THE LAPADA FAIR 2017

LAPADA Art & Antiques Fair, Berkeley Square, Mayfair, London W1, 15th-20th September 2017

Once again Mayfair’s Berkeley Square plays host to the LAPADA Fair – can you believe it’s their ninth year there, time really does go by quickly?

Among the 110 plus participants at the fair bringing a tempting mixture of art and antiques from all periods is Mackinnon Fine Furniture and I thought you would be interested to see this pair of George II chairs known as the Newhailes House Armchairs which they are showing at the Fair. Dating from c1750-55 their mahogany frames are beautifully carved and pierced and have Chinoiserie stretchers. They are upholstered in their original signed Aubusson tapestry covers.

The chairs, originally a set of four, were acquired by the first Lord Hailes at a sale of the contents of his aunt’s house in Greek Street and remained at Newhailes House until c1928. They were in various American collections, including the Walter P Chrysler Collection.

Slightly earlier in date are these very important George II mahogany armchairs of c1745 which come from Warwick Castle and were part of suite acquired in the 18th century for the castle and where some can still be seen in the Cedar Drawing Room. They are upholstered in early 18th century Genoese silk velvet.

Whoever buys these chairs is going to be very lucky and have many years pleasure in owning them.

 

www.mackinnonfineart.com

http://lapadalondon.com

The 2017 20/21 British Art Fair

The 20/21 British Art Fair, Mall Galleries, The Mall, London SW1, 13th– 17th September 2017

Rose Hilton – Self Portrait with Model,
Oil on Canvas, 72 x 92 cm.

After a year’s absence – its old venue was no longer available – this popular Fair returns to central London. Its new venue is the Mall Galleries so very central indeed.

Ken Smith – Free Fall,
Hopton Wood Stone, 25 x 10 x 10 cm

The thirty-three leading dealers taking part bring a fine selection of works, especially Modern and Post War pieces. I have taken this opportunity to show some works from Messum’s who were founded in 1963 and specialise in paintings and sculpture.

David Blackburn (1939 – 2016) Gasometer and Orange Sky,
Pastel, 37 x 41 cm

http://www.britishartfair.co.uk

 

Sargent in Dulwich

Sargent: The Watercolours, Gallery Road, London SE21, until 8th October 2017

John Singer Sargent, The Church of Santa Maria della Salute, Venice, c. 1904-9,
watercolour on paper, over preliminary pencil, 36.7 x 53.8 cm,
© Calouste Gulbenkian Foundation, Lisbon. Photo: Catarina Gomes Ferreira

It is almost a hundred years since there was an exhibition devoted to the watercolours of John Singer Sargent (1856-1925) so there is much to celebrate in this show. The eighty works by this Anglo American artist are an absolute delight with most dating from between 1900 – 1918.

Unknown photographer, Sargent painting a watercolour in the Simplon Pass, c. 1910-11,
Sargent Archive, Museum of Fine Arts, Boston

Sargent by 1910 had basically given up the portrait painting for which he was renowned to concentrate on watercolour painting. He travelled in Southern Europe and the Middle East and brought his own idiosyncratic style to these wonderful works whether fragmented glimpses, cities, people or landscapes. As the photograph shows he painted ‘en plein air’ and in some of the Venice watercolours you feel you are actually there with him in the gondola from which he depicts the view before him.

John Singer Sargent, A Turkish Woman by a Stream, c. 1907,
watercolour on paper, over preliminary pencil, with touches of body colour, 35.9 x 50.8 cm,
Victoria and Albert Museum. Bequeathed by Miss Dorothy Barnard. © Victoria and Albert Museum, London

Richard Ormond, co-curator and grand-nephew of Sargent, says: “In Sargent’s watercolours we see his zest for life and his pleasure in the act of painting. The fluency and sensuality of his paint surfaces, and his wonderful command of light, never cease to astonish us. With this exhibition we hope to demonstrate Sargent’s mastery of the medium and the scale of his achievement”.
I rather think you will agree with him.

John Singer Sargent, Rome: An Architectural Study, c. 1906-7,
watercolour on paper, over preliminary pencil, 34.9 x 50.2 cm,
Museums & Galleries, City of Bradford MDC

 

http://www.dulwichpicturegallery.org.uk

 

John Singer Sargent, Highlanders Resting at the Front, 1918,
watercolour on paper, over preliminary pencil, 34.3 cm x 53.5 cm,
© Fitzwilliam Museum, Cambridge

Ancient Landscapes Portrayed

‘British Art: Ancient Landscapes’, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 3rd September 2017

Alan Sorrell (1904–1974)
Sunrise Over Stonehenge
Watercolour on Paper
The Salisbury Museum

I am really grateful to Professor Sam Smiles (Emeritus Professor of Art History at the University of Plymouth) for his deep interest in archaeology and the history of art because they are engagingly combined in this important show. There is an accompanying catalogue by him too.

Eric Ravilious (1903-1942)
The Long Man of Wilmington,1939
Watercolour
© Victoria and Albert Museum, London

Prehistory in this country is celebrated in works from the 18th century onwards to the present time. Views of Stonehenge by Thomas Hearne, Charles Marshall, Constable, Turner, Henry Moore and Henry McKnight Kauffer are found among other archaeological sites both in Wiltshire and elsewhere. William Blake, John Piper, Barbara Hepworth and Derek Jarman are among the other artists you will experience in this hugely enjoyable exhibition.

