The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

www.christies.com

Garnitures at the V&A

Garnitures: Vase Sets from National Trust HousesV&A Museum, Cromwell Road, London SW7, until 30th April 2017

Set of Chinese porcelain vases, 17th century, Victoria and Albert Museum, London

Set of Chinese porcelain vases, 17th century,
Victoria and Albert Museum, London

This exhibition is a partnership between the National Trust and the V&A and is well worth visiting.

It consists of a mixture of ceramic and silver vases that truly do reflect the wealth and taste of their original owners in the 17th to 19th centuries when the garniture had its heyday. Garnitures usually consist of an odd number of vases which are united by their decoration and they would be displayed symmetrically on mantelpieces, on door cases and on the top of furniture.

Covered pot-pourri vase from Upton House, Warwickshire, soft-paste porcelain, 1762 – 64, Chelsea factory, London, England. © National Trust. Photograph Robert Morris

Covered pot-pourri vase from Upton House, Warwickshire, soft-paste porcelain, 1762 – 64, Chelsea factory, London, England.
© National Trust. Photograph Robert Morris

The first such sets were made up from pieces of Chinese porcelain in the 17thcentury but eventually they were made as sets in both China and Japan and of course from the 18th century onwards by British and European porcelain factories.  The decline in the popularity of garnitures meant that many were split up – a Sevres set from Upton House proves this point – and so complete sets are rare nowadays.

Three-piece ‘Hamilton’ vases from Saltram, Devon, about 1770 – 80, black basalt, Wedgwood and Bentley, Etruria, Staffordshire, England. © National Trust. Photograph Robert Morris

Three-piece ‘Hamilton’ vases from Saltram, Devon, about 1770 – 80, black basalt, Wedgwood and Bentley, Etruria, Staffordshire, England.
© National Trust. Photograph Robert Morris

The National Trust’s External Adviser on Ceramics, Patricia Ferguson, who has worked alongside the V&A’s senior curator Reino Liefkes, said: : “This display promises to change the way you see historic vases; they were almost always designed to be part of a set”.  She is also the author of the accompanying V&A and National Trust exhibition book: Garnitures: Vase Sets from National Trust Houses.

Five-piece chimney garniture from Blickling Hall, about 1804 – 7, soft-paste porcelain, Barr, Flight and Barr factory, Worcester, England. © National Trust. Photograph Robert Morris

Five-piece chimney garniture from Blickling Hall, about 1804 – 7, soft-paste porcelain, Barr, Flight and Barr factory, Worcester, England.
© National Trust. Photograph Robert Morris

vam.ac.uk/exhibitions/garnitures

Qizilbash Treasures

Treasures from the Prestigious Qizilbash Collection, Sotheby’s France, 76 Rue du Faubourg Saint-Honoré, 75008 Paris, 28th November 2016 

A gilt-bronze mounted Chinese bleu céleste porcelain garniture composed of three pots-pourris, the porcelain Kangxi (1662-1722), the gilt-bronze Louis XV, circa 1765 -1770 Estimate: 1.000.000 – 2.000.000 € Photo credit: Sotheby’s / Art digital studio

A gilt-bronze mounted Chinese bleu céleste porcelain garniture composed of three pots-pourris, the porcelain Kangxi (1662-1722), the gilt-bronze Louis XV,
circa 1765 -1770
Estimate: 1.000.000 – 2.000.000 €
Photo credit: Sotheby’s / Art digital studio

There really is only one word to describe the collection of European works of art put together over the years by Hossein and Mariam Qizilbash and that is “prestigious”. The objects in this sale are undoubtedly of museum quality and reflect the exquisite taste of the Qizilbash’s.

