Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

Lord Weidenfeld

The Collection of The late Lord Weidenfeld GBE: A Life of Ideals and Ideas, Christie’s, 8 King Street, St James’s, London SW1, 18th May 2017

Lot 509
Bernardo Cavallino (Naples 1616–?1656)
Saint Dorothy
oil on canvas
27.7/8 x 22.7/8 in. (72 x 58 cm.)
Estimate: £150,000-200,000
© Christie’s Images Limited 2017

This is a very rare and final chance to see the private world of the publisher and philanthropist George Weidenfeld (1919-2016). He was created Baron Weidenfeld of Chelsea in 1976. He had co-founded the famous publishing firm Weidenfeld and Nicolson in 1948. It was after the War too that he started collecting and this auction reveals his many interests – Old Master paintings, 20th century works on paper, furniture, sculpture and the decorative arts. His collection of books is left to the National Library of Israel in Jerusalem.

The dining room of Lord Weidenfeld’s Bennison decorated Chelsea apartment
© Christie’s Images Limited 2017

The setting for this very personal collection was Lord Weidenfeld’s Chelsea Embankment apartment which had been wonderfully decorated for him by the famous antique dealer and decorator Geoffrey Bennison and which remained virtually unchanged for over forty years!

Lot 569
A REPOUSSÉ PARCEL-GILT COPPER BUST OF POPE URBAN VIII
WORKSHOP OF GIAN LORENZO BERNINI, ROME, MID-17TH CENTURY
30 in. high, 24 in. wide, the bust and socle
Estimate: £30,000-50,000
© Christie’s Images Limited 2017

 

Lot 577
A REGENCY BRASS-INLAID INDIAN ROSEWOOD LIBRARY TABLE
CIRCA 1810-20, ATTRIBUTED TO GILLOWS
31.1/4 in. (79 cm.) high; 76.1/2 in. (194.5 cm.) wide; 48.1/2 in. (123.5 cm.) deep
Estimate: £40,000-60,000
© Christie’s Images Limited 2017

 

Lot 582
A LARGE CHINESE BLUE AND WHITE BALUSTER VASE FITTED AS A TABLE LAMP
19TH CENTURY
The porcelain, 17.1/4 in. (44 cm.) high
Estimate: £2,000-4,000
© Christie’s Images Limited 2017

 

 

 

 

http://www.christies.com

‘Madonnas and Miracles’

‘Madonnas and Miracles: The Holy Home in Renaissance Italy’, The Fitzwilliam Museum, Trumpington Street, Cambridge, until 4th June 2017

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
The silk velvet is Velluto Venezia by Rubelli.
Courtesy of Helen Edwards PR

This is a fascinating exhibition which reveals through both the fine and decorative arts a glimpse of life in Renaissance Italy.  Combining treasures from the museum’s own collections with those loaned from Europe, the US and Israel we see how important religion and devotion were in a world that we may often think as secular.

 

The Christ Child, Italy, Camerino, c.1484–90.
Photo: Nuns of Santa Chiara, Camerino.

Some of the works were to come from the Marche area of Italy which was affected by earthquakes last October and while it is has not been possible for some objects to be brought over as a result of it I am delighted to share images of this 15th century polychrome decorated wooden doll of the Christ Child with you because to me its survival is a miracle of some sort. It has not only survived through the centuries but also last year’s earthquake which reduced the Franciscan nunnery where it is kept to rubble.

 

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
Courtesy of Helen Edwards PR

Images of the Madonna were an important feature in Italian homes in the Renaissance and her role as a mother was copied by many women who owned such dolls.  One other exhibit that particularly struck me was the set of knives whose blades are decorated with the notes and words for a four-part grace and nearby is a recording of it by members of the Choir of St John’s College, Cambridge.

The Viadana family prays to St Nicholas to save them from an earthquake, Italy, Le Marche, 16th century.
Tolentino, Museo di San Nicola.

The three groups of ex-voto paintings were way of giving thanks at shrines for what was deemed to be a miracle by the people or family concerned and I thought this one depicting a family praying for protection from an earthquake especially appropriate.

It is in its own special way a great exhibition.

 

http://www.fitzmuseum.cam.ac.uk/

http://www.rubelli.com