BOOK REVIEW: Duveen Brothers And the Market for Decorative Arts, 1880–1940

Duveen Brothers And the Market for Decorative Arts, 1880–1940

Charlotte Vignon

UK£44.95 / US$59.95
Hardback ISBN 978-1-911282-34-1
D Giles Limited in association with The Frick Collection, New York, 2019

 

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The name of Duveen is well-known in the annals of the American trait of collecting European art treasures in the late 19th and early 20th centuries. Their story has previously been related in various volumes written by others, some of whom were family members or involved with the company. Understandably paintings predominated in these previous works but wonderfully at last the decorative arts get their well-deserved centre stage spot.

 

French 18th century furniture, tapestries, Sèvres and Chinese porcelains and medieval and Renaissance works of art were among the items sold to the eager, wealthy American collectors. Relating the story from the firm’s point of view Charlotte Vignon looks at the pricing of the objects and the Duveen’s run-ins with the US tax authorities in which Duveen succeeded and was able to continue to enhance the lives and homes of collectors such as J P Morgan, John D Rockefeller Jnr, Marjorie Merriweather Post, Anna Thomson Dodge and Henry Clay Frick. Thanks to the firm’s records and archives held at the Getty Research Institute, one gets a good understanding of how Duveen functioned in New York, London and Paris and obtained such beautiful treasures at a time when the owners of English and European family collections were selling parts of their heritage for financial reasons. The importance of the house of Duveen was reflected in 1937 when they loaned tapestries to decorate an annexe at Westminster Abbey for the Coronation of King George VI.

 

It’s a remarkable story of connoisseurship and reveals to present day visitors to American museums and collections how these remarkable objects came to be there. Perfect!

 

 

 

gilesltd.com

BOOK REVIEW: Fabergé Rediscovered

Fabergé Rediscovered

Wilfried Zeisler

ISBN: 978-1-911282-16-7

D Giles Ltd

In association with Hillwood Estate, Museum & Gardens

£35.00

9781911282167_FC

Catherine the Great Egg. Firm of Fabergé, 1914. Hillwood Estate, Museum & Gardens, acc. no. 11.81.1-2. © Hillwood Estate, Museum & Gardens / Photograph by Alex Braun

 

This new book focuses on the well-known collection of Fabergé at Hillwood and relates how new research and discovery of pieces thought to have been lost impact on items among the ninety or so pieces collected by Mrs Post.

We learn more about Fabergé’s firm in the 19th and early 20th centuries and its place in the world of goldsmithing and jewellery creation at that time.  It is a fascinating and beautifully illustrated study that will appeal to collectors and lovers of social history alike.

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Fig 143 (page 162) Marjorie Merriweather Post showing her Fabergé table clock to guests at Hillwood, Washington D.C., 1960s © Hillwood Estate, Museum & Gardens Archives

The chapter on Mrs Post as a collector of Fabergé is revealing and one understands what type of works appealed to her aesthetically and the reasons why some offers were turned down. She certainly had a discerning eye!

 

gilesltd.com

A Love Affair with France: The Elizabeth Stafford Collection, Christie’s New York 1st November 2018

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Mimi Stafford in the Dining Room of her New York apartment. © Christie’s Images Limited 2018

I have known of this remarkable collection for nearly two decades and have caught fleeting glimpses of it from time to time in exhibition catalogues and elsewhere, I just wish I could have had the opportunity to meet Mrs Stafford. However, now we have the chance to encounter her and her discerning eye in this sale and some of the more important pictures will appear in specialist sales either just before the 1st November or later in that month.

Claude Lorrain

CLAUDE GELLÉE, CALLED LORRAIN (CHAMPAGNE 1600-1682 ROME landscape with Apollo guarding the herds of Admetus and Mercury stealing them oil on canvas 20 x 27.1/8 in. (50.8 x 68.8 cm.) $700,000 – $1,000,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

Elizabeth (Mimi) and her husband Frederick collected across a wide spectrum as the 1966-67 exhibition of their collection – “Odyssey of an art collector: unity in diversity -5,000 years of art” – at the Isaac Delgado Museum in New Orleans showed. Indeed in May this year Christie’s sold Brancusi’s La Jeune fille sophistiquée (Nancy Cunard) for US$ 71 million. It had been bought by them from the artist in 1955.

