Les Colombes in Salisbury, until 22nd July 2018  

Doves

Les Colombes – Salisbury Cathedral

Les Colombes, an installation which started out as a commemoration of the end of the First World War, has gained even greater significance since the nerve agent attack earlier this year in this historic city.  Doves are a symbol of peace and hope and so totally appropriate as an antidote to the events that took place here.

IMG_20180509_165007

Michael Pendry installing Les Colombes in Salisbury Cathedral, 9th May 2018

The artist Michael Pendry has exhibited these works at various places around the world and encourages local people to create new doves to add to the total number and has done the same here in Salisbury Cathedral where some 2,500 ‘fly’ in the nave.

IMG_20180509_171637

Les Colombes reflected in William Pye’s font in Salisbury Cathedral

The step of taking the doves into the shops and city is a beautiful one for it spreads the message of peace and hope into the community and perhaps, just as following the descent of the Holy Spirit onto the apostles at Pentecost enabled the Apostles to be understood by people of different nations, it will be one that resonates with the many visitors that come here from around the World.

Doves in Casa Fina, High Street, Salisbury (c)

Doves in Casa Fina, High Street, Salisbury (c)

The artist says of his work: “Although the doves are folded by different people in their unity they stand for a fundamental human right – the right to peace and freedom. The time has come to declare ourselves and to stand up for this! May the flock of doves grow, from place to place, from country to country, and across all borders. Peace, freedom, and sustainability in a world of change and disturbance are the key themes of my installations.”

May his words as we approach Pentecost 2018 be heard both near and afar and acted upon.

IMG_20180509_171656

Reflections in Salisbury Cathedral

https://www.salisburycathedral.org.uk/

http://www.michaelpendry.de/

https://www.visitwiltshire.co.uk/salisbury

www.casafinasalisbury.co.uk

#SalisburyCityofDoves

 

The Salisbury Museum: Goliath, until 1st June 2018

Goliath 5 April 2018The name Goliath conjures up various images in one’s mind – large imposing, strong, unbeatable – and therefore you could be excused for envisioning a statue even larger than Michelangelo’s ‘David’ in Florence. Well the celebrated sculptor Johannes von Stumm, a former President of the Royal British Society of Sculptors, offers a different approach.

Goliath 1 May 2018His ‘Goliath’ stands on the ‘Wessex Plinth’ outside Salisbury Museum and its form recalls the standing stones of this area. It is of West Country granite combined with a glass head which recalls the actual fragility of Goliath against the stone from David’s sling.

Politics is a vocation where one can see “Goliath-like” figures rise to an almost unassailable prominence and then as most recently seen in this Government be brought down quickly but fortunately not as permanently as David did so many centuries ago.

 

 

www.salisburymuseum.org.uk 

www.vonstumm.co.uk

www.gardengallery.uk.com

‘The sounds of Music’

Brian Graham – Towards Music, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 12th May 2018

 

30 Fanfare SMALL 72dpi

Brian Graham Fanfare for the Common Man for Aaron Copland, 2014 Mixed media on board 26cm x 34cm

In this show of some forty works the Dorset-born artist takes us on a journey into history with his ideas of how music-making and dance may have started. These painted reliefs reflect his long-held interest in the worlds of archaeology, anthropology and science and this juxtaposition with their titles which are either taken from notable works or figures in music and dance fire the viewer’s imagination to picture the past. It’s a show where – as the song says – “the melody lingers on”!

1 La Mer small 72dpi

Brian Graham La Mer for Claude Debussy, 2014 Mixed media on board 34cm x 26cm

www.salisburymuseum.org.uk

 ‘Art for Grenfell’ Auction, Sotheby’s London

 ‘Art for Grenfell’ Auction, Sotheby’s, 34-35 New Bond Street, London W1, 16th October 2017

 

I am going to let those involved with this auction tell you more about this generous act.

Tracey Emin
Loving You More, 2015
Estimate: £25,000-35,000

First the words of film producer Hamish McAlpine and Katie Heller who have spear-headed this auction: “The edifice of Grenfell Tower stands as a reminder of the terrible failure of society to look after its poorest people.  No one should have had to suffer the trauma that these people have endured. It is only right that we should do all we can to help in any way that we can and the artists have responded with immense generosity and goodwill.”