These nine stars of 17th and 18th century European decorative arts were “created” by remarkable craftsmen in France, Britain, Italy, Germany and Holland.  Here is a selection for your delectation:

An enamelled gold book cover, Dutch circa 1640 Estimate: 40.000 – 60.00 € Photo credit: Sotheby’s / Art digital studio

An enamelled gold book cover, Dutch circa 1640
Estimate: 40.000 – 60.00 €
Photo credit: Sotheby’s / Art digital studio

 

A pair of silver and parcel-gilt figures of Apollo and Vulcan, Abraham Drentwett II, Augsburg Estimate: 60.000 – 80.000 € Photo credit: Sotheby’s / Art digital studio

A pair of silver and parcel-gilt figures of Apollo and Vulcan, Abraham Drentwett II, Augsburg
Estimate: 60.000 – 80.000 €
Photo credit: Sotheby’s / Art digital studio

 

A tortoiseshell, mother of pearl and gold piqué spinning wheel and distaff with gilt-bronze mounts, probably Naples, mid 18th century Estimate: 40.000 – 60.000 € Photo credit: Sotheby’s / Art digital studio

A tortoiseshell, mother of pearl and gold piqué spinning wheel and distaff with gilt-bronze mounts, probably Naples,
mid 18th century
Estimate: 40.000 – 60.000 €
Photo credit: Sotheby’s / Art digital studio

 

 

 

 

 

 

 

 

 

 

 

 

Auction: Tuesday, 28th November, 2016 at 7.00 p.m.

Exhibition: 24th to 27th November 2016

A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin, Naples, first half 18th century Estimate: 400.000 – 600.000 € Photo credit: Sotheby’s / Art digital studio

A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin, Naples,
first half 18th century
Estimate: 400.000 – 600.000 €
Photo credit: Sotheby’s / Art digital studio

 

http://www.sothebys.com

London celebrates Asian Art

Panoramic view of the landscape and poem on a brushpot China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Yongzheng (1723–35) or early Qianlong (1736–95) period, commissioned by Tang Ying (1682–1756) Porcelain with famille-rose (fencai) decoration, height 13.5 cm Private collection

Panoramic view of the landscape and poem on a brushpot
China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Yongzheng (1723–35)
or early Qianlong (1736–95) period, commissioned by Tang Ying (1682–1756)
Porcelain with famille-rose (fencai) decoration, height 13.5 cm
Private collection

The 19th Asian Art in London runs from 3rd-12th of November and promises once again to bring a wide mixture of art and antiques from all periods. I would especially like to draw your attention to the special exhibition that the Oriental Ceramics Society is holding at Sotheby’s in Bond Street. Entitled ‘China without Dragons’ (3rd-9thNovember 2016) it features some two hundred ceramic pieces with the majority coming from either Japan or China.

Moonflask with carnations and asters China, Jiangxi province, Jingdezhen kilns, Ming dynasty, Yongle period (1403–1424) Porcelain with underglaze cobalt-blue decoration, height 28 cm Private collection

Moonflask with carnations and asters
China, Jiangxi province, Jingdezhen kilns, Ming dynasty, Yongle period (1403–1424)
Porcelain with underglaze cobalt-blue decoration, height 28 cm
Private collection

As the curator Regina Krahl (a former Society president) says: “This exhibition aims to celebrate the rich store of Chinese ceramics collected within the Oriental Ceramic Society. The fascination of an exhibition such as this lies in its phenomenal spectrum. It covers the full range from the rarest masterpieces that we might see in a major museum show to minor items that would otherwise rarely be exhibited but which display some unusual or noteworthy aspect, are particularly well made, or are simply beautiful. It is hoped that this selection will be enjoyed by specialists as well as by amateurs.”

Zodiac figure of the horse China, Henan province, Gongxian region, Tang dynasty, 7th or 8th century Earthenware with sancai glazes, height 22.2 cm Private collection

Zodiac figure of the horse
China, Henan province, Gongxian region, Tang dynasty, 7th or 8th century
Earthenware with sancai glazes, height 22.2 cm
Private collection

The Oriental Ceramics Society (OCS) was founded in Craven Hill Gardens in London in 1921 and has a long-established reputation as being the leading international society for those interested in studying and appreciating Asian Art and has over seven hundred members worldwide.

