A Love Affair with France: The Elizabeth Stafford Collection, Christie’s New York 1st November 2018

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Mimi Stafford in the Dining Room of her New York apartment. © Christie’s Images Limited 2018

I have known of this remarkable collection for nearly two decades and have caught fleeting glimpses of it from time to time in exhibition catalogues and elsewhere, I just wish I could have had the opportunity to meet Mrs Stafford. However, now we have the chance to encounter her and her discerning eye in this sale and some of the more important pictures will appear in specialist sales either just before the 1st November or later in that month.

Claude Lorrain

CLAUDE GELLÉE, CALLED LORRAIN (CHAMPAGNE 1600-1682 ROME landscape with Apollo guarding the herds of Admetus and Mercury stealing them oil on canvas 20 x 27.1/8 in. (50.8 x 68.8 cm.) $700,000 – $1,000,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

Elizabeth (Mimi) and her husband Frederick collected across a wide spectrum as the 1966-67 exhibition of their collection – “Odyssey of an art collector: unity in diversity -5,000 years of art” – at the Isaac Delgado Museum in New Orleans showed. Indeed in May this year Christie’s sold Brancusi’s La Jeune fille sophistiquée (Nancy Cunard) for US$ 71 million. It had been bought by them from the artist in 1955.

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

Mimi’s abiding passion was the arts of 18th century France and it was this that formed the background to her daily life, first of all in a Maison Jansen designed apartment in Paris’s Avenue Foch and then later in a New York apartment that had been created for Mr and Mrs Robert R Young by Maison Jansen’s legendary Stéphane Boudin. Both apartments were the perfect backdrop for the paintings, porcelain, furniture and drawings she acquired with an unfailing eye. As her daughter E. Alexandra Stafford says in an interview with Christie’s that “the first questions new friends asked when they entered the apartment was how could she live in such a museum? As they hesitated before sitting down on the silk brocade-covered 18th-century gilded chaise à la Reine, she would answer: ‘No problem!’”

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

That, of course, is how it should be as such things were made to be used and I am sure that Mimi Stafford would be excited and delighted that things she loved and cherished will be going on to new owners and enriching their lives.

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The niche in the Stéphane Boudin-designed New York apartment’s salon, or living room, displayed a selection of the Sèvres bleu céleste that forms the core of the porcelain collection — including an oval bottle cooler from the first service made for Louis XV. © Christie’s Images Limited 2018

 

Étienne Aubry

ÉTIENNE AUBRY (VERSAILLES 1745-1781 PARIS) ‘La Turque’, presumed portrait of Mademoiselle Duthé Oil on canvas 25 3/8 x 32 in. (64.3 x 81.3 cm.) $300,000 – 500,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

 

LOT 1229

Lot 1229 A LOUIS XV ENAMELLED GOLD CARNET DE BAL MARKED PARIS, 1773, WITH CHARGE MARK OF JULIEN ALATERRE, 1768-1775, AND DECHARGE MARK OF JEAN-BAPTISTE FOUACHE, 1775-1781 Rectangular with beaded borders, decorated with cornfower blue stripes, one side mounted with a miniature of a lady in white gown with gold embroidery, the other side with a locket of woven hair under a gold script monogram, the hinged cover mounted with gold words SOUVENIR D’AMITIE, interior ftted with gold pencil case 3 æ in. (95 mm.) high $4,000–6,000 © Christie’s Images Limited 2018

 

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Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1212

1212 JEAN-AUGUSTE-DOMINIQUE INGRES (MONTAUBAN 1780-1867 PARIS) Portrait of Mrs. Jean-Pierre Granger, née Marie-Jeanne-Catherine Delaigle signed and dated in graphite ‘Ingres/ à Rome 1811’ (lower right) graphite 10 x 7æ in. (25.4 x 19 cm.) $200,000–300,000 © Christie’s Images Limited 2018

 

LOT 1963

Lot 1063 A PAIR OF FRENCH ORMOLU-MOUNTED CHINESE PORCELAIN TWO-LIGHT CANDELABRA THE PORCELAIN QIANLONG, THE MOUNTS PROBABLY BY ESCALIER DE CRYSTAL, 19TH CENTURY Each with a blue-glazed Chinese porcelain parrot on a rock work base fanked by coral-form ormolu branches. 9æ in. ( 25 cm.) high (2) $7,000–10,000 © Christie’s Images Limited 2018

 

