Chippendale at Wilton

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South East facade of Wilton House. Copyright (c) Wilton House

Wilton House, near Salisbury, is an absolute delight combining architecture, fine interiors, paintings, sculpture and furniture with elegant gardens and the earliest Palladian Bridge in England. It has been the home of the Herbert family (Earls of Pembroke) since 1544.  It is famous for its suite of State Rooms which were designed by Inigo Jones and Isaac de Caux in the 17th century – many of you will recognise the Double Cube Room which has been used as a location for many films and television programmes but nothing quite prepares you for the wow factor of entering it for the first time.

In celebration of the Chippendale tercentenary the Earl and Countess have commissioned a small booklet that highlights Chippendale pieces within the house, including those which can be firmly attributed to his workshop. You will see many of these as you go around the house.

Chippendale at Wilton

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The 10th Earl commissioned the architect Sir William Chambers to rebuild his London home, Pembroke House and also to provide designs for rooms. It is known from Chippendale’s Director that he provided furniture for these rooms.

Sadly the family papers no longer have any itemized accounts from Chippendale but a receipt for fifteen hundred pound eleven shillings certainly indicate the furniture maker had had a major commission. Other bills show that the firm was still patronised after Chippendale’s death when it was being run by his son Thomas Chippendale the Younger.

Among the items that are definitely ascribed to Chippendale’s workshop are the pair of bookcases in the Large Smoking Room which are en suite with the superb ‘Violin’ bookcase which can be seen in the view of the room. Elsewhere chairs, sofas, hall lanterns, tables, picture frames and pelmet boards remind us of Chippendale’s great design talent.

Smoking-Room-W-Pryce-2008-003 jpeg

The Large Smoking Room at Wilton House. Copyright (c) Will Pryce.

All in all I think the best word to sum up Wilton House is sublime!

 

http://www.wiltonhouse.co.uk/

BOOK REVIEW: Thomas Chippendale 1718-1779: A Celebration of British Craftsmanship and Design

Thomas Chippendale 1718-1779: A Celebration of British Craftsmanship and Design 

Catalogue of the Tercentenary Exhibition

by Adam Bowett (Author), James Lomax (Author)

ISBN-10: 1999922913

ISBN-13: 978-1999922917

£65.00

The Chippendale Society

Layout 1

This highly readable catalogue is a very welcome addition to the telling of the story of Thomas Chippendale and his enduring legacy. Through it one learns of his life and career, the various styles he used, his customers and his relationship with them and most importantly of all we see examples of the furniture he produced – chairs, chests, tables, stools, beds, picture frames, cornices and lanterns, even coffin furniture. Through the publishing of a pattern book – The Gentleman and Cabinet-Maker’s Director – in 1754 which depicted ‘Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste’ he attracted the interest of possible commissions among the wealthy and indeed it was an immediate success and was re-published the following year. A third edition with extra plates showing neo-classical designs was published in 1762.

7.3.1

Butler’s Tray, 1763 Dumfries House

The publication of these volumes meant that good examples of furniture could be made by other craftsmen closely following Chippendale’s designs and that is why it has become the norm for firm attributions to Chippendale’s workshop to be backed-up by some sort of documentary evidence such as bills.

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Cabinet, c1773 (one of a pair) which may well have been made to display the Sevres service visible inside. Probably Melbourne House, London

His designs are so enduringly popular that they are being copied or evoked right up to the present day such as, for example, the bookcase produced in c.2000 by Arthur Brett (Norwich) whose design is based on a Chippendale one at Wilton House – on which location a little more later.

 

 

thechippendalesociety.co.uk

Masterpiece London 2018, Royal Hospital Chelsea, South Grounds, London SW3 4LW, 28th June – 4th July 2018 (Preview: Wednesday 27th June)

Chelsea Pieta RW (1) a

A CHELSEA PIETA Circa 1761 Modelled by Joseph Willems (born in Brussels, 1715, died in Tournai, Belgium, 1766) 38.5 cm high Gold Anchor mark to reverse. E & H Manners

It really shows how time flies when one considers that the first Masterpiece was held in 2010 and hasn’t it continued to provide a scintillating cross-section of all the arts whether ancient, contemporary, fine or decorative? This year’s Fair, with its ‘reworked layout’ will no doubt see many collectors, curators and first-time buyers visit as well as those who just want to experience seeing the best on offer.

I have included a small selection of pieces which have particularly caught my eye.

hurst

An 18th Century German ormolu mounted marquetry commode in the manner of DavidRoentgen, the marble a later replacement, c. 1780. Measurements: w: 52.8” (134cm), h: 34.6” (88cm), d: 28.7” (73cm). Edward Hurst Ltd

 

Opening hours:

Preview (by invitation) on Wednesday 27 June, 11am – 9pm

Thursday 28 June, 11am – 9pm

Friday 29 June, 11am – 9pm

Saturday 30 June, 11am – 7pm

Sunday 1 July, 11am – 7pm

Monday 2 July, 11am – 9pm

Tuesday 3 July, 11am – 9pm

Wednesday 4 July, 11am – 9pm

RBC are the Principal Sponsor of Masterpiece London 2018.

