Emma Revisited!

Emma Hamilton: Seduction and Celebrity (REVISITED), National Maritime Museum, Greenwich, London SE 10, until 17th April 2017

'Emma as the spinstress' by George Romney, 1784-85 ® Kenwood, English Heritage

‘Emma as the spinstress’ by George Romney, 1784-85
® Kenwood, English Heritage

I know that I only wrote about this exhibition on January 6th but I so, so liked it that I returned to see it again the other weekend AND I enjoyed it even more. Obviously I must be a bit of an Emma Hamilton “groupie” – and I make no apologies for it!

The exhibition provides not only a close-up view of one of history’s great love affairs but also gives an insight into the times that Hamilton and Nelson lived in.  It’s an engrossing journey into the past and I count myself fortunate that I have been able to immerse myself into this fascinating story twice.

'Britannia crowning the Bust of our late Hero Lord Nelson', 1805 by Thomas Baxter ® National Maritime Museum, London

‘Britannia crowning the Bust of our late Hero Lord Nelson’, 1805 by Thomas Baxter
® National Maritime Museum, London

Please, please don’t miss this show because it will no doubt be a long time before such an exhibition on this scale will be put on.

 

 

http://www.rmg.co.uk/emmahamilton

AUCTION ALERT: Emma Hamilton, 24th January 2017

 

Lot 204. Lady Emma Hamilton (1765-1815) - signed letter. Est £300

Lot 204. Lady Emma Hamilton (1765-1815) – signed letter. Est £300

I thought that I should share the fact that this letter written by Emma Hamilton may be of interest. This auction of more than a thousand signatures by historical figures includes letters from Emma Hamilton and her husband Sir William Hamilton. The collection was put together by the late John Evans and will be on 24th January at Campbells, 44-46 High St, Worthing, West Sussex BN11 1LL.

Lot 204. Lady Emma Hamilton (1765-1815) - signed letter. Est £300

Lot 204. Lady Emma Hamilton (1765-1815) – signed letter. Est £300

 

http://www.campbellsauctions.co.uk

BOOK REVIEW: Emma Hamilton Seduction & Celebrity

Emma Hamilton

Seduction & Celebrity

(In association with the Royal Museums Greenwich)

Edited by Quintin Colville with Kate Williams
ISBN 9780500252208
 £29.95

emma-hamilton-jacket

It would have been totally wrong for me to have mentioned this beautifully illustrated book when I reviewed the marvellous exhibition ‘Emma Hamilton Seduction & Celebrity’ at the National Maritime Museum (6th January, 2017) since this book is equally as enjoyable and while complementing the exhibition it very definitely stands alone too.  It takes us into the world of Emma Hamilton (1765–1815) and reassesses her life and role and shows her cultural and social achievements.  I have always thought that if Emma could have gained the confidence and friendship of Naples’s Queen Maria Carolina, daughter of Maria Theresa, then there was obviously something more substantial than being just a temptress about her.

The contributors which also include Vic Gatrell, Hannah Greig, Jason Kelly, Margarette Lincoln, Christine Riding and Gillian Russell bring a fresh understanding of a woman who not only captured the heart of a great naval hero but has beguiled us ever since.

Porcelain lovers will also be interested to see the series of pictures of Emma’s beloved Merton Place done by Thomas Baxter who is also well known for the decoration of porcelain.

 

www.thamesandhudson.com

A Cautionary Tale

Emma Hamilton: Seduction and Celebrity, National Maritime Museum, Greenwich, London SE 10, until 17th April 2017

'Emma as La Penserosa', 1791-92 by Sir Thomas Lawrence ® The Abercorn Heirloom Settlement Trustees; Bryan F. Rutledge B.A.

‘Emma as La Penserosa’, 1791-92 by Sir Thomas Lawrence
® The Abercorn Heirloom Settlement Trustees; Bryan F. Rutledge B.A.

This is an exhibition that has exceeded my expectations and one I had been looking forward to since I learnt of it.

It is I think very much a story of a beautiful young woman that has resonance today – a tale of humble beginnings, of becoming a “celebrity” but ending in disillusionment and obscurity.

Berlin service: Teapot depicting Emma Hamilton ® National Maritime Museum, London. From the Clive Richards Collection

Berlin service: Teapot depicting Emma Hamilton
® National Maritime Museum, London. From the Clive Richards Collection

Born in Cheshire in 1765, daughter of a struggling blacksmith Emma came to London in her thirteenth year and became part of the Covent Garden world which mixed high society with the sexual underworld. Aged sixteen she became the mistress of Sir Harry Fetherstonhaugh and as readers of my blog ‘Unravelling Uppark’ (06/06/14) will know Emma danced naked on the dining room table there to entertain his friends. However when she fell pregnant Fetherstonhaugh chucked her out and she returned to Cheshire and gave birth to a daughter.

