Category Archives: Jewellery

BOOK REVIEW: Fabergé Rediscovered

Fabergé Rediscovered

Wilfried Zeisler

ISBN: 978-1-911282-16-7

D Giles Ltd

In association with Hillwood Estate, Museum & Gardens

£35.00

9781911282167_FC

Catherine the Great Egg. Firm of Fabergé, 1914. Hillwood Estate, Museum & Gardens, acc. no. 11.81.1-2. © Hillwood Estate, Museum & Gardens / Photograph by Alex Braun

 

This new book focuses on the well-known collection of Fabergé at Hillwood and relates how new research and discovery of pieces thought to have been lost impact on items among the ninety or so pieces collected by Mrs Post.

We learn more about Fabergé’s firm in the 19th and early 20th centuries and its place in the world of goldsmithing and jewellery creation at that time.  It is a fascinating and beautifully illustrated study that will appeal to collectors and lovers of social history alike.

fig145_Marjorie-Merriweather-Post-showing-clock-MA jpeg

Fig 143 (page 162) Marjorie Merriweather Post showing her Fabergé table clock to guests at Hillwood, Washington D.C., 1960s © Hillwood Estate, Museum & Gardens Archives

The chapter on Mrs Post as a collector of Fabergé is revealing and one understands what type of works appealed to her aesthetically and the reasons why some offers were turned down. She certainly had a discerning eye!

 

gilesltd.com

Masterpiece London 2018, Royal Hospital Chelsea, South Grounds, London SW3 4LW, 28th June – 4th July 2018 (Preview: Wednesday 27th June)

Chelsea Pieta RW (1) a

A CHELSEA PIETA Circa 1761 Modelled by Joseph Willems (born in Brussels, 1715, died in Tournai, Belgium, 1766) 38.5 cm high Gold Anchor mark to reverse. E & H Manners

It really shows how time flies when one considers that the first Masterpiece was held in 2010 and hasn’t it continued to provide a scintillating cross-section of all the arts whether ancient, contemporary, fine or decorative? This year’s Fair, with its ‘reworked layout’ will no doubt see many collectors, curators and first-time buyers visit as well as those who just want to experience seeing the best on offer.

I have included a small selection of pieces which have particularly caught my eye.

hurst

An 18th Century German ormolu mounted marquetry commode in the manner of DavidRoentgen, the marble a later replacement, c. 1780. Measurements: w: 52.8” (134cm), h: 34.6” (88cm), d: 28.7” (73cm). Edward Hurst Ltd

 

Opening hours:

Preview (by invitation) on Wednesday 27 June, 11am – 9pm

Thursday 28 June, 11am – 9pm

Friday 29 June, 11am – 9pm

Saturday 30 June, 11am – 7pm

Sunday 1 July, 11am – 7pm

Monday 2 July, 11am – 9pm

Tuesday 3 July, 11am – 9pm

Wednesday 4 July, 11am – 9pm

RBC are the Principal Sponsor of Masterpiece London 2018.

New Art Centre 1

William Turnbull, Pandora, 1958-62, 156.2 x 120.6 x 22.9 cm. New Art Centre

 

3. SJP - 18th century German carved gold mounted quartz box, attributed to Hoffmann

An 18th century German gold mounted quartz box, attributed to Friedrich Ludwig Hoffmann, Berlin c.1760. S. J. Phillips

 

Mario_Dilitz_No174_2_S

Mario Dilitz, Austrian, b.1973 Boxing Boy with long Shorts (Artwork No. 174), Oak and red glue, 2018, 6 unique versions 96cm h x 35cm w x 20cm d, Sladmore Contemporary

 

Egyptian bust of bes

An Egyptian Limestone Bust of Bes Ptolemaic, Circa 3rd – 2nd Century BC? Kallos Gallery

 

49 - Monet

Claude Monet Le Bassin Aux Nymphéas Painted: circa 1918-20 Medium: Oil on canvas Size: 381⁄4” x 51” / 97cm x 130cm. Gladwell & Patterson

