The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

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The Giacometti of Hubert de Givenchy

The Giacometti of Hubert de Givenchy, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 6th March 2017

 Hubert de Givenchy’s Manor at Le Jonchet ©Christie’s Images, Ltd, 2017

Hubert de Givenchy’s Manor at Le Jonchet
©Christie’s Images, Ltd, 2017

There are twenty-one pieces in this sale and they will be displayed in the week-long viewing prior to the sale in a manner that recalls the 1986 Diego Giacometti exhibition at the Musée des Arts Décoratifs in Paris. A couple of the pieces are decorated with deer symbols which reflect that Hubert de Givenchy was named after the Patron Saint of hunters Saint-Hubert.

Diego Giacometti 1902-1985 Grande table console aux cerfs Bronze à patine vert antique et chêne cérusé / patinated bronze and cerused oak H 85 x L 230 x P 70 cm / 33½ x 90½ x 27½ in Estimation : €400.000-600.000

Diego Giacometti 1902-1985
Grande table console aux cerfs
Bronze à patine vert antique et chêne cérusé /
patinated bronze and cerused oak
H 85 x L 230 x P 70 cm / 33½ x 90½ x 27½ in
Estimation : €400.000-600.000

I think it is only right to let the iconic designer sum this important sale up: “It is thanks to Gustav Zumsteg, an important fabric creator in Zurich, whose company was called Abraham, that I met Diego Giacometti. During one of my visits to Zurich, he offered me a gueridon made by Diego for the Kronenhalle, the famous restaurant owned by his family. Fascinated by its pure aesthetic, I asked him if it was possible to meet the artist and he introduced him to me shortly afterwards. The relationship I had with Diego for nearly 20 years turned quickly into friendship. He was a very kind man, simple, welcoming, discreet, and a talented craftsman. He started to create some pieces for my first house at Jouy at the end of 1960, and then for the manor of Le Jonchet at the beginning of the 1970’s. With this sale, I want to pay a further tribute to him, an additional recognition which he does not need, but which shows how important he was to me.”

 Hubert de Givenchy’s Manor at Le Jonchet ©Christie’s Images, Ltd, 2017

Hubert de Givenchy’s Manor at Le Jonchet
©Christie’s Images, Ltd, 2017

 

 Hubert de Givenchy’s Manor at Le Jonchet ©Christie’s Images, Ltd, 2017

Hubert de Givenchy’s Manor at Le Jonchet
©Christie’s Images, Ltd, 2017

 

 Hubert de Givenchy’s Manor at Le Jonchet ©Christie’s Images, Ltd, 2017

Hubert de Givenchy’s Manor at Le Jonchet
©Christie’s Images, Ltd, 2017

 

 

 

 

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Mise en scène by Emilio Terry

AN EXCEPTIONAL COLLECTION – Mise en scène by Emilio Terry, Christie’s Paris, 9, avenue Matignon, 75008 Paris, 15th September 2016

Salon des Laques, showing the Louis XV ormolu-mounted lacquer commode stamped by Jean-Baptiste Fromageau, circa 1755 © CHRISTIE’S IMAGES LIMITED 2016

Salon des Laques, showing the Louis XV ormolu-mounted lacquer commode stamped by Jean-Baptiste Fromageau, circa 1755
© CHRISTIE’S IMAGES LIMITED 2016

I feel quite sure that many of the visitors to this year’s Biennale des Antiquaires in Paris will take the time to pop-in to Christie’s to at least view, if not bid, on some of the lots in this remarkable sale.

Vue d'extérieur © CHRISTIE’S IMAGES LIMITED 2016

Vue d’extérieur
© CHRISTIE’S IMAGES LIMITED 2016

It is of a collection assembled by three generations of collectors which was brilliantly and harmoniously brought together, in an hotel particulier, by the renowned architect and decorator Emilio Terry (1890-1969). This was one of his last projects and as many of you will know he also worked on the Hotel de Chanaleilles and the Chateau de Groussay and other projects.

An important pair of Famille Rose, iron-red and gilt-decorated armorial vases and covers, China, Qing Dynasty, €100.000-200.000 © CHRISTIE’S IMAGES LIMITED 2016

An important pair of Famille Rose, iron-red and gilt-decorated armorial vases and covers, China, Qing Dynasty, €100.000-200.000
© CHRISTIE’S IMAGES LIMITED 2016

As these pictures reveal it is a marvellous combination of museum-quality period pieces and later examples, unified by Terry’s skilful handling of them in a neo-classical style setting of his own making which he referred to as ‘Louis XVII’. As Christie’s France’s, Head of the Furniture and Works of Art department, Simon de Monicault commented: “Collections that were laid out by Emilio Terry, major decorator of the 20th century, rarely come to the market. This beautiful hotel particulier has remained intact since Terry’s work in the 1960’s, and grandly brings together 17th and 18th century masterpieces and the neoclassic décor, so characteristic of his work. Pieces have continually been selected by the collectors to fit Terry’s setting, as shown by the works of Christian Bérard and Jean-Baptiste Carpeaux, acquired directly from the artists”

The Hall, showing "Le Génie de la danse" by Jean-Baptiste Carpeaux © CHRISTIE’S IMAGES LIMITED 2016

The Hall, showing “Le Génie de la danse” by Jean-Baptiste Carpeaux
© CHRISTIE’S IMAGES LIMITED 2016

Visitors immediately became aware of Terry’s sensitive skill when they entered the hall and were greeted by Carpeaux’s Le Génie de la Danse seen against the background Terry created for it. Bought from the sculptor’s daughter in 1927 it is expected to reach between €600,000-1,000,000.  Only one other version is known of this figure which was designed for the façade of Garnier’s Paris Opera.

