Masterpiece London 2018, Royal Hospital Chelsea, South Grounds, London SW3 4LW, 28th June – 4th July 2018 (Preview: Wednesday 27th June)

Chelsea Pieta RW (1) a

A CHELSEA PIETA Circa 1761 Modelled by Joseph Willems (born in Brussels, 1715, died in Tournai, Belgium, 1766) 38.5 cm high Gold Anchor mark to reverse. E & H Manners

It really shows how time flies when one considers that the first Masterpiece was held in 2010 and hasn’t it continued to provide a scintillating cross-section of all the arts whether ancient, contemporary, fine or decorative? This year’s Fair, with its ‘reworked layout’ will no doubt see many collectors, curators and first-time buyers visit as well as those who just want to experience seeing the best on offer.

I have included a small selection of pieces which have particularly caught my eye.

hurst

An 18th Century German ormolu mounted marquetry commode in the manner of DavidRoentgen, the marble a later replacement, c. 1780. Measurements: w: 52.8” (134cm), h: 34.6” (88cm), d: 28.7” (73cm). Edward Hurst Ltd

 

Opening hours:

Preview (by invitation) on Wednesday 27 June, 11am – 9pm

Thursday 28 June, 11am – 9pm

Friday 29 June, 11am – 9pm

Saturday 30 June, 11am – 7pm

Sunday 1 July, 11am – 7pm

Monday 2 July, 11am – 9pm

Tuesday 3 July, 11am – 9pm

Wednesday 4 July, 11am – 9pm

RBC are the Principal Sponsor of Masterpiece London 2018.

New Art Centre 1

William Turnbull, Pandora, 1958-62, 156.2 x 120.6 x 22.9 cm. New Art Centre

 

3. SJP - 18th century German carved gold mounted quartz box, attributed to Hoffmann

An 18th century German gold mounted quartz box, attributed to Friedrich Ludwig Hoffmann, Berlin c.1760. S. J. Phillips

 

Mario_Dilitz_No174_2_S

Mario Dilitz, Austrian, b.1973 Boxing Boy with long Shorts (Artwork No. 174), Oak and red glue, 2018, 6 unique versions 96cm h x 35cm w x 20cm d, Sladmore Contemporary

 

Egyptian bust of bes

An Egyptian Limestone Bust of Bes Ptolemaic, Circa 3rd – 2nd Century BC? Kallos Gallery

 

49 - Monet

Claude Monet Le Bassin Aux Nymphéas Painted: circa 1918-20 Medium: Oil on canvas Size: 381⁄4” x 51” / 97cm x 130cm. Gladwell & Patterson

 

4. KRA - Pair of Louis XVI dishes on stands, Paris, 1785

A striking pair of Louis XVI dishes on stands made in Paris in 1785 and 1789 by the French silversmiths Henri Auguste and Robert Joseph Auguste. Engraved with the coronet and monogram of the infamous Harriet, Duchess of St Albans. Warmers added by Paul Storr in 1811. Koopman Rare Art

 

Apter-Fredericks

An exceptional and large pair of nodding figures which are one of a very small number of known pairs retaining their original costumes. Chinese, Circa 1821-1850. Height 26” 66cm. Apter-Fredericks Ltd

 

http://www.masterpiecefair.com;

Instagram: @masterpiecelondon; Twitter: @MasterpieceFair;

Facebook: Masterpiece London

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

THE LAPADA FAIR 2017

LAPADA Art & Antiques Fair, Berkeley Square, Mayfair, London W1, 15th-20th September 2017

Once again Mayfair’s Berkeley Square plays host to the LAPADA Fair – can you believe it’s their ninth year there, time really does go by quickly?

Among the 110 plus participants at the fair bringing a tempting mixture of art and antiques from all periods is Mackinnon Fine Furniture and I thought you would be interested to see this pair of George II chairs known as the Newhailes House Armchairs which they are showing at the Fair. Dating from c1750-55 their mahogany frames are beautifully carved and pierced and have Chinoiserie stretchers. They are upholstered in their original signed Aubusson tapestry covers.

The chairs, originally a set of four, were acquired by the first Lord Hailes at a sale of the contents of his aunt’s house in Greek Street and remained at Newhailes House until c1928. They were in various American collections, including the Walter P Chrysler Collection.

Slightly earlier in date are these very important George II mahogany armchairs of c1745 which come from Warwick Castle and were part of suite acquired in the 18th century for the castle and where some can still be seen in the Cedar Drawing Room. They are upholstered in early 18th century Genoese silk velvet.

Whoever buys these chairs is going to be very lucky and have many years pleasure in owning them.

