Thomas Chippendale 1718-1779

Thomas Chippendale 1718-1779: a celebration of British craftsmanship & design, until 9th June 2018, Leeds City Museum

Free admission

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Chippendale Exhibition Leeds City Museum 2018

It is with a deep chagrin that I very belatedly write about this major exhibition celebrating this great English furniture maker and designer. I had hoped that I would have been able to visit Leeds to see the show but personal reasons intervene.

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Chippendale Exhibition Leeds City Museum 2018

There is no better place than Leeds to see this show as Chippendale was born just down the road at Otley in 1718 – I well remember seeing the commemorative sign there when I lived in Leeds many years ago. I hope that this selection of images will entice you to dash up to Leeds or look at the tercentenary website where many of the houses associated with his oeuvre are mentioned.

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Chippendale Exhibition Leeds City Museum 2018

I shall be reviewing the catalogue published to celebrate this tercentenary and exhibition and also writing about Wilton House where Chippendale furniture bought by the Earls of Pembroke is highlighted in a special publication.

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Chippendale Exhibition Leeds City Museum 2018

 

 

http://chippendale300.co.uk/exhibition/

The Salisbury Museum: Goliath, until 1st June 2018

Goliath 5 April 2018The name Goliath conjures up various images in one’s mind – large imposing, strong, unbeatable – and therefore you could be excused for envisioning a statue even larger than Michelangelo’s ‘David’ in Florence. Well the celebrated sculptor Johannes von Stumm, a former President of the Royal British Society of Sculptors, offers a different approach.

Goliath 1 May 2018His ‘Goliath’ stands on the ‘Wessex Plinth’ outside Salisbury Museum and its form recalls the standing stones of this area. It is of West Country granite combined with a glass head which recalls the actual fragility of Goliath against the stone from David’s sling.

Politics is a vocation where one can see “Goliath-like” figures rise to an almost unassailable prominence and then as most recently seen in this Government be brought down quickly but fortunately not as permanently as David did so many centuries ago.

 

 

www.salisburymuseum.org.uk 

www.vonstumm.co.uk

www.gardengallery.uk.com

BOOK REVIEW: Longford Castle

Longford Castle: The Treasures & The Collectors

Amelia Smith

 ISBN: 9781910787687

Publisher: Unicorn

£40.00

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I first learnt about Longford Castle and some of its treasures in an article in the 1968 Country Life Annual and have wanted to know more about it ever since. Well now both you and I can find out more in this fascinating book which is both well-written and well-illustrated.

 

Dating from Elizabethan times the house was acquired by the Bouverie family in 1717 and the story of how they built up the outstanding art collection which consists of Old Masters and family portraits – think Holbein, Claude, Reynolds and Gainsborough – is skilfully interwoven with the tale of the furnishings and decorations of the castle’s rooms which form the backdrop to the paintings.  It really is a celebration and a history of this great collection and house and is such a delight. It is a book I will return to time and time again!

 

http://unicornpublishing.org/

Labour to scrap Westminster Council’s tall building plans if elected in May

labourwestminster

Westminster Labour Group are committing to scrapping the Conservative Council’s proposed approach to tall buildings if Labour are elected to run Westminster at the May 3rd Council Elections.

In March 2017 Westminster Council launched a consultation on its plans entitled Building height: Getting the right kind of growth for Westminster where it extolled the potential benefits of increasing the number of tall buildings across Westminster. After initial resident anger the Council has delayed coming forward with its final plans as part of the delayed Westminster City Plan process- the results of which risk not being announced before the election.

Westminster Labour is open to exploring increased density or the addition of one or two floors to existing buildings in appropriate locations if such development delivers clear benefits for local residents. However it is strongly opposed to the elements of the Council’s current approach that could see the spread of…

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Interesting reading!

Labour believes that under Conservative control Westminster Council has put the needs of property developers first for far too long. For decades they have let developers get away with building far fewer ‘affordable’ homes than required under Westminster’s planning policy, they have pushed through controversial schemes and promoted an approach to architecture based on the […]

via Westminster Labour pledge to clean up the planning system by ending hospitality from developers — labourwestminster

William Campbell revisited

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William Campbell at work in his new space at Alfies

It is more than a couple of years now (September 2015) since I wrote about William and the fine work he does in his framing studio at Alfies Antiques Market.  I am writing about him once again to tell you about his move from the ground floor to a more spacious area on the first floor as these images show. It is clearly visible from the street too. I have to personally add that I am very pleased with the frames he has recently made for me so check him out for yourselves.

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Door display at William Campbell Frames

William Campbell Fine Frames and Framing

First Floor

Alfies Antiques Market

13-25 Church Street,

London NW8 8DT

 

Eddie Poodle WIlliam Campbell Frames Gold 1 small

Eddie the poodle at William Campbell Frames

http://www.williamcampbellframes.com

‘The sounds of Music’

Brian Graham – Towards Music, The Salisbury Museum, The King’s House, 65 The Close, Salisbury SP1 2EN, until 12th May 2018

 

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Brian Graham Fanfare for the Common Man for Aaron Copland, 2014 Mixed media on board 26cm x 34cm

In this show of some forty works the Dorset-born artist takes us on a journey into history with his ideas of how music-making and dance may have started. These painted reliefs reflect his long-held interest in the worlds of archaeology, anthropology and science and this juxtaposition with their titles which are either taken from notable works or figures in music and dance fire the viewer’s imagination to picture the past. It’s a show where – as the song says – “the melody lingers on”!

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Brian Graham La Mer for Claude Debussy, 2014 Mixed media on board 34cm x 26cm

www.salisburymuseum.org.uk