The Collection of Raine, Countess Spencer

The Collection of Raine, Countess Spencer (1929-2016), Christie’s King Street, London SW1, Old Masters Evening Sale (6th July 2017) and The Collection of Raine, Countess Spencer (13thJuly 2017)

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

I count myself fortunate in having encountered Raine, Countess Spencer several times over the years and she was always the epitome of elegance and charm. That sense of style is very much reflected in her home, the contents of which are to be found in these sales. While the paintings, furniture and objects contributed to the glamour of the rooms they were not mere ‘background’ objects but were bought because Lady Spencer liked them and wanted to live with and use them.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

She was very much drawn to the arts of 18th century France and numbered works by Boucher, Fragonard and Greuze among the pictures she collected. On some purchases she was advised by Sir Francis Watson (former Director of the Wallace Collection) who also advised the Wrightsmans with their legendary collection. Regency furniture was another love and it blended well with her French pieces. Her last dining room recalled the Art Deco period and there was also a collection of French Art Nouveau lithographs.

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

From her birth – she was the daughter of the novelist Dame Barbara Cartland – onwards Lady Spencer was the focus of media interest whether through her marriages or her work as a Westminster City Councillor and in the conservationist campaigns she supported. In later years she was a director of Harrods and had a hands-on approach. The thread of perfectionism that runs through her life is also reflected in her clothes, jewellery and other accessories in the 13th July auction. This is very much an opportunity to appreciate, enjoy or even acquire a piece of the elegant perfection that was Lady Spencer’s way of life.

Claude Joseph Vernet (Avignon 1714-1789 Paris)
A Mediterranean sea-port with fishermen unloading cargo
oil on canvas
Estimate: £300,000-500,000
© Christie’s Images Limited 2017

 

A LOUIS XVI COMMODE
CIRCA 1770-75, ATTRIBUTED TO ANTOINE-PIERRE FOULLET
Estimate: £60,000-90,000
© Christie’s Images Limited 2017

 

Interior
From the property of Lady Spencer © Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

AN 18 CARAT GOLD, RUBY AND DIAMOND PARURE, BY VAN CLEEF & ARPELS
Comprising a necklace, designed as a graduated series of ruby cabochon and brilliant-cut diamond clusters
Estimate: £100,000-150,000
© Christie’s Images Limited 2017

 

One of several ‘Lady Dior’ handbags, this one of black leather with studwork decoration.
Estimate: £1,000-1,500
© Christie’s Images Limited 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

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BOOK REVIEW: HUBERT ROBERT

Hubert Robert

Margaret Morgan Grasselli and Yuriko Jackall with contributions from Guillaume Faroult and Catherine Voiriot

£45.00 GBP
Lund Humphries
ISBN: 9781848221918

hubert-robert-2d-cover-lores

This is a wonderful celebration of this multi-faceted artist and draftsman, Hubert Robert (1733-1808), who could also turn his hand to being an interior decorator and garden architect, including designs for the Queen’s Dairy at Rambouillet for Marie Antoinette.  We are fortunate that while the book has been published to coincide with the exhibition in Washington DC’s National Gallery of Art which ends at the beginning of October it will have a very long and useful life as a stand-alone reference work thanks to the scholarship and up-to-date research that the authors and contributors bring to it.

 

His time in Rome, where he met and became friends with Fragonard, Panini and Piranesi, led to his penchant for depicting ruins often peopled with figures and for which he became known as ‘Robert des ruines’. He received the support of wealthy patrons and in 1784 was appointed ‘Keeper of the Museum’ (the future Louvre Museum).  He was imprisoned for a while after the French Revolution but on his release continued with a series of paintings depicting the Louvre’s Grande Galerie.

Hubert Robert (1733-1808). Painting Gallery Being Used as an Artist's Studio, 1789 Paris, Musée du Louvre. RF1938-69.

Hubert Robert (1733-1808).
Painting Gallery Being Used as an Artist’s Studio, 1789
Paris, Musée du Louvre. RF1938-69.

I have long been interested in 18th century French art and have enjoyed seeing works by artist such as Boucher, Greuze, Fragonard, Vigée- Le Brun and so on, but my favourite has always been Robert.  To me he captures the spirit of the time perfectly and while his works are out of my reach I now have the great pleasure of this book to enjoy.

