Gilded Furniture!

Gilded: Golden Treasures of Georgian Furniture, Mackinnon Fine Furniture, 5 Ryder Street,
St. James’s, London SW1

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720

This beautiful display of gilded furniture is an absolute joy to behold.  We are more used to gilded arms and legs on chairs and stools or gilt mirror and picture frames but this collection includes furniture where the whole piece is gilded such as this outstanding bureau cabinet. C1720. Originally one of a pair intended for the Portuguese royal court it is attributed to James Moore who worked for George I. It really is as good as it looks.

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720 – Interior

As Charlie Mackinnon rightly says: ‘Gilt furniture is synonymous with Georgian elegance and glamour.  Bringing this group of pieces together is a rare opportunity to explore the style in depth and understand its value and attraction—especially for contemporary collectors.’

A Pair of George III Giltwood Armchairs attributed to John Linnell, England, circa 1775

 

A George I Carved Gilt Gesso Settee of Rare Small Proportions, England circa 1720

 

A George II Giltwood Table in the manner of William Kent, England circa 1730

 

 

 

 

 

 

 

 

 

 

 

 

http://www.mackinnonfineart.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

A Collectors’ Paradise

‘A Collectors’ Paradise’, Brian Haughton Gallery, 15 Duke Street, St James’s, London SW1, 30th June – Friday 7th July 2017

A Meissen porcelain dish by I Preissler, c 1725-1730 from CHRISTOPHE PERLES

This is a new feature for this busy period of the year when the Art World converges on London for the diverse exhibitions and auctions that make it such an exciting and desirable place to be in June. Taking part are London’s specialist dealers Brian Haughton and Robyn Robb and from Paris Christophe Perles and they will be offering fine examples of English and continental porcelain, pottery and faience.

A fine 18th century Worcester cup exquisitely painted with a Chinese figure holding a fringed parasol, c1752-53 from ROBYN ROBB

haughtongallery.co.uk

http://www.cperles.co

http://www.bada.org/art-and-antiques-dealers/d/robyn-robb/299

A very rare Chelsea asparagus box and cover, c 1755, length 18cm, Red anchor mark and numeral 13 to the interior of the cover from BRIAN HAUGHTON GALLERY

Treasure Houses: The homes of the Dukes of Buccleuch and Queensberry

 

BOUGHTON

The House, its People and its Collections

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 5 3 
£17.95 / $21.80 / 81.41 TL 

 

 

 

BOWHILL

The House, its People and its Paintings

Introduced by Richard, Duke of Buccleuch and Queensberry

Edited by John Montagu Douglas Scott

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 2 2
£12.95 / $15.73 / 58.73 TL
 

 

DRUMLANRIG

The Castle, its People and its Paintings

By Richard, Duke of Buccleuch and Queensberry

Photographs by Fritz von der Schulenburg

Published by Caique Publishing Ltd
ISBN 978 0 9565948 4 6
£10.95 / $13.30 / 49.66 TL
Paperback, 96 pages, Second Edition
 

These three guidebooks are much more than just that as they provide a fascinating introduction to the houses and collections of the incumbent Dukes.  You will encounter Rembrandt, Canaletto, Van Dyck and El Greco, as well as family portraits by Gainsborough, Reynolds and Ramsay, There are miniatures, French and English furniture, Sèvres made for Louis XV, items commemorating Sir Walter Scott and the Duke of Monmouth, silver and a huge variety of textiles and rugs. It is an extensive and engaging collection in three very different houses, two, Bowhill and Drumlanrig, are in Scotland and then Boughton in England which the late John Cornforth once described as ‘the English Versailles’.

These books are of serious appeal to anyone interested in the fine and decorative arts, architecture and historic interiors.

http://www.bowhillhouse.co.uk

http://www.boughtonhouse.co.uk

http://www.drumlanrigcastle.co.uk

http://www.caiquepublishing.com

 

White Ceramics Win!

An Exhibition and Sale: Inspired by Blanc de Chine – The Anthony Collection of White Porcelain, Stockspring Antiques, 114 Kensington Church St, London W8, 7th – 14th June 2017

Mennecy pot-pourri and cover, c. 1750-55

There is something alluring about white porcelain where the only decoration is moulded or applied giving the pieces a sculptural quality and one can quite understand why collectors such as Thelma Chrysler Foy and Mrs Charles Allen Jnr were drawn to it.

St Cloud cups and saucers, left c. 1720-40; right c. 1730-50

Now this exciting collection of more than one hundred and ten pieces of porcelain – Chinese, French, Italian, English and Meissen – dating from c1640 – c1795 gives collectors a great chance to acquire fine examples of this genre.

