BOOK REVIEW: Villa Astor

VILLA ASTOR Paradise Restored on the Amalfi Coast

Introduction by The Right Honourable the Lord Astor of Hever

Text by Curt DiCamillo, Suzanne Tise-Isoré, Alexandra Campbell and Rita Vessichelli Pane Photography by Eric Sander

£40
Flammarion 
ISBN 978-2-08-137592-5

The Villa Astor has, as the cover illustration suggests, rather a splendid location in the town of Sorrento overlooking the Bay of Naples. A former American ambassador to Italy William Waldorf Astor (1848-1919) acquired the Villa and its surrounding properties in 1905 and then went on to transform it. He was certainly well practiced in such matters for in the United Kingdom he had an office at 2, Temple Place, and also homes at Hever Castle and Cliveden (he gave the latter to his son as a wedding present in 1906). As well as building up a large collection of classical sculpture at the Villa Astor he also had a Pompeian-style villa built on the east side of the gardens. Following Astor’s death the Italian government stepped in and said the sculpture collections and gardens should be protected and remain part of the villa.

 

It is a great survival having withstood different owners and World War II – and now following a restoration by the new owners, with the help of the famous French decorator Jacques Garcia. this extensively illustrated book celebrates the Villa in its full glory while telling the tale of its intriguing history. Can’t ask for much more really.

editions.flammarion.com

Retreat and Rebellion

Sussex Modernism: Retreat and Rebellion, Two Temple Place, London WC2, until 23rd April 2017

Duncan Grant (1885 -1978) Bathers by the Pond,c1920-21 Oil on canvas, 49x 90cm, Pallant House Gallery (Hussey Bequest, Chichester District Council) © 1978 Estate of Duncan Grant, courtesy Henrietta Garnett / DACS 2016

Duncan Grant (1885 -1978)
Bathers by the Pond,c1920-21
Oil on canvas, 49x 90cm,
Pallant House Gallery (Hussey Bequest, Chichester District Council)
© 1978 Estate of Duncan Grant, courtesy Henrietta Garnett / DACS 2016

While to many of us the coast or countryside of Sussex appear idyllic places to live in the first half of the 20th century avant-garde artists and writers were drawn to live there.  Their communities were experimental whether artistically or domestically.

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017 Two Temple Place, London WC2R 3BD All images courtesy of Two Temple Place and Rohan van Twest

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017
Two Temple Place, London WC2R 3BD
All images courtesy of Two Temple Place and Rohan van Twest

At Charleston Vanessa Bell and Duncan Grant not only painted but created interiors whose appeal lasts to the present day while at Ditchling Eric Gill and David Jones followed the arts and crafts tradition and at West Dean Edward James with Salvador Dali followed the Surrealist road (see my blog A Surreal Legacy, 07/12/2016).

David Jones (1895-1974) Madonna and Child in a Landscape, 1924 Oil on canvas, 61 x 61 cm, Ditchling Museum of Art + Craft © Trusteesof the David Jones estate. Image courtesy of Ditchling Museum of Art + Craft

David Jones (1895-1974)
Madonna and Child in a Landscape, 1924
Oil on canvas, 61 x 61 cm,
Ditchling Museum of Art + Craft
© Trusteesof the David Jones estate. Image courtesy of Ditchling Museum of Art + Craft

Add to this mix artists such as Edward Burra, Serge Chermayeff, Eric Ravilious, Henry Moore, John Piper, Lee Miller, Eileen Agar and Paul Nash and you will see how they individually reacted to their surroundings – some embracing and others more unsettled by them.

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017 Two Temple Place, London WC2R 3BD All images courtesy of Two Temple Place and Rohan van Twest

Sussex Modernism: Retreat and Rebellion 28th January –23rd April 2017
Two Temple Place, London WC2R 3BD
All images courtesy of Two Temple Place and Rohan van Twest

The exhibition’s curator Dr Hope Wolfe summed it up saying: “The metropolis has long been assumed to be a catalyst for Modernism: a melting pot in which people from different places could meet, exchange ideas, and explore new ways of thinking and making. This exhibition asks what experimental artists, writers and makers of other kinds were doing in Sussex in the early twentieth century. For some, a rural retreat provided an opportunity for escape and alternative living. Enclaves were made of homes and communities, although works created in them are often suggestive of anxieties that accompanied attempts to break with convention. Others critiqued their new contexts, troubling the idea of Sussex as an idyll and sparking controversy with work created for local audiences. Comparing the lives and works of makers associated with different modernist movements, the exhibition illustrates how the regional setting both amplified their contrary energies and facilitated their attempts to live and represent the world differently. In turn, it shows how seemingly picturesque scenes were reimagined and transformed by the unsettled artist.”

 

 

Exhibition Opening Times: Monday, Thursday – Saturday: 10am – 4:30pm Wednesday Late: 10am – 9pm, Sunday: 11am – 4:30pm, Closed on Tuesday

www.twotempleplace.org