Pissarro - Neige, soleil couchant, Eragny

CAMILLE PISSARRO (1830-1903) Neige, soleil couchant, Eragny signed and dated ‘C. Pissarro 94’ (lower left) oil on canvas 24 x 32 1/2 in. Painted in 1894 $2,000,000-3,000,000 Impressionist & Modern Art Evening Sale, November 2018 © Christie’s Images Limited 2018

 

Stafford Paris Apartment

Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1041

Lot 1041 JEAN-BAPTISTE CHARPENTIER (PARIS 1728-1806) Portrait of a man, traditionally said to be M. Larchey, son-in-law of the painter Jean-Baptiste Greuze, bust-length oil on panel, oval 7æ x 6Ω in. (19.7 x 16.5 cm.) $8,000–12,000 © Christie’s Images Limited 2018

 

Boudin Panel from New York apartment c1959

A panel from a set of boiserie installed by Stephane Boudin, circa 1959, 900 Fifth Avenue, New York City. © Christie’s Images Limited 2018

 

christies.com

BOOK REVIEW: AMERICA COLLECTS EIGHTEENTH-CENTURY FRENCH PAINTING

AMERICA COLLECTS EIGHTEENTH-CENTURY FRENCH PAINTING

Yuriko Jackall et al
£50.00 GBP
ISBN: 9781848222342

 

Regular readers will have ascertained that I am drawn to the arts of 18th century France in all their forms and so it will come as no surprise that I am bringing this book to your attention.  American collectors such as the Wrightsmans, Forsyth Wickes and others have long held my interest and now here is the chance to celebrate Americans collecting French 18th century paintings through this well-illustrated volume.

 

Through a series of essays by noted authors and scholars such as Pierre Rosenberg, Robert Schindler, Joseph J. Rishel and Susan Earle various aspects of American collecting and taste are discussed. I am particularly grateful for the piece on Eugenia Woodward Hitt of whom I had known little. This is a book which I will return to again and again with relish.

 

www.lundhumphries.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

A great celebration of Art!

MAYFAIR ART WEEKEND, Mayfair & St James’s, London (various locations), 30th June – 2nd July 2017

 

I am grateful to John Kirkwood for attending the press conference and writing about this:

 

Max Mara
Ludovica Gioscia – Infinite Present, 2017. C-print on archival fuji matt paper
Courtesy Ludovica Gioscia

Now in its fourth year this celebration of Art in Mayfair features over 60 galleries, auction houses, fashion houses and restaurants who will all in their own way have something to offer the visitor.

Mayor Gallery
Tadaaki Kuwayama – Untitled (Yellow)1969, acrylic on canvas, 90x90cm.
Courtesy of Mayor Gallery

 

Moretti Gallery
Guido Reni, Bologna – Two Bacchantes 1639-1640.
Courtesy of Moretti Gallery

 

 

 

 

 

 

 

 

 

 

 

 

The Royal Academy of Arts will be the hub of this celebration and its courtyard will offer a place in which to relax and recover your strength to carry on through the many events planned.

Galerie Thaddaeus Ropac
Gilbert & George
Courtesy Galerie Thaddaeus Ropac, Photo Nikolai Saoulski

There will be temporary, site-specific artworks from up and coming artists and workshops led by groups such as the Bedroom Artists’ Collective as well as informal conversations with artists, gallerists and local Mayfair figures.

Burlington Arcade
Mathilde Nivet – Birds

The Burlington Arcade has commissioned an installation by Mathilde Nivet of 300 paper birds in-flight motion in two positions – wings fully stretched or slightly bent.  Not unsurprisingly the installation is called Birds!

GAFRA
Nelson Makamo – Cool Moments 2017
Courtesy of the Gallery of African Art (GAFRA)

 

Hignell Gallery
Ben Russell – Cactus House, Alabaster 2017
Photograph courtesy of Tanya Dolver

 

 

 

 

 

 

 

 

On Sunday there will be a workshop for kids to create their own Gallery.