Porcelain vase decorated with yangcai overglaze enamels China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Qianlong mark and period (1736-1795) Height 47 cm Private collection

Porcelain vase decorated with yangcai overglaze enamels
China, Jiangxi province, Jingdezhen kilns, Qing dynasty, Qianlong mark and period (1736-1795)
Height 47 cm
Private collection

 

Archaic Jade Notched Disc Late Neolithic period – Shang period, 2000 - 1500 BC Diameter: 33.0cm Courtesy of Eskenazi

Archaic Jade Notched Disc
Late Neolithic period – Shang period, 2000 – 1500 BC
Diameter: 33.0cm
Courtesy of Eskenazi

One cannot write about Asian Art in London without mentioning the renowned firm Eskenazi and what a corker of an exhibition (Early Chinese Art from Private Collections, 3rd – 25th November 2016) they offer us this year.  It consists of twenty-four early examples of Chinese art (early jades, bone carvings, archaic bronzes and inlaid metalwork) dating from the Neolithic period to the Han Dynasty (206 BC – 220 AD).  They all come from private collections and many have illustrious provenances having been previously owned by well-known collectors, including Luo Zhenyu, Pan Zuyin, Alexandre J. Argyropoulos, Edward T. Chow and Adolphe Stoclet.  Many of the items have a common theme in that they feature animal decoration or animal motifs. Alongside this they are showing works by the well-known contemporary Chinese ink painter Zeng Xiaojun (b.1954) in what is his first European show.

Archaic Bronze Wine Vessel and Cover (You) Shang or Early Western Zhou period, 11th century BC Height (to top of knop): 27.4cm Weight (without handle): 3.80kg Courtesy of Eskenazi

Archaic Bronze Wine Vessel and Cover (You)
Shang or Early Western Zhou period, 11th century BC
Height (to top of knop): 27.4cm
Weight (without handle): 3.80kg
Courtesy of Eskenazi

 

Gilt-bronze, Agate and Turquoise Bear Han period, 206 BC - 220 AD Height: 10.6cm Courtesy of Eskenazi

Gilt-bronze, Agate and Turquoise Bear
Han period, 206 BC – 220 AD
Height: 10.6cm
Courtesy of Eskenazi

 

Bonsai I Ink and colour on paper Dimensions: 180cm by 138cm Signed: Zeng Xiaojun Artist’s seal: Painted by Zeng Xiaojun Courtesy of Eskenazi

Bonsai I
Ink and colour on paper
Dimensions: 180cm by 138cm
Signed: Zeng Xiaojun
Artist’s seal: Painted by Zeng Xiaojun
Courtesy of Eskenazi

 

 

 

 

 

 

http://www.ocs-london.com

http://www.sothebys.com

http://www.eskenazi.co.uk

Woolley & Wallis in London

Woolley & Wallis, Mayfair Office, Second Floor, 17 Clifford Street, London, W1S 3RQ

Woolley & Wallis - In Mayfair

Woolley & Wallis – In Mayfair

The noted Salisbury firm of auctioneers are opening an office in Mayfair to deal with enquiries from international and London-based clients. They will have special viewings and exhibitions, including one for this year’s Asian Art in London.

Please note it is open by appointment only for which you need to contact the relevant department.

http://www.woolleyandwallis.co.uk

A Celebration of Tea Drinking

LAPADA Art & Antiques Fair 2016, Berkeley Square, Mayfair, London W1, 13th – 18th September 2016

Famille Verte Teapot China, Kangxi period, ca.1690

Famille Verte Teapot
China, Kangxi period, ca.1690

Now in its eighth year this popular fair is the place to find fine pieces from across all disciplines. It is therefore appropriate that this year there is a select group of highlights from the Chitra Collection which celebrates tea over the centuries through the vessels and other paraphernalia involved in its drinking and preparation.

Tea Caddy, boîte à thé Sèvres, Louis-Jean Thévenet (painter) France, c. 1765

Tea Caddy, boîte à thé
Sèvres, Louis-Jean Thévenet (painter)
France, c. 1765

This is the first time pieces from the collection have been shown in the UK and its curator Olivia Fryman has selected items that reflect the long history of this beverage. Starting with the beginnings of the tea story in China and Japan, we then pass on to the growing interest and consumption of it in Europe (Catherine of Braganza, Charles II’s wife, introduced tea to this country) in the 17th and 18th centuries and then go on to see how it played an important role in the story of the British Empire. The last piece of this story looks at the global interest, especially in Russia and America, and how tea became a part of everyday life for many.