 

www.mackinnonfineart.com

http://lapadalondon.com

BOOK REVIEW: Spectacular Gems and Jewelry from the Merriweather Post Collection

Spectacular Gems and Jewelry from the Merriweather Post Collection

Liana Paredes

Published by GILES in association with Hillwood Estate, Museum & Gardens
PRICE — UK£29.95 / US$39.95
ISBN — 978-1-907804-92-2

Marjorie Merriweather Post is well-known as a collector of Russian and French Decorative Arts but what is less appreciated is the collection of jewellery she amassed over the decades. This ranges from historic pieces such as the diamond earrings believed to have belonged to Marie Antoinette, a diadem and necklace owned by Napoleon’s wife the Empress Marie Louise and an emerald which belonged to the Emperor Maximilian of Mexico (a carpet thought to have been owned by him adorns the dining room floor at Hillwood). Alongside such gems add pieces by Cartier – she was their best American customer –, Harry Winston, Van Cleef & Arpels, David Webb and Fulco di Verdura and you get a marvellous insight to jewellery design and fashion in the first six decades of the 20th century. Flowers, birds, figures, domestic objects all provided inspiration for brooches and bracelets – Mrs Post had a diamond-set brooch in the form of her legendary yacht ‘The Sea Cloud’ and another in the form of her turboprop airplane ‘The Merriweather’.

Turquoise, diamond and platinum necklace by Harry Winston 1961

This is a detailed and highly enjoyable look into this outstanding collection of jewellery and is well-illustrated throughout, including designs and pictures of Mrs Post wearing various pieces. It combines jewellery design and social history in a way that emphasises that Mrs Post’s life was indeed spectacular!

An accompanying exhibition is on at Hillwood Estate, Museum & Gardens until 7th January 2018

 

https://www.hillwoodmuseum.org/Spectacular-Gems-and-Jewelry

gilesltd.com

Masterpiece London 2017 – S J Phillips Ltd

S.J. Phillips Ltd at Masterpiece London 2017, until 5th July 2017

 

A remarkable, bejewelled 18th century chatelaine, complete with pocket watch and breloques (charms). Attributed to George Michael Moser and made in London around 1780.

The renowned London dealer S.J. Phillips Ltd, one of the Fair’s founder members, has brought a dazzling array of jewels, gold boxes and objects with which to bedazzle their clients and visitors.

An exceedingly important diamond necklace, given as a wedding present to the American heiress and socialite Helen Hay on the occasion of her marriage to Payne Whitney, son of politician and financier William C. Whitney in 1902

The 18th century English chatelaine may have been commissioned by a member of the Russian Imperial Family. The firm’s director Nicolas Norton says of it: “This chatelaine is an incredibly rare piece and is amazing to have survived in such outstanding condition. Jewels of this nature and stature are extremely hard to come by.”

A gold and vari-coloured hardstone mounted box by one of the most sought-after box makers, Johann-Christian Neuber of Dresden, 1790.

www.sjphillips.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

THE 2017 BADA FAIR

BADA 2017, Duke of York Square, King’s Road, London SW3, 15th — 21st March 2017

Joseph Walsh (b. 1979)
Lilium I – A Unique Sculptural Form
2014
Olive Ash
325 x 215 x 74 cm
Courtesy Peter Petrou © Peter Petrou

From the moment you arrive at the BADA Fair you know that you have come to a place which will inspire and tempt you to buy pieces for your home or collection – things which you can live with and enjoy and understand why you acquired them.

An Irish George III white statuary marble and brocatelle marble chimneypiece of Neo-classical design,
Attributed to George Hill and Arthur Darley.
Courtesy of Mallett

The noted firm of Mallett’s are exhibiting there for the first time and as always provide an interesting selection to choose from.

A lantern in parcel-gilt bronze in the Gothic style.
Courtesy of Mallett

It’s hard to believe that this is the twenty-fifth BADA Fair and one feature that has always drawn interest and appreciation is the Loan Exhibition and this year’s is no exception. Entitled Samuel Prout: A Grand Tour in Watercolour it celebrates the life and work of Samuel Prout (1783-1852) from his simple beginnings to achieving the status of being ‘Painter in Water-Colours in Ordinary’ to both King George IV and Queen Victoria. His highly detailed works revealed the cities and towns of Europe to his wealthy compatriots who were once again able to do a ‘Grand Tour’ following the defeat of Napoleon. One can quite understand why his views of Venice are so popular. The exhibition has some thirty works drawn from both private and public collections and has been organised by John Spink of John Spink Fine Watercolours.