Bowman Sculpture
Le Baiser (The Kiss), 2nd Reduction – Auguste Rodin.
Courtesy of Bowman Sculpture

 

David Zwirner
Lisa Yuskavage – Stoned 2016
Courtesy David Zwirner New York-London

 

Victoria Miro
Milton Avery – Young Couple (Husband and Wife), 1963. Oil on canvas. 50 x 60 in
© Milton AveryTrust

 

 

 

 

 

 

 

 

 

 

 

White Cube
Wayne Thiebaud – Green Dress 1966 – 2017
© Wayne Thiebaud DACS, London, VAGA, New York 2017

 

Simon Dickinson Gallery
Domenico Conti – Portrait of Antonio Canova in his studio completing the La Touche ‘Amorino, 1792.
Courtesy of Simon Dickenson Gallery

 

Partners & Mucciaccia_
Cristiano Pintaldi – Untitled,2016, acrylic on canvas, 101x105cm.
Courtesy of Partners & Mucciaccia

 

Pace
Nathalie du Pasquier
© 2017 Nathalie du Pasquier. Photo by Bruno Lopes

 

 

 

 

 

 

 

 

 

Halcyon Gallery
Dale Chihuly – Maize Persian Set with Obsidian Lip Wraps
Courtesy of Halcyon Gallery

 

Marlborough Fine Art
Victor Pasmore – The Cloud in the West,1987
Courtesy of Marlborough Fine Art

 

Stoppenbach & Delestre
Andre Derain – Collioure
Courtesy of Stoppenbach & Delestre

 

Mount Street Gardens
Benjamin McMahon (2014)

 

 

 

 

 

 

 

 

 

http://www.mayfairartweekend.com

 

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

Glorious Years!

Glorious Years: French Calendars from Louis XIV to the Revolution, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, Wed-Sun – until 29th October 2017

P Thévenard, Almanac Titled ‘France thanks the sky for the Dauphin’s healthy recovery’, 1753.
Photo Mike Fear © National Trust, Waddesdon Manor

It is fortunate for later generations that Baron Ferdinand de Rothschild (1839-1898) not only collected 18th century French furniture and porcelain but also had an interest in social history of the period too, accumulating trade cards, lottery tickets and other ephemera such as the calendars that form the focus of this very special exhibition.

Almanac Titled ‘Conquest of the island of Grenada from the English’, 1780.
Photo Mike Fear © National Trust, Waddesdon Manor

The twenty-six calendars or as they were originally called ‘almanacs’ are having their public debut as they have not been exhibited before.  They are a strong reminder of the power of imagery as an educational and propaganda tool from the time of Louis XIV up until the French Revolution when the calendar and time were ‘re-invented’.

Philibert Louis Debucourt, Almanac Titled ‘Republican calendar’, 1794.
Photo Mike Fear © National Trust, Waddesdon Manor

The large single-sheet prints features scenes of victories, royal events and peace treaties while the smaller bound pocketbook versions – think the 18th century equivalent of the smartphone – could contain a variety of useful facts,  including lists of the royal households, postal service schedules, songs, poetry and some even had erasable pages for note-taking or recording gambling debts.

The Mother of Parliaments Annual Division of Revenue, A Print for The British Electorate by Adam Dant, 2017
(c) Adam Dant

Alongside these 18th century examples is a specially commissioned 21st century almanac created by the British artist Adam Dant.  Using the 18th century examples as an example, Dant has amusingly re-interpreted them by depicting modern British MPS and ministers. It may well indeed gain extra significance as a political snapshot of early 2017 given the forthcoming General Election.

www.waddesdon.org.uk

A gift from Brian Sewell

Louis-Jean-François Lagrenée Maternal Affection, 1773 Oil on copper 43.5 x 34.5 cm A gift from the Estate of Brian Sewell, 2016 © The National Gallery, London

Louis-Jean-François Lagrenée
Maternal Affection, 1773
Oil on copper
43.5 x 34.5 cm
A gift from the Estate of Brian Sewell, 2016
© The National Gallery, London

In a June 2012 interview in The Daily Telegraph the art critic Brian Sewell recalled that “As a child, there was not a major museum or art gallery in London I didn’t know, and the National Gallery was my favourite.” Indeed these were weekly visits and so it will not come as a surprise that he left a painting to the Gallery.

The painting Maternal Affection is by the French artist Louis-Jean-François Lagrenée (1724-1805) and is the only example of his work in a national collection.  There are eleven other examples of his oeuvre at Stourhead and the Bowes Museum. The style of this painting reflects Lagrenée’s admiration for 17th century Bolognese artists, especially Guido Reni.

 

The Gallery’s Curator of Post-1800 Paintings and acting Curator of 18th century French Painting, Christopher Riopelle sums the gift up saying: “The painting is a beautifully preserved oil on copper of exquisite refinement which allows the National Gallery for the first time to show the work of an artist who was hugely admired by the most discriminating connoisseurs and collectors of contemporary French art, both French and foreign, in the final decades of the 18th century.”

 

It hangs in Room 33 alongside the Gallery’s other 18th century French pictures.

 

http://www.nationalgallery.org.uk