Copper Gilt Mounted Chinese Porcelain Teapot China and Germany, Kangxi period (1654 - 1722), mounts ca.1680

Copper Gilt Mounted Chinese Porcelain Teapot
China and Germany, Kangxi period (1654 – 1722), mounts ca.1680

The collection has been put together by the London-based businessman Nirmal Kumar Sethia, who says “The Chitra Collection will continue to inspire generations of tea lovers long after I’m gone. It is my wish that, for centuries to come, the world will be able to appreciate and experience the beauty and significance of tea, art and culture”. His interest has continued since he first started working as an apprentice tea buyer in London, aged 14. He started the luxury tea company Newby Teas in 2000.

Cup and saucer Meissen, J. G. Höroldt (painter) Germany, c. 1722-3

Cup and saucer
Meissen, J. G. Höroldt (painter)
Germany, c. 1722-3

There are in excess of 1700 tea-related objects in the collection which was named in memory of his late wife and I think you may agree from the selection illustrated here that it is a fascinating subject.

Teapot Royal Worcester, George Owen and Samuel Ranford England, 1878

Teapot
Royal Worcester, George Owen and Samuel Ranford
England, 1878

lapadalondon.com

Silver kettle and stand Paul de Lamerie England, 1751

Silver kettle and stand
Paul de Lamerie
England, 1751

Mise en scène by Emilio Terry

AN EXCEPTIONAL COLLECTION – Mise en scène by Emilio Terry, Christie’s Paris, 9, avenue Matignon, 75008 Paris, 15th September 2016

Salon des Laques, showing the Louis XV ormolu-mounted lacquer commode stamped by Jean-Baptiste Fromageau, circa 1755 © CHRISTIE’S IMAGES LIMITED 2016

Salon des Laques, showing the Louis XV ormolu-mounted lacquer commode stamped by Jean-Baptiste Fromageau, circa 1755
© CHRISTIE’S IMAGES LIMITED 2016

I feel quite sure that many of the visitors to this year’s Biennale des Antiquaires in Paris will take the time to pop-in to Christie’s to at least view, if not bid, on some of the lots in this remarkable sale.

Vue d'extérieur © CHRISTIE’S IMAGES LIMITED 2016

Vue d’extérieur
© CHRISTIE’S IMAGES LIMITED 2016

It is of a collection assembled by three generations of collectors which was brilliantly and harmoniously brought together, in an hotel particulier, by the renowned architect and decorator Emilio Terry (1890-1969). This was one of his last projects and as many of you will know he also worked on the Hotel de Chanaleilles and the Chateau de Groussay and other projects.

An important pair of Famille Rose, iron-red and gilt-decorated armorial vases and covers, China, Qing Dynasty, €100.000-200.000 © CHRISTIE’S IMAGES LIMITED 2016

An important pair of Famille Rose, iron-red and gilt-decorated armorial vases and covers, China, Qing Dynasty, €100.000-200.000
© CHRISTIE’S IMAGES LIMITED 2016

As these pictures reveal it is a marvellous combination of museum-quality period pieces and later examples, unified by Terry’s skilful handling of them in a neo-classical style setting of his own making which he referred to as ‘Louis XVII’. As Christie’s France’s, Head of the Furniture and Works of Art department, Simon de Monicault commented: “Collections that were laid out by Emilio Terry, major decorator of the 20th century, rarely come to the market. This beautiful hotel particulier has remained intact since Terry’s work in the 1960’s, and grandly brings together 17th and 18th century masterpieces and the neoclassic décor, so characteristic of his work. Pieces have continually been selected by the collectors to fit Terry’s setting, as shown by the works of Christian Bérard and Jean-Baptiste Carpeaux, acquired directly from the artists”

The Hall, showing "Le Génie de la danse" by Jean-Baptiste Carpeaux © CHRISTIE’S IMAGES LIMITED 2016

The Hall, showing “Le Génie de la danse” by Jean-Baptiste Carpeaux
© CHRISTIE’S IMAGES LIMITED 2016

Visitors immediately became aware of Terry’s sensitive skill when they entered the hall and were greeted by Carpeaux’s Le Génie de la Danse seen against the background Terry created for it. Bought from the sculptor’s daughter in 1927 it is expected to reach between €600,000-1,000,000.  Only one other version is known of this figure which was designed for the façade of Garnier’s Paris Opera.

