My Object of the Year 2016

Collector’s Cabinet by Theodor Commer (1773-1853) with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819) for Canon Johann Wilhelm Neel (1744-1819) Cologne, ca 1795 Cherry wood, brass marquetery, wax reliefs Height 225 cm, width 145 cm, depth 62 cm Photo credit: Kunstkammer Georg Laue, Munich

Collector’s Cabinet by Theodor Commer (1773-1853)
with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819)
for Canon Johann Wilhelm Neel (1744-1819)
Cologne, ca 1795
Cherry wood, brass marquetery, wax reliefs
Height 225 cm, width 145 cm, depth 62 cm
Photo credit: Kunstkammer Georg Laue, Munich

I am fortunate, if not a little spoilt, in that I get to see objects from all periods and in most media during the year and have the opportunity to share them with you through my blog.  I am sharing this with you and considering that I saw it at Frieze Masters in October you may well be right in thinking that perhaps this is something I would like to keep for myself.  But it is in my view far too good an item to be selfish about. Sadly, no I don’t own it.

Collector’s Cabinet by Theodor Commer (1773-1853) with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819) for Canon Johann Wilhelm Neel (1744-1819) Cologne, ca 1795 Cherry wood, brass marquetery, wax reliefs Height 225 cm, width 145 cm, depth 62 cm Photo credit: Kunstkammer Georg Laue, Munich

Collector’s Cabinet by Theodor Commer (1773-1853)
with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819)
for Canon Johann Wilhelm Neel (1744-1819)
Cologne, ca 1795
Cherry wood, brass marquetery, wax reliefs
Height 225 cm, width 145 cm, depth 62 cm
Photo credit: Kunstkammer Georg Laue, Munich

Many of you will recognise that this sécrétaire has the hallmarks of the Roentgen workshops at Neuwied and you would be correct as its maker Theodor Commer (1773-1853) trained there.  The sécrétaire was commissioned specially by Johann William Neel (1744-1819) – you can see his entwined inlaid initials on the roll-top front – to contain his collection of forty-eight wax reliefs by Caspar Bernhard Hardy (1726-1819).  Hardy was a cleric at Cologne Cathedral and so knew Neel.

Collector’s Cabinet by Theodor Commer (1773-1853) with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819) for Canon Johann Wilhelm Neel (1744-1819) Cologne, ca 1795 Cherry wood, brass marquetery, wax reliefs Height 225 cm, width 145 cm, depth 62 cm Photo credit: Kunstkammer Georg Laue, Munich

Collector’s Cabinet by Theodor Commer (1773-1853)
with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819)
for Canon Johann Wilhelm Neel (1744-1819)
Cologne, ca 1795
Cherry wood, brass marquetery, wax reliefs
Height 225 cm, width 145 cm, depth 62 cm
Photo credit: Kunstkammer Georg Laue, Munich

Hardy’s great forte was producing these framed allegorical wax portraits, often sourced from contemporary genre paintings and prints and also from porcelain figures. His works were extremely popular and sought after. Goethe collected them too and wrote of his collection “they deserve to be shown in a museum in Cologne for they clearly demonstrate that we are here in the city of Rubens, in the Lower Rhine, where colour has always dominated and exalted works of art”.

Collector’s Cabinet by Theodor Commer (1773-1853) with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819) for Canon Johann Wilhelm Neel (1744-1819) Cologne, ca 1795 Cherry wood, brass marquetery, wax reliefs Height 225 cm, width 145 cm, depth 62 cm Photo credit: Kunstkammer Georg Laue, Munich

Collector’s Cabinet by Theodor Commer (1773-1853)
with 48 Wax Reliefs by Caspar Bernhard Hardy (1726-1819)
for Canon Johann Wilhelm Neel (1744-1819)
Cologne, ca 1795
Cherry wood, brass marquetery, wax reliefs
Height 225 cm, width 145 cm, depth 62 cm
Photo credit: Kunstkammer Georg Laue, Munich

To me this sécrétaire is a perfectly formed small museum and it is no surprise that it is being sold by the Munich based firm Kunstkammer Georg Laue who specialise in 16th – 18th century museum-quality objects that were collected for Kunst- and Wunderkammer.  This sécrétaire certainly fits that brief wonderfully well.

 

Kunstkammer Georg Laue, Schellingstraße 56, 80799 München

www.kunstkammer.com

A European Private Collection

From Roentgen to Fabergé: A European Private Collection, Christie’s, King Street, London, 20th May 2015

CREDIT: CHRISTIE'S IMAGES LTD. 2015

CREDIT: CHRISTIE’S IMAGES LTD. 2015

There can be little doubt that Monsieur de C, who formed this remarkable collection over more than three decades is a man of great taste and connoisseurship. He focused on the 18th century with particular interest in the furniture of Abraham and David Roentgen, the celebrated Neuwied- based cabinetmakers. While the father’s furniture forms reflected rococo shapes David’s pure lines and veneers were superb examples of neoclassical taste and it is no surprise that Catherine the Great and Louis XVI were among his patrons.

CREDIT: CHRISTIE'S IMAGES LTD. 2015

CREDIT: CHRISTIE’S IMAGES LTD. 2015

The collection is rich in other treasures of German craftsmanship, including an exceptional pair of Berlin gilt-bronze wall-lights, circa 1745 made for the Goldene Gallerie at Schloss Charlottenburg (estimate: £50,000-80,000), and 17th and 18th century Augsburg silver, including figures and a pair of silver tureens from the Perm Service made for Catherine the Great. Meissen is also represented well, including a group of pieces with Augsburg Hausmaleri decoration. Another ceramic delight in the auction is a Chinese mid-18th century porcelain serving dish decorated with the arms of Frederick the Great which comes from a service that is believed to have been presented to him (£6,000 – 10,000).

CREDIT: CHRISTIE'S IMAGES LTD. 2015

CREDIT: CHRISTIE’S IMAGES LTD. 2015

A further area of interest lay in the creations of Fabergé and others in Imperial Russia and there is a fine selection of pieces as can be seen here and also a beautiful silver and silver-gilt table service (estimate:£40,000-60,000). The silver and porcelain (there is a Russian Imperial service too) were used by Monsieur de C when he entertained in the treasure-filled enfilade of rooms of his home. I fully expect that there will be fierce competition to acquire these treasures on the day.

CREDIT: CHRISTIE'S IMAGES LTD. 2015

CREDIT: CHRISTIE’S IMAGES LTD. 2015

http://www.christies.com

CREDIT: CHRISTIE'S IMAGES LTD. 2015

CREDIT: CHRISTIE’S IMAGES LTD. 2015