Matisse in the Studio

Matisse in the Studio, The Sackler Wing, Royal Academy of Arts,  Burlington House, Piccadilly, London, W1, until 12th November 2017

 

© John Kirkwood

I am grateful to John Kirkwood to visiting and writing about this exhibition:

 

It isn’t often that one can visit an exhibition of works by a master such as Matisse and also see the subjects of the work on view alongside them as well. This exhibition brings together 35 objects alongside 65 paintings, sculptures, drawings, prints and cut-outs and it is startling to see the very objects represented, as Tommy Cooper might have said ‘before your very eyes!’

© John Kirkwood

This is the first exhibition to show that such treasures as are on display were often both the inspiration and the subject matter for the work and we must be grateful for their survival. Some of the objects are represented as you will see them but others get an interpretation from Matisse which shows his imagination and skill in transforming them into works of art.  Altogether a fascinating visit to his studio.

 

© John Kirkwood

http://www.royalacademy.org.uk

Enlightened Princesses

Enlightened Princesses: Caroline, Augusta, Charlotte and the Shaping of the Modern World, Kensington Palace, until November 2017

Queen Caroline of Ansbach, Joseph Highmore c.1735,
Royal Collection Trust c Her Majesty Queen Elizabeth II 2017

This fascinating exhibition has come to Kensington Palace from the Yale Center for British Art where it understandably attracted so much interest while there. It considers the part played by three German Protestant princesses at the court of the Hanoverian Kings who ruled 18th century Britain. A legacy that can still be seen in today’s monarchy.

Enlightened Princesses – Installation view
(c) Historic Royal Palaces

The three princesses concerned are Caroline, consort of George II; her daughter-in-law Augusta, who was married to Frederick Prince of Wales and Charlotte (Augusta’s daughter-in-law), consort of George III. In many senses they were the right women in the right place as Britain was embracing the ideas of the Enlightenment and the princesses’ intelligence and curiosity combined with their exalted status allowed them to foster and support the new ideas.

Queen Charlotte, Johann Joseph Zoffany 1771,
Royal Collection Trust c Her Majesty Queen Elizabeth II 2017

Scientists, authors and even musicians such as Handel were all drawn to their drawing rooms. They encouraged medical advances such as inoculation and were involved in the establishment of London’s Foundling Hospital. Plants and wildlife were another interest that all three shared and Kew Gardens is part of that legacy. They also supported British trade and manufacturing.

Enlightened Princesses – Installation view
(c) Historic Royal Palaces

The exhibition succeeds in bringing both their private and public world to life.  The Yale Center for British Art’s director Amy Meyers sums it up: “Caroline, Augusta, and Charlotte had sweeping intellectual, social, cultural, and political interests, which helped to shape the courts in which they lived, and encouraged the era’s greatest philosophers, scientists, artists, and architects to develop important ideas that would guide ensuing generations”.

The Flying Squirrel, Plate T-77, Mark Catesby
c The Royal Board of Trustees of Royal Botanic Gardens Kew

www.hrp.org.uk

Christening robe made for future George IV, ivory silk satin c. 1760
(c) Historic Royal Palaces

‘The Caged Bird’s Song’

Chris Ofili: Weaving Magic, Sunley Room, The National Gallery, Trafalgar Square, London WC2, until 28th August 2017

Chris Ofili
The Caged Bird’s Song, 2014–2017
Wool, cotton and viscose
Triptych, left and right panels each 280 x 184 cm; centre panel 280 x 372 cm
Installation view, Chris Ofili: Weaving Magic, National Gallery, 26 April – 28
August 2017
© Chris Ofili. Courtesy the artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh. Photography: Gautier Deblonde

This is the first time that the Turner Prize winning artist Chris Ofili has worked in the medium of tapestry but I definitely think and hope that it will not be the last. Once again he looks at mythology for inspiration and combines it with the contemporary and the colour and the magic and tales of Trinidad. Alongside the tapestry woven in Edinburgh’s Dovecot Tapestry Studio, are the preparatory sketches for the piece.

Chris Ofili
The Caged Bird’s Song (She) 1, 2014
Watercolour and charcoal on paper
39.5 x 26.3 cm
15 1/2 x 10 3/8 in
© Chris Ofili
Courtesy the artist and Victoria Miro, London

The artist says of it: “The Caged Bird’s Song is a marriage of watercolour and weaving. I set out to challenge the weaving process, by doing something free-flowing in making a watercolour, encouraging the liquid pigment to form the image, a contrast to the weaving process. With their response, which is an interpretation rather than a reproduction, the weavers have paid a type of homage to the watercolour that I gave them as well as to the process of weaving.”

It is quite magical. After the exhibition it will go to The Clothworkers’ Company, who commissioned it, in the City of London and will be on permanent display there.

http://www.nationalgallery.org.uk

Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com