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

Mimi’s abiding passion was the arts of 18th century France and it was this that formed the background to her daily life, first of all in a Maison Jansen designed apartment in Paris’s Avenue Foch and then later in a New York apartment that had been created for Mr and Mrs Robert R Young by Maison Jansen’s legendary Stéphane Boudin. Both apartments were the perfect backdrop for the paintings, porcelain, furniture and drawings she acquired with an unfailing eye. As her daughter E. Alexandra Stafford says in an interview with Christie’s that “the first questions new friends asked when they entered the apartment was how could she live in such a museum? As they hesitated before sitting down on the silk brocade-covered 18th-century gilded chaise à la Reine, she would answer: ‘No problem!’”

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

That, of course, is how it should be as such things were made to be used and I am sure that Mimi Stafford would be excited and delighted that things she loved and cherished will be going on to new owners and enriching their lives.

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The niche in the Stéphane Boudin-designed New York apartment’s salon, or living room, displayed a selection of the Sèvres bleu céleste that forms the core of the porcelain collection — including an oval bottle cooler from the first service made for Louis XV. © Christie’s Images Limited 2018

 

Étienne Aubry

ÉTIENNE AUBRY (VERSAILLES 1745-1781 PARIS) ‘La Turque’, presumed portrait of Mademoiselle Duthé Oil on canvas 25 3/8 x 32 in. (64.3 x 81.3 cm.) $300,000 – 500,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

 

LOT 1229

Lot 1229 A LOUIS XV ENAMELLED GOLD CARNET DE BAL MARKED PARIS, 1773, WITH CHARGE MARK OF JULIEN ALATERRE, 1768-1775, AND DECHARGE MARK OF JEAN-BAPTISTE FOUACHE, 1775-1781 Rectangular with beaded borders, decorated with cornfower blue stripes, one side mounted with a miniature of a lady in white gown with gold embroidery, the other side with a locket of woven hair under a gold script monogram, the hinged cover mounted with gold words SOUVENIR D’AMITIE, interior ftted with gold pencil case 3 æ in. (95 mm.) high $4,000–6,000 © Christie’s Images Limited 2018

 

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Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1212

1212 JEAN-AUGUSTE-DOMINIQUE INGRES (MONTAUBAN 1780-1867 PARIS) Portrait of Mrs. Jean-Pierre Granger, née Marie-Jeanne-Catherine Delaigle signed and dated in graphite ‘Ingres/ à Rome 1811’ (lower right) graphite 10 x 7æ in. (25.4 x 19 cm.) $200,000–300,000 © Christie’s Images Limited 2018

 

LOT 1963

Lot 1063 A PAIR OF FRENCH ORMOLU-MOUNTED CHINESE PORCELAIN TWO-LIGHT CANDELABRA THE PORCELAIN QIANLONG, THE MOUNTS PROBABLY BY ESCALIER DE CRYSTAL, 19TH CENTURY Each with a blue-glazed Chinese porcelain parrot on a rock work base fanked by coral-form ormolu branches. 9æ in. ( 25 cm.) high (2) $7,000–10,000 © Christie’s Images Limited 2018

 

Pissarro - Neige, soleil couchant, Eragny

CAMILLE PISSARRO (1830-1903) Neige, soleil couchant, Eragny signed and dated ‘C. Pissarro 94’ (lower left) oil on canvas 24 x 32 1/2 in. Painted in 1894 $2,000,000-3,000,000 Impressionist & Modern Art Evening Sale, November 2018 © Christie’s Images Limited 2018

 

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Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1041

Lot 1041 JEAN-BAPTISTE CHARPENTIER (PARIS 1728-1806) Portrait of a man, traditionally said to be M. Larchey, son-in-law of the painter Jean-Baptiste Greuze, bust-length oil on panel, oval 7æ x 6Ω in. (19.7 x 16.5 cm.) $8,000–12,000 © Christie’s Images Limited 2018

 

