Important French Furniture and Works of Art

Taste of the Royal Court: Important French Furniture and Works of Art from a Private Collection, Christie’s, 8 King Street, London SW1, 9th July 2015

A MASTERPIECE BY CHARLES CRESSENT Unseen on the market since the early 20th century, the top lot of the collection is a bureau plat which is a masterpiece by Charles Cressent, who ranks with Boulle, Riesener and Gouthière as among the most famous craftsmen of the 18th century. The precise form only occurs on one other known bureau plat by Cressent, in the Louvre Estimate: £1-1.5 million CREDIT: CHRISTIE'S IMAGES LTD. 2015

A MASTERPIECE BY CHARLES CRESSENT
Unseen on the market since the early 20th century, the top lot of the collection is a bureau plat which is a masterpiece by Charles Cressent, who ranks with Boulle, Riesener and Gouthière as among the most famous craftsmen of the 18th century. The precise form only occurs on one other known bureau plat by Cressent, in the Louvre
Estimate: £1-1.5 million
CREDIT: CHRISTIE’S IMAGES LTD. 2015

Christie’s hold a proud record for important sales of French decorative arts and this present sale, comprising twenty-two lots, is no exception.

A VASE MADE FOR LOUIS XV'S FINANCE MINISTER A spectacular Louis XV ormolu-mounted Chinese flambé-glazed porcelain vase, with sinuous rococo mounts attributed to Jean-Claude Chambellan Duplessis, circa 1755, was almost certainly made for the celebrated collector and financier Jean-Baptiste de Machault d'Arnouville (1701-1794) Estimate: £600,000-1 million CREDIT: CHRISTIE'S IMAGES LTD. 2015

A VASE MADE FOR LOUIS XV’S FINANCE MINISTER
A spectacular Louis XV ormolu-mounted Chinese flambé-glazed porcelain vase, with sinuous rococo mounts attributed to Jean-Claude Chambellan Duplessis, circa 1755, was almost certainly made for the celebrated collector and financier Jean-Baptiste de Machault d’Arnouville (1701-1794)
Estimate: £600,000-1 million
CREDIT: CHRISTIE’S IMAGES LTD. 2015

Many of the lots have not appeared at auction before and what a selection it is with pieces which have provenances from the 18th century as they were especially created for patrons such as Queen Marie Antoinette, Duke Albert de Saxe-Teschen, Jean Baptiste de Machault d’Arnouville, Chancelier de France and the Prince de Conti.

MARIE ANTOINETTE’S EXQUISITE ARMCHAIR FROM THE PAVILLON BELVEDERE, The Only Surviving Armchair from the Most Expensive Suite Made for the French Queen A royal Louis XVI giltwood fauteuil en bergère which was made for Marie Antoinette by François II Foliot, after a design by Jacques Gondoin in 1780, with sculpture by Pierre-Edme Babel or Toussaint Foliot Estimate: £300,000-500,000 CREDIT: CHRISTIE'S IMAGES LTD. 2015

MARIE ANTOINETTE’S EXQUISITE ARMCHAIR FROM THE PAVILLON BELVEDERE, The Only Surviving Armchair from the Most Expensive Suite Made for the French Queen
A royal Louis XVI giltwood fauteuil en bergère which was made for Marie Antoinette by François II Foliot, after a design by Jacques Gondoin in 1780, with sculpture by Pierre-Edme Babel or Toussaint Foliot
Estimate: £300,000-500,000
CREDIT: CHRISTIE’S IMAGES LTD. 2015

If that were not enough in itself some have then been part of celebrated collections including those of the Dukes of Hamilton, the Marquesses of Bath at Longleat and the Comtes de Vogüé at Vaux-le-Vicomte. This really is, as the photographs show, a great sale with outstanding pieces. It is though it will achieve in excess of six million pounds.