'Emma dancing the tarantella' c.1791 by William Lock ® The Jean Kislak Collection

‘Emma dancing the tarantella’ c.1791 by William Lock
® The Jean Kislak Collection

Fortunately she had made the acquaintance of Charles Greville, a son of the Earl of Warwick, and he took her under his wing, installing her in his house just off the Edgware Road in London, an area more rural then than it is today. It was there that Greville introduced her to the painter George Romney.  She was, as the wonderful paintings shown in the exhibition amply prove, a perfect Muse for the artist.

Emma as Circe, 1782, by George Romney ® The National Trust, Waddesdon Manor

Emma as Circe, 1782, by George Romney
® The National Trust, Waddesdon Manor

She also met Greville’s uncle Sir William Hamilton and it was on to him that Greville passed Emma when he tired of her by sending her to Naples where Hamilton was British envoy. Naples was a major stopping-off place on the Grand Tour and thanks to Hamilton’s patient teaching and her own talent she created her famous “Attitudes” which brought scenes from paintings and sculpture to life. She achieved even more of a celebrity status which was crowned when Hamilton married her in 1791.

Gold and micro-mosaic necklace belonging to Emma ® National Maritime Museum, London

Gold and micro-mosaic necklace belonging to Emma
® National Maritime Museum, London

Her new position as an envoy’s wife meant that she had to play a political role too and in this Emma was fortunate that the Neapolitan King’s wife Maria Carolina, a sister of Marie Antoinette, liked her and made a confidante of her.

Horatio Nelson, 1758 -1805, Vice Admiral of the White by Johann Heinrich Schmidt ® National Maritime Museum, London

Horatio Nelson, 1758 -1805, Vice Admiral of the White by Johann Heinrich Schmidt
® National Maritime Museum, London

However in 1798 the arrival of Admiral Nelson, following his victory at the Battle of the Nile, was the beginning of what would be one of the great love affairs of history.  It was one fraught with dangers as her infidelity rocked society and it was not helped by Emma’s giving birth to Nelson’s child whom they named Horatia.

Emma, Lady Hamilton, 1761 - 1815 by Johann Heinrich Schmidt ® National Maritime Museum, London

Emma, Lady Hamilton, 1761 – 1815 by Johann Heinrich Schmidt
® National Maritime Museum, London

They acquired a house at Merton in Surrey and set up home their but because of Nelson’s naval duties he was frequently away.  His death at the Battle of Trafalgar 21st October 1805 brought it all crashing down. Life became difficult in every way and her attempts to maintain her lifestyle and position led to her being imprisoned for debt in 1813 in the King’s Bench Prison.  Thanks to funds being provided she was released but had to flee to Calais to escape her creditors and it was there in January 1815 she died after months of illness in the same poverty as she had been born.

Gold 'fede' or betrothal ring, one of a pair exchanged by Vice-Admiral Horatio Nelson and Emma ® National Maritime Museum, London

Gold ‘fede’ or betrothal ring, one of a pair exchanged by Vice-Admiral Horatio Nelson and Emma
® National Maritime Museum, London

This somewhat salutary tale is beautifully told through pictures, objects, jewellery, furniture, prints, costumes and personal letters.  It really does give a wonderful insight into her life and times and explains why she remains so beguiling a figure. She is one of those people from history you would really want to meet!

'View of Merton House showing Lady Hamilton and Horatia in the grounds' ® National Maritime Museum, London

‘View of Merton House showing Lady Hamilton and Horatia in the grounds’
® National Maritime Museum, London

 

http://www.rmg.co.uk/emmahamilton

An April Shower of Fairs

I thought I would share this cluster of fairs that are happening over the next ten or so days. All are well worth a visit.

 

The Chelsea Art Fair, Chelsea Old Town Hall, King’s Road, London SW3, April 16th -19th April 2015.

Faye Anderson "Bert"   8"x6" (20cmx15cm),  Egg Tempera Courtesy of Cameron Contemporary Art

Faye Anderson
“Bert”
8″x6″ (20cmx15cm),
Egg Tempera
Courtesy of Cameron Contemporary Art

This is a popular fair, which has well over thirty galleries from the UK exhibiting and is best summed up by its director Ben Cooper “Since our revamp three years ago, the Fair has gone from strength to strength and we have very much established ourselves as the London Fair which offers Londoners a fantastic selection of galleries with a variety of works which appeal to a wide range of art lovers.”

www.chelseaartfair.org

 

The London Antique Rug & Textile Art Fair 2015, The Showroom, Penfold Street, Marylebone, London NW8, 16th – 19th April 2015

Rare C19th Qashqai (Persia) bagface Owen Parry.

Rare C19th Qashqai (Persia) bagface
Owen Parry.