Boudin Panel from New York apartment c1959

A panel from a set of boiserie installed by Stephane Boudin, circa 1959, 900 Fifth Avenue, New York City. © Christie’s Images Limited 2018

 

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Chippendale at Wilton

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South East facade of Wilton House. Copyright (c) Wilton House

Wilton House, near Salisbury, is an absolute delight combining architecture, fine interiors, paintings, sculpture and furniture with elegant gardens and the earliest Palladian Bridge in England. It has been the home of the Herbert family (Earls of Pembroke) since 1544.  It is famous for its suite of State Rooms which were designed by Inigo Jones and Isaac de Caux in the 17th century – many of you will recognise the Double Cube Room which has been used as a location for many films and television programmes but nothing quite prepares you for the wow factor of entering it for the first time.

In celebration of the Chippendale tercentenary the Earl and Countess have commissioned a small booklet that highlights Chippendale pieces within the house, including those which can be firmly attributed to his workshop. You will see many of these as you go around the house.

Chippendale at Wilton

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The 10th Earl commissioned the architect Sir William Chambers to rebuild his London home, Pembroke House and also to provide designs for rooms. It is known from Chippendale’s Director that he provided furniture for these rooms.

Sadly the family papers no longer have any itemized accounts from Chippendale but a receipt for fifteen hundred pound eleven shillings certainly indicate the furniture maker had had a major commission. Other bills show that the firm was still patronised after Chippendale’s death when it was being run by his son Thomas Chippendale the Younger.

Among the items that are definitely ascribed to Chippendale’s workshop are the pair of bookcases in the Large Smoking Room which are en suite with the superb ‘Violin’ bookcase which can be seen in the view of the room. Elsewhere chairs, sofas, hall lanterns, tables, picture frames and pelmet boards remind us of Chippendale’s great design talent.

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The Large Smoking Room at Wilton House. Copyright (c) Will Pryce.

All in all I think the best word to sum up Wilton House is sublime!

 

http://www.wiltonhouse.co.uk/

Masterpiece London 2018, Royal Hospital Chelsea, South Grounds, London SW3 4LW, 28th June – 4th July 2018 (Preview: Wednesday 27th June)

Chelsea Pieta RW (1) a

A CHELSEA PIETA Circa 1761 Modelled by Joseph Willems (born in Brussels, 1715, died in Tournai, Belgium, 1766) 38.5 cm high Gold Anchor mark to reverse. E & H Manners

It really shows how time flies when one considers that the first Masterpiece was held in 2010 and hasn’t it continued to provide a scintillating cross-section of all the arts whether ancient, contemporary, fine or decorative? This year’s Fair, with its ‘reworked layout’ will no doubt see many collectors, curators and first-time buyers visit as well as those who just want to experience seeing the best on offer.

I have included a small selection of pieces which have particularly caught my eye.

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An 18th Century German ormolu mounted marquetry commode in the manner of DavidRoentgen, the marble a later replacement, c. 1780. Measurements: w: 52.8” (134cm), h: 34.6” (88cm), d: 28.7” (73cm). Edward Hurst Ltd

 

Opening hours:

Preview (by invitation) on Wednesday 27 June, 11am – 9pm

Thursday 28 June, 11am – 9pm

Friday 29 June, 11am – 9pm

Saturday 30 June, 11am – 7pm

Sunday 1 July, 11am – 7pm

Monday 2 July, 11am – 9pm

Tuesday 3 July, 11am – 9pm

Wednesday 4 July, 11am – 9pm

RBC are the Principal Sponsor of Masterpiece London 2018.

