Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection, Strawberry Hill, 268 Waldegrave Road, Twickenham TW1 4ST, until 24th February, 2019

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Anonymous artist, Staircase at Strawberry Hill, Ink wash with watercolour. Courtesy of The Lewis Walpole Library, Yale University

The 2010 exhibition ‘Horace Walpole and Strawberry Hill’ at the V&A was a wonderful celebration of the house, the collection and the collector so now imagine just quite how special this new exhibition is. You can feel the house responding to having over one hundred and fifty of its treasures within its walls once more with some in their original position.

From the early 18th century Chinese tub in which Walpole’s cat Selima drowned accidentally to a clock that had belonged to Henry VIII and Ann Boleyn, it is a veritable pot-pourri of objects and pictures that fascinate and show the breadth of Walpole’s interests, many reflecting the historic style of the building.

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Paul Sandby (1731 – 1809) ‘Strawberry Hill chiefly taken in the year 1769 by Mr. Sandby’, c. 1769. Drawing Watercolour on laid paper with wash-line Courtesy of The Lewis Walpole Library, Yale University.

Son of Sir Robert Walpole (Britain’s first Prime Minister), Horace created this first Gothick building with the help of friends. It was his summer home until he died in 1797 and eventually in 1842 there was a twenty-four day sale of its contents. Now YOU can see some of these original contents, back home until February of next year, in both the private rooms and the State rooms. By 1797 there were some four thousand pieces plus coins, drawings and prints in the collection

I am deliberately not illustrating any of the objects on show because I think it is so, so important that, if you can, you should see them in situ and thus hopefully get a sense of both Horace and his remarkable creation. I implore you to do so! You will regret it if you don’t. The stuff of dreams.

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John Carter, The Tribune at Strawberry Hill, c. 1789. Courtesy of The Lewis Walpole Library, Yale University.

 

Open 7 days a week

Monday – Friday: 12-6pm (Late opening until 10pm on Fridays)

Saturday – Sunday: 11am -6pm 

Final entry one hour before closing

Private guided tours available 10am-11am and 6pm, Monday to Friday

Public guided tours available 10am Saturday & Sunday

 

 

www.strawberryhillhouse.org.uk/losttreasures

BOOK REVIEW: Henri Samuel

Henri Samuel: Master of the French Interior

Written by Emily Evans Eerdmans, Foreword by Jacques Grange and Eva Samuel

Rizzoli

 ISBN: 978-0-8478-6186-6

 £57.95

HenriSamuel_cover

For someone who described himself as “a twentieth-century eclectic” Henri Samuel’s skill at historic design was truly remarkable. It was an innate skill since his interiors are not readily identifiable because they seamlessly blend the lifestyle, art and antiques of the very wealthy clients who used him, such as the Rothschilds, the Wrightsmans and the Gutfreunds. He learnt his craft with Jansen and Alavoine before setting up on his own when aged sixty-six.

We see the interiors he created for his clients on both sides of the Atlantic and remarkably they look as inviting and usable today as when first created.  He achieved this by acknowledging that however marvellous his clients’ collections may be they were in rooms that were meant to be lived in and so personal items and the occasional modern touch were subtly incorporated into the overall scheme. This is a book which has been long overdue because Henri Samuel certainly deserves to be in the Pantheon of the great interior designers.

 

 

https://www.rizzoliusa.com/

Masterpiece London 2017 – Les Enluminures

Les Enluminures at Masterpiece London 2017, until 5th July 2017

THE “SOISSONS MISSAL”
Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated
initials by Vincent Master (active Northeast France, c.1260-90)
In Latin, illuminated manuscript on parchment
334 x 220 mm.

This firm’s specialises, under the leadership of Sandra Hindman, in manuscripts, miniatures, rings and jewellery from the Middle Ages and the Renaissance. They have garnered a colourful and rich selection of important acquisitions as these images show and one can totally understand why they number major institutions among their clients.

ROMAN OPEN-WORK HOOP “UTERE FELIX”
Roman Empire, 3rd century
Gold Weight 21.8 gr.; circumference 63.84 mm.; US size 10 5/8; UK size V

 

Histoire Ancienne jusqu’à César and Fait des Romains
In French, illuminated manuscript on parchment
With 78 miniatures by the Master of the Coronation of
Charles VI and a collaborator
France, Paris, c. 1370-80

www.lesenluminures.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

The 2017 Summer Olympia Art & Antiques Fair

The Art & Antiques Fair Olympia, Olympia London, Hammersmith Road, London W14, 26th June – 2nd July 2017

Lady Henrietta Spencer-Churchill who will be speaking at The Art & Antiques Fair on ‘Incorporating Antiques in Design’ on Thursday 29 June at 12.30-13.30.

