Moments of Pleasure

Juno Antiques – Moments of Pleasure, E & H Manners, 66C Kensington Church Street, W8, 27th June – 1st July 2017

Bristol or Liverpool tin-glazed charger, painted in a Ming Transitional style with a stag and surrounding figures, c.1750-60

Kensington – The Heart of Ceramics features four specialist dealers showing ceramics in Kensington Church Street

One of those taking part is Juno Antiques (Haydn Hansell, Paul McKay and Miles Thompson) who specialise in both 18th century British ceramics and pottery. This year their rather special exhibition celebrates their tenth anniversary. They also stock a good selection of 18th century European pieces as well as glass and enamels. They are certainly to be congratulated on this milestone. 

Rare large pair of hexagonal reticulated Chinese vases and covers, decorated in the London studio of James Giles, c.1750-60

http://www.junoantiques.com/

http://theheartofceramics.com/

Rare Meissen moulded sugar box and cover, painted with chinoiserie scenes reserved on a a ground of blue scales, c.1740

White Ceramics Win!

An Exhibition and Sale: Inspired by Blanc de Chine – The Anthony Collection of White Porcelain, Stockspring Antiques, 114 Kensington Church St, London W8, 7th – 14th June 2017

Mennecy pot-pourri and cover, c. 1750-55

There is something alluring about white porcelain where the only decoration is moulded or applied giving the pieces a sculptural quality and one can quite understand why collectors such as Thelma Chrysler Foy and Mrs Charles Allen Jnr were drawn to it.

St Cloud cups and saucers, left c. 1720-40; right c. 1730-50

Now this exciting collection of more than one hundred and ten pieces of porcelain – Chinese, French, Italian, English and Meissen – dating from c1640 – c1795 gives collectors a great chance to acquire fine examples of this genre.

Meissen coffee pot and cover, c. 1725-30

Garnered over a period of around twenty years the Anthony Collection reveals the influence of Chinese blanc de Chine on European porcelain factories and how these factories then created shapes that were European in origin. It is a fascinating visual feast.

Bow sucriers, c. 1752-54

http://www.antique-porcelain.co.uk

Garnitures at the V&A

Garnitures: Vase Sets from National Trust HousesV&A Museum, Cromwell Road, London SW7, until 30th April 2017

Set of Chinese porcelain vases, 17th century, Victoria and Albert Museum, London

Set of Chinese porcelain vases, 17th century,
Victoria and Albert Museum, London

This exhibition is a partnership between the National Trust and the V&A and is well worth visiting.

It consists of a mixture of ceramic and silver vases that truly do reflect the wealth and taste of their original owners in the 17th to 19th centuries when the garniture had its heyday. Garnitures usually consist of an odd number of vases which are united by their decoration and they would be displayed symmetrically on mantelpieces, on door cases and on the top of furniture.

Covered pot-pourri vase from Upton House, Warwickshire, soft-paste porcelain, 1762 – 64, Chelsea factory, London, England. © National Trust. Photograph Robert Morris

Covered pot-pourri vase from Upton House, Warwickshire, soft-paste porcelain, 1762 – 64, Chelsea factory, London, England.
© National Trust. Photograph Robert Morris

The first such sets were made up from pieces of Chinese porcelain in the 17thcentury but eventually they were made as sets in both China and Japan and of course from the 18th century onwards by British and European porcelain factories.  The decline in the popularity of garnitures meant that many were split up – a Sevres set from Upton House proves this point – and so complete sets are rare nowadays.

Three-piece ‘Hamilton’ vases from Saltram, Devon, about 1770 – 80, black basalt, Wedgwood and Bentley, Etruria, Staffordshire, England. © National Trust. Photograph Robert Morris

Three-piece ‘Hamilton’ vases from Saltram, Devon, about 1770 – 80, black basalt, Wedgwood and Bentley, Etruria, Staffordshire, England.
© National Trust. Photograph Robert Morris

The National Trust’s External Adviser on Ceramics, Patricia Ferguson, who has worked alongside the V&A’s senior curator Reino Liefkes, said: : “This display promises to change the way you see historic vases; they were almost always designed to be part of a set”.  She is also the author of the accompanying V&A and National Trust exhibition book: Garnitures: Vase Sets from National Trust Houses.

