BOOK REVIEW: European Art at the Huntington

Blue Boy & Co

European Art at the Huntington

Catherine Hess, Melinda McCurdy
ISBN: 978-3-7913-5468-2
£24.99

 423_5468_165471_xxl

The Huntington (San Marino, California) is a veritable treasure house of European Art and one can easily understand why it is such an important centre of research, education and culture.

The “Blue Boy”, of course, refers to Gainsborough’s celebrated painting which hangs with other great examples of 18th century English portraits and paintings.  Add to those an important collections of French 18th century and other decorative arts, sculpture, paintings from other schools and works on paper and you have a fascinating range of objects.

This well-illustrated book provides a perfect introduction to this remarkable place and is a helpful aide memoire of the treasures therein.

 

http://www.prestel.com

Simon Lee Gallery

FAUX AMIS, Simon Lee Gallery, 12 Berkeley Street, London W1, until 7th October 2015

Installation View - Faux Amis Simon Lee Gallery, London

Installation View – Faux Amis
Simon Lee Gallery, London

This is an interesting show where gallery artists are in dialogue with their ‘Faux Amis’ or false friends. Spread over two floors, including the new first floor exhibition space, the work of gallery artists is hung next to their chosen ‘faux amis’ and the result is never dull.  Some complement each other while others show signs of discord and indeed, just as a faux finish in interior decoration, some are even better.

Installation View - Faux Amis Simon Lee Gallery, London

Installation View – Faux Amis
Simon Lee Gallery, London

The artists on show are:

ANGELA BULLOCH / BRIDGET RILEY

MERLIN CARPENTER / VALENTINA LIERNUR / SARAH STATON

SARAH CROWNER / EGON SCHIELE

DEXTER DALWOOD / ERIK BULATOV

JEFF ELROD / ALEXANDER CALDER

MATIAS FALDBAKKEN / MEL BOCHNER

BERNARD FRIZE / J.M.W. TURNER

RAN HUANG / MARTIN KIPPENBERGER

ALEX HUBBARD / SIGMAR POLKE

PAULINA OLOWSKA / MATTHIAS SCHAUFLER

CLAUDIO PARMIGGIANI / GIORGIO MORANDI

JOÃO PENALVA / DAIDO MORIYAMA

MICHELANGELO PISTOLETTO / GIUSEPPE CAPOGROSSI

JOSEPHINE PRYDE / RACHEL REUPKE

HUGH SCOTT-DOUGLAS / ROMAN OPALKA

JIM SHAW / RAMONA FRADON

GARY SIMMONS / GERHARD RICHTER

VALERIE SNOBECK/ RONI HORN

MARNIE WEBER / LEONOR FINI

TOBY ZIEGLER / TOBY ZIEGLER

HEIMO ZOBERNIG / GEORG PETERMICHL

Installation View - Faux Amis Simon Lee Gallery, London

Installation View – Faux Amis
Simon Lee Gallery, London

http://www.simonleegallery.com

Installation View - Faux Amis Simon Lee Gallery, London

Installation View – Faux Amis
Simon Lee Gallery, London

Turner in Salisbury

Turner’s Wessex – Architecture and Ambition, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 27th September 2015

Salisbury from Old Sarum c.1827-1828 Watercolour JMW Turner © The Salisbury Museum

Salisbury from Old Sarum c.1827-1828 Watercolour JMW Turner
© The Salisbury Museum

This hugely enjoyable exhibition serves as a timely reminder that there are some very fine exhibitions to be found outside London. Combine Salisbury and the young J MW Turner and the results are quite magical. As well as works from the Museum’s own collection there are loans from Birmingham Museum & Art Gallery, British Museum, Fitzwilliam Museum, National Galleries Scotland, V & A, Whitworth Art Gallery and the Tate.

A series of watercolours, executed between 1797 and 1805, depicting both the Cathedral and City were commissioned by Sir Richard Colt Hoare and the eight large ones of the cathedral which used to hang in the library of Colt Hoare’s family home Stourhead are reunited for the first time since their sale in 1883. There are also some studies of the famous Stourhead gardens too.

North Porch of Salisbury Cathedral, Exhibited RA 1797 Watercolour JMW Turner © The Salisbury Museum

North Porch of Salisbury Cathedral, Exhibited RA 1797 Watercolour JMW Turner
© The Salisbury Museum

Another Wiltshire landowner was William Beckford and his commission for Turner to depict his Fonthill estate was also a feather in Turner’s cap. The sketches he created provide a fascinating glimpse into the erection of the famous Fonthill tower which would collapse in 1825.

Stonehenge c.1827-29 Watercolour JMW Turner © The Salisbury Museum

Stonehenge c.1827-29 Watercolour JMW Turner
© The Salisbury Museum

Turner’s first visit to Salisbury was in 1795 and he would return to the area occasionally over the next thirty years – to Stonehenge as well as to the Isle of Wight and the southern coast – and these visits are recorded in the last section of an exhibition I have no hesitation in recommending.

http://www.salisburymuseum.org.uk