 

4. KRA - Pair of Louis XVI dishes on stands, Paris, 1785

A striking pair of Louis XVI dishes on stands made in Paris in 1785 and 1789 by the French silversmiths Henri Auguste and Robert Joseph Auguste. Engraved with the coronet and monogram of the infamous Harriet, Duchess of St Albans. Warmers added by Paul Storr in 1811. Koopman Rare Art

 

Apter-Fredericks

An exceptional and large pair of nodding figures which are one of a very small number of known pairs retaining their original costumes. Chinese, Circa 1821-1850. Height 26” 66cm. Apter-Fredericks Ltd

 

http://www.masterpiecefair.com;

Instagram: @masterpiecelondon; Twitter: @MasterpieceFair;

Facebook: Masterpiece London

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

Audrey Hepburn – Christie’s

Personal Collection of Audrey Hepburn, Christie’s King Street, London SW1, 27th September 2017

 Part II – Online Auction, 19th September – 3rd October 2017

Lot 127
BREAKFAST AT TIFFANY’S, 1961
Audrey Hepburn as Holly Golightly on the set of the 1961 Paramount production Breakfast At Tiffany’s three gelatin silver production stills
largest sheet: 14 x 11 in. (35.6 x 27.9 cm.)
Estimate: £1,000-1,500 / $1,300-1,900 / €1,100-1,600
CHRISTIE’S IMAGES LTD. 2017

September is proving quite a month for sales by legendary actresses as following on the heels of the  Vivien Leigh sale at Sotheby’s we also have a sale of the possessions of Audrey Hepburn at Christie’s in London.  How does the song go ‘anything you can do I can do better’?

Lot 144
CHARADE, 1963
A COCKTAIL GOWN OF BLACK SATIN
GIVENCHY COUTURE
The two piece ensemble comprising a ftted bodice and skirt, each with a hem of semi-tubular black paillettes,
set on edge, with multiple canvas tags to the interior, as well as black woven label with canvas tag inscribed 23174,
designed for Audrey Hepburn as Regina “Reggie” Lampert in the 1963 Universal production Charade
Estimate: £50,000-80,000 / $64,000-100,000 / €55,000-86,000
CHRISTIE’S IMAGES LTD. 2017

Audrey was more than just a beautiful film star and wonderful actress.  Due to her association with Givenchy she became almost accidentally a fashion icon and is indeed regarded as one of the most iconic figures of the last century and in her last years became a goodwill ambassador for UNICEF.  One of the fund raising events she was involved in for UNICEF was a concert at the Barbican by Michael Tilson Thomas entitled From The Diary Of Anne Frank and Audrey was the narrator reading excerpts from the diary.  It was extremely moving as Audrey had experienced similar wartime distress and hardship living in Holland like Anne Frank and one could feel that she found the reliving of this time somewhat painful and that the words could indeed have been her own.  Afterwards in the green room she confessed that she had been shaking before she went onstage.

Lot 178
MY FAIR LADY, 1964/REX HARRISON
A CONTINENTAL GOLD SNUFF BOX, CIRCA 1965
Rectangular box, the cover and sides set with panels of sablé engine-turning with flared thumbpiece, the base of polished gold and engraved with the inscription To / Eliza Doolittle / from / Henry Higgins
2 3/8 in. (60 mm.) wide
2 oz. (60 gr.)
Estimate £5,000-8,000 / $6,400-10,000 / €5,500-8,600
CHRISTIE’S IMAGES LTD. 2017

How well I remember sitting in the Regal Cinema in Sauchiehall Street in Glasgow in 1961 watching and loving Breakfast At Tiffany’s and now 56 years later it is regarded as one of the most-loved films of all time, even having been shown at the Royal Albert Hall with live orchestral accompaniment.

