The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

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From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

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From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

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From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

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From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

DESIGN: Eric Schmitt and Robert Stadler

Eric Schmitt, Dutko Gallery, 18 Davies Street, London W1, until 14th May 2016

Eric Schmitt Chauffeuse Osselet, 1996 Patinated bronze feet and leather Limited-edition Photo: Sylvain Leurent Courtesy Dutko Gallery

Eric Schmitt
Chauffeuse Osselet, 1996
Patinated bronze feet and leather
Limited-edition
Photo: Sylvain Leurent
Courtesy Dutko Gallery

Eric Schmitt’s elegant furniture, lights and objects evoke the Art Deco period with great élan but remain true to the present day.  He is soon to be justifiably celebrated in a new book which looks at his wonderful creations in detail. I dare you not to be tempted!

Eric Schmitt Sugegasa table lamp, 2013 Polished and lacquered brass and patinated cast steel Limited-edition Courtesy Dutko Gallery

Eric Schmitt
Sugegasa table lamp, 2013
Polished and lacquered brass and patinated cast steel
Limited-edition
Courtesy Dutko Gallery

http://www.dutko.com

Robert Stadler – Cut_Paste, carpenters workshop gallery 3 Albemarle Street, London W1, until 20th May 2016

ROBERT STADLER - Exhibition View

ROBERT STADLER – Exhibition View

This exhibition contains three new pieces added to the series launched last year in Paris.  Stadler’s Cut_Paste series reflect the art of building construction by using shapes that evoke discarded pieces found on building sites.  However these are transformed through the materials used into striking, elegant but useful furnishing pieces.  Very moreish indeed.

ROBERT STADLER | CUT_PASTE #9 2015 MARBLE (BIANCO CARRARA, OLIMPO STRIATO, ONYX SMOKE), ALUMINIUM H109 L209 W47 CM / H42.9 L82.3 W18.5 IN LIMITED EDITION OF 8 + 4 AP

ROBERT STADLER | CUT_PASTE #9
2015
MARBLE (BIANCO CARRARA, OLIMPO STRIATO, ONYX SMOKE), ALUMINIUM
H109 L209 W47 CM / H42.9 L82.3 W18.5 IN
LIMITED EDITION OF 8 + 4 AP

http://www.carpentersworkshopgallery.com