The Salisbury Museum: Goliath, until 1st June 2018

Goliath 5 April 2018The name Goliath conjures up various images in one’s mind – large imposing, strong, unbeatable – and therefore you could be excused for envisioning a statue even larger than Michelangelo’s ‘David’ in Florence. Well the celebrated sculptor Johannes von Stumm, a former President of the Royal British Society of Sculptors, offers a different approach.

Goliath 1 May 2018His ‘Goliath’ stands on the ‘Wessex Plinth’ outside Salisbury Museum and its form recalls the standing stones of this area. It is of West Country granite combined with a glass head which recalls the actual fragility of Goliath against the stone from David’s sling.

Politics is a vocation where one can see “Goliath-like” figures rise to an almost unassailable prominence and then as most recently seen in this Government be brought down quickly but fortunately not as permanently as David did so many centuries ago.

 

 

www.salisburymuseum.org.uk 

www.vonstumm.co.uk

www.gardengallery.uk.com

BOOK REVIEW: Longford Castle

Longford Castle: The Treasures & The Collectors

Amelia Smith

 ISBN: 9781910787687

Publisher: Unicorn

£40.00

Longford full jkt draft latest.indd

I first learnt about Longford Castle and some of its treasures in an article in the 1968 Country Life Annual and have wanted to know more about it ever since. Well now both you and I can find out more in this fascinating book which is both well-written and well-illustrated.

 

Dating from Elizabethan times the house was acquired by the Bouverie family in 1717 and the story of how they built up the outstanding art collection which consists of Old Masters and family portraits – think Holbein, Claude, Reynolds and Gainsborough – is skilfully interwoven with the tale of the furnishings and decorations of the castle’s rooms which form the backdrop to the paintings.  It really is a celebration and a history of this great collection and house and is such a delight. It is a book I will return to time and time again!

 

http://unicornpublishing.org/

‘The sounds of Music’

Brian Graham – Towards Music, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 12th May 2018

 

30 Fanfare SMALL 72dpi

Brian Graham Fanfare for the Common Man for Aaron Copland, 2014 Mixed media on board 26cm x 34cm

In this show of some forty works the Dorset-born artist takes us on a journey into history with his ideas of how music-making and dance may have started. These painted reliefs reflect his long-held interest in the worlds of archaeology, anthropology and science and this juxtaposition with their titles which are either taken from notable works or figures in music and dance fire the viewer’s imagination to picture the past. It’s a show where – as the song says – “the melody lingers on”!

1 La Mer small 72dpi

Brian Graham La Mer for Claude Debussy, 2014 Mixed media on board 34cm x 26cm

www.salisburymuseum.org.uk

Feline remembrances!

The Art of Steven Campbell, Marlborough Fine Art, Albemarle Street, London W1, until 21st October 2017

Steven Campbell,
Alice in Ruins, 1992-93,
oil on canvas, 269.9 x 263.7 cm,
Copyright the Estate of Steven Campbell, Courtesy Marlborough Fine Art

The retrospective on this highly acclaimed Scottish artist who sadly died in 2007 amply proves why he is so highly regarded by his peers and critics alike.  I was particularly drawn to this picture.

The look on the cat’s face so reminded me of a cat I used to have.  It is the look I would get just before he would attempt to climb the bedroom curtains if he thought he was not getting the attention he deserved at 6.30am. Both curtains and cat survived for many years!

 

http://www.marlboroughlondon.com

 

Vivien Leigh – Sotheby’s

Vivien: The Vivien Leigh Collection, Sotheby’s, New Bond Street, London W1, 26th September 2017

 

Lot 14 A Large Collection of Photographs of Vivien and Larry
Estimate £800-1,200
Courtesy of Sotheby’s

Vivien Leigh was one of the most beautiful and talented actresses to ever grace both stage and screen and now she is once again the star of the show when Sotheby’s auctions hundreds of items belonging to her in London on 26 September.