Horace Brodzky (1885-1969)
Stonehenge, 1919
Linocut

The Museum’s Marketing Officer Louise Tunnard says: “We are so fortunate to live alongside the ancient landscapes that inspired these wonderful artists, and which remain relatively unchanged since pre historic times. I am hoping that we will inspire visitors to the exhibition to walk these landscapes too and discover their enduring appeal.” I am sure that they will!

J M W Turner (1775-1851)
Stonehenge c, 1827-28
Watercolour
The Salisbury Museum

 

http://www.salisburymuseum.org.uk/

‘The Caged Bird’s Song’

Chris Ofili: Weaving Magic, Sunley Room, The National Gallery, Trafalgar Square, London WC2, until 28th August 2017

Chris Ofili
The Caged Bird’s Song, 2014–2017
Wool, cotton and viscose
Triptych, left and right panels each 280 x 184 cm; centre panel 280 x 372 cm
Installation view, Chris Ofili: Weaving Magic, National Gallery, 26 April – 28
August 2017
© Chris Ofili. Courtesy the artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh. Photography: Gautier Deblonde

This is the first time that the Turner Prize winning artist Chris Ofili has worked in the medium of tapestry but I definitely think and hope that it will not be the last. Once again he looks at mythology for inspiration and combines it with the contemporary and the colour and the magic and tales of Trinidad. Alongside the tapestry woven in Edinburgh’s Dovecot Tapestry Studio, are the preparatory sketches for the piece.

Chris Ofili
The Caged Bird’s Song (She) 1, 2014
Watercolour and charcoal on paper
39.5 x 26.3 cm
15 1/2 x 10 3/8 in
© Chris Ofili
Courtesy the artist and Victoria Miro, London

The artist says of it: “The Caged Bird’s Song is a marriage of watercolour and weaving. I set out to challenge the weaving process, by doing something free-flowing in making a watercolour, encouraging the liquid pigment to form the image, a contrast to the weaving process. With their response, which is an interpretation rather than a reproduction, the weavers have paid a type of homage to the watercolour that I gave them as well as to the process of weaving.”

It is quite magical. After the exhibition it will go to The Clothworkers’ Company, who commissioned it, in the City of London and will be on permanent display there.

http://www.nationalgallery.org.uk

The Royal Academy’s Summer Exhibition

Summer Exhibition 2017, The Royal Academy of Arts, Burlington House, Piccadilly, London, W1, until 20th August 2017

 

I am grateful to John Kirkwood for visiting and writing about this exhibition:

 

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

This year’s Show is vibrant and exciting and varied across several media.  Of particular note is Yinka Shonibare’s Wind Sculpture VI in the Annenberg Courtyard which explores the notion of harnessing motion and freezing it in a moment of time.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Gilbert and George are showing a new large-scale work from their Beard Speak series and there are works by Phyllida Barlow, Anthony Gormley, Sean Scully, Bob and Roberta Smith and Wolfgang Tillmans – a very impressive line-up!

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

Farshoud Moussavi has curated the Architecture Gallery which celebrates architecture by focusing on construction coordination drawings which show the full complexity of a building.

Installation view of the Summer Exhibition 2017.
Photo (c) David Parry

The Charles Woolaston Award has been won by Isaac Julien for his five-screen film WESTERN UNION: Small Boats which is apparently inspired by Visconti’s The Leopard. I have to say as that is one of my favourite films I couldn’t really see the connection apart from the two films being set in Sicily, however it is well worth a look.

 

As always, the show is a real treat for art lovers and the standard remains as high as ever.

 

http://www.royalacademy.org.uk

A Legacy of Beauty

JOSEPH DALTON HOOKER: A LEGACY OF BEAUTY – From Halesworth to the Himalayas, Halesworth Gallery, Steeple End, Halesworth, Suffolk IP19 8LL, 1st– 19th July 2017

Sarcococca hookeriana var.digyna by Elaine Searle (Chelsea School of Botanical Art’s course director),
watercolour and graphite, 35cm high x 25cm wide.
Common plant name: Sweet box

This is a wonderful celebration of the 19th century botanist and explorer Sir Joseph Dalton Hooker OM GCSI CB PRS  who succeeded his father as Director of Kew Gardens. The works are by the pupils and alumni of the Chelsea School of Botanical Art. Their founder and director, Helen Allen said:  We are delighted that the Halesworth Gallery has invited us to exhibit botanical paintings of plants relating to, and named after, Sir Joseph Dalton Hooker. We are also including other plant illustrations showing this traditional art.  This is a great opportunity for our School and its alumni, many of whom now earn their living through their painting.  We plan to show visitors the tools and the progression of creating a botanical painting, which traditionally combines art and science, through the work of present and past talented Chelsea School of Botanical Art students.”

Joseph Hooker, Director of Kew Gardens, London 1865.

“The list of plants named after Sir Joseph Dalton Hooker is extensive. Many of the species are no longer the same as they were when discovered by Hooker, some are very rare and protected. Therefore, in some cases, our artists have selected the current version to paint.  We will also be showing other botanical paintings and illustrations by our alumni.”

Echiveria x hookeri by Penny Price,
watercolour, 35cm high x 24cm wide.
Common plant name: Succulent

http://www.halesworthgallery.co.uk/

http://www.chelseaschoolofbotanicalart.co.uk/