London celebrates Asian Art

Panoramic view of the landscape and poem on a brushpot China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Yongzheng (1723–35) or early Qianlong (1736–95) period, commissioned by Tang Ying (1682–1756) Porcelain with famille-rose (fencai) decoration, height 13.5 cm Private collection

Panoramic view of the landscape and poem on a brushpot
China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Yongzheng (1723–35)
or early Qianlong (1736–95) period, commissioned by Tang Ying (1682–1756)
Porcelain with famille-rose (fencai) decoration, height 13.5 cm
Private collection

The 19th Asian Art in London runs from 3rd-12th of November and promises once again to bring a wide mixture of art and antiques from all periods. I would especially like to draw your attention to the special exhibition that the Oriental Ceramics Society is holding at Sotheby’s in Bond Street. Entitled ‘China without Dragons’ (3rd-9thNovember 2016) it features some two hundred ceramic pieces with the majority coming from either Japan or China.

Moonflask with carnations and asters China, Jiangxi province, Jingdezhen kilns, Ming dynasty, Yongle period (1403–1424) Porcelain with underglaze cobalt-blue decoration, height 28 cm Private collection

Moonflask with carnations and asters
China, Jiangxi province, Jingdezhen kilns, Ming dynasty, Yongle period (1403–1424)
Porcelain with underglaze cobalt-blue decoration, height 28 cm
Private collection

As the curator Regina Krahl (a former Society president) says: “This exhibition aims to celebrate the rich store of Chinese ceramics collected within the Oriental Ceramic Society. The fascination of an exhibition such as this lies in its phenomenal spectrum. It covers the full range from the rarest masterpieces that we might see in a major museum show to minor items that would otherwise rarely be exhibited but which display some unusual or noteworthy aspect, are particularly well made, or are simply beautiful. It is hoped that this selection will be enjoyed by specialists as well as by amateurs.”

Zodiac figure of the horse China, Henan province, Gongxian region, Tang dynasty, 7th or 8th century Earthenware with sancai glazes, height 22.2 cm Private collection

Zodiac figure of the horse
China, Henan province, Gongxian region, Tang dynasty, 7th or 8th century
Earthenware with sancai glazes, height 22.2 cm
Private collection

The Oriental Ceramics Society (OCS) was founded in Craven Hill Gardens in London in 1921 and has a long-established reputation as being the leading international society for those interested in studying and appreciating Asian Art and has over seven hundred members worldwide.

Porcelain vase decorated with yangcai overglaze enamels China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Qianlong mark and period (1736-1795) Height 47 cm Private collection

Porcelain vase decorated with yangcai overglaze enamels
China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Qianlong mark and period (1736-1795)
Height 47 cm
Private collection

 

Archaic Jade Notched Disc Late Neolithic period – Shang period, 2000 - 1500 BC Diameter: 33.0cm Courtesy of Eskenazi

Archaic Jade Notched Disc
Late Neolithic period – Shang period, 2000 – 1500 BC
Diameter: 33.0cm
Courtesy of Eskenazi

One cannot write about Asian Art in London without mentioning the renowned firm Eskenazi and what a corker of an exhibition (Early Chinese Art from Private Collections, 3rd – 25th November 2016) they offer us this year.  It consists of twenty-four early examples of Chinese art (early jades, bone carvings, archaic bronzes and inlaid metalwork) dating from the Neolithic period to the Han Dynasty (206 BC – 220 AD).  They all come from private collections and many have illustrious provenances having been previously owned by well-known collectors, including Luo Zhenyu, Pan Zuyin, Alexandre J. Argyropoulos, Edward T. Chow and Adolphe Stoclet.  Many of the items have a common theme in that they feature animal decoration or animal motifs. Alongside this they are showing works by the well-known contemporary Chinese ink painter Zeng Xiaojun (b.1954) in what is his first European show.

Archaic Bronze Wine Vessel and Cover (You) Shang or Early Western Zhou period, 11th century BC Height (to top of knop): 27.4cm Weight (without handle): 3.80kg Courtesy of Eskenazi

Archaic Bronze Wine Vessel and Cover (You)
Shang or Early Western Zhou period, 11th century BC
Height (to top of knop): 27.4cm
Weight (without handle): 3.80kg
Courtesy of Eskenazi

 

Gilt-bronze, Agate and Turquoise Bear Han period, 206 BC - 220 AD Height: 10.6cm Courtesy of Eskenazi

Gilt-bronze, Agate and Turquoise Bear
Han period, 206 BC – 220 AD
Height: 10.6cm
Courtesy of Eskenazi

 

Bonsai I Ink and colour on paper Dimensions: 180cm by 138cm Signed: Zeng Xiaojun Artist’s seal: Painted by Zeng Xiaojun Courtesy of Eskenazi

Bonsai I
Ink and colour on paper
Dimensions: 180cm by 138cm
Signed: Zeng Xiaojun
Artist’s seal: Painted by Zeng Xiaojun
Courtesy of Eskenazi

 

 

 

 

 

 

http://www.ocs-london.com

http://www.sothebys.com

http://www.eskenazi.co.uk

Masterpiece London 2016 – Preview

Masterpiece London 2016, The Bull Ring Gate Entrance, South Grounds, The Royal Hospital Chelsea, London SW3, 30thJune – 6th July 2016

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management 2015 Courtesy Masterpiece London

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management
2015
Courtesy Masterpiece London

Now in its 7th edition one can easily understand why Masterpiece has become a magnet for collectors and museum curators from around the world.  There is a great emphasis on quality and connoisseurship and the pieces on show reflect more than five thousand years of art history – and yes they are for sale.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Masterpiece’s chief executive Nazy Vassegh says: ‘I am delighted to announce so many exciting additions to this year’s fair. Masterpiece 2016 will have unrivalled depth and quality, and I am pleased that Masterpiece continues to strengthen every edition. We are looking forward to another great year.’

