A great celebration of Art!

MAYFAIR ART WEEKEND, Mayfair & St James’s, London (various locations), 30th June – 2nd July 2017

 

I am grateful to John Kirkwood for attending the press conference and writing about this:

 

Max Mara
Ludovica Gioscia – Infinite Present, 2017. C-print on archival fuji matt paper
Courtesy Ludovica Gioscia

Now in its fourth year this celebration of Art in Mayfair features over 60 galleries, auction houses, fashion houses and restaurants who will all in their own way have something to offer the visitor.

Mayor Gallery
Tadaaki Kuwayama – Untitled (Yellow)1969, acrylic on canvas, 90x90cm.
Courtesy of Mayor Gallery

 

Moretti Gallery
Guido Reni, Bologna – Two Bacchantes 1639-1640.
Courtesy of Moretti Gallery

 

 

 

 

 

 

 

 

 

 

 

 

The Royal Academy of Arts will be the hub of this celebration and its courtyard will offer a place in which to relax and recover your strength to carry on through the many events planned.

Galerie Thaddaeus Ropac
Gilbert & George
Courtesy Galerie Thaddaeus Ropac, Photo Nikolai Saoulski

There will be temporary, site-specific artworks from up and coming artists and workshops led by groups such as the Bedroom Artists’ Collective as well as informal conversations with artists, gallerists and local Mayfair figures.

Burlington Arcade
Mathilde Nivet – Birds

The Burlington Arcade has commissioned an installation by Mathilde Nivet of 300 paper birds in-flight motion in two positions – wings fully stretched or slightly bent.  Not unsurprisingly the installation is called Birds!

GAFRA
Nelson Makamo – Cool Moments 2017
Courtesy of the Gallery of African Art (GAFRA)

 

Hignell Gallery
Ben Russell – Cactus House, Alabaster 2017
Photograph courtesy of Tanya Dolver

 

 

 

 

 

 

 

 

On Sunday there will be a workshop for kids to create their own Gallery.

Bowman Sculpture
Le Baiser (The Kiss), 2nd Reduction – Auguste Rodin.
Courtesy of Bowman Sculpture

 

David Zwirner
Lisa Yuskavage – Stoned 2016
Courtesy David Zwirner New York-London

 

Victoria Miro
Milton Avery – Young Couple (Husband and Wife), 1963. Oil on canvas. 50 x 60 in
© Milton AveryTrust

 

 

 

 

 

 

 

 

 

 

 

White Cube
Wayne Thiebaud – Green Dress 1966 – 2017
© Wayne Thiebaud DACS, London, VAGA, New York 2017

 

Simon Dickinson Gallery
Domenico Conti – Portrait of Antonio Canova in his studio completing the La Touche ‘Amorino, 1792.
Courtesy of Simon Dickenson Gallery

 

Partners & Mucciaccia_
Cristiano Pintaldi – Untitled,2016, acrylic on canvas, 101x105cm.
Courtesy of Partners & Mucciaccia

 

Pace
Nathalie du Pasquier
© 2017 Nathalie du Pasquier. Photo by Bruno Lopes

 

 

 

 

 

 

 

 

 

Halcyon Gallery
Dale Chihuly – Maize Persian Set with Obsidian Lip Wraps
Courtesy of Halcyon Gallery

 

Marlborough Fine Art
Victor Pasmore – The Cloud in the West,1987
Courtesy of Marlborough Fine Art

 

Stoppenbach & Delestre
Andre Derain – Collioure
Courtesy of Stoppenbach & Delestre

 

Mount Street Gardens
Benjamin McMahon (2014)

 

 

 

 

 

 

 

 

 

http://www.mayfairartweekend.com

 

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

Antoni Tàpies

Antoni Tàpies: Revulsion and Desire, Timothy Taylor Gallery, 15 Carlos Place, London W1, until 18th March 2017

Antoni Tàpies - Installation View Photo: Sylvain Deleu Image Courtesy Timothy Taylor

Antoni Tàpies – Installation View
Photo: Sylvain Deleu
Image Courtesy Timothy Taylor

One can see why the Catalan artist Antoni Tàpies (1923–2012) exerted such an influence on Spanish art for more than sixty years. These works created since 2000 show that even in his later years he had lost none of his impact and reflect his 1955 observation: “If forms are not capable of wounding, irritating or inducing society to meditate, to make it realise how backward it is, if they are not a revulsive, then they are not authentic works of art.”

