Barry Flanagan

Barry Flanagan, Animal, Vegetable, Mineral, Waddington Custot Galleries, 11 Cork Street, London W1, until 14th May 2016

Barry Flanagan: Animal, Vegetable, Mineral is at Waddington Custot Galleries 4 March – 14 May 2016 www.waddingtoncustot.com

Barry Flanagan: Animal, Vegetable, Mineral is at Waddington Custot Galleries 4 March – 14 May 2016
http://www.waddingtoncustot.com

Curated by Dr Jo Melvin, this exhibition looks at the works from this noted sculptor who was a part of early British Conceptual Art. He worked in a variety of materials – sand, plaster, cloth, metal, stone and bronze – and one can correctly discern a note of irreverence in his approach.  In his film sand girl (1970) where sand is poured over a naked woman the viewer becomes an element in the “sculptural” process.

Barry Flanagan: Animal, Vegetable, Mineral is at Waddington Custot Galleries 4 March – 14 May 2016 www.waddingtoncustot.com

Barry Flanagan: Animal, Vegetable, Mineral is at Waddington Custot Galleries 4 March – 14 May 2016
http://www.waddingtoncustot.com

The show’s title comes from a review by the American writer and curator Gene Baro of Flanagan’s first solo show at the Rowan Gallery.  I shall share Barry Flanagan’s own words about his work with you: All materials are sculptural. I experience the physical world in nature and the physical world in our built structures, as sculptural

http://www.waddingtoncustot.com

Three Mayfair Galleries

 

Tilson: The Stones of Venice, Marlborough Fine Art, 6 Albemarle Street, London W1, until 2nd April 2016

Joe Tilson, The Stones of Venice La Scuola Grande di San Giovanni Evangelista, Venessia, 2014, acrylic on canvas on wood relief, 50 x 75 cm, © Joe Tilson, courtesy Marlborough Fine Art, London

Joe Tilson, The Stones of Venice La Scuola Grande di San Giovanni Evangelista, Venessia, 2014,
acrylic on canvas on wood relief, 50 x 75 cm,
© Joe Tilson, courtesy Marlborough Fine Art, London

This artist had his first exhibition at the gallery in 1962 and this is his seventh solo show there and is inspired by Ruskin’s eponymous book The Stones of Venice. Many of the paintings combine buildings and flooring patterns, sometimes with words too, to create a colourful whole. Joe Tilson’s thick application of acrylic evokes the decaying fabric of many Venetian buildings.

http://www.marlboroughfineart.com

 

 

Martyn BrewsterAn exhibition of recent paintings and drawings, Waterhouse & Dodd, 47 Albemarle Street, London W1, until 24thMarch 2016

To the sea Acrylic & collage on canvas 47 x 47 in / 120 x 120 cm Signed, titled & dated on reverse

To the sea
Acrylic & collage on canvas
47 x 47 in / 120 x 120 cm
Signed, titled & dated on reverse

Whilst continuing his coastal light theme in this exhibition those more familiar with his work will see that his combination of abstraction with the landscape has evolved stylistically.

www.waterhousedodd.com

 

 

Between the Eyes, Sotheby’s S|2 Gallery, 31 St George Street, London W1, until 24th March 2016

Bruce Nauman, Double Poke in the Eye II, 1985, Courtesy of Sotheby's

Bruce Nauman,
Double Poke in the Eye II, 1985,
Courtesy of Sotheby’s

This show traces the development of Minimalist and Conceptual Art from the 60s onwards with an emphasis on those works that interact between the brain and the eye. The artists featured include John Baldessari, Alighiero Boetti, Dan Flavin, Wade Guyton, Damien Hirst, Donald Judd, Joseph Kosuth, Yayoi Kusama, Sol Lewitt, Robert Mangold, Francois Morellet, Bruce Nauman, Robert Ryman, Rudolf Stingel and James Turrel.

http://www.sothebys.com