Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection, Strawberry Hill, 268 Waldegrave Road, Twickenham TW1 4ST, until 24th February, 2019

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Anonymous artist, Staircase at Strawberry Hill, Ink wash with watercolour. Courtesy of The Lewis Walpole Library, Yale University

The 2010 exhibition ‘Horace Walpole and Strawberry Hill’ at the V&A was a wonderful celebration of the house, the collection and the collector so now imagine just quite how special this new exhibition is. You can feel the house responding to having over one hundred and fifty of its treasures within its walls once more with some in their original position.

From the early 18th century Chinese tub in which Walpole’s cat Selima drowned accidentally to a clock that had belonged to Henry VIII and Ann Boleyn, it is a veritable pot-pourri of objects and pictures that fascinate and show the breadth of Walpole’s interests, many reflecting the historic style of the building.

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Paul Sandby (1731 – 1809) ‘Strawberry Hill chiefly taken in the year 1769 by Mr. Sandby’, c. 1769. Drawing Watercolour on laid paper with wash-line Courtesy of The Lewis Walpole Library, Yale University.

Son of Sir Robert Walpole (Britain’s first Prime Minister), Horace created this first Gothick building with the help of friends. It was his summer home until he died in 1797 and eventually in 1842 there was a twenty-four day sale of its contents. Now YOU can see some of these original contents, back home until February of next year, in both the private rooms and the State rooms. By 1797 there were some four thousand pieces plus coins, drawings and prints in the collection

I am deliberately not illustrating any of the objects on show because I think it is so, so important that, if you can, you should see them in situ and thus hopefully get a sense of both Horace and his remarkable creation. I implore you to do so! You will regret it if you don’t. The stuff of dreams.

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John Carter, The Tribune at Strawberry Hill, c. 1789. Courtesy of The Lewis Walpole Library, Yale University.

 

Open 7 days a week

Monday – Friday: 12-6pm (Late opening until 10pm on Fridays)

Saturday – Sunday: 11am -6pm 

Final entry one hour before closing

Private guided tours available 10am-11am and 6pm, Monday to Friday

Public guided tours available 10am Saturday & Sunday

 

 

www.strawberryhillhouse.org.uk/losttreasures

A Love Affair with France: The Elizabeth Stafford Collection, Christie’s New York 1st November 2018

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Mimi Stafford in the Dining Room of her New York apartment. © Christie’s Images Limited 2018

I have known of this remarkable collection for nearly two decades and have caught fleeting glimpses of it from time to time in exhibition catalogues and elsewhere, I just wish I could have had the opportunity to meet Mrs Stafford. However, now we have the chance to encounter her and her discerning eye in this sale and some of the more important pictures will appear in specialist sales either just before the 1st November or later in that month.

Claude Lorrain

CLAUDE GELLÉE, CALLED LORRAIN (CHAMPAGNE 1600-1682 ROME landscape with Apollo guarding the herds of Admetus and Mercury stealing them oil on canvas 20 x 27.1/8 in. (50.8 x 68.8 cm.) $700,000 – $1,000,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

Elizabeth (Mimi) and her husband Frederick collected across a wide spectrum as the 1966-67 exhibition of their collection – “Odyssey of an art collector: unity in diversity -5,000 years of art” – at the Isaac Delgado Museum in New Orleans showed. Indeed in May this year Christie’s sold Brancusi’s La Jeune fille sophistiquée (Nancy Cunard) for US$ 71 million. It had been bought by them from the artist in 1955.

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

Mimi’s abiding passion was the arts of 18th century France and it was this that formed the background to her daily life, first of all in a Maison Jansen designed apartment in Paris’s Avenue Foch and then later in a New York apartment that had been created for Mr and Mrs Robert R Young by Maison Jansen’s legendary Stéphane Boudin. Both apartments were the perfect backdrop for the paintings, porcelain, furniture and drawings she acquired with an unfailing eye. As her daughter E. Alexandra Stafford says in an interview with Christie’s that “the first questions new friends asked when they entered the apartment was how could she live in such a museum? As they hesitated before sitting down on the silk brocade-covered 18th-century gilded chaise à la Reine, she would answer: ‘No problem!’”

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

That, of course, is how it should be as such things were made to be used and I am sure that Mimi Stafford would be excited and delighted that things she loved and cherished will be going on to new owners and enriching their lives.