Antoni Tàpies - Installation View Photo: Sylvain Deleu Image Courtesy Timothy Taylor

Antoni Tàpies – Installation View
Photo: Sylvain Deleu
Image Courtesy Timothy Taylor

 

He used a mixture of materials in creating these abstract pieces, including sand, marble dust, chalk, dirt and human hair. The works on show very much suggest the body, especially Cames i AT, 2011 which hints at sexual congress while others have a hint of violence and confrontation His use of a cross-like motif evokes the idea of the ‘signature’ or mark of someone who cannot write and he also used numbers as well. They are works that leave a lasting impression on the viewer.

Antoni Tàpies - Installation View Photo: Sylvain Deleu Image Courtesy Timothy Taylor

Antoni Tàpies – Installation View
Photo: Sylvain Deleu
Image Courtesy Timothy Taylor

http://www.timothytaylor.com

The 2017 Mayfair Antiques & Fine Art Fair

The Mayfair Antiques & Fine Art Fair, supported by Wetherell and NFU Mutual Godalming, Westminster Ballroom, London Marriott Hotel, Grosvenor Square, London W1, 5th – 8thJanuary 2017

Rare French Empire ormolu mantle timepiece of chariot form with white enamel dial forming the wheel, surmounted by Amour being pulled by two dogs, c1810, from Richard Price.

Rare French Empire ormolu mantle timepiece of chariot form with white enamel dial forming the wheel, surmounted by Amour being pulled by two dogs, c1810,
from Richard Price.

I always enjoy both writing about and visiting this fair as it makes a great way of starting a new year.  There is a tempting mixture of paintings, watercolours, silver, jewellery, sculpture, clocks and watches, glass, ceramics, rugs and 20th century design to be seen and purchased.

Allium flower hand-forged galvanised steel with blown glass, 2.5m or 3.2m, from QEST scholar Jenny Pickford,

Allium flower
hand-forged galvanised steel with blown glass, 2.5m or 3.2m,
from QEST scholar Jenny Pickford,

This year the fair will also be showing the skills and works of craft scholars from QEST (The Queen Elizabeth Scholarship Trust). So you may well be digging deep into your pockets!

Egyptian Amulet of Bes, 2cm long x 1.9cm wide, Ptolemaic period, 332–30 BC, from Ancient & Oriental

Egyptian Amulet of Bes,
2cm long x 1.9cm wide, Ptolemaic period, 332–30 BC,
from Ancient & Oriental

 

Spanish, Andalusian School, early 19th century Spanish Guerilla Encampment, Peninsular War oil on panel 23½" x 31½" Original Spanish, early 19th century, carved and indistinctly signed G.... ? on a rock lower centre. Indistinctly inscribed in Spanish on an envelope lower centre, the last word possibly being "Linares". Original Spanish, early 19th century, carved and gilded frame, from Atelier

Spanish, Andalusian School, early 19th century
Spanish Guerilla Encampment, Peninsular War
oil on panel
23½” x 31½”
Original Spanish, early 19th century, carved and indistinctly signed G…. ? on a rock lower centre.
Indistinctly inscribed in Spanish on an envelope lower centre, the last word possibly being “Linares”.
Original Spanish, early 19th century, carved and gilded frame,
from Atelier

 

Gilt decorated amethyst decanter with matching stopper, Russian, c1790, from Fileman Antiques

Gilt decorated amethyst decanter with matching stopper,
Russian, c1790,
from Fileman Antiques

 

 

 

 

 

 

 

 

 

 

 

 

The Harcourt Tiara, 18ct yellow gold and platinum tiara entirely set with fine white diamonds, c1900, from The Gilded Lily

The Harcourt Tiara,
18ct yellow gold and platinum tiara entirely set with fine white diamonds, c1900,
from The Gilded Lily

 

Mid 19th century walnut stool with tapestry top on raised cabriole legs, c1860, from S&S Timms Antiques

Mid 19th century walnut stool with tapestry top on raised cabriole legs, c1860,
from S&S Timms Antiques

 

 

 

 

 

 

 

 

 

Lincs sycamore and acrylic colours, 7'' high x4''x4'' from QEST scholar Joey Richardson

Lincs
sycamore and acrylic colours, 7” high x4”x4”
from QEST scholar Joey Richardson

 

View from the Dining Room by Susan Ryder RP NEAC oil on canvas signed 30" x 36" from Manya Igel Fine Arts

View from the Dining Room by Susan Ryder RP NEAC
oil on canvas
signed
30″ x 36″
from Manya Igel Fine Arts

 

 

 

 

 

 

 

 

 

 

 

 

Temple Guardians, signed E Bouret bronze and ebonised wood, 39cm high, dated 1871 from Hickmet Fine Arts

Temple Guardians, signed E Bouret
bronze and ebonised wood, 39cm high, dated 1871 from Hickmet Fine Arts

 

A rare George III silver drum tea caddy by Andrew Fogelberg, made in London in 1773, 4.5" x 4" diameter (base), 13oz, from Mary Cooke Antiques