Rachel Whiteread
Open Door, 2007
Estimate: £8,000-12,000

The local North Kensington-based charity the Rugby Portobello Trust will divide the proceeds equally among the 158 surviving families. The Trust’s CEO Mark Simms said: “Thank you on behalf of The Rugby Portobello Trust and on behalf of the families and wider community affected by the Grenfell Tower fire. The Rugby Portobello Trust has pledged to support everyone who survived this disaster and to ensure all Grenfell residents receive the support they need. The monies raised by this auction will be delivered, in their entirety, directly to the former residents by The Rugby Portobello Trust.”

 

Sotheby’s UK Chairman and auctioneer for this sale Lord Dalmeny commented: “The Grenfell disaster has had a profound effect on all of us. We are very glad to be able to do something to help provide support to the victims.”

 

Wolfgang Tillmans
Freischwimmer 193, 2009
Estimate: £120,000-180,000

Thanks are most certainly also due to the artists involved, including Tacita Dean, Tracey Emin, Rachel Howard, Sarah Lucas, Harland Miller, Wolfgang Tillmans, Yinka Shonibare, Bob & Roberta Smith, Mark Wallinger and Rachel Whiteread. Gallerist and former Notting Hill resident Sadie Coles has also donated a piece from her own collection.

 

The works will be exhibited at Sotheby’s London from 12-16 October. A small selection of sale highlights will also be exhibited from 6-8 October

 

http://www.sothebys.com

Nature Morte

NATURE MORTE, Guildhall Art Gallery, Guildhall Yard, London EC2, until 2nd April 2018

Jim Skull,
Untitled, 2009, papier maché, perles de verre 1930, 90 cm,
Photo C.Lebedinsky

Not, of course the most pleasant of subjects but one which certainly deserves our attention in an exhibition which attempts to show how 21st century artists have brought back to life, if that’s not too unfortunate a term, a genre previously synonymous with the 16th and 17th centuries.

Victoria Reynolds,
Globular Cluster, 2015, Oil on canvas(framed) 42.1 x 52.2 cm overall (16.5 x 20.5 in.)
Photographer Brian Forrest

This is one of the largest exhibitions presented at the Guildhall Art Gallery and features works by Mat Collishaw, Michael Craig-Martin, Gabriel Orozco and Marc Quinn amongst others.  This is its last stop on an acclaimed European tour and will be augmented in London with new works from London-based artists including Clare Twomey and Michael Raedecker.

Mathew Weir,
There and Not There, 2017, Oil on Canvas, mounted on board, 60 x 45 cm (unframed)
© Mathew Weir

One standout photograph by Mat Collishaw is Last Meal On Death Row, Texas (Juan Soria) which depicts the last meals ordered by prisoners on death row and each image is named after the prisoner who ordered the meal. It’s that sort of exhibition, folks!

Saara Ekström,
Clouded Yellow Bud, 2007, stop frame animation transferred on DVD, loop

Nature Morte is based on Michael Petry’s recent Thames and Hudson book of the same name and brings together historic still life paintings and modern works reflecting the language of these earlier pieces.

Alexander James,
‘The Great Leveller’, 2010, from ‘Vanitas’,Chromogenic print, mounted to polished aluminium plate, Face mounted with museum grade ar acrylic, 19 x 25 cm (2)

http://www.guildhall.cityoflondon.gov.uk/art-gallery

James White,
Raid, 2013, Oil and varnish on acrylic sheet in, Perspex box frame,
88.5 x 88.5 x 5.5 cm,
Courtesy the artist and Blain Southern

 

I am grateful to John Kirkwood for visiting and writing about this exhibition

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

The 2017 20/21 British Art Fair

The 20/21 British Art Fair, Mall Galleries, The Mall, London SW1, 13th– 17th September 2017

Rose Hilton – Self Portrait with Model,
Oil on Canvas, 72 x 92 cm.

After a year’s absence – its old venue was no longer available – this popular Fair returns to central London. Its new venue is the Mall Galleries so very central indeed.

Ken Smith – Free Fall,
Hopton Wood Stone, 25 x 10 x 10 cm

The thirty-three leading dealers taking part bring a fine selection of works, especially Modern and Post War pieces. I have taken this opportunity to show some works from Messum’s who were founded in 1963 and specialise in paintings and sculpture.

David Blackburn (1939 – 2016) Gasometer and Orange Sky,
Pastel, 37 x 41 cm

http://www.britishartfair.co.uk