Chippendale at Wilton

VLUU L310W L313 M310W / Samsung L310W L313 M310W

South East facade of Wilton House. Copyright (c) Wilton House

Wilton House, near Salisbury, is an absolute delight combining architecture, fine interiors, paintings, sculpture and furniture with elegant gardens and the earliest Palladian Bridge in England. It has been the home of the Herbert family (Earls of Pembroke) since 1544.  It is famous for its suite of State Rooms which were designed by Inigo Jones and Isaac de Caux in the 17th century – many of you will recognise the Double Cube Room which has been used as a location for many films and television programmes but nothing quite prepares you for the wow factor of entering it for the first time.

In celebration of the Chippendale tercentenary the Earl and Countess have commissioned a small booklet that highlights Chippendale pieces within the house, including those which can be firmly attributed to his workshop. You will see many of these as you go around the house.

Chippendale at Wilton

.

The 10th Earl commissioned the architect Sir William Chambers to rebuild his London home, Pembroke House and also to provide designs for rooms. It is known from Chippendale’s Director that he provided furniture for these rooms.

Sadly the family papers no longer have any itemized accounts from Chippendale but a receipt for fifteen hundred pound eleven shillings certainly indicate the furniture maker had had a major commission. Other bills show that the firm was still patronised after Chippendale’s death when it was being run by his son Thomas Chippendale the Younger.

Among the items that are definitely ascribed to Chippendale’s workshop are the pair of bookcases in the Large Smoking Room which are en suite with the superb ‘Violin’ bookcase which can be seen in the view of the room. Elsewhere chairs, sofas, hall lanterns, tables, picture frames and pelmet boards remind us of Chippendale’s great design talent.

Smoking-Room-W-Pryce-2008-003 jpeg

The Large Smoking Room at Wilton House. Copyright (c) Will Pryce.

All in all I think the best word to sum up Wilton House is sublime!

 

http://www.wiltonhouse.co.uk/

Masterpiece London 2018, Royal Hospital Chelsea, South Grounds, London SW3 4LW, 28th June – 4th July 2018 (Preview: Wednesday 27th June)

Chelsea Pieta RW (1) a

A CHELSEA PIETA Circa 1761 Modelled by Joseph Willems (born in Brussels, 1715, died in Tournai, Belgium, 1766) 38.5 cm high Gold Anchor mark to reverse. E & H Manners

It really shows how time flies when one considers that the first Masterpiece was held in 2010 and hasn’t it continued to provide a scintillating cross-section of all the arts whether ancient, contemporary, fine or decorative? This year’s Fair, with its ‘reworked layout’ will no doubt see many collectors, curators and first-time buyers visit as well as those who just want to experience seeing the best on offer.

I have included a small selection of pieces which have particularly caught my eye.

hurst

An 18th Century German ormolu mounted marquetry commode in the manner of DavidRoentgen, the marble a later replacement, c. 1780. Measurements: w: 52.8” (134cm), h: 34.6” (88cm), d: 28.7” (73cm). Edward Hurst Ltd

 

Opening hours:

Preview (by invitation) on Wednesday 27 June, 11am – 9pm

Thursday 28 June, 11am – 9pm

Friday 29 June, 11am – 9pm

Saturday 30 June, 11am – 7pm

Sunday 1 July, 11am – 7pm

Monday 2 July, 11am – 9pm

Tuesday 3 July, 11am – 9pm

Wednesday 4 July, 11am – 9pm

RBC are the Principal Sponsor of Masterpiece London 2018.

New Art Centre 1

William Turnbull, Pandora, 1958-62, 156.2 x 120.6 x 22.9 cm. New Art Centre

 

3. SJP - 18th century German carved gold mounted quartz box, attributed to Hoffmann

An 18th century German gold mounted quartz box, attributed to Friedrich Ludwig Hoffmann, Berlin c.1760. S. J. Phillips

 

Mario_Dilitz_No174_2_S

Mario Dilitz, Austrian, b.1973 Boxing Boy with long Shorts (Artwork No. 174), Oak and red glue, 2018, 6 unique versions 96cm h x 35cm w x 20cm d, Sladmore Contemporary

 

Egyptian bust of bes

An Egyptian Limestone Bust of Bes Ptolemaic, Circa 3rd – 2nd Century BC? Kallos Gallery

 

49 - Monet

Claude Monet Le Bassin Aux Nymphéas Painted: circa 1918-20 Medium: Oil on canvas Size: 381⁄4” x 51” / 97cm x 130cm. Gladwell & Patterson

 

4. KRA - Pair of Louis XVI dishes on stands, Paris, 1785

A striking pair of Louis XVI dishes on stands made in Paris in 1785 and 1789 by the French silversmiths Henri Auguste and Robert Joseph Auguste. Engraved with the coronet and monogram of the infamous Harriet, Duchess of St Albans. Warmers added by Paul Storr in 1811. Koopman Rare Art

 