Lot 119
BREAKFAST AT TIFFANY’S, 1961
Audrey Hepburn’s working script for the 1961 Paramount production Breakfast at Tiffany’s, dated 3 August, 1960, the script bound with two brass brads and comprising 140 pages of mimeographed typescript including deleted scenes, with 53 pages printed on yellow and 28 on blue paper representing changes to the script with varying dates through to 21 September 1960, the majority of pages with upper right corner either snipped, torn or folded down when completed, the parts for the character of Holly Golightly marked in Hepburn’s signature turquoise ink, with words underlined in blue ballpoint pen and pencil for emphasis, passages or directions crossed out, and approximately 20 pages annotated in Hepburn’s hand with copied out lines, minor amendments and notes including:
– p.15-16: where Holly asks Paul to help find her shoes for her visit to Sing Sing, Hepburn has amended Brown alligator [shoes] to Black, and deleted the lines And if you come across a black brassiere I can use that too… and garter-belt, garter-belt, garter-belt, garter-belt… I think maybe it’s hanging in the bathroom…would you mind…
– p.114: where the directions require Holly to rattle of sentences in Portugese, Hepburn has twice added the line Eu acho che voce esta gostando do acouqueiro
– p.119: next to …but I do love Jose Hepburn has suggested the revision I am mad about Jose – blank end page: Hepburn has jotted a brief scene list… intro, H-P-Sing Sing, P’s apt. bathrobe, cocktail, Sing Sing, Doc., drunk, scene in room, day on the town, library, chicken saffron, pickup… and scrawled the details of a fight f. 274 U. airl, 11.35 A.M.
11 x 8¾ in. (27.9 x 22.2 cm.)
Estimate: £60,000-90,000 / $77,000-110,000 / €65,000-97,000
CHRISTIE’S IMAGES LTD. 2017

The sale is in two parts with Part 1 being offered at Christie’s London and Part ll in an online-only sale. The auctions  feature annotated film scripts, including Breakfast At Tiffany’s, original portraits from   photographers such as Cecil Beaton and Philippe Halsman, her personal wardrobe and many costumes  from her films including a black Givenchy cocktail dress from Charade although not the Breakfast At Tiffany’s dress which  was sold previously.

 

Lot 109
THE NUN’S STORY, 1959
TWO FOR THE ROAD, 1967
A COLOURESS PASTE TIARA
composed of a continuous series of graduated navette and circular shaped paste, to close-back settings on a sprung frame; worn by Audrey Hepburn to the London premiere of The Nun’s Story, July 1959 and as Joanna Wallace in the 1967 20th Century Fox production Two For The Road 11¼ in. (29 cm.) inner circumference
Estimate: £7,000-10,000 / $9,000-13,000 / €7,600-11,000
CHRISTIE’S IMAGES LTD. 2017

This is the first time these items, which until now have remained with her family, have been offered for sale and they give us a rare glimpse into the very private world of a remarkable woman.

 

Lot 132
A SLEEP MASK SLEEP SHADE CO., CIRCA 1960
The blue satin shade applied with pink and blue lace-trimmed fowers, marked SLEEP SHADE CO., 282 MISSION ST, SAN FRANCISCO, CAL 8 in. (20 cm.) long
Estimate: £100-150 / $130-190 / €110-160
CHRISTIE’S IMAGES LTD. 2017

 

http://www.christies.com/audreyhepburn

Lot 219
A RED DRESS COAT
VALENTINO COUTURE, SPRING/SUMMER 1971
Of red silk gazar; together with a pair of Andrea Carrano scarlet pumps
Estimate: £1,000-1,500 / $1,300-1,900 / €1,100-1,600
CHRISTIE’S IMAGES LTD. 2017

I am grateful to John Kirkwood for writing about this sale

Vivien Leigh – Sotheby’s

Vivien: The Vivien Leigh Collection, Sotheby’s, New Bond Street, London W1, 26th September 2017

 

Lot 14 A Large Collection of Photographs of Vivien and Larry
Estimate £800-1,200
Courtesy of Sotheby’s

Vivien Leigh was one of the most beautiful and talented actresses to ever grace both stage and screen and now she is once again the star of the show when Sotheby’s auctions hundreds of items belonging to her in London on 26 September.

