The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.christies.com

BOOK REVIEW: Brigitte Bardot: My Life in Fashion

I have asked John Kirkwood to review this book:

Brigitte Bardot: My Life in Fashion  

Henry-Jean Servat, Brigitte Bardot

Publisher: Flammarion
ISBN: 978-2080202697
£29.95

brigittebardotmylifeinfashion_cover-2

It may seem slightly odd to bring out a book about fashions worn by an actress who was well known for wearing no clothes at all on screen.

 

Bardot says that le style Bardot is her style which is to say that there is no style at all as she wears what she feels like at the moment. However, it was impossible in the late fifties and early sixties not to see girls who were clearly influenced by her on almost every high street. The gingham dress or Breton sweaters and jeans crowned by the disarranged ‘choucroute’ hairstyle piled on top.

Bardot never really followed fashion, she was a complete individualist and in so being created a look which became her style. For some of her films she was dressed by Givenchy, Dior, Chanel, Balmain and Cardin but in her private life wore designs by the House of Real and Jacques Esterel who made the famous pink gingham dress which was copied everywhere. In the seventies she was very enamoured of the gypsy cum hippie look of Jean Bouquin.  At one time she went to Coco Chanel because she so admired the Chanel dress worn by Delphine Seyrig in Last Year In Marienbad and wanted one like it. In one of her best roles in La Verité she wore clothes which she herself had bought from Monoprix, the French version of Woolworths and in other films would quite often wear clothes from her own wardrobe.

As a long term practioner of ‘Bardolatry’ I found this to be a very well-constructed book which takes us through the evolution of Bardot’s non-style with many wonderful images which still remain fresh today.

Now in her eighties and devoted to her Foundation which benefits animals Bardot when asked about her style today says ‘I don’t dress up anymore!’

 

http://editions.flammarion.com/

Drawing on Style at Gallery 8

Drawing on Style – Four Decades of Elegance, Gallery 8, 8 Duke Street, St James’s, London SW1, 11th – 16th September 2014

René Bouché (1905 - 1963) Original Cover Illustration Commissioned for British Vogue 1953, November Issue, Watercolour on Paper, signed 56 x 46 cms £10,000 ©

René Bouché (1905 – 1963)
Original Cover Illustration Commissioned for British Vogue
1953, November Issue, Watercolour on Paper, signed
56 x 46 cms
£10,000
©

Leading specialists in fashion illustration GRAY M.C.A are holding an exciting selling exhibition of original fashion illustrations from Post War 1940s through to the 1970s.

Christian Dior (1905 - 1957) Original Fashion Drawing 'Satin Blanc' Inscribed Pen & Ink on Cream Lucien Lelong Headed Paper 28 x 22 cms £5,500 ©

Christian Dior (1905 – 1957)
Original Fashion Drawing
‘Satin Blanc’
Inscribed
Pen & Ink on Cream Lucien Lelong Headed Paper
28 x 22 cms
£5,500
©

There will be forty plus original works by some of the leading illustrators from Britain, America and Europe, including René Bouché, René Gruau, Dior and Barbara Hulanicki. Prices will range from £300 to £3,000. These really are delightful original works and the artists are sadly rather under-recognised; a fact which fortunately this exhibition seeks to put right. They are wonderful things to live with in your own homes as they conjure up style, glamour and period and suit all types of interior.

Brian Stonehouse M.B.E. (1918 - 1998) Original Working Fashion Illustration for US Magazine Cow Girl C1970's, Charcoal, signed & inscribed 64 x 46 cms £2,500 ©

Brian Stonehouse M.B.E. (1918 – 1998)
Original Working Fashion Illustration for US Magazine
Cow Girl
C1970’s, Charcoal, signed & inscribed
64 x 46 cms
£2,500
©

 

PUBLIC OPENING HOURS:

René Gruau (1909 - 2004) Original Fashion Illustration  C1960's, Ink, signed 50 x 64 cms £6,000 ©

René Gruau (1909 – 2004)
Original Fashion Illustration
C1960’s, Ink, signed
50 x 64 cms
£6,000
©

Thursday, September 11 – 10am – 8pm

Friday, September 12 – 10am – 6.30pm

Saturday, September 13 – 10am – 6.30pm

Sunday, September 14 – 10am – 6.30pm

Monday, September 15 – 10am – 6.30pm

Tuesday, September 16 – 10am – 6.30pm

 

http://www.graymca.co.uk