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The niche in the Stéphane Boudin-designed New York apartment’s salon, or living room, displayed a selection of the Sèvres bleu céleste that forms the core of the porcelain collection — including an oval bottle cooler from the first service made for Louis XV. © Christie’s Images Limited 2018

 

Étienne Aubry

ÉTIENNE AUBRY (VERSAILLES 1745-1781 PARIS) ‘La Turque’, presumed portrait of Mademoiselle Duthé Oil on canvas 25 3/8 x 32 in. (64.3 x 81.3 cm.) $300,000 – 500,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

 

LOT 1229

Lot 1229 A LOUIS XV ENAMELLED GOLD CARNET DE BAL MARKED PARIS, 1773, WITH CHARGE MARK OF JULIEN ALATERRE, 1768-1775, AND DECHARGE MARK OF JEAN-BAPTISTE FOUACHE, 1775-1781 Rectangular with beaded borders, decorated with cornfower blue stripes, one side mounted with a miniature of a lady in white gown with gold embroidery, the other side with a locket of woven hair under a gold script monogram, the hinged cover mounted with gold words SOUVENIR D’AMITIE, interior ftted with gold pencil case 3 æ in. (95 mm.) high $4,000–6,000 © Christie’s Images Limited 2018

 

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Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1212

1212 JEAN-AUGUSTE-DOMINIQUE INGRES (MONTAUBAN 1780-1867 PARIS) Portrait of Mrs. Jean-Pierre Granger, née Marie-Jeanne-Catherine Delaigle signed and dated in graphite ‘Ingres/ à Rome 1811’ (lower right) graphite 10 x 7æ in. (25.4 x 19 cm.) $200,000–300,000 © Christie’s Images Limited 2018

 

LOT 1963

Lot 1063 A PAIR OF FRENCH ORMOLU-MOUNTED CHINESE PORCELAIN TWO-LIGHT CANDELABRA THE PORCELAIN QIANLONG, THE MOUNTS PROBABLY BY ESCALIER DE CRYSTAL, 19TH CENTURY Each with a blue-glazed Chinese porcelain parrot on a rock work base fanked by coral-form ormolu branches. 9æ in. ( 25 cm.) high (2) $7,000–10,000 © Christie’s Images Limited 2018

 

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CAMILLE PISSARRO (1830-1903) Neige, soleil couchant, Eragny signed and dated ‘C. Pissarro 94’ (lower left) oil on canvas 24 x 32 1/2 in. Painted in 1894 $2,000,000-3,000,000 Impressionist & Modern Art Evening Sale, November 2018 © Christie’s Images Limited 2018

 

Stafford Paris Apartment

Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1041

Lot 1041 JEAN-BAPTISTE CHARPENTIER (PARIS 1728-1806) Portrait of a man, traditionally said to be M. Larchey, son-in-law of the painter Jean-Baptiste Greuze, bust-length oil on panel, oval 7æ x 6Ω in. (19.7 x 16.5 cm.) $8,000–12,000 © Christie’s Images Limited 2018

 

Boudin Panel from New York apartment c1959

A panel from a set of boiserie installed by Stephane Boudin, circa 1959, 900 Fifth Avenue, New York City. © Christie’s Images Limited 2018

 

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BOOK REVIEW: From Chanel to Reves

From Chanel to Reves

La Pausa and Its Collections at the Dallas Museum of Art

Olivier Meslay and Martha MacLeod

Published by GILES in association with the Dallas Museum of Art
PRICE — UK£9.95 / US$15.00
ISBN — 978-1-90780-72-4

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I always find books that tell the story of a house fascinating and such is certainly the case with this appealing book which relates the story of the house that Chanel had built for herself and which she furnished with some help from Bendor Grosvenor, the Duke of Westminster.  It provides a real glimpse into Chanel’s taste and way of life.

In 1953 she sold the Villa La Pausa to Wendy and Emery Reves and included many of the Villa’s furnishings and books and so these were combined with the wide-ranging art collection of the Reves which has an emphasis on Impressionist and Post-Impressionist works.  One figure which crosses into both halves of the story is Sir Winston Churchill who knew the Duke and had met Coco Chanel but was also a regular guest of the Reves at La Pausa and indeed there are four works by him as well as other souvenirs.

Even if you cannot get to Dallas to see this collection I heartily recommend this elegant tome that tells the story so well and so enticingly.

 

http://www.gilesltd.com

http://www.dma.org