Plywood Triumphant!

PLYWOOD: MATERIAL OF THE MODERN WORLD, Victoria and Albert Museum, Cromwell Road, London SW7, until 12th November 2017

 

I am grateful to John Kirkwood to visiting and writing about this exhibition:

 

© John Kirkwood

Perhaps not surprisingly this is a world-first exhibition featuring as it does the many uses to which plywood has been put.

 

Like me, I’m sure you thought it was a twentieth century invention but apparently fragments of layered board have been found in Egyptian tombs – perhaps they thought if the mummies came back to life they might fancy a bit of DIY to amuse themselves – but it really came into its own in the late nineteenth century with the advent of mass production.

 

Plywood’s ubiquity has been embraced by furniture makers, manufacturers of surfboards and skateboards, designers, architects and engineers and this very interesting exhibition takes visitors through plywood’s many transformations from a cheap product to material prized by mid-century modernists and by today’s flourishing maker movement.

©John Kirkwood

I so enjoyed the exhibition that I left feeling that ‘plywood is my wood!’

 

http://www.vam.ac.uk

Masterpiece London 2017 – S J Phillips Ltd

S.J. Phillips Ltd at Masterpiece London 2017, until 5th July 2017

 

A remarkable, bejewelled 18th century chatelaine, complete with pocket watch and breloques (charms). Attributed to George Michael Moser and made in London around 1780.

The renowned London dealer S.J. Phillips Ltd, one of the Fair’s founder members, has brought a dazzling array of jewels, gold boxes and objects with which to bedazzle their clients and visitors.

An exceedingly important diamond necklace, given as a wedding present to the American heiress and socialite Helen Hay on the occasion of her marriage to Payne Whitney, son of politician and financier William C. Whitney in 1902

The 18th century English chatelaine may have been commissioned by a member of the Russian Imperial Family. The firm’s director Nicolas Norton says of it: “This chatelaine is an incredibly rare piece and is amazing to have survived in such outstanding condition. Jewels of this nature and stature are extremely hard to come by.”

A gold and vari-coloured hardstone mounted box by one of the most sought-after box makers, Johann-Christian Neuber of Dresden, 1790.

www.sjphillips.com

www.masterpiecefair.com

Masterpiece London 2017 – Pangolin London

Pangolin London at Masterpiece London 2017, until 5th July 2017

LYNN CHADWICK (1914-2003)
Mobile, 1952
Steel and copper

Pangolin London has built up a strong reputation for it promotion of Modern British and contemporary sculptors and their estates through its exhibition programme. Their affiliation with the well-known sculpture foundry Pangolin Editions allows them to provide a welcome opportunity to commission, make and install new sculptures.

BREON O’CASEY (1928 – 2011) Reclining Nude, 2009
Acrylic on canvas

At the fair you will discover previously unseen works as well as sculptural jewellery.

ZAC EASTWOOD-BLOOM (b.1980)
Informazioni mangiato il mio tavolo’ (Information Ate My Table), 2016
Marble

 

www.pangolinlondon.com

www.masterpiecefair.com

Masterpiece London 2017 – E & H Manners

E & H Manners at Masterpiece 2017, until 5th July 2017

 

A Netherlandish Maiolica Jug, Utrecht
Dated 1558
Height to pewter thumbpiece: 21.8 cm
Height to top of rim: 19.0cm

This family-run Kensington Church Street firm will be well known to many collectors from the International Ceramic Fair and subsequently Art Antiques London. I am delighted to be able to tell you that they are now making their first appearance at Masterpiece.

A Large Meissen Octagonal Charger from the Christie-Miller Service
1740-44
34cm wide; 36 from point to point
Crossed swords mark with two dots in the pommels in under-glazed blue and Impressed numeral 22

They have built up a strong reputation for finding European ceramics of great rarity and quality and justifiably many of these pieces now adorn important public and private collections around the world.

A West Country Harvest Jug
Barnstaple or Fremington, Somerset
Dated 1771
32.3 cm. high
26.6 cm. wide

www.europeanporcelain.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Tribal Art and Ceramics in London’s New Bond Street

I take pleasure in sharing these two shows with you. They are at The Fine Art Society 148 New Bond Street, London W1.

 

Gordon Reece – The Art of Collecting, until 16th June 2017 

DSC_6706
30 Zula People, Democratic Republic of Congo
Female caryatid stool
First half of the 20th century
Wood
Height 18 1/2 in (47 cm)
Provenance: Private collection, Rwanda

This collaboration with Gordon Reece the esteemed dealer in Asian and African artefacts is a veritable treat.  His love of the objects is reflected in what he buys and they are eminently liveable with as this show which sees them displayed among the Fine Art Society’s furniture and artworks skilfully proves. A great celebration of Tribal Art.

‘Installation view, including two Lega masks and a Suku standing figure’

 

DSC_6725
41 Bembe People, Democratic Republic of Congo
A rare standing reliquary figure (Muzidi)
First half of the 20th century
Cane, fibre, cloth and buttons
Height 41 in (104.1 cm)
Provenance: Private collection, USA; purchased by Gordon Reece Gallery in New York in 2008

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hylton Nel – For Use and Display, until 16th June 2017

Hylton Nel
Cat with Pope’s shoes

The South African ceramicist Hylton Nel shows his flair for creating both useful and decorative objects. You will discern influences from Chinese, Staffordshire and European ceramics in them and he uses many ideas in their decoration whether sexual, whimsical or written prose.  A delight and one understands why his works are eagerly snapped up.

Hylton Nel
Green Tree and Figures

 

Hylton Nel
A Game of Notes

 

 

www.thefineartsociety.com/