Hubert Robert (1733-1808) Burning of Rome, c. 1771 Musée d'Art Moderne André Malraux, Le Havre

Hubert Robert (1733-1808)
Burning of Rome, c. 1771
Musée d’Art Moderne André Malraux, Le Havre

 

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Rubens and His Legacy

Rubens and His Legacy: Van Dyck to Cézanne, Main Galleries, Royal Academy of Arts, Burlington House, Piccadilly, London W1, until 10th April 2015    

Peter Paul Rubens The Triumph of Henri IV, 1630 Oil on panel, 49.5 x 83.5 cm Lent by The Metropolitan Museum of Art, Rogers Fund, 1942 (42.187) Photo c. 2013. Image copyright The Metropolitan Museum of Art / Art Resource / Scala, Florence

Peter Paul Rubens
The Triumph of Henri IV, 1630
Oil on panel, 49.5 x 83.5 cm
Lent by The Metropolitan Museum of Art, Rogers Fund, 1942 (42.187)
Photo c. 2013. Image copyright The Metropolitan Museum of Art / Art Resource / Scala, Florence

For anyone intending to visit this glorious exhibition the keyword is legacy.

Jean-Antoine Watteau La Surprise: A Couple Embracing While a Figure Dressed as mezzetin Tunes a Guitar, 1718-19 Oil on panel, 36.3 x 28.2 cm Private Collection Photo: Private Collection

Jean-Antoine Watteau
La Surprise: A Couple Embracing While a Figure Dressed as mezzetin Tunes a Guitar, 1718-19
Oil on panel, 36.3 x 28.2 cm
Private Collection
Photo: Private Collection

Rubens was a highly accomplished artist whose works cover many themesPoetry, Elegance, Power, Lust, Compassion and Violence and while this exhibition offers fine examples of the master’s hand on these subjects it concentrates on successive generations and schools of artists whose works were inspired and influenced by him. Thus you will encounter Turner and Constable, Watteau and Fragonard, Delacroix and Cézanne and many other artists along the way.

Peter Paul Rubens Pan and Syrinx, 1617 Oil on panel, 40 x 61 cm Museumslandschaft Hessen Kassel, Gemaeldegalerie Alte Meister, Kassel Photo: Museumslandschaft Hessen Kassel, Gemaeldegalerie Alte Meister/Ute Brunzel

Peter Paul Rubens
Pan and Syrinx, 1617
Oil on panel, 40 x 61 cm
Museumslandschaft Hessen Kassel, Gemaeldegalerie Alte Meister, Kassel
Photo: Museumslandschaft Hessen Kassel, Gemaeldegalerie Alte Meister/Ute Brunzel

As the exhibitions curator, Dr Nico Van Hout, says, “It is no coincidence that Delacroix, Vigée-Lebrun, Reynolds and Renoir devoted fascinating discourses, journal entries and letters on the virtuosity and confidence of Rubens’ brushwork, as many artists were trained by seriously studying his altarpieces, allegories, portraits and landscapes. Each artist focused on different aspects of his oeuvre and the works in this exhibition show the great variety of this impact: they include exact copies, creative copies, pastiches and quotations to works that only echo Rubens’ style. Only the best artists were able to translate Rubens’ visual language into a personal idiom and we are delighted to bring together such a rich selection of works to showcase the ongoing strength of Rubens’ legacy throughout the past three centuries.”

Paul Cezanne Three Bathers, c. 1875 Oil on canvas, 30.5 x 33 cm Private Collection Photo: Ali Elai, Camerarts

Paul Cezanne
Three Bathers, c. 1875
Oil on canvas, 30.5 x 33 cm
Private Collection
Photo: Ali Elai, Camerarts

One could suggest that perhaps a few more works by Rubens would have been better or wonder why some of the pictures were chosen as being influenced by him but in the end it does not really matter for the aim of showing how great the legacy of Rubens is addressed with verve and success.

Eugene Delacroix Crucifixion, 1846 Oil on panel, 37 x 25 cm Museum Boijmans van Beuningen Museum Boijmans Van Beuningen, Rotterdam/Photographer: Studio Tromp, Rotterdam

Eugene Delacroix
Crucifixion, 1846
Oil on panel, 37 x 25 cm
Museum Boijmans van Beuningen
Museum Boijmans Van Beuningen, Rotterdam/Photographer: Studio Tromp, Rotterdam

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Peter Paul Rubens Tiger, Lion and Leopard Hunt, 1616 Oil on canvas, 256 x 324.5 cm Rennes, Musee des Beaux Arts Photo c. MBA, Rennes, Dist. RMN-Grand Palais / Adelaide Beaudoin

Peter Paul Rubens
Tiger, Lion and Leopard Hunt, 1616
Oil on canvas, 256 x 324.5 cm
Rennes, Musee des Beaux Arts
Photo c. MBA, Rennes, Dist. RMN-Grand Palais / Adelaide Beaudoin