THE PRINCE DE CONTI’S PLANETARY CLOCK A remarkable Louis XVI Ormolu Planetary Clock (‘Sphère Mouvante’), the movement by Jean-Michel Mabille and the sphere by Martin Baffert, circa 1770, is a tour de force of horological complexity Estimate: £600,000-1 million CREDIT: CHRISTIE'S IMAGES LTD. 2015

THE PRINCE DE CONTI’S PLANETARY CLOCK
A remarkable Louis XVI Ormolu Planetary Clock (‘Sphère Mouvante’), the movement by Jean-Michel Mabille and the sphere by Martin Baffert, circa 1770, is a tour de force of horological complexity
Estimate: £600,000-1 million
CREDIT: CHRISTIE’S IMAGES LTD. 2015

 

THE HAMILTON PALACE AGATE EWER A rare and precious objet d’art from the late 1790s, combining a richly veined 17th century agate ewer and basin with fashionably neo-classical gilt-bronze mounts possibly by Pierre-Philippe Thomire, the design attributed to Jean Guillaume Moitte, has a remarkable history Estimate: £500,000-800,000 CREDIT: CHRISTIE'S IMAGES LTD. 2015

THE HAMILTON PALACE AGATE EWER
A rare and precious objet d’art from the late 1790s, combining a richly veined 17th century agate ewer and basin with fashionably neo-classical gilt-bronze mounts possibly by Pierre-Philippe Thomire, the design attributed to Jean Guillaume Moitte, has a remarkable history
Estimate: £500,000-800,000
CREDIT: CHRISTIE’S IMAGES LTD. 2015

 

A PAIR OF JEWEL-LIKE LOUIS XVI WALL LIGHTS - A ROYAL MODEL BY FELOIX Estimate £200,000-300,000 CREDIT: CHRISTIE'S IMAGES LTD. 2015

A PAIR OF JEWEL-LIKE LOUIS XVI WALL LIGHTS – A ROYAL MODEL BY FELOIX
Estimate £200,000-300,000
CREDIT: CHRISTIE’S IMAGES LTD. 2015

 

 

 

 

 

 

 

 

 

www.christies.com

Waddesdon Manor – The Riches Of The Earth

The Riches Of The Earth, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 25th October 2015

 

Guillaume Beneman, writing table, 1786;  oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Guillaume Beneman, writing table, 1786;
oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Over the coming weeks I shall be writing from time to time about this spectacular Rothschild house which I first visited some fifty years ago and to which I always look forward to returning to whenever possible.

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;  wool and silk; 3365 x 3469mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.  Photo: P J Gates © The National Trust, Waddesdon Manor

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;
wool and silk; 3365 x 3469mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.
Photo: P J Gates © The National Trust, Waddesdon Manor

The collections whether paintings, furniture, porcelain, books or textiles are really superb and as a “themed exhibition” this year the visitors attention is drawn to the works and interior features that reflect the wealth of the earth be it as clay, wood, metals, marble or the plants and minerals used for dyes in textiles. You will follow a special trail through the house to a display in the Exhibition Room upstairs.

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Shown here is just a small selection that celebrates not only the gifts of the earth but also the family’s collecting over the years.

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.  Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.
Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

 

Four large panels symbolising the seasons (detail); 1720-1750;  France; oak;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Four large panels symbolising the seasons (detail); 1720-1750;
France; oak;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.
Photo: Mike Fear © The National Trust, Waddesdon Manor

 

Pot-pourri vase, Sèvres Manufactory, 1761,  Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.  Photo: Hugo Maertens © The National Trust, Waddesdon Manor

Pot-pourri vase, Sèvres Manufactory, 1761,
Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.
Photo: Hugo Maertens © The National Trust, Waddesdon Manor

 

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;  oil on canvas; 2490 x 1620mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303  © The National Trust, Waddesdon Manor

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;
oil on canvas; 2490 x 1620mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303
© The National Trust, Waddesdon Manor

 

Savonnerie, Duvivier workshop, carpet, 1753-1757;  wool; 312 x 285cm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.  Photo: © The National Trust, Waddesdon Manor

Savonnerie, Duvivier workshop, carpet, 1753-1757;
wool; 312 x 285cm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.
Photo: © The National Trust, Waddesdon Manor

Lastly a view of the Grey Drawing Room which I am sure will give a very clear view of what makes this such a special place. Indeed I am tempted to paraphrase Dr Johnson and say that when one is tired of Waddesdon, one is tired of life. I most certainly look forward to my next visit.

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust). ©The National Trust, Waddesdon Manor

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust).
©The National Trust, Waddesdon Manor

www.waddesdon.org.uk