Meissen coffee pot and cover, c. 1725-30

Garnered over a period of around twenty years the Anthony Collection reveals the influence of Chinese blanc de Chine on European porcelain factories and how these factories then created shapes that were European in origin. It is a fascinating visual feast.

Bow sucriers, c. 1752-54

http://www.antique-porcelain.co.uk

Stunning objects!

Gilded Interiors: French Masterpieces of Gilt Bronze, The Wallace Collection, Hertford House, Manchester Square, London, W1, until 30th July 2017

F292: Perfume Burner,
Pierre Gouthière, 1774 – 1775, detail.
© The Wallace Collection

We probably all have a vision of what an 18th century French interior may look like – white and gold panelling, commodes, chairs, sumptuous fabrics, tapestries or paintings, and gilded objects such as clocks or candelabra. The latter are probably the items we pay least attention too but you most certainly won’t after visiting this SUPERB exhibition.

F269: Mantel clock,
Jean-Baptiste Lepaute, 1781, detail.
© The Wallace Collection

We are able to study these objects closely and see the great attention to detail and the exquisite chasing and gilding techniques used. Two of the items on show belonged to Marie Antoinette. The comte d’Artois, the duc d’Aumont and the Prince Regent are other important patrons and clients from the 18th century whom you will discover. Only one of the wondrous pieces does not come from the Wallace Collection and that is a pair of firedogs bought by the future George IV.  They are included because they are the same model as a pair owned by the 4th Marquess of Hertford in his Paris home*.

F131: Candelabrum,
Possibly François Rémond, France, 1783 – 1786
© The Wallace Collection

These gilded wonders, which were such an important and integral part of the homes of the great and wealthy 18th century patrons, are the creation of artists such as Pierre Gouthière, François Rémond and Claude Pition and are important examples of 18th century French taste and stunning works of art in their own right.

F164: Candlestick,
Claude-Jean Pitoin, 1781, detail.
© The Wallace Collection

The exhibition is curated by Dr Helen Jacobsen, Senior Curator and Curator of French Eighteenth-century Decorative Arts at the Wallace Collection who has also written a book on this aspect of the Collection which I shall return to later.  She has also borrowed 18th century drawings from the Bibliothèque Municipale in Besançon which are by the noted architect and designer of interiors Pierre-Adrien Pâris and they reveal how Ancient Rome was a source of inspiration while others show how that inspiration was enacted upon.

F317: Table,
attributed to François Rémond, 1785 – 1787, detail.
© The Wallace Collection

I have now visited the exhibition three times but will return again and again because each time you see new details and appreciate even more the perfection of 18th century French decorative arts.

F258: Mantel clock, The Avignon Clock,
Pierre Gouthière, France, 1771
© The Wallace Collection

 

* This was not part of Sir Richard Wallace’s bequest and they are now in the Philadelphia Museum of Art.

 

http://www.wallacecollection.org

‘Madonnas and Miracles’

‘Madonnas and Miracles: The Holy Home in Renaissance Italy’, The Fitzwilliam Museum, Trumpington Street, Cambridge, until 4th June 2017

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
The silk velvet is Velluto Venezia by Rubelli.
Courtesy of Helen Edwards PR

This is a fascinating exhibition which reveals through both the fine and decorative arts a glimpse of life in Renaissance Italy.  Combining treasures from the museum’s own collections with those loaned from Europe, the US and Israel we see how important religion and devotion were in a world that we may often think as secular.

 

The Christ Child, Italy, Camerino, c.1484–90.
Photo: Nuns of Santa Chiara, Camerino.

Some of the works were to come from the Marche area of Italy which was affected by earthquakes last October and while it is has not been possible for some objects to be brought over as a result of it I am delighted to share images of this 15th century polychrome decorated wooden doll of the Christ Child with you because to me its survival is a miracle of some sort. It has not only survived through the centuries but also last year’s earthquake which reduced the Franciscan nunnery where it is kept to rubble.

 

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
Courtesy of Helen Edwards PR

Images of the Madonna were an important feature in Italian homes in the Renaissance and her role as a mother was copied by many women who owned such dolls.  One other exhibit that particularly struck me was the set of knives whose blades are decorated with the notes and words for a four-part grace and nearby is a recording of it by members of the Choir of St John’s College, Cambridge.

The Viadana family prays to St Nicholas to save them from an earthquake, Italy, Le Marche, 16th century.
Tolentino, Museo di San Nicola.

The three groups of ex-voto paintings were way of giving thanks at shrines for what was deemed to be a miracle by the people or family concerned and I thought this one depicting a family praying for protection from an earthquake especially appropriate.

It is in its own special way a great exhibition.

 

http://www.fitzmuseum.cam.ac.uk/

http://www.rubelli.com