Jewellery including a mid 19th-century diamond bow brooch, a gold ring given to Vivien Leigh by her husband Laurence Olivier and a 18th-century chrysoberyl devant de corsage.
(Photo by Tristan Fewings/Getty Images for Sotheby’s)

From Scarlett O’Hara in Gone With the Wind to Blanche Dubois in A Streetcar Named Desire and Karen Stone in The Roman Spring Of Mrs Stone Vivien almost reflected her own life in her films.  The feckless Scarlett ‘thinking about it tomorrow’ is Vivien in her early theatrical pursuits where she was a whirlwind jumping from (mainly) success to success then Blanche sadly shows us Vivien in her troubled years long before bi-polar personalities had been categorised.  Then finally we have Karen Stone a bewildered widow who falls for the ersatz charm of an Italian gigolo played by Warren Beatty complete with cod Italian accent.  Mrs Stone has found a new way of living and remains a sad but noble survivor.

Interior, Notley Abbey
Courtesy of Sotheby’s

When I was ten years old I saw Vivien on stage at the Kings Theatre in Glasgow in Noel Coward’s South Sea Bubble and can still recall the ‘presence’ that came across the footlights.

Lot 269 Vivien’s monogrammed luggage, all monogrammed V.L.O., and two black leather luggage labels with insert name cards printed Lady Olivier
Estimate £800-1,200
Courtesy of Sotheby’s

The items in this sale include diaries, family photographs, paintings as well as library and personal items – even the wig she wore as Blanche. I was quite surprised and delighted to see that Vivien possessed a similarly framed item exactly the same as one I recently bought in a charity shop.  It is a sketch by Ronald Searle published in Punch in January 1957 as part of his Heroes of our Time series entitled Sir Laurence Olivier and Vivien Leigh. – not Lady Olivier!  In it Vivien looks out from the sketch brightly and vivaciously whilst Sir Laurence is in the foreground in his Richard lll costume and make up,  including the hump, and looking out at us resignedly, cigarette clutched firmly between his fingers.

Vivien Leigh painting at an easel in a garden
Courtesy of Sotheby’s

The accompanying catalogue features many lovely photos of Vivien but then how could you take an unlovely one?

 

Lot 224 Vivien’s writing bureau, mid-18th century, acquired from Asprey in 1949
Estimate £600-900
Courtesy of Sotheby’s

 

http://www.sothebys.com/en/auctions/2017/vivien-leigh-collection

 

I am grateful to John Kirkwood for writing about this sale

THE LAPADA FAIR 2017

LAPADA Art & Antiques Fair, Berkeley Square, Mayfair, London W1, 15th-20th September 2017

Once again Mayfair’s Berkeley Square plays host to the LAPADA Fair – can you believe it’s their ninth year there, time really does go by quickly?

Among the 110 plus participants at the fair bringing a tempting mixture of art and antiques from all periods is Mackinnon Fine Furniture and I thought you would be interested to see this pair of George II chairs known as the Newhailes House Armchairs which they are showing at the Fair. Dating from c1750-55 their mahogany frames are beautifully carved and pierced and have Chinoiserie stretchers. They are upholstered in their original signed Aubusson tapestry covers.

The chairs, originally a set of four, were acquired by the first Lord Hailes at a sale of the contents of his aunt’s house in Greek Street and remained at Newhailes House until c1928. They were in various American collections, including the Walter P Chrysler Collection.

Slightly earlier in date are these very important George II mahogany armchairs of c1745 which come from Warwick Castle and were part of suite acquired in the 18th century for the castle and where some can still be seen in the Cedar Drawing Room. They are upholstered in early 18th century Genoese silk velvet.

Whoever buys these chairs is going to be very lucky and have many years pleasure in owning them.

