The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Anime Architecture

I am grateful to John Kirkwood for visiting and writing about this exhibition:

Anime Architecture: Backgrounds of Japan, Main Gallery at House of Illustration, 2 Granary Square, King’s Cross, London N1, until 10th September 2017

Background illustration for Ghost in the Shell cut 341 by Hiromasa Ogura
©1995


Being totally unfamiliar with Anime, this exhibition came as a delightful surprise.  The technique involved in producing these films seems quite complicated but the results are well worth the trouble.
Perhaps the most well-known anime film is Ghost In The Shell, recently remade as a live action film with Scarlett Johansson who looks as much like a Japanese as I look like Scarlett Johansson – the beard of course doesn’t help!
Hiromasa Ogura’s watercolours for the anime Ghost In The Shell are on display and are based on photographs of Hong Kong and depict a slightly exaggerated contrast between a derelict Chinese town and the extreme development of the urban space.  They are quite haunting and intriguing and somewhat reminiscent of film noir of the forties and fifties.

Concept Design for Ghost in the Shell 2 Innocence by Takashi Watabe
© 2004 Shirow Masamune KODANSHA

Pencil drawings by Takashi Watabe whose fantastically realistic style has become a hallmark for Japanese anime films are also on display.
By the end of the exhibition I was very keen to see an anime film and in the last room of the exhibition my wish was granted as there are three short excerpts from two anime films.  I now look forward to watching more on DVD.

 

 

 

Open Tuesday-Sunday 10am-6pm. Closed Mondays

 

houseofillustration.org.uk.

 

Bouke de Vries

Bouke de Vries -“Fractured Images”, Kristin Hjellegjerde Gallery Ltd., 533 Old York Road, London SW18, 8th June – 15th July 2017 

 

Grown from Chinese clay, 2017
18th century Chinese porcelain fragments and mixed media
150x120x580

I believe that we owe a great debt of gratitude to Bouke de Vries for his belief, which reflects that held in China and Japan, that broken important ceramic pieces are worthy of repair. He has said “I wanted to give these objects, which are regarded as valueless, a new story and move their history forwards. A broken object can still be as beautiful as a perfect object.” It is a great philosophy and thanks to his artistic imagination and great skill – he is a ceramics conservator – he has created some wonderful pieces.

Map of china of China, 2017
18th and 19th century Chinese porcelain fragments and mixed media
11220×960 mm

This show of works reflect the enduring role of China in the production of ceramics worldwide over the centuries. His works are thought-provoking, sometimes humorous, but always engrossing. He has specially created a new non-ceramic work for the exhibition – a plaster doll of a Chinese dancer which combines the old with the new through his use of computer circuit boards.

Jar carrier, 2017
Han dynasty figure and 15th century Chinese porcelain marine archaeology jars and marble
250x250x109 mm

 

www.kristinhjellegjerde.com

 

 

PS: You can also see:
Bouke De Vries: War and pieces, Berrington Hall, Herefordshire
Until 05 November 2017

 

Stories Unfold!

Every Object Tells a Story, 5 Cromwell Place, London SW7, until 5th July 2017

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

In May 2015 I shared with you the eponymous exhibition Oliver Hoare held at 33 Fitzroy Square, London W1 (Curiosities, 12 May 2015).  This new edition in the former studio of Sir John Lavery RA is even larger, beautifully displayed and crammed with some four hundred intriguing objects which you just do want to learn more about. There is a wonderful catalogue to help achieve that.

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

I shall let Oliver Hoare sum it up: “What is assembled here might look like a modern ‘Cabinet of Curiosities’, an assemblage of the exotic and curious from the four quarters of the world. There is an intention behind it, however, that goes beyond presenting a wide variety of curiosities. We are today linked up to all those four quarters, and while a huge amount of information is available to us, unlike to those who awaited the ships in the ports of Amsterdam, Genoa, Lisbon, London, Marseille, Seville or Venice, the horizon of what interests us seems to have shrunk. The art market is an interesting barometer of this shrinkage. The point is, therefore, that we can connect with the whole world on a more profound level than can be gained from package touring, through the possession of, and study of even the most modest objects of different cultures. The purpose of collecting, as Molière might have put it, should not be limited to becoming rich through the investment in one’s purchases, but to become enriched through the intelligent possession of what one has acquired.”

 

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

Opening hours:
Tuesday to Sunday, 11am to 6pm
(Closed on Mondays (except by appointment))

www.everyobjecttellsastory.com

Tribal Art and Ceramics in London’s New Bond Street

I take pleasure in sharing these two shows with you. They are at The Fine Art Society 148 New Bond Street, London W1.

 

Gordon Reece – The Art of Collecting, until 16th June 2017 

DSC_6706
30 Zula People, Democratic Republic of Congo
Female caryatid stool
First half of the 20th century
Wood
Height 18 1/2 in (47 cm)
Provenance: Private collection, Rwanda

This collaboration with Gordon Reece the esteemed dealer in Asian and African artefacts is a veritable treat.  His love of the objects is reflected in what he buys and they are eminently liveable with as this show which sees them displayed among the Fine Art Society’s furniture and artworks skilfully proves. A great celebration of Tribal Art.

‘Installation view, including two Lega masks and a Suku standing figure’

 

DSC_6725
41 Bembe People, Democratic Republic of Congo
A rare standing reliquary figure (Muzidi)
First half of the 20th century
Cane, fibre, cloth and buttons
Height 41 in (104.1 cm)
Provenance: Private collection, USA; purchased by Gordon Reece Gallery in New York in 2008

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hylton Nel – For Use and Display, until 16th June 2017

Hylton Nel
Cat with Pope’s shoes

The South African ceramicist Hylton Nel shows his flair for creating both useful and decorative objects. You will discern influences from Chinese, Staffordshire and European ceramics in them and he uses many ideas in their decoration whether sexual, whimsical or written prose.  A delight and one understands why his works are eagerly snapped up.

Hylton Nel
Green Tree and Figures

 

Hylton Nel
A Game of Notes

 

 

www.thefineartsociety.com/

‘A Cut Above’

Pat Albeck – ‘A CUT ABOVE’, Sibyl Colefax & John Fowler, 89-91 Pimlico Road London SW1, 22nd – 27th May 2017

What better way could there be for Sibyl Colefax & John Fowler to celebrate Chelsea Flower Show Week in their Pimlico Road showrooms than with this display of paper flower collages by Pat Albeck. Well-known for her textile designs she has created these works using   “a really sharp pair of nail scissors” and Italian coloured fine art paper to create these botanical studies. I am sure some of you will be reminded of pietra dura panels through the colour palette she uses.

www.sibylcolefax.com

Exquisite ceramics!

Kensuke Fujiyoshi, Sladmore Contemporary, 32 Bruton Place, London W1, until 26th May 2017

Kensuke Fujiyoshi, Japanese, b.1966
‘Small Rhino (colours)’, unique ceramic, 2.5″ x 3.2″ x 1.1″

The delightful miniature figures, boxes and sculptures produced by the Japanese ceramicist Kensuke Fujiyoshi are all his own work from start to finish.  They are a contemporary interpretation of traditional Japanese artwork and there can be little doubt as to why they are so eagerly sought by collectors and lovers of ceramic art.

Kensuke Fujiyoshi, Japanese, b.1966
‘Prawns box’, unique ceramic, 3.5″ x 2.7″ x 2.7″

http://www.sladmorecontemporary.com