Tag Archives: Henry VIII

Tempests, Tyrants and Tragedy

Shakespeare in Art: Tempests, Tyrants and Tragedy, Compton Verney, Warwickshire CV35 9HZ, until 19th June 2016

OpheliaÔÇÖs Ghost ® Kristin and Davy McGuire, photograph by Electric Egg

OpheliaÔÇÖs Ghost
® Kristin and Davy McGuire, photograph by Electric Egg

Many of you will have heard of the national award-winning art gallery Compton Verney which as well as having permanent collections which are well worth visiting (Naples, Northern European Art 1450-1650, British Portraits, Chinese, British Folk Art & The Marx-Lambert Collection) also hosts special exhibitions and one can certainly say that this one – Shakespeare in Art – is indeed special.

Dame Diana Rigg and Dame Helen Mirren in the grounds at Compton Verney between takes - Sir Peter Hall’s film of A Midsummer Night’s Dream, 1968. Photograph by David Farrell, courtesy of the David Farrell Estate (c) DFP

Dame Diana Rigg and Dame Helen Mirren in the grounds at Compton Verney between takes – Sir Peter Hall’s film of A Midsummer Night’s Dream, 1968.
Photograph by David Farrell, courtesy of the David Farrell Estate (c) DFP

Fittingly, as it marks the 400th anniversary of the playwright’s death, the exhibition has been designed by the The Royal Shakespeare Company’s Director of Design, Stephen Brimson Lewis. There are more than seventy works on view from the 18th century to contemporary and they are divided thematically into eight acts which include The Tempest, Hamlet, A Midsummer Night’s Dream, Macbeth, King Lear and Henry VIII.  It is an engrossing experience that underlines the magic of Shakespeare’s plays.

John Singer Sargent, Ellen Terry as Lady Macbeth © Tate, London 2015

John Singer Sargent,
Ellen Terry as Lady Macbeth
© Tate, London 2015

In addition to this exhibition is a complimentary one which introduces us to John Boydell’s Shakespeare Gallery which used to be on London’s Pall Mall (the sight is now occupied by the new Philip Mould Gallery). Boydell, a print publisher, opened it in 1789 and commissioned prominent artists of the day, including Romney, Fuseli and Northcote to produce works (history paintings) inspired by Shakespearian scenes.

Henry Fuseli, Prospero, Miranda, Caliban and Ariel, Plate 4 from The Boydell Shakespeare Gallery 1786-89 ® York Museums Trust

Henry Fuseli, Prospero, Miranda, Caliban and Ariel, Plate 4 from The Boydell Shakespeare Gallery 1786-89
® York Museums Trust

 

 

http://www.comptonverney.org.uk

 

The Wolsey Angels

Saved for the Nation – The Wolsey Angels

This is a great result for all involved – donors both large and small. As the V & A’s director Martin Roth says “The Wolsey Angels are a vital part of our national history and artistic heritage. We are very grateful to everyone who contributed to our fundraising appeal to ensure these outstanding sculptures, which were thought to be lost, are reunited and preserved at the V&A for future generations.”

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

These four figures (approximately a metre high) have an interesting story. They were commissioned in 1524 from the Florentine sculptor Benedetto da Rovezzano, who worked in England between 1519 and 1543, and were to be part of a magnificent tomb for Cardinal Wolsey. However it was not completed before Wolsey’s fall from grace with Henry VIII which was due to his inability to persuade the Pope to annul the King’s marriage to Catherine of Aragon. Wolsey died in 1530. The King who appropriated Wolsey’s property and belongings ordered that the tomb be completed for him. Due to slow progress the tomb was not completed by Henry’s death and despite the good intentions of each of his children it remained incomplete. Elements were sold during the Civil War and the only known surviving piece from the tomb was the large black stone chest which now houses the body of Lord Nelson in St Paul’s Cathedral. Four large gilt-bronze candlesticks also from the tomb’s design can now be seen in the St. Bavo Cathedral in Ghent.

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

The existence of the angels was unknown until fortuitously two were put to auction in 1994. Unillustrated in the catalogue they were acquired by a French art dealer and subsequent scholarly research led to the firm attribution to Benedetto. The other two angels were discovered at Harrowden Hall in Northamptonshire where apparently they had once been the finials on gateposts.

I shall leave the final thoughts to the acclaimed novelist Hilary Mantel “The recovery of Wolsey’s angels is one of those miracles that historians pray for; something that seems irrevocably lost has been there all the time. To claim the angels for the nation would connect us to one of the liveliest eras of our history and one of its most remarkable men.”

 

http://www.vam.ac.uk/wolseyangels