Jewellery including a mid 19th-century diamond bow brooch, a gold ring given to Vivien Leigh by her husband Laurence Olivier and a 18th-century chrysoberyl devant de corsage.
(Photo by Tristan Fewings/Getty Images for Sotheby’s)

From Scarlett O’Hara in Gone With the Wind to Blanche Dubois in A Streetcar Named Desire and Karen Stone in The Roman Spring Of Mrs Stone Vivien almost reflected her own life in her films.  The feckless Scarlett ‘thinking about it tomorrow’ is Vivien in her early theatrical pursuits where she was a whirlwind jumping from (mainly) success to success then Blanche sadly shows us Vivien in her troubled years long before bi-polar personalities had been categorised.  Then finally we have Karen Stone a bewildered widow who falls for the ersatz charm of an Italian gigolo played by Warren Beatty complete with cod Italian accent.  Mrs Stone has found a new way of living and remains a sad but noble survivor.

Interior, Notley Abbey
Courtesy of Sotheby’s

When I was ten years old I saw Vivien on stage at the Kings Theatre in Glasgow in Noel Coward’s South Sea Bubble and can still recall the ‘presence’ that came across the footlights.

Lot 269 Vivien’s monogrammed luggage, all monogrammed V.L.O., and two black leather luggage labels with insert name cards printed Lady Olivier
Estimate £800-1,200
Courtesy of Sotheby’s

The items in this sale include diaries, family photographs, paintings as well as library and personal items – even the wig she wore as Blanche. I was quite surprised and delighted to see that Vivien possessed a similarly framed item exactly the same as one I recently bought in a charity shop.  It is a sketch by Ronald Searle published in Punch in January 1957 as part of his Heroes of our Time series entitled Sir Laurence Olivier and Vivien Leigh. – not Lady Olivier!  In it Vivien looks out from the sketch brightly and vivaciously whilst Sir Laurence is in the foreground in his Richard lll costume and make up,  including the hump, and looking out at us resignedly, cigarette clutched firmly between his fingers.

Vivien Leigh painting at an easel in a garden
Courtesy of Sotheby’s

The accompanying catalogue features many lovely photos of Vivien but then how could you take an unlovely one?

 

Lot 224 Vivien’s writing bureau, mid-18th century, acquired from Asprey in 1949
Estimate £600-900
Courtesy of Sotheby’s

 

http://www.sothebys.com/en/auctions/2017/vivien-leigh-collection

 

I am grateful to John Kirkwood for writing about this sale

OUT & ABOUT: Bowman Sculpture

Wind Head
Emily Young
(British, Born 1951)
Mountain Clastic Rock
Unique
Height: 29 1/2 inches (75 cm)
Conceived and carved in 2013

St James’s Church in Piccadilly plays host to an exhibition of eight sculptures by Emily Young.  They can be seen in the churchyard and adjoining Southwood Garden. The sculptor’s travels around the world are reflected in these pieces and one can only admire how she brings out the character and qualities of the stone through her carving.  They can be seen until 10th January 2018.

Cautha
Emily Young
(British, Born 1951)
Clastic Onyx
Unique
Height 43 1/2 inches (110 cm)

www.sjp.org.uk

www.bowmansculpture.com

BOOK REVIEW: AMERICA COLLECTS EIGHTEENTH-CENTURY FRENCH PAINTING

AMERICA COLLECTS EIGHTEENTH-CENTURY FRENCH PAINTING

Yuriko Jackall et al
£50.00 GBP
ISBN: 9781848222342

 

Regular readers will have ascertained that I am drawn to the arts of 18th century France in all their forms and so it will come as no surprise that I am bringing this book to your attention.  American collectors such as the Wrightsmans, Forsyth Wickes and others have long held my interest and now here is the chance to celebrate Americans collecting French 18th century paintings through this well-illustrated volume.

 

Through a series of essays by noted authors and scholars such as Pierre Rosenberg, Robert Schindler, Joseph J. Rishel and Susan Earle various aspects of American collecting and taste are discussed. I am particularly grateful for the piece on Eugenia Woodward Hitt of whom I had known little. This is a book which I will return to again and again with relish.

 

www.lundhumphries.com