Royal Gifts

Royal Gifts – the Summer Opening of the State Rooms, Buckingham Palace, until 1st October 2017

Australian State Coach
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017. Photographer: David Cripps

From the moment you arrive at the Grand Entrance and espy the Australian State Coach, a gift to Her Majesty in 1988 from the people of Australia to mark the Australian Bicentenary, you know you are in for something rather exciting. Indeed many of the State Rooms are transformed by special displays of over two hundred gifts that have been presented to The Queen in the sixty-five years of her reign.

‘Royal Gifts’, the special exhibition at the Summer Opening of Buckingham Palace.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017.

You will discover a remarkable cross section of items and every gift reflects the donor whether a town, organisation or country.  Each in its own way is uniquely special. I am not going to mention examples because it is something to be experienced in person. I found it all fascinating and engrossing in a way that I had not expected but will remember for a long time.

A Royal Collection Trust member of staff adjusts the Vessel of Friendship, a model of the ‘treasure ship’ sailed by the 15th-century Chinese navigator and diplomat Zeng He. The model was presented to Her Majesty by President Xi Jinping of the People’s Republic of China during the State Visit to Buckingham Palace in October 2015.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017.

 

Members of Royal Collection Trust staff put the finishing touches to a display of gifts from around the United Kingdom as part of ‘Royal Gifts’, the special exhibition at the Summer Opening of Buckingham Palace.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017.

In the Music Room is a charming display to mark the twentieth anniversary of the death of Diana, Princess of Wales. Many of the objects and mementos on and around her desk from her Sitting Room in Kensington Palace were chosen by the The Duke of Cambridge and Prince Harry.

A tribute to Diana, Princess of Wales in the Music Room, one of the State Rooms open to the public as part of the Summer Opening of Buckingham Palace. The centrepiece of the display is the desk at which The Princess worked in her sitting room at Kensington Palace, writing letters and reading official briefings and correspondence.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017

www.royalcollection.org.uk

Inspired by Rothschild Species

Creatures & Creations: Art by Platon H and designs by Mary Katrantzou inspired by Rothschild species, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 29th October 2017 (Wed-Sun)

Lionel Walter Rothschild and a tortoise, early 20th century;
Waddesdon (Rothschild Family) Photo © National Trust, Waddesdon Manor

The inspiration for this exhibition that combines digital art, fashion and animal specimens is Walter, 2nd Lord Rothschild and nephew of Waddesdon’s builder Ferdinand. Walter who lived at Tring Park. He was fascinated by natural sciences – birds, butterflies and giant tortoises. He even had zebras trained to draw his carriage. He was held in esteem and many species – creatures and plants – were named after him and known as ‘Rothschildi’.

Creatures & Creations, Waddesdon Manor.
Photo Derek Pelling (c) National Trust, Waddesdon Manor

 

Designs by Mary Katrantzou, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (50)

 

 

 

 

 

 

 

 

 

Fourteen Rothschild species – birds, butterflies and insects – have been the inspiration for the Greek artist Platon H’s digital collages which use their abstract natural patterns while the noted fashion designer Mary Katrantzou has created three couture gowns that celebrate the beauty of their nature. Combine this with specimens from the Natural History Museum at Tring, originally founded by Walter and opened in 1892 and it is an exhibition of wide appeal and imagination!

Galapagos Giant Tortoise from Tring Natural History Museum, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (14)

waddesdon.org.uk

http://www.nhm.ac.uk/visit/tring

 

‘The Caged Bird’s Song’

Chris Ofili: Weaving Magic, Sunley Room, The National Gallery, Trafalgar Square, London WC2, until 28th August 2017

Chris Ofili
The Caged Bird’s Song, 2014–2017
Wool, cotton and viscose
Triptych, left and right panels each 280 x 184 cm; centre panel 280 x 372 cm
Installation view, Chris Ofili: Weaving Magic, National Gallery, 26 April – 28
August 2017
© Chris Ofili. Courtesy the artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh. Photography: Gautier Deblonde

This is the first time that the Turner Prize winning artist Chris Ofili has worked in the medium of tapestry but I definitely think and hope that it will not be the last. Once again he looks at mythology for inspiration and combines it with the contemporary and the colour and the magic and tales of Trinidad. Alongside the tapestry woven in Edinburgh’s Dovecot Tapestry Studio, are the preparatory sketches for the piece.