Samuel Prout (1783–1852)
Ducal Palace, Venice
Circa 1828
Watercolour with scratching out
69.8 x 101.2 cm
Courtesy John Spink © John Spink

 

www.badafair.com

The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

www.christies.com

The 2017 Mayfair Antiques & Fine Art Fair

The Mayfair Antiques & Fine Art Fair, supported by Wetherell and NFU Mutual Godalming, Westminster Ballroom, London Marriott Hotel, Grosvenor Square, London W1, 5th – 8thJanuary 2017

Rare French Empire ormolu mantle timepiece of chariot form with white enamel dial forming the wheel, surmounted by Amour being pulled by two dogs, c1810, from Richard Price.

Rare French Empire ormolu mantle timepiece of chariot form with white enamel dial forming the wheel, surmounted by Amour being pulled by two dogs, c1810,
from Richard Price.

I always enjoy both writing about and visiting this fair as it makes a great way of starting a new year.  There is a tempting mixture of paintings, watercolours, silver, jewellery, sculpture, clocks and watches, glass, ceramics, rugs and 20th century design to be seen and purchased.

Allium flower hand-forged galvanised steel with blown glass, 2.5m or 3.2m, from QEST scholar Jenny Pickford,

Allium flower
hand-forged galvanised steel with blown glass, 2.5m or 3.2m,
from QEST scholar Jenny Pickford,

This year the fair will also be showing the skills and works of craft scholars from QEST (The Queen Elizabeth Scholarship Trust). So you may well be digging deep into your pockets!

Egyptian Amulet of Bes, 2cm long x 1.9cm wide, Ptolemaic period, 332–30 BC, from Ancient & Oriental

Egyptian Amulet of Bes,
2cm long x 1.9cm wide, Ptolemaic period, 332–30 BC,
from Ancient & Oriental

 

Spanish, Andalusian School, early 19th century Spanish Guerilla Encampment, Peninsular War oil on panel 23½" x 31½" Original Spanish, early 19th century, carved and indistinctly signed G.... ? on a rock lower centre. Indistinctly inscribed in Spanish on an envelope lower centre, the last word possibly being "Linares". Original Spanish, early 19th century, carved and gilded frame, from Atelier

Spanish, Andalusian School, early 19th century
Spanish Guerilla Encampment, Peninsular War
oil on panel
23½” x 31½”
Original Spanish, early 19th century, carved and indistinctly signed G…. ? on a rock lower centre.
Indistinctly inscribed in Spanish on an envelope lower centre, the last word possibly being “Linares”.
Original Spanish, early 19th century, carved and gilded frame,
from Atelier

 

Gilt decorated amethyst decanter with matching stopper, Russian, c1790, from Fileman Antiques

Gilt decorated amethyst decanter with matching stopper,
Russian, c1790,
from Fileman Antiques

 

 

 

 

 

 

 

 

 

 

 

 

The Harcourt Tiara, 18ct yellow gold and platinum tiara entirely set with fine white diamonds, c1900, from The Gilded Lily

The Harcourt Tiara,
18ct yellow gold and platinum tiara entirely set with fine white diamonds, c1900,
from The Gilded Lily

 

Mid 19th century walnut stool with tapestry top on raised cabriole legs, c1860, from S&S Timms Antiques

Mid 19th century walnut stool with tapestry top on raised cabriole legs, c1860,
from S&S Timms Antiques

 

 

 

 

 

 

 

 

 

Lincs sycamore and acrylic colours, 7'' high x4''x4'' from QEST scholar Joey Richardson

Lincs
sycamore and acrylic colours, 7” high x4”x4”
from QEST scholar Joey Richardson

 

View from the Dining Room by Susan Ryder RP NEAC oil on canvas signed 30" x 36" from Manya Igel Fine Arts

View from the Dining Room by Susan Ryder RP NEAC
oil on canvas
signed
30″ x 36″
from Manya Igel Fine Arts

 

 

 

 

 

 

 

 

 

 

 

 

Temple Guardians, signed E Bouret bronze and ebonised wood, 39cm high, dated 1871 from Hickmet Fine Arts

Temple Guardians, signed E Bouret
bronze and ebonised wood, 39cm high, dated 1871 from Hickmet Fine Arts

 

A rare George III silver drum tea caddy by Andrew Fogelberg, made in London in 1773, 4.5" x 4" diameter (base), 13oz, from Mary Cooke Antiques

A rare George III silver drum tea caddy by Andrew Fogelberg, made in London in 1773,
4.5″ x 4″ diameter (base), 13oz,
from Mary Cooke Antiques

 

 

http://www.mayfairfair.com