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William Turnbull, Pandora, 1958-62, 156.2 x 120.6 x 22.9 cm. New Art Centre

 

3. SJP - 18th century German carved gold mounted quartz box, attributed to Hoffmann

An 18th century German gold mounted quartz box, attributed to Friedrich Ludwig Hoffmann, Berlin c.1760. S. J. Phillips

 

Mario_Dilitz_No174_2_S

Mario Dilitz, Austrian, b.1973 Boxing Boy with long Shorts (Artwork No. 174), Oak and red glue, 2018, 6 unique versions 96cm h x 35cm w x 20cm d, Sladmore Contemporary

 

Egyptian bust of bes

An Egyptian Limestone Bust of Bes Ptolemaic, Circa 3rd – 2nd Century BC? Kallos Gallery

 

49 - Monet

Claude Monet Le Bassin Aux Nymphéas Painted: circa 1918-20 Medium: Oil on canvas Size: 381⁄4” x 51” / 97cm x 130cm. Gladwell & Patterson

 

4. KRA - Pair of Louis XVI dishes on stands, Paris, 1785

A striking pair of Louis XVI dishes on stands made in Paris in 1785 and 1789 by the French silversmiths Henri Auguste and Robert Joseph Auguste. Engraved with the coronet and monogram of the infamous Harriet, Duchess of St Albans. Warmers added by Paul Storr in 1811. Koopman Rare Art

 

Apter-Fredericks

An exceptional and large pair of nodding figures which are one of a very small number of known pairs retaining their original costumes. Chinese, Circa 1821-1850. Height 26” 66cm. Apter-Fredericks Ltd

 

http://www.masterpiecefair.com;

Instagram: @masterpiecelondon; Twitter: @MasterpieceFair;

Facebook: Masterpiece London

Westminster’s Church Street, London NW8 – Present (24th June) and Past (Salisbury Cathedral)

Antiques Anonymous 2017 - image courtesy of Aerial Storytelling (Instagram @joelelman) (7)_preview

Antiques Anonymous 2017 – image courtesy of Aerial Storytelling (Instagram @joelelman) (7)

 Last September I had the pleasure of writing about a new antiques event taking place in the antique hub that is Church Street NW8 – the Antiques Anonymous Flea Market – and as the photographs show it was a successful and well-attended event. I am delighted to be able to tell you that a second edition takes place on Sunday, 24th June 2018 (11am-5pm, free entry). So do get along there for there is much to discover and enjoy, including food and music.

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Salisbury Cathedral – Moses and the Brazen Serpent Window. Courtesy of Salisbury Cathedral

I am unable to be there this time for I no longer live nearby but here in Salisbury there is a direct connection with Church Street which dates back to the late 18th century. In Salisbury Cathedral, above the High Altar, is a triple window depicting Moses and the Brazen Serpent which was given by the second Earl of Radnor, who lived in nearby Longford Castle. The scene, after a picture by John Hamilton Mortimer ARA, is a work in ‘pot-metal glass, enamel and stains’ * executed by Richard Askew who was working in Church Street for the glass painters James Pearson and his wife Eglington Margaret Paterson. What makes the window special is the technique used which was enamelling directly on to plain glass sheets before firing them. Askew also worked for William Duesbury at the Derby porcelain factory.

* Richard Askew – Derby Artist by Major W. H. Tapp, M.C.; The Antique Collector, April 1936.

 

 

http://www.antiquesanonymous.london

www.salisburycathedral.org.uk

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

BOOK REVIEW: Gilded Interiors: Parisian Luxury and the Antique

Gilded Interiors: Parisian Luxury and the Antique

Helen Jacobsen

Imprint: Philip Wilson Publishers Ltd
Publisher: Philip Wilson Publishers Ltd

£19.95

ISBN: 9781781300589

 

This book is far more than just a souvenir of the recent seriously good exhibition at The Wallace Collection which focused on their gilt-bronze as it includes even more of the wonderful bronzes d’ameublement that are an important part of The Wallace’s justly famous collections of French eighteenth-century art.

Dr Jacobsen introduces us to the late 18th century Parisian interiors and the taste for the Antique setting the stage for these superbly designed and executed objects.  You will find clocks, firedogs, candelabra, mounted porcelain and even tables – which are then individually discussed in detail. It is beautifully illustrated with a combination of new photography and copies of original designs and proposals for both objects and interiors.  The book is a great celebration of 18th century connoisseurship and taste revealing the world of figures such as Marie Antoinette and the comte d’Artois and their circles. It is an absolute must for all interested in the interiors and the ‘douceur de vivre’ of the Ancien Régime.

 

www.ibtauris.com

Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

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From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com