This is this fair’s forty-fifth year and as ever potentially offers much to its visitors. There is no doubt that change is inevitable and that emphasis and focus changes as one generation of collectors is succeeded by another. Styles of living change and what may have been our ideal does not necessarily resonate with our children and grandchildren.

It is therefore probably a sound idea to launch an Interior Design Talk Series at this year’s fair. The speakers include Henrietta Spencer Churchill, Douglas Mackie, Christopher Vane Percy, April Russel, Emma Burns from Sibyl Colefax and John Fowler, Susie Rumbold and Caroline de Cabarrus from Hotspur Design and the wide-ranging topics covered include Incorporating Antiques in Design and how to Decorate your House in a Day.

The fair’s director Mary Claire Boyd said, ‘We are excited about our new Interior Design Talk Series. There is a strong demand for advice from experts on how to incorporate art and antiques into interiors and previous designer talks have been very well attended. We are taking it to the next level this year by hosting top designers throughout the run of the fair.’ Perfect for inspiration to go out into the fair afterwards and buy!

It is also interesting to note that the number of picture dealers attending this year’s fair will be double that of last year’s. This increase is made up by new and some returning former exhibitors. The Chicago-based show, Sculptural Objects Functional Art and Design Fair (SOFA) who first showed three-dimensional contemporary art and design last year also returns.

Galerie Boccara
Sonia Delaunay.
Serpent Noir’, wool tapestry,151 x 308cm

As these changes evolve over the Fairs I wish this Olympia Fair a fair wind in its voyage to different waters.

http://www.olympia-art-antiques.com

Hetty Feather

I am grateful to John Kirkwood for visiting and writing about this exhibition:

 

Picturing Hetty Feather, The Foundling Museum, 40 Brunswick Square, London WC1, until 3rd September 2017

Emma Brownlow, The Foundling Restored to its Mother, 1858
©Coram in the care of The Foundling Museum,
featuring illustration of Hetty Feather © Nick Sharratt


Fans of  Jacqueline Wilson’s character Hetty Feather will love this exhibition featuring as it does many costumes and artefacts from the  television series  based on the popular and successful books displayed in the Foundling Museum  the actual location of  the stories where you can experience a little of what  Hetty’s  life would have been like.

Girls in the London Foundling Hospital schoolroom, early 20th
century,
courtesy Coram in the care of The Foundling Museum

foundlingmuseum.org.uk

The Love of Books!

The Library of the Late Hubert Dingwall, Dreweatts & Bloomsbury  Auctions, 16-17 Pall Mall, St James’s, London SW1Y 5LU, Thursday, 27th April 2017

Hubert Dingwall
(Images courtesy of Dreweatts & Bloomsbury Auctions)

I think it totally appropriate that the dedicated book collecting of Hubert Dingwall (1912 – 2001) should be celebrated in this inaugural auction at Dreweatts & Bloomsbury Auction’s new Pall Mall saleroom.

Lot 215 – Annie R. Rentoul, Elves and Fairies, edited by Grenby Outhwaite, first edition, Melbourne & Sydney, 1916, est. £600 – £800
(Images courtesy of Dreweatts & Bloomsbury Auctions)

An Oxford graduate Dingwall started collecting books in his early 20s often browsing the booksellers’ barrows in Charing Cross Road seeking out bargains (I wish they were still there). But as collectors often do he started going to more established dealers and later became a good client of the renowned firm Maggs Bros. Ltd.

Lot 69 – Cervantes Saavedra (Miguel de) El Ingenioso Hidalgo Don Quixote de la Mancha,1780, est. £10,000-15,000
(Images courtesy of Dreweatts & Bloomsbury Auctions)

There are more than fifteen hundred books in the auction and estimates range from £100 – £15,000. The books were housed in every room of his Wimbledon home – excepting the kitchen and bathroom – but including two especially fitted-out cellar rooms.

Lot 223 – Gregynog Press.-Aesop. The Fables of Esope, 1932, One of 25 specially bound copies, est. £2,000-3,000
(Images courtesy of Dreweatts & Bloomsbury Auctions)

Dingwall summed his approach up saying: “I have remained to a great extent an accumulator. I think this is because I derive pleasure from so many different aspects of books. It is my hope that [I] give those of you who have not been bitten by the bibliomania bug an inkling of what interest is inherent in books above and beyond the reading matter they contain”.

 

Now is your chance to prove him right!

Lot 198 – Charles Dickens, A Christmas Carol, one of 500 deluxe copies signed by the illustrator, 12 tipped-in colour plates by Arthur Rackham, 1915. est. £800-£1,200
(Images courtesy of Dreweatts & Bloomsbury Auctions)

 

http://www.dreweatts.com