Glorious Years: French Calendars from Louis XIV to the Revolution, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, Wed-Sun – until 29th October 2017
P Thévenard, Almanac Titled ‘France thanks the sky for the Dauphin’s healthy recovery’, 1753.
Photo Mike Fear © National Trust, Waddesdon Manor
It is fortunate for later generations that Baron Ferdinand de Rothschild (1839-1898) not only collected 18th century French furniture and porcelain but also had an interest in social history of the period too, accumulating trade cards, lottery tickets and other ephemera such as the calendars that form the focus of this very special exhibition.
Almanac Titled ‘Conquest of the island of Grenada from the English’, 1780.
Photo Mike Fear © National Trust, Waddesdon Manor
The twenty-six calendars or as they were originally called ‘almanacs’ are having their public debut as they have not been exhibited before. They are a strong reminder of the power of imagery as an educational and propaganda tool from the time of Louis XIV up until the French Revolution when the calendar and time were ‘re-invented’.
Philibert Louis Debucourt, Almanac Titled ‘Republican calendar’, 1794.
Photo Mike Fear © National Trust, Waddesdon Manor
The large single-sheet prints features scenes of victories, royal events and peace treaties while the smaller bound pocketbook versions – think the 18th century equivalent of the smartphone – could contain a variety of useful facts, including lists of the royal households, postal service schedules, songs, poetry and some even had erasable pages for note-taking or recording gambling debts.
The Mother of Parliaments Annual Division of Revenue, A Print for The British Electorate by Adam Dant, 2017
(c) Adam Dant
Alongside these 18th century examples is a specially commissioned 21st century almanac created by the British artist Adam Dant. Using the 18th century examples as an example, Dant has amusingly re-interpreted them by depicting modern British MPS and ministers. It may well indeed gain extra significance as a political snapshot of early 2017 given the forthcoming General Election.
Tim Forrest's E & A 