A rare George III silver drum tea caddy by Andrew Fogelberg, made in London in 1773,
4.5″ x 4″ diameter (base), 13oz,
from Mary Cooke Antiques

 

 

http://www.mayfairfair.com

A Surreal Legacy

Sale 13765

A Surreal Legacy – Selected works of art from The Edward James Foundation, Christie’s London, King Street, London SW1, 15 December 2016,

 Lot 10 Salvador Dalí (1904-1989) and Edward James (1907-1984) Lobster Telephone (white aphrodisiac) white Bakelite telephone and white plaster lobster Length: 12 ½ in. (31.7 cm.) Conceived by Salvador Dalí in 1936; commissioned by Edward James from Green & Abbott in 1938 in an edition of eleven, four red and seven white. Estimate GBP 150,000 - GBP 250,000 (USD 186,450 - USD 310,750) © Christie’s Images Limited 2016

Lot 10
Salvador Dalí (1904-1989) and Edward James (1907-1984)
Lobster Telephone (white aphrodisiac)
white Bakelite telephone and white plaster lobster
Length: 12 ½ in. (31.7 cm.)
Conceived by Salvador Dalí in 1936; commissioned by Edward James from Green & Abbott in 1938 in an edition of eleven, four red and seven white.
Estimate GBP 150,000 – GBP 250,000 (USD 186,450 – USD 310,750)
© Christie’s Images Limited 2016

Edward James (1907-1984) was a notable patron and art collector and one who particularly embraced Surrealism and indeed transformed Monkton House on the West Dean estate into a Surrealist-inspired home.  It was an interest that first started when he lived in Paris as a young man and he became a patron and close friend of artists and writers such as Paul Éluard, André Breton René Magritte and Salvador Dalí. The latter said of him “Edward is as insanely relentless as myself”.  He was also a patron of the Russian Neo-Romanticist Pavel Tchelitchew and James built up a large collection of his works and some of these are in this sale.

Edward James, circa late 1920s © Christie’s Images Limited 2016

Edward James, circa late 1920s
© Christie’s Images Limited 2016

As well as the Surrealist works there is a mixture of pieces from West Dean House that reflects the taste and lifestyle of its various owners, including James’s father.  They are being sold to continue the work of the Edward James Foundation which is based at West Dean.

Lot 20 Pavel Tchelitchew (1898-1957) The Concert signed and dated 'P Tchelitchew 33' (lower left) oil on canvas 35 x 45¾ in. (89.5 x 116. 3 cm.) Painted in 1933 Estimate GBP 250,000 - GBP 350,000 (USD 310,750 - USD 435,050) © Christie’s Images Limited 2016

Lot 20
Pavel Tchelitchew (1898-1957)
The Concert
signed and dated ‘P Tchelitchew 33’ (lower left)
oil on canvas
35 x 45¾ in. (89.5 x 116. 3 cm.)
Painted in 1933
Estimate GBP 250,000 – GBP 350,000 (USD 310,750 – USD 435,050)
© Christie’s Images Limited 2016

Christie’s UK Chairman, Orlando Rock says: “Edward James was touched by genius – and the inspirational Surrealist fantasies that he created at Monkton and elsewhere are testimony to his visionary patronage. This eclectic auction embraces the contrasting and pioneering tastes of several generations of this Anglo-American family and will raise funds to safeguard the future of the educational Foundation at West Dean, through which Edward James sought to secure future generations of artistic creativity.”

Lot 30 Salvador Dalí (1904-1989) and Edward James (1907-1984) Mae West Lips Sofa wood carcass upholstered in red and green Melton wool fabric with green appliqué and black wool fringing Length: 81 in. (205.7 cm.) Height: 30 ¼ in. (77 cm.) Depth: 37 ¾ in. (96 cm.) Conceived by Salvador Dalí and Edward James in 1936, and executed by Green & Abbott in 1938 as one of a pair for the dining room at Monkton House. Estimate GBP 250,000 - GBP 400,000 (USD 310,750 - USD 497,200) © Christie’s Images Limited 2016

Lot 30
Salvador Dalí (1904-1989) and Edward James (1907-1984)
Mae West Lips Sofa
wood carcass upholstered in red and green Melton wool fabric with green appliqué and black wool fringing
Length: 81 in. (205.7 cm.)
Height: 30 ¼ in. (77 cm.)
Depth: 37 ¾ in. (96 cm.)
Conceived by Salvador Dalí and Edward James in 1936, and executed by Green & Abbott in 1938 as one of a pair for the dining room at Monkton House.
Estimate GBP 250,000 – GBP 400,000 (USD 310,750 – USD 497,200)
© Christie’s Images Limited 2016

www.christies.com

BOOK REVIEW: Going Once

Going Once: 250 Years of Culture, Taste and Collecting at Christie’s

 going-once-jacket

ISBN: 978 0 7148 7202 5

Phaidon

£39.95

 

What better way to celebrate two hundred and fifty years as a leading art business than through the two hundred and fifty objects selected for this book.  It is a wonderful survey of these remarkable sales and the high prices achieved whether for a 3,000-year-old Assyrian frieze or Dorothy’s ruby slippers from The Wizard of Oz. Paintings, furniture, gold and silver, sculpture, wine, even a London Routemaster bus are included.  One feature I like is that as well as giving the original sale price they also give today’s equivalent value.

