BOOK REVIEW: Robert Adam’s London

Robert Adam’s London

Frances Sands

£25

Archaeopress

Printed ISBN 9781784914622.

Epublication ISBN 9781784914639. 

This book is a delight and has wide appeal for devotees of Robert Adam’s architecture and interiors and lovers of London. Written by Dr Frances Sands (Curator of Drawings and Books at Sir John Soane’s Museum) to mark the exhibition held earlier there at the turn of the year it is a very much stand-alone volume too.  The starting point is Richard Horwood’s map of London (1792-99) and through this each of Adam’s projects can be discovered. It takes us on a fascinating stroll through the areas of London, both north and south of the river, where Adam worked and reveals that some buildings and interiors survive albeit much altered but certainly more than I had expected while others totally lost. So whether in the comfort of an armchair or in hand while searching the streets where Adam worked it is very much a book to savour and enjoy.

http://www.archaeopress.com

Plywood Triumphant!

PLYWOOD: MATERIAL OF THE MODERN WORLD, Victoria and Albert Museum, Cromwell Road, London SW7, until 12th November 2017

 

I am grateful to John Kirkwood to visiting and writing about this exhibition:

 

© John Kirkwood

Perhaps not surprisingly this is a world-first exhibition featuring as it does the many uses to which plywood has been put.

 

Like me, I’m sure you thought it was a twentieth century invention but apparently fragments of layered board have been found in Egyptian tombs – perhaps they thought if the mummies came back to life they might fancy a bit of DIY to amuse themselves – but it really came into its own in the late nineteenth century with the advent of mass production.

 

Plywood’s ubiquity has been embraced by furniture makers, manufacturers of surfboards and skateboards, designers, architects and engineers and this very interesting exhibition takes visitors through plywood’s many transformations from a cheap product to material prized by mid-century modernists and by today’s flourishing maker movement.

©John Kirkwood

I so enjoyed the exhibition that I left feeling that ‘plywood is my wood!’

 

http://www.vam.ac.uk

Alma-Tadema – a footnote

Alma-Tadema – a footnote

 

Johnstone, Jupe & Co., London
“Jupe’s Patent” Extending Dining Table
c. 1839
Mahogany
Apter–Fredericks Ltd., London

There is an exhibition at the Clark Institute in Williamstown, Massachusetts entitled “Orchestrating Elegance: Alma-Tadema and the Marquand Music Room.” The American industrialist Henry Gurdon Marquand asked Alma-Tadema in 1884 to design a Music Room for his Madison Avenue mansion in New York. The favoured style was Greco-Pompeian and Alma-Tadema skill’s as a designer were well displayed in the room. The furniture he designed, including a grand piano with matching stools, were made in London by Johnstone, Norman & Co.

Johnstone, Jupe & Co., London
“Jupe’s Patent” Extending Dining Table
c. 1839
Mahogany
Apter–Fredericks Ltd., London

The celebrated London antique furniture firm Apter-Fredericks were approached by the Clark’s decorative arts curator and acting senior curator Kathleen Morris who asked whether they had an example of the expanding telescoping patented dining tables which Johnstone’s, in their various business partnerships, were renowned for making? Fortunately Apter -Fredericks were able to help and the table is on loan until the exhibition ends on 4th September 2017.

Johnstone, Jupe & Co., London
“Jupe’s Patent” Extending Dining Table
c. 1839
Mahogany
Apter–Fredericks Ltd., London

 

clarkart.edu

https://apter-fredericks.com/

 

Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

I thought I would share this interesting blog with you:

 

It is impossible to walk in a room designed by Garrow Kedigian and not be blown away immediately by his clear enthusiasm and passion for what he does. Born in Montreal, Garrow attended the McGill School of Architecture and trained with renowned designer William Hodgins in Boston before moving to New York to start his […]

via Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com