Grand salon, showing the Ebony bureau plat stamped by Philippe-Claude Montigny © CHRISTIE’S IMAGES LIMITED 2016

Grand salon, showing the Ebony bureau plat stamped by Philippe-Claude Montigny
© CHRISTIE’S IMAGES LIMITED 2016

In the salon is an elegantly simple Louis XVI bureau plat by Philippe-Claude Montigny (€400,000-€600,000), drawings by Christian Bérard (1909-1942) and a set of eight cabriolet armchairs by Georges Jacob (€200,000-300,000) which were formerly in the Paris home of Sir Richard Wallace (of Wallace Collection fame). In the dining room are a pair of Qing Dynasty large china vases and covers and a Louis XIV armoire while in the ‘salons des laques’ is a Louis XV black and gilt Chinese lacquer commode stamped by Jean-Baptiste Fromageau (€100,000-200,000), and an extremely rare pair of 18th century Sèvres porcelain and ormolu-mounted vases-cloches, known as “Vases Dulac”. Their covers can be turned upside down to reveal three-arm candelabras.

Paire de Sèvres vases-cloche dits ''Vases Dulac'' - €300.000-500.000 © CHRISTIE’S IMAGES LIMITED 2016

Paire de Sèvres vases-cloche dits ”Vases Dulac” – €300.000-500.000
© CHRISTIE’S IMAGES LIMITED 2016

 

 Paire de Sèvres vases-cloche dits ''Vases Dulac'' - €300.000-500.000 © CHRISTIE’S IMAGES LIMITED 2016

Paire de Sèvres vases-cloche dits ”Vases Dulac” – €300.000-500.000
© CHRISTIE’S IMAGES LIMITED 2016

 

Salle à manger © CHRISTIE’S IMAGES LIMITED 2016

Salle à manger
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

Among the many pictures are a pastel by Vigée Lebrun, an oil by Jean-Louis Demarne, landscapes by Stanislas Lépine and portraits by Sir Thomas Lawrence and Raeburn.

Élisabeth Louise Vigée Lebrun A young girl with a red dress: a presumed portrait of Caroline Rivière, €120.000-180.000 © CHRISTIE’S IMAGES LIMITED 2016

Élisabeth Louise Vigée Lebrun
A young girl with a red dress: a presumed portrait of Caroline Rivière, €120.000-180.000
© CHRISTIE’S IMAGES LIMITED 2016

 

Christian Bérard, Élégante au bal - €1.200-1.800 © CHRISTIE’S IMAGES LIMITED 2016

Christian Bérard,
Élégante au bal – €1.200-1.800
© CHRISTIE’S IMAGES LIMITED 2016

 

Sir Henry Raeburn, R.A. Portrait du Révérend Stair Dalrymple, jeune, €20.000-30.000 © CHRISTIE’S IMAGES LIMITED 2016

Sir Henry Raeburn, R.A.
Portrait du Révérend Stair Dalrymple, jeune, €20.000-30.000
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

 

 

 

 

 

 

 

 

While it is marvellous that a new generation will have the chance to acquire such treasures there is also perhaps a tinge of regret that these seductive rooms will no longer be extant but who knows what good future homes await them.

Chambre sur jardin © CHRISTIE’S IMAGES LIMITED 2016

Chambre sur jardin
© CHRISTIE’S IMAGES LIMITED 2016

 

Suite de huit fauteuils att. à Georges Jacob © CHRISTIE’S IMAGES LIMITED 2016

Suite de huit fauteuils att. à Georges Jacob
© CHRISTIE’S IMAGES LIMITED 2016

 

Salon des Laques © CHRISTIE’S IMAGES LIMITED 2016

Salon des Laques
© CHRISTIE’S IMAGES LIMITED 2016

 

 

 

 

 

 

 

 

 

 

 

Sale: Thursday 15 September 2016 at 2:30pm.

Public viewing: Thursday 8, Friday 9, Saturday 10 (10am.-6pm.), Sunday 11 (2pm.-6pm.), Monday 12, Tuesday 13, Wednesday 14 (10am – 6pm.) and Thursday 15 September (10 am.-12pm.)

Jean-Louis Demarne La foire aux bestiaux, €70.000-100.000 © CHRISTIE’S IMAGES LIMITED 2016

Jean-Louis Demarne
La foire aux bestiaux, €70.000-100.000
© CHRISTIE’S IMAGES LIMITED 2016

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