A great celebration of Art!

MAYFAIR ART WEEKEND, Mayfair & St James’s, London (various locations), 30th June – 2nd July 2017

 

I am grateful to John Kirkwood for attending the press conference and writing about this:

 

Max Mara
Ludovica Gioscia – Infinite Present, 2017. C-print on archival fuji matt paper
Courtesy Ludovica Gioscia

Now in its fourth year this celebration of Art in Mayfair features over 60 galleries, auction houses, fashion houses and restaurants who will all in their own way have something to offer the visitor.

Mayor Gallery
Tadaaki Kuwayama – Untitled (Yellow)1969, acrylic on canvas, 90x90cm.
Courtesy of Mayor Gallery

 

Moretti Gallery
Guido Reni, Bologna – Two Bacchantes 1639-1640.
Courtesy of Moretti Gallery

 

 

 

 

 

 

 

 

 

 

 

 

The Royal Academy of Arts will be the hub of this celebration and its courtyard will offer a place in which to relax and recover your strength to carry on through the many events planned.

Galerie Thaddaeus Ropac
Gilbert & George
Courtesy Galerie Thaddaeus Ropac, Photo Nikolai Saoulski

There will be temporary, site-specific artworks from up and coming artists and workshops led by groups such as the Bedroom Artists’ Collective as well as informal conversations with artists, gallerists and local Mayfair figures.

Burlington Arcade
Mathilde Nivet – Birds

The Burlington Arcade has commissioned an installation by Mathilde Nivet of 300 paper birds in-flight motion in two positions – wings fully stretched or slightly bent.  Not unsurprisingly the installation is called Birds!

GAFRA
Nelson Makamo – Cool Moments 2017
Courtesy of the Gallery of African Art (GAFRA)

 

Hignell Gallery
Ben Russell – Cactus House, Alabaster 2017
Photograph courtesy of Tanya Dolver

 

 

 

 

 

 

 

 

On Sunday there will be a workshop for kids to create their own Gallery.

Bowman Sculpture
Le Baiser (The Kiss), 2nd Reduction – Auguste Rodin.
Courtesy of Bowman Sculpture

 

David Zwirner
Lisa Yuskavage – Stoned 2016
Courtesy David Zwirner New York-London

 

Victoria Miro
Milton Avery – Young Couple (Husband and Wife), 1963. Oil on canvas. 50 x 60 in
© Milton AveryTrust

 

 

 

 

 

 

 

 

 

 

 

White Cube
Wayne Thiebaud – Green Dress 1966 – 2017
© Wayne Thiebaud DACS, London, VAGA, New York 2017

 

Simon Dickinson Gallery
Domenico Conti – Portrait of Antonio Canova in his studio completing the La Touche ‘Amorino, 1792.
Courtesy of Simon Dickenson Gallery

 

Partners & Mucciaccia_
Cristiano Pintaldi – Untitled,2016, acrylic on canvas, 101x105cm.
Courtesy of Partners & Mucciaccia

 

Pace
Nathalie du Pasquier
© 2017 Nathalie du Pasquier. Photo by Bruno Lopes

 

 

 

 

 

 

 

 

 

Halcyon Gallery
Dale Chihuly – Maize Persian Set with Obsidian Lip Wraps
Courtesy of Halcyon Gallery

 

Marlborough Fine Art
Victor Pasmore – The Cloud in the West,1987
Courtesy of Marlborough Fine Art

 

Stoppenbach & Delestre
Andre Derain – Collioure
Courtesy of Stoppenbach & Delestre

 

Mount Street Gardens
Benjamin McMahon (2014)

 

 

 

 

 

 

 

 

 

http://www.mayfairartweekend.com

 

Hetty Feather

I am grateful to John Kirkwood for visiting and writing about this exhibition:

 

Picturing Hetty Feather, The Foundling Museum, 40 Brunswick Square, London WC1, until 3rd September 2017

Emma Brownlow, The Foundling Restored to its Mother, 1858
©Coram in the care of The Foundling Museum,
featuring illustration of Hetty Feather © Nick Sharratt


Fans of  Jacqueline Wilson’s character Hetty Feather will love this exhibition featuring as it does many costumes and artefacts from the  television series  based on the popular and successful books displayed in the Foundling Museum  the actual location of  the stories where you can experience a little of what  Hetty’s  life would have been like.

