Connecting Boundaries

Africa My Africa – Connecting Boundaries, Gallery of African Art (GAFRA), 45 Albemarle Street, London W1, until 3rd December 2016

Left-right top: Daniel Soresa (Memories, 2015) and Patrick Altes (Il Faut Cultiver Son Jardin, 2014). Bottom: Edward Akourt (Sometimes I Wonder, 2015) and Olayanju Dada (My beautiful Nightmare, 2016). Courtesy of the Gallery of African Art and Lahd Gallery

Left-right top: Daniel Soresa (Memories, 2015) and Patrick Altes (Il Faut Cultiver Son Jardin, 2014). Bottom: Edward Akourt (Sometimes I Wonder, 2015) and Olayanju Dada (My beautiful Nightmare, 2016).
Courtesy of the Gallery of African Art and Lahd Gallery

This is a joint exhibition between GAFRA and the Lahd Gallery, London and celebrates the work of four artists – Daniel Soresa (Ethiopia), Patrick Altes (Algeria), Olayanju Dada (Nigeria) and Edward Akrout (Tunisia). Although coming from very different backgrounds there is a unity in the works as each artist is telling the story of “their” Africa in these vibrant, colourful works.

Africa My Africa - Connecting Boundaries Courtesy of the Gallery of African Art and Lahd Gallery

Africa My Africa – Connecting Boundaries
Courtesy of the Gallery of African Art and Lahd Gallery

www.gafraart.com

www.lahdgallery.com  

1:54 Contemporary African Art Fair & Malick Sidibé

1:54 Contemporary African Art Fair, Somerset House, London WC2, 6th–9th October 2016

Dansez le Twist, 1965 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Dansez le Twist, 1965
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

This year’s fair features some forty leading specialist galleries drawn from eighteen counties with a total of over a hundred and thirty artists of African origin. One special feature is an exhibition of late Malian photographer Malick Sidibé (1935/6 – 2016) – he was not sure which year he was born in.

This is the first solo exhibition of his work and although being launched at the Fair it will continue as part of the Somerset House Winter Season.

Les Retrouvailles au bord du fleuve Niger, 1974 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Les Retrouvailles au bord du fleuve Niger, 1974
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Sidibé was the right man in the right place as he was in Mali’s capital Bamako at the time of the country’s independence and he very much caught the spirit of the place though his black -and-white imagery. There are forty-five original prints from the 60s and 70s on display and they are divided into three themed areas: ‘Au Fleuve Niger / Beside the Niger River’, ‘Tiep à Bamako / Nightlife in Bamako’, and ‘Le Studio / The Studio’.

Nuit du 31 Décembre, 1969 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Nuit du 31 Décembre, 1969
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Acknowledging Sidibé’s remark that “music freed us” the exhibition will have its own soundtrack which will recall not only the nightclubs where he took many of the images but also his own studio (Studio Malick) where “often it was like a party”. He was significantly the first African artist and photographer to be awarded a Golden Lion at the Venice Biennale in 2007.

Les jeunes bergers peulhs, 1972 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Les jeunes bergers peulhs, 1972
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

The exhibition Malick Sidibé: The Eye of Modern Mali continues until 15th January 2017.

 

1-54.com

www.somersethouse.org

A moi seul, 1978 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

A moi seul, 1978
(c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris

Foreign Objects

MOFFAT TAKADIWA – Foreign Objects, Tyburn Gallery, 26 Barrett Street, London, W1, until 23rd January 2016

 

Moffat Takadiwa, Foreign Objects, 2015, Exhibition view, Courtesy the artist and Tyburn Gallery

Moffat Takadiwa, Foreign Objects, 2015,
Exhibition view,
Courtesy the artist and Tyburn Gallery

In his first UK solo show the Zimbabwean artist has produced a group of hanging wall sculptures that underline the dominant influence of foreign products in both Zimbabwe and other African countries.

Moffat Takadiwa, Head Spin 4, 2015, Found spray tops, Approx. diameter 60cm, Courtesy the artist and Tyburn Gallery

Moffat Takadiwa, Head Spin 4, 2015,
Found spray tops, Approx. diameter 60cm,
Courtesy the artist and Tyburn Gallery

Indeed, they should give us all pause for thought since the intriguing sculptures are made up from found pieces including old plastic bottle tops, keyboards and other discarded electrical goods, spray cans, fishing lines, tyre rubber and even tooth paste.

Moffat Takadiwa, Foreign Smell, 2015, Found spray-can, 270 x 95 x 12 cm, Courtesy the artist and Tyburn Gallery

Moffat Takadiwa, Foreign Smell, 2015,
Found spray-can, 270 x 95 x 12 cm,
Courtesy the artist and Tyburn Gallery

http://www.tyburngallery.com