thomas Bush Hardy, Peter Greenham and a gouache attributed to Giacomo Guardi. There are also pieces of Biedermeier furniture and a small occasional table which is thought to have been made by Sir Edward’s father. As I said last year this is great place to visit.

Biedermeier secretaire cabinet

 

A small mahogany occasional table possibly made by Sir Edward’s father.

 

 

 

 

 

 

http://www.arundells.org/

Stunning objects!

Gilded Interiors: French Masterpieces of Gilt Bronze, The Wallace Collection, Hertford House, Manchester Square, London, W1, until 30th July 2017

F292: Perfume Burner,
Pierre Gouthière, 1774 – 1775, detail.
© The Wallace Collection

We probably all have a vision of what an 18th century French interior may look like – white and gold panelling, commodes, chairs, sumptuous fabrics, tapestries or paintings, and gilded objects such as clocks or candelabra. The latter are probably the items we pay least attention too but you most certainly won’t after visiting this SUPERB exhibition.

F269: Mantel clock,
Jean-Baptiste Lepaute, 1781, detail.
© The Wallace Collection

We are able to study these objects closely and see the great attention to detail and the exquisite chasing and gilding techniques used. Two of the items on show belonged to Marie Antoinette. The comte d’Artois, the duc d’Aumont and the Prince Regent are other important patrons and clients from the 18th century whom you will discover. Only one of the wondrous pieces does not come from the Wallace Collection and that is a pair of firedogs bought by the future George IV.  They are included because they are the same model as a pair owned by the 4th Marquess of Hertford in his Paris home*.

F131: Candelabrum,
Possibly François Rémond, France, 1783 – 1786
© The Wallace Collection

These gilded wonders, which were such an important and integral part of the homes of the great and wealthy 18th century patrons, are the creation of artists such as Pierre Gouthière, François Rémond and Claude Pition and are important examples of 18th century French taste and stunning works of art in their own right.

F164: Candlestick,
Claude-Jean Pitoin, 1781, detail.
© The Wallace Collection

The exhibition is curated by Dr Helen Jacobsen, Senior Curator and Curator of French Eighteenth-century Decorative Arts at the Wallace Collection who has also written a book on this aspect of the Collection which I shall return to later.  She has also borrowed 18th century drawings from the Bibliothèque Municipale in Besançon which are by the noted architect and designer of interiors Pierre-Adrien Pâris and they reveal how Ancient Rome was a source of inspiration while others show how that inspiration was enacted upon.

F317: Table,
attributed to François Rémond, 1785 – 1787, detail.
© The Wallace Collection

I have now visited the exhibition three times but will return again and again because each time you see new details and appreciate even more the perfection of 18th century French decorative arts.

F258: Mantel clock, The Avignon Clock,
Pierre Gouthière, France, 1771
© The Wallace Collection

 

* This was not part of Sir Richard Wallace’s bequest and they are now in the Philadelphia Museum of Art.

 

http://www.wallacecollection.org