Five-piece chimney garniture from Blickling Hall, about 1804 – 7, soft-paste porcelain, Barr, Flight and Barr factory, Worcester, England. © National Trust. Photograph Robert Morris

Five-piece chimney garniture from Blickling Hall, about 1804 – 7, soft-paste porcelain, Barr, Flight and Barr factory, Worcester, England.
© National Trust. Photograph Robert Morris

vam.ac.uk/exhibitions/garnitures

Sir Edward Heath – at home

Sir Edward Heath – at home in Salisbury

Arundells - Entrance Front

Arundells – Entrance Front

Standing in the wonderful environs of Salisbury’s Cathedral Close is Arundells a beautiful house of Georgian appearance which in part dates back to the mid-thirteenth century.  It was from 1985 to 2005 the home of the former politician and Prime Minister Sir Edward Heath and although he had a long political career the house is very much a personal home which reflects all facets of his life. It is important to remember as you go round it that it remains very much as it was when he lived there.

The Entrance Hall

The Entrance Hall

Immediately on arrival at the entrance hall you get the welcoming flavour of the house and an idea of how the strands of his interests are skilfully woven together. This he achieved with the help of the designer Derek Frost. Many of the paintings in the hall reflect his love of sailing through depictions and models of the five Morning Cloud yachts he sailed and interspersed among them are Napoleonic prisoner-of-war ship models made from bone and rigged with fine strands of hair.  The maritime-inspired combined clock and barometer was a gift from President Nixon.  There are also drawings by Sickert and Augustus and Gwen John.

Sir Edward seated at the piano in the Drawing Room

Sir Edward seated at the piano in the Drawing Room

A photograph of a young Sir Edward with Augustus John and Dorelia can be seen in the adjoining drawing room which is dominated by a Steinway grand piano which Sir Edward played and upon which are photographs of politicians and world leaders.  Among the many artworks in the room are paintings by L S Lowry, Ken Howard RA, Derek Hill and a painting of Heath’s home town ‘Broadstairs’ by Sir Robert Ponsonby-Staples which was a gift from Sir John Betjeman, given as Sir Edward had so often admired it when visiting Betjeman. Two pieces of sculpture one of Sir Winston and Lady Churchill by Oscar Nemon and a bust of Sir Edward by Martin Jennings are worthy of inspection as are the carved Chinese pieces on the mantelpiece and to its right the display of blue and white porcelain including a large pair of bottle vases which were a gift from Chairman Mao.

Portocarrero ‘Girl in a Fantastic Costume Cuba’

Portocarrero
‘Girl in a Fantastic Costume Cuba’

Pictures in the corridor towards the dining room and library include two paintings by Sir Winston Churchill which he gave to Heath.  There is also a fine group of etchings by William Wyllie, two Singer Sargent’s and a painting by the Cuban artist Portocarrero which was a gift from Fidel Castro.

The Dining Room

The Dining Room

The dining room is hung with pictures by John Piper, including two Sir Edward commissioned himself.  The table is set for lunch which was one of his favourite ways of entertaining – roast lamb followed by Stilton cheese, halibut and lemon pudding were among his favourites as were Brussels sprouts – and from the place cards on view when I was there one gets an idea of the wide range of people he invited which included Princess Margaret, Sting and Sir Harold Wilson.  Dame Maggie Smith, Terry Wogan and Yehudi Menuhin are among other well-known guests. There is also a large group of ceramic pieces on display including Tang pottery, Sevres, Chelsea and Worcester porcelain as well as some Copenhagen Flora Danica.

A view of some of the ceramics in the Dining Room

A view of some of the ceramics in the Dining Room

The Library overlooking the garden contains the high wing-back chair Sir Edward favoured and it was where he would entertain and chat to colleagues and friends from all political parties and walks of life. The walls are adorned with 18th and 19th century Japanese prints which perfectly suit the room. One of the major achievements of his political life was a growing rapport between the UK and China which is also reflected throughout the house but he also obviously had an interest in their arts and culture which is particularly apparent in the panels of specially commissioned wallpaper on the staircase which relates the popular Chinese legend of the Monkey King. They were a house-warming present from two of his former Private Secretaries.

The Library

The Library

Upstairs is Sir Edward’s study which was his private sanctum and where he worked at a Georgian writing desk which had previously belonged to David Lloyd-George. Heath’s army career is also recalled in another room with uniforms and other memorabilia on show from when he was with the Royal Artillery during the War and later on with the Honourable Artillery Company. His Garter Banner hangs on an upstairs corridor wall.

The Study

The Study

Downstairs just beyond the stair hall is a short corridor which is hung with political cartoons by leading cartoonists such as Giles, Jak, Low and Trog, many of which feature Sir Edward.  He enjoyed sharing them with his visitors although sometimes I imagine it may have been a wry chuckle.

