Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

Masterpiece London 2017 – Opera Gallery

Opera Gallery at Masterpiece London 2017, until 5th July 0217

Claude Monet,
Le Mont Riboudet à Rouen au printemps, 1872

This gallery was founded in Paris in1994 by Gilles Dyan and now has offices around the world, including here in London. Its mixture of modern and contemporary art attracts many private collectors. This is the gallery’s debut at Masterpiece but I feel sure they will become a regular exhibitor.

Yves Klein,
table-bleue-plexiglass-pigment

 

Alexander Calder,
Kakémono, 1971

 

 

www.operagallery.com

www.masterpiecefair.com

A great celebration of Art!

MAYFAIR ART WEEKEND, Mayfair & St James’s, London (various locations), 30th June – 2nd July 2017

 

I am grateful to John Kirkwood for attending the press conference and writing about this:

 

Max Mara
Ludovica Gioscia – Infinite Present, 2017. C-print on archival fuji matt paper
Courtesy Ludovica Gioscia

Now in its fourth year this celebration of Art in Mayfair features over 60 galleries, auction houses, fashion houses and restaurants who will all in their own way have something to offer the visitor.

Mayor Gallery
Tadaaki Kuwayama – Untitled (Yellow)1969, acrylic on canvas, 90x90cm.
Courtesy of Mayor Gallery

 

Moretti Gallery
Guido Reni, Bologna – Two Bacchantes 1639-1640.
Courtesy of Moretti Gallery

 

 

 

 

 

 

 

 

 

 

 

 

The Royal Academy of Arts will be the hub of this celebration and its courtyard will offer a place in which to relax and recover your strength to carry on through the many events planned.

Galerie Thaddaeus Ropac
Gilbert & George
Courtesy Galerie Thaddaeus Ropac, Photo Nikolai Saoulski

There will be temporary, site-specific artworks from up and coming artists and workshops led by groups such as the Bedroom Artists’ Collective as well as informal conversations with artists, gallerists and local Mayfair figures.

Burlington Arcade
Mathilde Nivet – Birds

The Burlington Arcade has commissioned an installation by Mathilde Nivet of 300 paper birds in-flight motion in two positions – wings fully stretched or slightly bent.  Not unsurprisingly the installation is called Birds!

GAFRA
Nelson Makamo – Cool Moments 2017
Courtesy of the Gallery of African Art (GAFRA)

 

Hignell Gallery
Ben Russell – Cactus House, Alabaster 2017
Photograph courtesy of Tanya Dolver

 

 

 

 

 

 

 

 

On Sunday there will be a workshop for kids to create their own Gallery.

Bowman Sculpture
Le Baiser (The Kiss), 2nd Reduction – Auguste Rodin.
Courtesy of Bowman Sculpture

 

David Zwirner
Lisa Yuskavage – Stoned 2016
Courtesy David Zwirner New York-London

 

Victoria Miro
Milton Avery – Young Couple (Husband and Wife), 1963. Oil on canvas. 50 x 60 in
© Milton AveryTrust

 

 

 

 

 

 

 

 

 

 

 

White Cube
Wayne Thiebaud – Green Dress 1966 – 2017
© Wayne Thiebaud DACS, London, VAGA, New York 2017

 

Simon Dickinson Gallery
Domenico Conti – Portrait of Antonio Canova in his studio completing the La Touche ‘Amorino, 1792.
Courtesy of Simon Dickenson Gallery

 

Partners & Mucciaccia_
Cristiano Pintaldi – Untitled,2016, acrylic on canvas, 101x105cm.
Courtesy of Partners & Mucciaccia

 

Pace
Nathalie du Pasquier
© 2017 Nathalie du Pasquier. Photo by Bruno Lopes

 

 

 

 

 

 

 

 

 

Halcyon Gallery
Dale Chihuly – Maize Persian Set with Obsidian Lip Wraps
Courtesy of Halcyon Gallery

 

Marlborough Fine Art
Victor Pasmore – The Cloud in the West,1987
Courtesy of Marlborough Fine Art

 

Stoppenbach & Delestre
Andre Derain – Collioure
Courtesy of Stoppenbach & Delestre

 

Mount Street Gardens
Benjamin McMahon (2014)

 

 

 

 

 

 

 

 

 

http://www.mayfairartweekend.com

 

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

At home in Belgrave Square

The Ballyedmond Collection, Sotheby’s London, 34-35 New Bond Street, London W1, 23rd and 24th May 2017

A large Louis XV-style gilt and patinated bronze mantel clock (est. £12,000-18,000) A pair of George IV gilt-bronze seven-light candelabra (est. £1,500-2,000)
http://www.sothebys,com

Lord Ballyedmond (1944-2014) came from a humble Irish background but became a pharmaceutical entrepreneur (Norbrook Group) and a politician both north and south of the border. His great success gained him recognition from the United States Government.

