The London Original Print Fair 2017

The London Original Print Fair 2017, Main Galleries, Royal Academy of Arts, London W1 4th –  7th  May 2017

General shot of the London Original Print Fair
Photographer credit: Benedict Johnson

This Fair always fascinates as it seamlessly combines prints from across the centuries, including newly published works by artists such as Brian Eno, Gillian Ayres, Tess J and Christopher Le Brun PRA. The talks programme includes the Annual Printmaking Talk by Cornelia Parker OBE RA and Gordon Samuel on the Grosvenor School.  Definitely a place to go whether looking for works to hang on your walls or to start a collection.

Brian Eno,
Grapefruit, 2016.
Courtesy Paul Stolper, London

 

Claude Lorrain
Coast scene with an artist – Le dessinateur
Etching, circa 1638-41
Courtesy Christopher Mendez

 

Anish Kapoor
Blue Shadow 2013
Courtesy Lyndsey Ingram

 

 

 

 

 

 

 

 

 

 

Eric Ravilious,
Commander Looking Through the Periscope, 1941
Courtesy The Fine Art Society

 

Bridget Riley
Untitled 1962
Courtesy Karsten Schubert

 

 

http://www.londonprintfair.com

“Chinese Nell” and friends!

Queer British Art 1861-1967, Tate Britain, Millbank, London SW1, until 1st October 2017

Solomon, Simeon 1840-1905
Sappho and Erinna in a Garden at Mytilene
1864
Watercolour on paper
330 x 381 mm
Tate. Purchased 1980


I have thought long and hard about this exhibition which marks the fiftieth anniversary of the Sexual Offences Act legislation in 1967 which meant partial decriminalisation of male homosexuality in England and Wales.

Paul Tanqueray (1905-1991)
Douglas Byng
1934
Vintage bromide print
239 x 193 mm
National Portrait Gallery
© Estate of Paul Tanqueray

Well done Tate Britain for its partnership with this year’s London Pride (Pride in London at Tate Britain, 2pm to 10pm 24th June). Given what still goes on in countries such as Chechnya we must be grateful for the passing of the act.

David Hockney
Life Painting for a Diploma
1962
Yageo Foundation
© Yageo Foundation

However, I do wonder, although admittedly progress has been made, how much things have really changed in our own multi-cultural society?  We know how differing faiths do not accept homosexuality as being right or acceptable.  Many families, whatever their ethnic background, struggle to accept a member of their family being gay. Gay people get homophobic abuse or are physically attacked for no reason other than they are “different”, even my partner and I have been hissed at in Westminster’s Edgware Road.

Angus McBean (1904-1990)
Quentin Crisp
1941
Bromide print
National Portrait Gallery (London, UK)
© Estate of Angus McBean / National Portrait Gallery, London

I recently saw a production of La Cage aux Folles at the Wimbledon Theatre.  I think the real time to celebrate acceptance and inclusion will be when LGBT people can say/sing the words from the show –

I am what I am
And what I am needs no excuses

– And know they don’t have to look over their shoulder. Impossible, or could we all work harder towards it?

John Craxton
Head of a Greek Sailor
1940
Oil on board
330 x 305 mm
London Borough of Camden
© Estate of John Craxton. All rights reserved, DACS 2016. Photo credit: London Borough of Camden

Among the exhibits in this somewhat politically correct exhibition is a monogrammed dressing gown that belonged to Noel Coward.  He was friends of Ian Fleming and his wife Ann and they both had houses on Jamaica.  In one of her letters Ann writes that Noel is referred to as “Chinese Nell” on the island *.  Need I say more?

Out
Keith Vaughan
Drawing of two men kissing
1958–73
Tate Archive
© DACS, The Estate of Keith Vaughan

 

*The Letters of Ann Fleming by Ann Fleming, Mark Amory (Editor), Collins Harvill, 1985

 

 

tate.org.uk

Hockney Celebrated!

David Hockney, Tate Britain, Millbank, London SW1, until 29 May 2017

As I was unable to attend I asked John Kirkwood to go on my behalf – here are his thoughts:

Ossie Wearing a Fairisle Sweater 1970 Coloured pencil and crayon on paper 430 x 355 mm Private collection, London © David Hockney

Ossie Wearing a Fairisle Sweater
1970
Coloured pencil and crayon on paper
430 x 355 mm
Private collection, London
© David Hockney

This major retrospective of David Hockney to celebrate his eightieth birthday is a real trip through time as we go from his very earliest student drawings and sketches all the way through to his most recent work with iPads.

Garden 2015 Acrylic paint on canvas 1219 x 1828 mm Collection of the artist © David Hockney Photo Credit: Richard Schmidt

Garden
2015
Acrylic paint on canvas
1219 x 1828 mm
Collection of the artist
© David Hockney
Photo Credit: Richard Schmidt

Hockney’s innovative and immediately recognisable style stands out in every room.  There are what one might call ‘the old favourites’ like his portraits of Ossie Clark and Celia Birtwell with their cat Percy (1970-71 and Christopher Isherwood and Don Bachardy (1972) and of course A Bigger Splash (1967) which the curator amusingly described as ‘painting a splash by splashing paint’ but also photography and huge screens displaying The Wolds taking Hockney back to his home county.

Billy + Audrey Wilder Los Angeles April 1982 1982 Composite Polaroid 1117 x 1168 mm David Hockney Inc. (Los Angeles, USA) © David Hockney Photo Credit: Richard Schmidt

Billy + Audrey Wilder Los Angeles April 1982
1982
Composite Polaroid
1117 x 1168 mm
David Hockney Inc. (Los Angeles, USA)
© David Hockney
Photo Credit: Richard Schmidt

There are even two new works  created specifically for the exhibition being unveiled of Hockney’s garden in Hollywood; Garden # 3 2016 and Two Pots on the Terrace 2016 which demonstrate that he has lost none of his magic and in so many ways has returned to his roots,

Domestic Scene, Los Angeles 1963 Oil paint on canvas 1530 x 1530 mm Private collection © David Hockney

Domestic Scene, Los Angeles
1963
Oil paint on canvas
1530 x 1530 mm
Private collection
© David Hockney

 

9 Canvas Study of the Grand Canyon 1998 Oil paint on nine canvases 1003 x 1689 mm Richard and Carolyn Dewey © David Hockney Photo Credit: Richard Schmidt

9 Canvas Study of the Grand Canyon
1998
Oil paint on nine canvases
1003 x 1689 mm
Richard and Carolyn Dewey
© David Hockney
Photo Credit: Richard Schmidt

 

Going Up Garrowby Hill 2000 Oil paint on canvas 2133.6 x 1524 mm Private collection, Topanga, California © David Hockney

Going Up Garrowby Hill
2000
Oil paint on canvas
2133.6 x 1524 mm
Private collection, Topanga, California
© David Hockney

 

 

www.tate.org.uk/Hockney