Emmwood ©The Daily Mail

Emmwood
©The Daily Mail

Outside the beautiful garden, an intriguing combination of open spaces and secluded areas, is very much as created for Sir Edward.  It stretches down to the confluence of the Rivers Nadder and Avon and reveals a wonderful view across to the meadows. In one corner is the restored bow of Morning Cloud III which was sunk by a freak wave in September 1974, and whose two crew members Nigel Cummings and Christopher Chadd (Sir Edward’s godson) tragically lost their lives.

The view from the end of the garden

The view from the end of the garden

At the front of the house with its view into the Close and of the Cathedral is an exhibition space in a building which used to house Sir Edward’s archive.  At present (until mid-August) there is a display focusing on ‘World Leaders of the 1970s: A Decade of Turmoil’ which features President Nixon, Leonard Brezhnev, Chairman Mao Zedong, Willy Brandt, Indira Gandhi, President Pompidou, Kakuei Tanaka, Pierre Trudeau and Henry Kissinger.  Interestingly enough the latter will be giving a lecture in London in October as part of a series of celebrations organised by the Sir Edward Heath Charitable Foundation to celebrate the centenary of Sir Edward’s birth (9th July, 2016). The following exhibition which runs until May 2017 is ‘Heath at 100: A Political Life in Cartoons’ which promises to be a fascinating way of remembering the major events of his time in politics.

Tang Dynasty Horse

Tang Dynasty Horse

My visit made a lasting impression and I would readily accept an offer to live there just as it is, because it’s a happy house of taste, comfort and history.  I can quite understand why Sir Edward fell in love with it at first sight and for us visitors today it is extremely fortunate that he was able to acquire the lease in 1992 and that he formed a charitable trust which allows us to share in the delights of Arundells and to remember Sir Edward, the man.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

http://www.arundells.org

Hiroshi Yoshida The Inland Sea Series

Hiroshi Yoshida
The Inland Sea Series

Masterpiece London 2016 – Preview

Masterpiece London 2016, The Bull Ring Gate Entrance, South Grounds, The Royal Hospital Chelsea, London SW3, 30thJune – 6th July 2016

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management 2015 Courtesy Masterpiece London

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management
2015
Courtesy Masterpiece London

Now in its 7th edition one can easily understand why Masterpiece has become a magnet for collectors and museum curators from around the world.  There is a great emphasis on quality and connoisseurship and the pieces on show reflect more than five thousand years of art history – and yes they are for sale.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Masterpiece’s chief executive Nazy Vassegh says: ‘I am delighted to announce so many exciting additions to this year’s fair. Masterpiece 2016 will have unrivalled depth and quality, and I am pleased that Masterpiece continues to strengthen every edition. We are looking forward to another great year.’

It truly is a must visit fair and allow yourself plenty of time because there are so many exciting things to see and tempt. Like me you may well want visit more than once.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Over the coming days I will post varied selections of what is on show.

 

http://www.masterpiecefair.com

AUCTION ALERT: Chelsea Porcelain

AUCTION ALERT:  Chelsea Porcelain – Hansons Auctioneers and Valuers Ltd, 1st July 2016
Knowing how many of you are interested in antique porcelain I thought I should share this lot which is part of Hansons Summer Fine Art Auction (30th-2nd July 2016):

 

‘Lot: 587

587-1

A pair of Chelsea Red Anchor chargers, both decorated by the same artist, circa 1756, Red Anchor mark, 32cm diameter (2)

No restoration or Damage

Estimate: £1200.00 – £1600.00’

 

www.hansonsauctioneers.co.uk

Advance Warning – Ceramics, 25th June 2016

Prestige Ceramic Fairs – London Fair, Kensington Town Hall, Conference Events Centre, Hornton Street, Kensington, London W8, 25th June 2016

Juno Antiques Early London decorated small Chinese teapot and cover, enamelled with white flower heads on a green seeded ground, surrounded by red and gilt tramline cartouches, c.1740.

Juno Antiques
Early London decorated small Chinese teapot and cover, enamelled with white flower heads on a green seeded ground, surrounded by red and gilt tramline cartouches, c.1740.

This twice yearly fair is a must do for those who collect ceramics whether 18th and 19th century British porcelain and pottery or their oriental equivalent.  It is nice that such a fair with its twenty plus specialist dealers still exists in the capital.

http://www.prestigeceramicfairs.com

www.junoantiques.com