Chris Ofili
The Caged Bird’s Song (She) 1, 2014
Watercolour and charcoal on paper
39.5 x 26.3 cm
15 1/2 x 10 3/8 in
© Chris Ofili
Courtesy the artist and Victoria Miro, London

The artist says of it: “The Caged Bird’s Song is a marriage of watercolour and weaving. I set out to challenge the weaving process, by doing something free-flowing in making a watercolour, encouraging the liquid pigment to form the image, a contrast to the weaving process. With their response, which is an interpretation rather than a reproduction, the weavers have paid a type of homage to the watercolour that I gave them as well as to the process of weaving.”

It is quite magical. After the exhibition it will go to The Clothworkers’ Company, who commissioned it, in the City of London and will be on permanent display there.

http://www.nationalgallery.org.uk

The Royal Academy’s Summer Exhibition

Summer Exhibition 2017, The Royal Academy of Arts, Burlington House, Piccadilly, London, W1, until 20th August 2017

 

I am grateful to John Kirkwood for visiting and writing about this exhibition:

 

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

This year’s Show is vibrant and exciting and varied across several media.  Of particular note is Yinka Shonibare’s Wind Sculpture VI in the Annenberg Courtyard which explores the notion of harnessing motion and freezing it in a moment of time.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Gilbert and George are showing a new large-scale work from their Beard Speak series and there are works by Phyllida Barlow, Anthony Gormley, Sean Scully, Bob and Roberta Smith and Wolfgang Tillmans – a very impressive line-up!

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Farshoud Moussavi has curated the Architecture Gallery which celebrates architecture by focusing on construction coordination drawings which show the full complexity of a building.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

The Charles Woolaston Award has been won by Isaac Julien for his five-screen film WESTERN UNION: Small Boats which is apparently inspired by Visconti’s The Leopard. I have to say as that is one of my favourite films I couldn’t really see the connection apart from the two films being set in Sicily, however it is well worth a look.

 

As always, the show is a real treat for art lovers and the standard remains as high as ever.

 

http://www.royalacademy.org.uk

Masterpiece London 2017 – Pangolin London

Pangolin London at Masterpiece London 2017, until 5th July 2017

LYNN CHADWICK (1914-2003)
Mobile, 1952
Steel and copper

Pangolin London has built up a strong reputation for it promotion of Modern British and contemporary sculptors and their estates through its exhibition programme. Their affiliation with the well-known sculpture foundry Pangolin Editions allows them to provide a welcome opportunity to commission, make and install new sculptures.

BREON O’CASEY (1928 – 2011) Reclining Nude, 2009
Acrylic on canvas

At the fair you will discover previously unseen works as well as sculptural jewellery.

ZAC EASTWOOD-BLOOM (b.1980)
Informazioni mangiato il mio tavolo’ (Information Ate My Table), 2016
Marble

 

www.pangolinlondon.com

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Anime Architecture

I am grateful to John Kirkwood for visiting and writing about this exhibition:

Anime Architecture: Backgrounds of Japan, Main Gallery at House of Illustration, 2 Granary Square, King’s Cross, London N1, until 10th September 2017

Background illustration for Ghost in the Shell cut 341 by Hiromasa Ogura
©1995


Being totally unfamiliar with Anime, this exhibition came as a delightful surprise.  The technique involved in producing these films seems quite complicated but the results are well worth the trouble.
Perhaps the most well-known anime film is Ghost In The Shell, recently remade as a live action film with Scarlett Johansson who looks as much like a Japanese as I look like Scarlett Johansson – the beard of course doesn’t help!
Hiromasa Ogura’s watercolours for the anime Ghost In The Shell are on display and are based on photographs of Hong Kong and depict a slightly exaggerated contrast between a derelict Chinese town and the extreme development of the urban space.  They are quite haunting and intriguing and somewhat reminiscent of film noir of the forties and fifties.

Concept Design for Ghost in the Shell 2 Innocence by Takashi Watabe
© 2004 Shirow Masamune KODANSHA

Pencil drawings by Takashi Watabe whose fantastically realistic style has become a hallmark for Japanese anime films are also on display.
By the end of the exhibition I was very keen to see an anime film and in the last room of the exhibition my wish was granted as there are three short excerpts from two anime films.  I now look forward to watching more on DVD.

 

 

 

Open Tuesday-Sunday 10am-6pm. Closed Mondays

 

houseofillustration.org.uk.