 

This is a great book to dip into time and time again as there is much to learn and enjoy from it.

phaidon.com

FRIEZE MASTERS 2016

Frieze Masters, The Regent’s Park, London NW1 4HA, (the north-east corner of The Regent’s Park, near the London Zoo), 6th-9th October 2016

Prahlad Bubbar Ltd. Ladies celebrate Holi on a Pleasure Pavilion Leaf from an album made for Antoine Polier Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah Lucknow, India, c. 1775-1780 Opaque watercolour and gold on paper Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

Prahlad Bubbar Ltd.
Ladies celebrate Holi on a Pleasure Pavilion
Leaf from an album made for Antoine Polier
Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah
Lucknow, India, c. 1775-1780
Opaque watercolour and gold on paper
Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

 

The well-known architect Annabelle Selldorf has designed the structure for this the fifth edition of Frieze Masters and it will play host to one hundred and thirty-three leading historical and modern galleries from around the world.

BLAIN|SOUTHERN LONDON Lynn Chadwick, The Stranger, 1954, Courtesy The Estate of Lynn Chadwick and Blain|Southern, Photo: Matthew Hollow

BLAIN|SOUTHERN LONDON
Lynn Chadwick, The Stranger, 1954,
Courtesy The Estate of Lynn Chadwick and Blain|Southern,
Photo: Matthew Hollow

 

As Frieze’s Director Victoria Siddall commented: ‘The quality and breadth of work in Frieze Masters keeps it fresh and exciting each year. I am looking forward to seeing even more antiquities dealers in the fair, as well as Indian art, alongside the best Old Masters and 20th-century work. Curators play an important role in this fair as well as in our contemporary fairs, and this year we welcome Tim Marlow (Director of Artistic Programmes, Royal Academy, London) who is co-curating Frieze Masters Talks, and Toby Kamps of the Menil Collection in Houston who is presenting his first edition of Spotlight.

 Once again we will see galleries from different fields collaborate on ground-breaking presentations, as the fair continues to offer new models for looking at and collecting art.’

 

 

 

Daniel Crouch Rare Books Benjamin Read, View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836. Image courtesy of Daniel Crouch Rare Books.

Daniel Crouch Rare Books
Benjamin Read,
View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836.
Image courtesy of Daniel Crouch Rare Books.

 

Luxembourg & Dayan Robert Rauschenberg (1925-2008), Untitled (mud painting), 1953-1992 Courtesy Luxembourg & Dayan

Luxembourg & Dayan
Robert Rauschenberg (1925-2008),
Untitled (mud painting), 1953-1992
Courtesy Luxembourg & Dayan

 

Dr. Jörn Günther Rare Books AG Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328 image courtesy of Dr. Jorn Gunther Rare Books

Dr. Jörn Günther Rare Books AG
Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328
image courtesy of Dr. Jorn Gunther Rare Books

 

Mayor Gallery Ad Dekkers Relief met drie circkels 1967 Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

Mayor Gallery
Ad Dekkers
Relief met drie circkels 1967
Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

 

 

 

 

 

 

 

 

 

 

 

 

Waddington Custot Manolo Millares, Ínsula, 1967, mixed media on burlap. Courtesy Waddington Custot

Waddington Custot
Manolo Millares, Ínsula, 1967,
mixed media on burlap.
Courtesy Waddington Custot

 

Kallos Gallery Archaic Cretan Bronze Helmet, circa 650-620 BC. Credit Steve Wakeham & Kallos Gallery

Kallos Gallery
Archaic Cretan Bronze Helmet, circa 650-620 BC.
Credit Steve Wakeham & Kallos Gallery

 

Bernard Jacobson Gallery Robert Motherwell (1915-1991) Untitled (New England Elegy No.5) 1967 Oil on canvas 296.6 x 355.6 cms (116 3/4 x 140 ins) RM12608

Bernard Jacobson Gallery
Robert Motherwell (1915-1991)
Untitled (New England Elegy No.5)
1967
Oil on canvas
296.6 x 355.6 cms (116 3/4 x 140 ins)
RM12608

 

 

frieze.com/fairs/frieze-masters