Grand salon, showing the Ebony bureau plat stamped by Philippe-Claude Montigny © CHRISTIE’S IMAGES LIMITED 2016

Grand salon, showing the Ebony bureau plat stamped by Philippe-Claude Montigny
© CHRISTIE’S IMAGES LIMITED 2016

In the salon is an elegantly simple Louis XVI bureau plat by Philippe-Claude Montigny (€400,000-€600,000), drawings by Christian Bérard (1909-1942) and a set of eight cabriolet armchairs by Georges Jacob (€200,000-300,000) which were formerly in the Paris home of Sir Richard Wallace (of Wallace Collection fame). In the dining room are a pair of Qing Dynasty large china vases and covers and a Louis XIV armoire while in the ‘salons des laques’ is a Louis XV black and gilt Chinese lacquer commode stamped by Jean-Baptiste Fromageau (€100,000-200,000), and an extremely rare pair of 18th century Sèvres porcelain and ormolu-mounted vases-cloches, known as “Vases Dulac”. Their covers can be turned upside down to reveal three-arm candelabras.

Paire de Sèvres vases-cloche dits ''Vases Dulac'' - €300.000-500.000 © CHRISTIE’S IMAGES LIMITED 2016

Paire de Sèvres vases-cloche dits ”Vases Dulac” – €300.000-500.000
© CHRISTIE’S IMAGES LIMITED 2016

 

 Paire de Sèvres vases-cloche dits ''Vases Dulac'' - €300.000-500.000 © CHRISTIE’S IMAGES LIMITED 2016

Paire de Sèvres vases-cloche dits ”Vases Dulac” – €300.000-500.000
© CHRISTIE’S IMAGES LIMITED 2016

 

Salle à manger © CHRISTIE’S IMAGES LIMITED 2016

Salle à manger
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

Among the many pictures are a pastel by Vigée Lebrun, an oil by Jean-Louis Demarne, landscapes by Stanislas Lépine and portraits by Sir Thomas Lawrence and Raeburn.

Élisabeth Louise Vigée Lebrun A young girl with a red dress: a presumed portrait of Caroline Rivière, €120.000-180.000 © CHRISTIE’S IMAGES LIMITED 2016

Élisabeth Louise Vigée Lebrun
A young girl with a red dress: a presumed portrait of Caroline Rivière, €120.000-180.000
© CHRISTIE’S IMAGES LIMITED 2016

 

Christian Bérard, Élégante au bal - €1.200-1.800 © CHRISTIE’S IMAGES LIMITED 2016

Christian Bérard,
Élégante au bal – €1.200-1.800
© CHRISTIE’S IMAGES LIMITED 2016

 

Sir Henry Raeburn, R.A. Portrait du Révérend Stair Dalrymple, jeune, €20.000-30.000 © CHRISTIE’S IMAGES LIMITED 2016

Sir Henry Raeburn, R.A.
Portrait du Révérend Stair Dalrymple, jeune, €20.000-30.000
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

 

 

 

 

 

 

 

 

While it is marvellous that a new generation will have the chance to acquire such treasures there is also perhaps a tinge of regret that these seductive rooms will no longer be extant but who knows what good future homes await them.

Chambre sur jardin © CHRISTIE’S IMAGES LIMITED 2016

Chambre sur jardin
© CHRISTIE’S IMAGES LIMITED 2016

 

Suite de huit fauteuils att. à Georges Jacob © CHRISTIE’S IMAGES LIMITED 2016

Suite de huit fauteuils att. à Georges Jacob
© CHRISTIE’S IMAGES LIMITED 2016

 

Salon des Laques © CHRISTIE’S IMAGES LIMITED 2016

Salon des Laques
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

 

 

 

 

 

 

 

 

Sale: Thursday 15 September 2016 at 2:30pm.

Public viewing: Thursday 8, Friday 9, Saturday 10 (10am.-6pm.), Sunday 11 (2pm.-6pm.), Monday 12, Tuesday 13, Wednesday 14 (10am – 6pm.) and Thursday 15 September (10 am.-12pm.)

Jean-Louis Demarne La foire aux bestiaux, €70.000-100.000 © CHRISTIE’S IMAGES LIMITED 2016

Jean-Louis Demarne
La foire aux bestiaux, €70.000-100.000
© CHRISTIE’S IMAGES LIMITED 2016

http://www.christies.com