The Dining Room at Belgrave Square
http://www.sothebys,com

The contents of his London home in Belgrave Square reveal his deep love for art and antiques. The house transported his guests into a world that recalled Georgian and Regency days with a fin-de-siècle sense of lavish hospitality.  His guests were greeted by paintings, furniture, porcelain and copious amounts of silver. Dinners were his forte and much enjoyed by host and guests alike.

The Drawing Room at Belgrave Square
http://www.sothebys,com

Sotheby’s UK Chairman, Harry Dalmeny sums it up: “This collection is typically extraordinary; typical for an extraordinary man who accepted no boundaries in business, politics, art and friendship. Belgrave Square was where his ambition as a collector reached its zenith; this was the seat for a salon, where politicians and potentates from all sides of everything would find a home together at the dinner table.

http://www.sothebys .com

 

The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

www.christies.com

2017 – Works on Paper Fair

The Works on Paper Fair, The Royal Geographical Society, Exhibition Road, South Kensington, London SW7, 9th – 12th February 2017

Lady Emily Dundas (d.1900) The Ladies of Llangollen at Plas Newydd Watercolour over traces of pencil, inscribed verso. 9.3 x 9.4 cm Karen Taylor Fine Art

Lady Emily Dundas (d.1900)
The Ladies of Llangollen at Plas Newydd
Watercolour over traces of pencil, inscribed verso.
9.3 x 9.4 cm
Karen Taylor Fine Art

The Fair covers the spectrum of works on paper from early to contemporary and sees many collectors and new enthusiasts come through its doors.  There is a good programme of talks, including Anne Desmet, RA – “A Life in Print” and Henry Little on “Landmark Exhibitions of the Past 100 Years”

Jess Shepherd (Living) Indian Bean Tree (Catalpa bignonioides). Belicena, Granada, Spain. Watercolour on 100% cotton rag paper 2016 76 x 56cm Abbott and Holder

Jess Shepherd (Living)
Indian Bean Tree (Catalpa bignonioides). Belicena, Granada, Spain.
Watercolour on 100% cotton rag paper
2016
76 x 56cm
Abbott and Holder

This year there is a rare opportunity to see some thirty-eight watercolours and drawings from the important collection of works held by Eton College.  Artists featured include Alexander and John Robert Cozens, Thomas Gainsborough, Francis Towne, Thomas Girtin and J.M.W. Turner. Philippa Martin the collection’s keeper will be giving a talk on the College’s holdings.

Alexander Cozens (1717 - 1786) Landscape with Buildings Drawing. 160 x 198 mm To be exhibited as part of the Loan Exhibition from Eton College Collections Reproduced by permission of the Provost and Fellows of Eton College

Alexander Cozens (1717 – 1786)
Landscape with Buildings
Drawing. 160 x 198 mm
To be exhibited as part of the Loan Exhibition from Eton College Collections
Reproduced by permission of the Provost and Fellows of Eton College

 

Paul Maze (1887-1979) The Lancer's Uniform Pastel 57 x 77 cm Panter & Hall

Paul Maze (1887-1979)
The Lancer’s Uniform
Pastel
57 x 77 cm
Panter & Hall

 

J.W Edy after George Bulteel Fisher (1764-1834) The Niagara Falls. 1800 Aquatint with added colour 48.9 x 69.2 cm Charles Nugent

J.W Edy after George Bulteel Fisher
(1764-1834)
The Niagara Falls. 1800
Aquatint with added colour
48.9 x 69.2 cm
Charles Nugent

 

 

 

 

 

 

 

 

 

 

 

Abraham Bosse (Tours 1602 – 1676 Paris) Taste Original etching, for the series of The Five Senses. 25.2 x 31.9 cm Elizabeth Harvey-Lee

Abraham Bosse (Tours 1602 – 1676 Paris)
Taste
Original etching, for the series of The Five Senses.
25.2 x 31.9 cm
Elizabeth Harvey-Lee

 

Joan Mirò (1893-1983) Constellation III Lithograph. 1975 78 x 57.5 cm Catalogue Joan Mirò. Les Livres Illustrés, Patrick Cramer Editeur 1989, n.195 Wallector

Joan Mirò (1893-1983)
Constellation III
Lithograph. 1975
78 x 57.5 cm
Catalogue Joan Mirò. Les Livres Illustrés, Patrick Cramer Editeur 1989, n.195
Wallector

http://www.worksonpaperfair.com