Girls in the London Foundling Hospital schoolroom, early 20th
century,
courtesy Coram in the care of The Foundling Museum

foundlingmuseum.org.uk

Jane Austen’s Portraits

The Mysterious Miss Austen, The Gallery, Winchester Discovery Centre, Jewry Street
Winchester, until 24th July, 2017

Jane Austen by James Andrews, watercolour, 1869
(c) Private collection, courtesy of the 19th Century Rare Book and Photograph Shop, Stevenson, Maryland.

I had of course known about Jane Austen for many years but had not actually read one of her novels until I was in my early twenties and found out what an absolute delight they are. I knew something of her life (I just passed where she stayed in Covent Garden’s Henrietta Street this morning) but it was a real delight to come and see this exhibition which marks the two hundredth anniversary of her death and which not only brings together five portraits of her under the same roof for the first time, but includes letters, items of clothing and a manuscript alternative ending to her final novel Persuasion, which was not used in the end. There are also items from both an English and an American private collection which bring the story up-to-date and the rather fine ceramic vase Jane Austen in E 17 by Grayson Perry has been loaned as well.

Installation view:
Jane Austen Pelisse coat

I found it unexpectedly moving and although as the exhibition’s title suggests she does remain somewhat mysterious I felt I had at least encountered her. It was therefore wholly appropriate to pay my respects as I bowed my head to read the inscription on the tablet set into the floor of the north aisle in nearby Winchester Cathedral, commemorating her life and burial there.

Jane Austen ledgerstone – Winchester Cathedral by John Crook

https://hampshireculturaltrust.org.uk/the-gallery-at-winchester-discovery-centre

Installation View:
Jane Austen portraits display

Stories Unfold!

Every Object Tells a Story, 5 Cromwell Place, London SW7, until 5th July 2017

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

In May 2015 I shared with you the eponymous exhibition Oliver Hoare held at 33 Fitzroy Square, London W1 (Curiosities, 12 May 2015).  This new edition in the former studio of Sir John Lavery RA is even larger, beautifully displayed and crammed with some four hundred intriguing objects which you just do want to learn more about. There is a wonderful catalogue to help achieve that.

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

I shall let Oliver Hoare sum it up: “What is assembled here might look like a modern ‘Cabinet of Curiosities’, an assemblage of the exotic and curious from the four quarters of the world. There is an intention behind it, however, that goes beyond presenting a wide variety of curiosities. We are today linked up to all those four quarters, and while a huge amount of information is available to us, unlike to those who awaited the ships in the ports of Amsterdam, Genoa, Lisbon, London, Marseille, Seville or Venice, the horizon of what interests us seems to have shrunk. The art market is an interesting barometer of this shrinkage. The point is, therefore, that we can connect with the whole world on a more profound level than can be gained from package touring, through the possession of, and study of even the most modest objects of different cultures. The purpose of collecting, as Molière might have put it, should not be limited to becoming rich through the investment in one’s purchases, but to become enriched through the intelligent possession of what one has acquired.”

 

Installation view
(photo credit: Exhibition Design and Photograph by Charles Marsden-Smedley)

Opening hours:
Tuesday to Sunday, 11am to 6pm
(Closed on Mondays (except by appointment))

www.everyobjecttellsastory.com

Two at Tate Modern

I am most grateful to John Kirkwood for visiting and writing about these two exhibitions on my behalf.

 

Wolfgang Tillmans 2017, Tate Modern, Level 3, Boiler House & Tanks Studio, until 11th June 2017

Wolfgang Tillmans
Collum 2011
© Wolfgang Tillmans

Wolfgang Tillmans (1968 – ) is one of the most exciting and innovative artists working today and this exhibition concentrates on his production across different media since 2003.

