Mazzoleni London

Agostino Bonalumi – Sculptures, Mazzoleni London, 27 Albemarle Street, London w1, until 4thApril 2015

Agostino Bonalumi,  Giallo, 1996,   Vinyl tempera and shaped canvas, 199,9 x 199,9 cm,  Courtesy Archivio  Bonalumi and Mazzoleni London

Agostino Bonalumi,
Giallo, 1996,
Vinyl tempera and shaped canvas, 199,9 x 199,9 cm,
Courtesy Archivio Bonalumi and Mazzoleni London

A leading exponent of Post-War Italian Art Agostino Bonalumi (1935 – 2013) was a self-taught artist whose striking sculptures and innovative canvases influenced the direction of Abstract Art. Like his friends Enrico Castellani and Piero Manzoni he created paintings that stride the boundaries between two and three dimensional forms. He was particularly well-known for his Picture-Objects where he used structures at the back of the canvas to shape and stretch them.

Agostino Bonalumi,  Bronzo, 1969-2007,  cast bronze, 38.5 x 42 x 45cm,  Courtesy Archivio Bonalumi and Mazzoleni London

Agostino Bonalumi,
Bronzo, 1969-2007,
cast bronze, 38.5 x 42 x 45cm,
Courtesy Archivio Bonalumi and Mazzoleni London

The works featured in this highly enjoyable show date from the 1960s through to the 2010s and reveal the wide range of materials he used in creating these sensuous, colourful works that also manage to be sensual too. While the upstairs gallery shows larger pieces the downstairs gallery is to my mind perfection with the visually arresting mixture of smaller works.

Agostino Bonalumi,  Grigio, 1996,  acrylic on shaped canvas, 60 x 58 x 46 cm,  Courtesy Archivio Bonalumi and Mazzoleni London

Agostino Bonalumi,
Grigio, 1996,
acrylic on shaped canvas, 60 x 58 x 46 cm,
Courtesy Archivio Bonalumi and Mazzoleni London

Installation view, Bonalumi - Sculptures, Mazzoleni London, 6 February - 4 April 2015,  Courtesy Mazzoleni London

Installation view, Bonalumi – Sculptures, Mazzoleni London, 6 February – 4 April 2015,
Courtesy Mazzoleni London

The exhibition, which is curated by Francesca Pola, working with the Archivio Bonalumi, is very special and it raises, in my mind, the question why has there not been a large-scale retrospective of his work in the UK?

 

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A NEW GALLERY IN LONDON

POST-WAR ITALIAN MASTERS, Mazzoleni Art, 27 Albemarle Street, London W1, until 19th December 2014

 

Mazzoleni London, Courtesy Mazzoleni London

Mazzoleni London, Courtesy Mazzoleni London

This exciting new gallery has opened in London’s Albemarle Street and like its Turin counterpart, which opened in 1986, it will show the very best in Post-War Italian Art. The Founding Director Luigi Mazzoleni clearly reveals his love and enthusiasm for these works when discussing them.

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October - 19 December 2014, Courtesy Mazzoleni London

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October – 19 December 2014, Courtesy Mazzoleni London

Indeed in this inaugural show, curated by Francesco Poli, one can understand why he is so passionate. Among the artists included are Agostino Bonalumi, Alberto Burri, Enrico Castellani, Paolo Scheggi, Piero Manzoni and Lucio Fontana and they are all important for the contribution they made to increase awareness of Italian Art internationally in the 1960s and 70s. As these images show they are works that powerfully engage the viewer and maintain their innovative appeal and originality.

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October - 19 December 2014, Courtesy Mazzoleni London

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October – 19 December 2014, Courtesy Mazzoleni London

The works on view befittingly for an opening exhibition pay tribute to the Italian flag’s green, white and red. I do exhort you to experience them for yourselves.

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October - 19 December 2014, Courtesy Mazzoleni London

Installation view, Post-War Italian Masters, Mazzoleni London, 14 October – 19 December 2014, Courtesy Mazzoleni London

My favourite? Agostino Bonalumi’s Rosso (1969)!

Agostino Bonalumi, Rosso, 1969, Fiberglass and enamel, 180 x 180 x 90 cm, Courtesy Mazzoleni London

Agostino Bonalumi, Rosso, 1969, Fiberglass and enamel, 180 x 180 x 90 cm, Courtesy Mazzoleni London

 

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