New Art Centre 1

William Turnbull, Pandora, 1958-62, 156.2 x 120.6 x 22.9 cm. New Art Centre

 

3. SJP - 18th century German carved gold mounted quartz box, attributed to Hoffmann

An 18th century German gold mounted quartz box, attributed to Friedrich Ludwig Hoffmann, Berlin c.1760. S. J. Phillips

 

Mario_Dilitz_No174_2_S

Mario Dilitz, Austrian, b.1973 Boxing Boy with long Shorts (Artwork No. 174), Oak and red glue, 2018, 6 unique versions 96cm h x 35cm w x 20cm d, Sladmore Contemporary

 

Egyptian bust of bes

An Egyptian Limestone Bust of Bes Ptolemaic, Circa 3rd – 2nd Century BC? Kallos Gallery

 

49 - Monet

Claude Monet Le Bassin Aux Nymphéas Painted: circa 1918-20 Medium: Oil on canvas Size: 381⁄4” x 51” / 97cm x 130cm. Gladwell & Patterson

 

4. KRA - Pair of Louis XVI dishes on stands, Paris, 1785

A striking pair of Louis XVI dishes on stands made in Paris in 1785 and 1789 by the French silversmiths Henri Auguste and Robert Joseph Auguste. Engraved with the coronet and monogram of the infamous Harriet, Duchess of St Albans. Warmers added by Paul Storr in 1811. Koopman Rare Art

 

Apter-Fredericks

An exceptional and large pair of nodding figures which are one of a very small number of known pairs retaining their original costumes. Chinese, Circa 1821-1850. Height 26” 66cm. Apter-Fredericks Ltd

 

http://www.masterpiecefair.com;

Instagram: @masterpiecelondon; Twitter: @MasterpieceFair;

Facebook: Masterpiece London

Thomas Chippendale 1718-1779

Thomas Chippendale 1718-1779: a celebration of British craftsmanship & design, until 9th June 2018, Leeds City Museum

Free admission

LeedsCityMuseum_2018_Chippendale 14_preview

Chippendale Exhibition Leeds City Museum 2018

It is with a deep chagrin that I very belatedly write about this major exhibition celebrating this great English furniture maker and designer. I had hoped that I would have been able to visit Leeds to see the show but personal reasons intervene.

LeedsCityMuseum_2018_Chippendale 4_preview

Chippendale Exhibition Leeds City Museum 2018

There is no better place than Leeds to see this show as Chippendale was born just down the road at Otley in 1718 – I well remember seeing the commemorative sign there when I lived in Leeds many years ago. I hope that this selection of images will entice you to dash up to Leeds or look at the tercentenary website where many of the houses associated with his oeuvre are mentioned.

LeedsCityMuseum_2018_Chippendale 11_preview

Chippendale Exhibition Leeds City Museum 2018

I shall be reviewing the catalogue published to celebrate this tercentenary and exhibition and also writing about Wilton House where Chippendale furniture bought by the Earls of Pembroke is highlighted in a special publication.

LeedsCityMuseum_2018_Chippendale 5_preview

Chippendale Exhibition Leeds City Museum 2018

 

 

http://chippendale300.co.uk/exhibition/

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

Vivien Leigh – Sotheby’s

Vivien: The Vivien Leigh Collection, Sotheby’s, New Bond Street, London W1, 26th September 2017

 

Lot 14 A Large Collection of Photographs of Vivien and Larry
Estimate £800-1,200
Courtesy of Sotheby’s

Vivien Leigh was one of the most beautiful and talented actresses to ever grace both stage and screen and now she is once again the star of the show when Sotheby’s auctions hundreds of items belonging to her in London on 26 September.

Jewellery including a mid 19th-century diamond bow brooch, a gold ring given to Vivien Leigh by her husband Laurence Olivier and a 18th-century chrysoberyl devant de corsage.
(Photo by Tristan Fewings/Getty Images for Sotheby’s)

From Scarlett O’Hara in Gone With the Wind to Blanche Dubois in A Streetcar Named Desire and Karen Stone in The Roman Spring Of Mrs Stone Vivien almost reflected her own life in her films.  The feckless Scarlett ‘thinking about it tomorrow’ is Vivien in her early theatrical pursuits where she was a whirlwind jumping from (mainly) success to success then Blanche sadly shows us Vivien in her troubled years long before bi-polar personalities had been categorised.  Then finally we have Karen Stone a bewildered widow who falls for the ersatz charm of an Italian gigolo played by Warren Beatty complete with cod Italian accent.  Mrs Stone has found a new way of living and remains a sad but noble survivor.

Interior, Notley Abbey
Courtesy of Sotheby’s

When I was ten years old I saw Vivien on stage at the Kings Theatre in Glasgow in Noel Coward’s South Sea Bubble and can still recall the ‘presence’ that came across the footlights.

Lot 269 Vivien’s monogrammed luggage, all monogrammed V.L.O., and two black leather luggage labels with insert name cards printed Lady Olivier
Estimate £800-1,200
Courtesy of Sotheby’s

The items in this sale include diaries, family photographs, paintings as well as library and personal items – even the wig she wore as Blanche. I was quite surprised and delighted to see that Vivien possessed a similarly framed item exactly the same as one I recently bought in a charity shop.  It is a sketch by Ronald Searle published in Punch in January 1957 as part of his Heroes of our Time series entitled Sir Laurence Olivier and Vivien Leigh. – not Lady Olivier!  In it Vivien looks out from the sketch brightly and vivaciously whilst Sir Laurence is in the foreground in his Richard lll costume and make up,  including the hump, and looking out at us resignedly, cigarette clutched firmly between his fingers.

Vivien Leigh painting at an easel in a garden
Courtesy of Sotheby’s

The accompanying catalogue features many lovely photos of Vivien but then how could you take an unlovely one?

 

Lot 224 Vivien’s writing bureau, mid-18th century, acquired from Asprey in 1949
Estimate £600-900
Courtesy of Sotheby’s

 

http://www.sothebys.com/en/auctions/2017/vivien-leigh-collection

 

I am grateful to John Kirkwood for writing about this sale

Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com