As well as some startling photography including landscapes, portraiture and still lives there is even a Playback Room where you may sit and enjoy music and another room where you can view the video installation Instrument 2015 which shows Tillmans dancing to a soundtrack made by manipulating the sound of his own footsteps, while in the Tanks Studio his slide projection Book for Architects 2014 is being shown for the first time in the UK.

Wolfgang Tillmans
Iguazu 2010
© Wolfgang Tillmans

A disparate and interesting show but a word of warning – don’t take your maiden aunt to see it!

 

 

Alberto Giacometti, Tate Modern, Eyal Ofer Galleries, until 10th September 2017

Alberto Giacometti
Woman of Venice V
1956
Painted plaster
113.5 x 14.5 x 31.8 cm
Collection Fondation Alberto et Annette Giacometti, Paris
© Alberto Giacometti Estate, ACS/DACS, 2017


This is the first retrospective of Giacometti (1901 – 1966) for twenty years and takes us on a journey from his early more conventional works to his renowned elongated figures.  In the first room you are confronted by a very large group of conventionally sculpted faces staring at you which gently leads you on to the more recognisable Giacometti style.

It brings together over 250 works and includes plasters and drawings and a large number of these fragile plaster works which rarely travel are being shown for the first time in this exhibition including Giacometti’s celebrated Women of Venice 1956. Created for the Venice Biennale, this group of important works are brought together for the first time since their creation.

Alberto Giacometti
Woman with her Throat Cut
1932
Bronze (cast 1949)
22 x 75 x 58 cm
National Galleries of Scotland
© Alberto Giacometti Estate, ACS/DACS, 2017

This exhibition reasserts Giacometti’s place alongside the likes of Matisse, Picasso and Degas as one of the great painter-sculptors of the 20th century and the exhibition is a great celebration of a unique vision.

 

 

 

http://www.tate.org.uk

Photo London 2017

Photo London 2017, Somerset House, Strand, London WC2, 18th – 21st May 2017

Isaac Julien
Pas de Deux with Roses (Looking for Langston Vintage Series), 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminum and framed
Framed size 58.1 x 74.5 cm
22 7/8 x 29 3/8 in
edition of 4 plus 2 artist’s proofs
Courtesy the Artist and Victoria Miro, London
© Isaac Julien

This the third edition of Photo London emphasises not only the fact that this is most definitely a world-class photography fair but also what an important, vibrant role London plays in contemporary photography. Hence I am using this time just one image to celebrate the work of Isaac Julien an internationally acclaimed London-born and based artist and filmmaker.  Don’t miss this opportunity to see the best of what the world has to offer both at the fair and elsewhere in London. Please allow yourself time to visit the fair more than once – it’s well worth it.

 

http://photolondon.org

Vintage Beaton!

Cecil Beaton, Beetles+Huxley, 3-5 Swallow Street, London W1, until 20th May 2017

Mrs Harrison Williams, Later Mona Countess of Bismark, c. 1935
(c) Sotheby’s Cecil Beaton Archive. Image courtesy of Beetles+Huxley

It would be remiss of me not to bring this exhibition of more than eighty Cecil Beaton photographs to your attention.  They cover the early part of his career from the 1920s to the 1940s.  Originally purchased in the early 50s these photographs have been in an American private collection for over sixty years.

Tyneside Shipyard, Newcastle-on-Tyne, 1943
(c) Sotheby’s Cecil Beaton Archive. Image courtesy of Beetles+Huxley.

You will discover  the ‘Bright Young Things’ of the 20s, distinctive fashion pictures created for Vogue in the 30s, and wartime works for the Ministry of Works in the 2nd World War with Vivien Leigh, Queen Elizabeth consort of George VI), H G Wells and the Duke and Duchess of Windsor on their wedding day among the portraits on view.

Self Portrait in a Carriage, 1930s
(c) Sotheby’s Cecil Beaton Archive. Image courtesy of Beetles+Huxley.

http://www.beetlesandhuxley.com