It truly is a must visit fair and allow yourself plenty of time because there are so many exciting things to see and tempt. Like me you may well want visit more than once.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Over the coming days I will post varied selections of what is on show.

 

http://www.masterpiecefair.com

Olympia Summer Fair 2016

The Art & Antiques Fair, Olympia London, Hammersmith Road, London W14, 27th June – 3rd July 2016

Opening Day, June 2015

Opening Day, June 2015

This Fair certainly has staying power as it is in its 44th year and continues to draw visitors in from home and abroad to see what the hundred and sixty participating dealers have to offer for their collections and homes.

Wakelin & Linfield An unusually large late 19th century two plank Spanish table in walnut with carved decoration to the legs and original ironwork supports to the base. L144” x W39” x H30.25” In the region of £25000 Provenance: Orson Welles

Wakelin & Linfield
An unusually large late 19th century two plank Spanish table in walnut with carved decoration to the legs and original ironwork supports to the base.
L144” x W39” x H30.25”
In the region of £25000
Provenance: Orson Welles

The Fair’s Director, Mary Claire Boyd sums it up: “The Art & Antiques Fair, Olympia is London’s original, quintessential art and antiques fair. Over four decades since the event was founded, we continue to pride ourselves on offering a wider choice of high quality, vetted art, antiques, furniture and collectibles than any other event in the capital.”

Art Ancient Large piece of Roman glass work, reflecting the heights achieved in glassblowing in the 1st-2nd Centuries AD

Art Ancient
Large piece of Roman glass work, reflecting the heights achieved in glassblowing in the 1st-2nd Centuries AD

Among new “features” is Showcase which highlights five specially chosen galleries and dealers – Simon Pirzada (ceramics), The Parker Gallery (Fine Art), Adam Gahlin Fine Art (Modern paintings, drawings and prints), Adam Bentley (Contemporary Art) and Store Street Gallery ((Contemporary Art).

Albermarle Gallery. SOFA LONDON Rado Kirov Monolith mirrored stainless steel 227 x 30 x 110 cm (89 x 12 x 43 in)

Albermarle Gallery. SOFA LONDON
Rado Kirov
Monolith
mirrored stainless steel
227 x 30 x 110 cm (89 x 12 x 43 in)

The well-known SOFA CHICAGO – a Sculpture Objects Functional Art and Design Fair (SOFA) will have a European version at this Fair as Mary Claire Boyd, explains“We are very excited to introduce SOFA LONDON as part of The Art & Antiques Fair, Olympia for the very first time this June. SOFA is widely known in the US for its international dealers selling one-of- a-kind masterpieces. Here in London we have an elite selection of dealers who will be showcasing original works from different artists and makers using a variety of mediums. For sale will be works of art including ceramics, metal work, photography, glass works, textiles, furniture and sculptures that appear more contemporary and cutting edge than other pieces in the fair, but yet will also stand the test of time. SOFA CHICAGO attracts over 35,000 people but for those who aren’t able to cross the pond to attend we’re delighted to offer this opportunity within the UK.”

Opening Day, June 2015

Opening Day, June 2015

According to recent research there is a resurgence in the demand for antiques and again I will share Mary Claire Boyd’s observations on this: “The world of antiques can be intimidating at first glance but this research shows that there is a real thirst for antiques. They are appreciated for the qualities they can bring to people’s homes– particularly amongst the younger generation who are frustrated with spending money on furnishings that only last a few years. 

Galerie Arabesque Three-legged ottoman inlaid table. Provenance: estate of Eduard Starke-Pascha, Berlin-Constantinople

Galerie Arabesque
Three-legged ottoman inlaid table.
Provenance: estate of Eduard Starke-Pascha, Berlin-Constantinople

“While people see great benefits of purchasing antiques often they don’t realise the options and scope available to them – and the affordability.  Antiques are unique, often come with a fascinating story – and add individuality to your home.  They can also be combined very effectively with contemporary art and furniture.”

Gilden’s Art Gallery JOAN MIRÓ 1893-1983 Sun Eater | Mangeur de Soleil, 1955 Original Hand Signed and Numbered Lithograph in Colours on Arches Paper Paper size: 76.2 x 56.5 cm. / 30 x 22.3 in.

Gilden’s Art Gallery
JOAN MIRÓ 1893-1983
Sun Eater | Mangeur de Soleil, 1955
Original Hand Signed and Numbered Lithograph in Colours on Arches Paper
Paper size: 76.2 x 56.5 cm. / 30 x 22.3 in.

Very true indeed as many leading interior decorators would no doubt concur.

Tribal Gathering London Mende helmet mask ' Sowei'. Sande society. Sierra Leone

Tribal Gathering London
Mende helmet mask ‘ Sowei’. Sande society. Sierra Leone

 

Manning Fine Art “Keep Calm and Carry On” poster, printed in 1939

Manning Fine Art
“Keep Calm and Carry On” poster, printed in 1939

 

Kate Thurlow Louis XIV upholstered oak armchair, circa 1700 Provenance: Formerly in the collection of Yves St Laurent.

Kate Thurlow
Louis XIV upholstered oak armchair, circa 1700
Provenance: Formerly in the collection of Yves St Laurent.

 

 

 

 

 

 

 

 

 

 

 

 

Don Kelly Books, June 2015

Don Kelly Books, June 2015

 

 

http://www.olympia-art-antiques.com