Apter-Fredericks

An exceptional and large pair of nodding figures which are one of a very small number of known pairs retaining their original costumes. Chinese, Circa 1821-1850. Height 26” 66cm. Apter-Fredericks Ltd

 

http://www.masterpiecefair.com;

Instagram: @masterpiecelondon; Twitter: @MasterpieceFair;

Facebook: Masterpiece London

Westminster’s Church Street, London NW8 – Present (24th June) and Past (Salisbury Cathedral)

Antiques Anonymous 2017 - image courtesy of Aerial Storytelling (Instagram @joelelman) (7)_preview

Antiques Anonymous 2017 – image courtesy of Aerial Storytelling (Instagram @joelelman) (7)

 Last September I had the pleasure of writing about a new antiques event taking place in the antique hub that is Church Street NW8 – the Antiques Anonymous Flea Market – and as the photographs show it was a successful and well-attended event. I am delighted to be able to tell you that a second edition takes place on Sunday, 24th June 2018 (11am-5pm, free entry). So do get along there for there is much to discover and enjoy, including food and music.

mose window internal picture plus drawing 007

Salisbury Cathedral – Moses and the Brazen Serpent Window. Courtesy of Salisbury Cathedral

I am unable to be there this time for I no longer live nearby but here in Salisbury there is a direct connection with Church Street which dates back to the late 18th century. In Salisbury Cathedral, above the High Altar, is a triple window depicting Moses and the Brazen Serpent which was given by the second Earl of Radnor, who lived in nearby Longford Castle. The scene, after a picture by John Hamilton Mortimer ARA, is a work in ‘pot-metal glass, enamel and stains’ * executed by Richard Askew who was working in Church Street for the glass painters James Pearson and his wife Eglington Margaret Paterson. What makes the window special is the technique used which was enamelling directly on to plain glass sheets before firing them. Askew also worked for William Duesbury at the Derby porcelain factory.

* Richard Askew – Derby Artist by Major W. H. Tapp, M.C.; The Antique Collector, April 1936.

 

 

http://www.antiquesanonymous.london

www.salisburycathedral.org.uk

BOOK REVIEW: Longford Castle

Longford Castle: The Treasures & The Collectors

Amelia Smith

 ISBN: 9781910787687

Publisher: Unicorn

£40.00

Longford full jkt draft latest.indd

I first learnt about Longford Castle and some of its treasures in an article in the 1968 Country Life Annual and have wanted to know more about it ever since. Well now both you and I can find out more in this fascinating book which is both well-written and well-illustrated.

 

Dating from Elizabethan times the house was acquired by the Bouverie family in 1717 and the story of how they built up the outstanding art collection which consists of Old Masters and family portraits – think Holbein, Claude, Reynolds and Gainsborough – is skilfully interwoven with the tale of the furnishings and decorations of the castle’s rooms which form the backdrop to the paintings.  It really is a celebration and a history of this great collection and house and is such a delight. It is a book I will return to time and time again!

 

http://unicornpublishing.org/

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

THE LAPADA FAIR 2017

LAPADA Art & Antiques Fair, Berkeley Square, Mayfair, London W1, 15th-20th September 2017

Once again Mayfair’s Berkeley Square plays host to the LAPADA Fair – can you believe it’s their ninth year there, time really does go by quickly?

Among the 110 plus participants at the fair bringing a tempting mixture of art and antiques from all periods is Mackinnon Fine Furniture and I thought you would be interested to see this pair of George II chairs known as the Newhailes House Armchairs which they are showing at the Fair. Dating from c1750-55 their mahogany frames are beautifully carved and pierced and have Chinoiserie stretchers. They are upholstered in their original signed Aubusson tapestry covers.

The chairs, originally a set of four, were acquired by the first Lord Hailes at a sale of the contents of his aunt’s house in Greek Street and remained at Newhailes House until c1928. They were in various American collections, including the Walter P Chrysler Collection.

Slightly earlier in date are these very important George II mahogany armchairs of c1745 which come from Warwick Castle and were part of suite acquired in the 18th century for the castle and where some can still be seen in the Cedar Drawing Room. They are upholstered in early 18th century Genoese silk velvet.

Whoever buys these chairs is going to be very lucky and have many years pleasure in owning them.

 

www.mackinnonfineart.com

http://lapadalondon.com

The 2017 20/21 British Art Fair

The 20/21 British Art Fair, Mall Galleries, The Mall, London SW1, 13th– 17th September 2017

Rose Hilton – Self Portrait with Model,
Oil on Canvas, 72 x 92 cm.

After a year’s absence – its old venue was no longer available – this popular Fair returns to central London. Its new venue is the Mall Galleries so very central indeed.

Ken Smith – Free Fall,
Hopton Wood Stone, 25 x 10 x 10 cm

The thirty-three leading dealers taking part bring a fine selection of works, especially Modern and Post War pieces. I have taken this opportunity to show some works from Messum’s who were founded in 1963 and specialise in paintings and sculpture.

David Blackburn (1939 – 2016) Gasometer and Orange Sky,
Pastel, 37 x 41 cm

http://www.britishartfair.co.uk