 

www.mackinnonfineart.com

http://lapadalondon.com

BOOK REVIEW: Spectacular Gems and Jewelry from the Merriweather Post Collection

Spectacular Gems and Jewelry from the Merriweather Post Collection

Liana Paredes

Published by GILES in association with Hillwood Estate, Museum & Gardens
PRICE — UK£29.95 / US$39.95
ISBN — 978-1-907804-92-2

Marjorie Merriweather Post is well-known as a collector of Russian and French Decorative Arts but what is less appreciated is the collection of jewellery she amassed over the decades. This ranges from historic pieces such as the diamond earrings believed to have belonged to Marie Antoinette, a diadem and necklace owned by Napoleon’s wife the Empress Marie Louise and an emerald which belonged to the Emperor Maximilian of Mexico (a carpet thought to have been owned by him adorns the dining room floor at Hillwood). Alongside such gems add pieces by Cartier – she was their best American customer –, Harry Winston, Van Cleef & Arpels, David Webb and Fulco di Verdura and you get a marvellous insight to jewellery design and fashion in the first six decades of the 20th century. Flowers, birds, figures, domestic objects all provided inspiration for brooches and bracelets – Mrs Post had a diamond-set brooch in the form of her legendary yacht ‘The Sea Cloud’ and another in the form of her turboprop airplane ‘The Merriweather’.

Turquoise, diamond and platinum necklace by Harry Winston 1961

This is a detailed and highly enjoyable look into this outstanding collection of jewellery and is well-illustrated throughout, including designs and pictures of Mrs Post wearing various pieces. It combines jewellery design and social history in a way that emphasises that Mrs Post’s life was indeed spectacular!

An accompanying exhibition is on at Hillwood Estate, Museum & Gardens until 7th January 2018

 

https://www.hillwoodmuseum.org/Spectacular-Gems-and-Jewelry

gilesltd.com

Masterpiece London 2017 – Les Enluminures

Les Enluminures at Masterpiece London 2017, until 5th July 2017

THE “SOISSONS MISSAL”
Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated
initials by Vincent Master (active Northeast France, c.1260-90)
In Latin, illuminated manuscript on parchment
334 x 220 mm.

This firm’s specialises, under the leadership of Sandra Hindman, in manuscripts, miniatures, rings and jewellery from the Middle Ages and the Renaissance. They have garnered a colourful and rich selection of important acquisitions as these images show and one can totally understand why they number major institutions among their clients.

ROMAN OPEN-WORK HOOP “UTERE FELIX”
Roman Empire, 3rd century
Gold Weight 21.8 gr.; circumference 63.84 mm.; US size 10 5/8; UK size V

 

Histoire Ancienne jusqu’à César and Fait des Romains
In French, illuminated manuscript on parchment
With 78 miniatures by the Master of the Coronation of
Charles VI and a collaborator
France, Paris, c. 1370-80

www.lesenluminures.com

www.masterpiecefair.com

Masterpiece London 2017 – S J Phillips Ltd

S.J. Phillips Ltd at Masterpiece London 2017, until 5th July 2017

 

A remarkable, bejewelled 18th century chatelaine, complete with pocket watch and breloques (charms). Attributed to George Michael Moser and made in London around 1780.

The renowned London dealer S.J. Phillips Ltd, one of the Fair’s founder members, has brought a dazzling array of jewels, gold boxes and objects with which to bedazzle their clients and visitors.

An exceedingly important diamond necklace, given as a wedding present to the American heiress and socialite Helen Hay on the occasion of her marriage to Payne Whitney, son of politician and financier William C. Whitney in 1902

The 18th century English chatelaine may have been commissioned by a member of the Russian Imperial Family. The firm’s director Nicolas Norton says of it: “This chatelaine is an incredibly rare piece and is amazing to have survived in such outstanding condition. Jewels of this nature and stature are extremely hard to come by.”

A gold and vari-coloured hardstone mounted box by one of the most sought-after box makers, Johann-Christian Neuber of Dresden, 1790.

www.sjphillips.com

www.masterpiecefair.com

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com