The Power of Imagery

Kathy Prendergast – Atlas: A Reverie, 12 Star Gallery, 32 Smith Square, London SW1, until 9th September 2016

Installation View: Kathy Prendergast - Atlas: A Reverie Courtesy of 12 Star Gallery.

Installation View: Kathy Prendergast – Atlas: A Reverie
Courtesy of 12 Star Gallery.

This exhibition features thirty-eight wall-hung images and a freestanding work.  Using the AA Road Atlas of Europe the artist has transformed the maps into what may almost be thought to be charts of the stars but in fact using white and grey dots she denotes villages, towns and cities. In doing it in this manner she raises the question of migration and settlement in both a historical and contemporary way.

 

ec.europa.eu/unitedkingdom/

 

A New Childhood: Picture Books from Soviet Russia, House of Illustration 2 Granary Square, King’s Cross, London N1, until 11th September 2016

Image by Galina and Olga Chichagova. Courtesy of Sasha Lurye

Image by Galina and Olga Chichagova.
Courtesy of Sasha Lurye

This is a wonderful voyage of discovery into the world of Russian children’s books in the post-revolutionary period of the 20s and 30s with these works from the Sasha Lurye Collection. Much of the artwork has not been seen before and includes rare early 20th century Jewish books and hand-printed books made by the Segodnya Collective.  It is fascinating to learn that these books which told about contemporary life or traditional folk tales were influential on book design in Europe, including the UK.

www.houseofillustration.org.uk

 

Georgiana Houghton: Spirit Drawings, Courtauld Gallery, Somerset House, Strand, London WC2, until 11th September 2016

Georgiana Houghton (1814 –1884) The Eye of God c. 1862 Watercolour on paper, 54 x 44 cm Victorian Spiritualists' Union Melbourne, Australia (The inscription on the reverse names Correggio as Houghton’s spirit guide)

Georgiana Houghton (1814 –1884)
The Eye of God
c. 1862
Watercolour on paper, 54 x 44 cm
Victorian Spiritualists’ Union
Melbourne, Australia
(The inscription on the reverse names Correggio as Houghton’s spirit guide)

Georgiana Houghton (1814-1884) was a spiritualist and medium whose drawings were part of her communications with the spirit world.  Her colourful, abstract watercolours are now considered to be a precursor of abstract art.  She believed that when executing the drawings she was being guided by spirits, including Titian, Correggio and St Luke and she duly noted on the reverse of the works whose help she had received. An intriguing show indeed.

http://courtauld.ac.uk/gallery

Natural Abstraction

“Abstracting From Nature”, Connaught Brown, 2 Albemarle Street, London W1, until 2nd July 2016

Maurice Estève’ ‘Farfu charpentier’ (1978)  signed and dated 'Estève 78' lower left; signed, titled and dated verso Oil on canvas 24 1/8 x 19 3/4 in, 61 x 50 cm

Maurice Estève’
‘Farfu charpentier’ (1978)
signed and dated ‘Estève 78’ lower left; signed, titled and dated verso
Oil on canvas
24 1/8 x 19 3/4 in, 61 x 50 cm

In post-war Paris there was a move away from the figurative and geometric abstraction to a different form of abstraction that embraced nature and this imposing show features fine examples  by artists, including : Afro; Jean Arp; Jean Bazaine; Étienne Beothy; Roger Bissière; Camille Bryen; Maurice Estève; Emile Gilioli; Étienne Hajdu; Barbara Hepworth; Roger Hilton; William Johnstone; Wassily Kandinsky; André Lanskoy; Peter Lanyon; Baltasar Lobo; Alfred Manessier; Henry Moore; Antoine Poncet; Serge Poliakoff; Gérard Ernest Schneider; Mark Tobey and Maria Vieira da Silva.

http://www.connaughtbrown.co.uk