This jewel of a fair offers a tempting array of rugs and carpets, textiles, tapestries and tribal weavings from all over the world. Among the twelve specialist dealers are two new exhibitors – Kennedy Carpets (London) and Hagop Manoyan (New York). The intimate bazaar-like setting compliments both the rare and decorative pieces available. Just as last year the Fair will be on view online too.

www.larta.net

 

Ceramic Art London 2015, Henry Moore and Gulbenkian Galleries, The Royal College of Art, Kensington Gore, London, SW7, 17th – 19th April 2015

Barbara Hast,  Teapot and Cup,  porcelain, thrown, modeled, relief painting, 5.5 inches.  Courtesy of Ceramic Art London

Barbara Hast,
Teapot and Cup,
porcelain, thrown, modeled, relief painting, 5.5 inches.
Courtesy of Ceramic Art London

Some eighty ceramic artists from around the world will be showing here in this leading international fair. Whether you are looking for the more practical or decorative this is the place to come as you will discover both traditional and cutting-edge approaches to the making of wonderful ceramic objects. Pots rock!

http://www.ceramics.org.uk

 

Spring Decorative Antiques & Textiles Fair, Battersea Evolution, Battersea Park, London SW11, 21st – 26th April 2015

c1920s sketch of a decorator’s scheme for an apartment Charles Plante Fine Arts

c1920s sketch of a decorator’s scheme for an apartment
Charles Plante Fine Arts

The Spring edition of this enduringly popular and tempting Fair has the Passementerie Garden as its Foyer Exhibition. It promises to be fun with a wide array of antique and textile trimmings. A 19th century room is being recreated by Charles Plante Fine Arts using extravagantly-trimmed curtains and textiles; a setting which will reflect his carefully chosen stock of watercolours and drawings of interiors, gardens and architecture. Who could ask for anything more?

www.decorativefair.com

 

The Other Art Fair, B1, Victoria House, Bloomsbury Square, London WC1, 23rd – 26th April 2015

Tommy Clarke 'Entry' C-type print, framed, 63.5 x 60 cm  Edition of 100

Tommy Clarke
‘Entry’
C-type print, framed, 63.5 x 60 cm
Edition of 100

The Other Art Fair (TOAF) is an interactive experience because visitors can actually speak to the artists exhibiting there and learn more about the processes involved in creating these highly individual works of art. It is a great way to introduce younger members of your family to the world of art collecting as it is in a relaxed, more informal setting than many other fairs.

theotherartfair.com

The London Original Print Fair, Royal Academy of Arts, Burlington House, Piccadilly, London W1, 23rd-26th April 2015

 Tommaso Piroli (1752–1824) after Friedrich Rehberg (1758–1835) Emma, Lady Hamilton’s ‘attitudes', plate III, 1794 Engraving and etching on ochre prepared paper, 26.3 x 20.1 cm RCIN 655736 Purchased by the Prince Regent (later George IV) from Colnaghi & Co. on 15 April 1816 for 7s 6d (for the set) Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015

Tommaso Piroli (1752–1824) after Friedrich Rehberg (1758–1835)
Emma, Lady Hamilton’s ‘attitudes’, plate III, 1794
Engraving and etching on ochre prepared paper, 26.3 x 20.1 cm
RCIN 655736
Purchased by the Prince Regent (later George IV) from Colnaghi & Co. on 15 April 1816 for 7s 6d (for the set)
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015

This exciting fair, covering both old and contemporary,  is now in its thirtieth year a fact which is honoured by a loan exhibition of thirty prints from the Royal Collection.  As always a must for devotees of this discipline.
 James Gillray (1756–1815) A New Edition Considerably Enlarged of Attitudes Faithfully Copied from Nature, plate III 1807 Etching on blue paper 25.9 x 19.6 cm RCIN 655737 Purchased by the Prince of Wales (later George IV) from Hannah Humphrey on 24 April 1807 for 15s (for the set) Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015

James Gillray (1756–1815)
A New Edition Considerably Enlarged of Attitudes Faithfully Copied from Nature, plate III
1807
Etching on blue paper
25.9 x 19.6 cm
RCIN 655737
Purchased by the Prince of Wales (later George IV) from Hannah Humphrey on 24 April 1807 for 15s (for the set)
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015

londonprintfair.com

MASTERPIECE LONDON 2014 – Philip Mould

Philip Mould

 GEORGE_ROMNEY_(1734-1802)_Portrait_of_Emma_Hamilton_as_ ‘Absence’_Philip_Mould

GEORGE ROMNEY (1734-1802)

Portrait of Emma Hamilton as ‘Absence’

Oil on Canvas, 49 3/16 x 39 inches, 125 cm x 99 cm

This is a full-sized study for the c 1787 oil painting in the National Maritime Museum. It has been brought back to its full glory thanks to the removal of later over-paint and discoloured varnish.

 

http://www.masterpiecefair.com

http://www.philipmould.com

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