Bonhams London: Highlights From The Estate of Lauren Bacall

INTERNATIONAL TOUR: Highlights From The Estate of Lauren Bacall, Bonhams, 101 New Bond Street, London W1, 15th – 19th February 2015

 

The immense living room was primarily a room for entertaining. In the far left corner is Humphrey Bogart’s wrought-iron and steel-inlaid slate games table, and to the left is the Mason & Hamlin ebonized grand piano where Bacall rehearsed for Broadway musicals. Guests, including Leonard Bernstein, would play at the piano during lively cocktail parties.

The immense living room was primarily a room for entertaining. In the far left corner is Humphrey Bogart’s wrought-iron and steel-inlaid slate games table, and to the left is the Mason & Hamlin ebonized grand piano where Bacall rehearsed for Broadway musicals. Guests, including Leonard Bernstein, would play at the piano during lively cocktail parties.

Bonhams’s Vice President and Director of Business Development Jon King said: ‘Bonhams is delighted to share with the public a rare insight into the world of Lauren Bacall, the accomplished collector. Her collection is a truly a reflection of her extraordinary taste and remarkable life.’

Marcel Vertès (Hungarian, 1895-1961) ‘Marcel Vertès Painting a Portrait of Lauren Bacall’ signed, inscribed and dated Madame Humphrey Bogart quand elle était Betty Bacall / Avec ma fidèle amitié Vertès / 1953 (lower left) blue pen and ink on paper 12 3/8 x 19 1/4in (31.4 x 48.8cm) US$1,000-1,500

Marcel Vertès (Hungarian, 1895-1961)
‘Marcel Vertès Painting a Portrait of Lauren Bacall’
signed, inscribed and dated Madame Humphrey Bogart quand elle était Betty Bacall / Avec ma fidèle amitié Vertès / 1953 (lower left)
blue pen and ink on paper
12 3/8 x 19 1/4in (31.4 x 48.8cm)
US$1,000-1,500

Now it is our turn here in London to see some of the highlights of the art, antiques and other works that have graced her three homes, especially her last one in New York’s famous Dakota building.

ROBERT GRAHAM (American, 1938-2008) Elisa, circa 1994 bronze with light brown patina on brass base height overall 58 5/8in (149cm) US$20,000-30,000

ROBERT GRAHAM (American, 1938-2008)
Elisa, circa 1994
bronze with light brown patina on brass base
height overall 58 5/8in (149cm)
US$20,000-30,000

Among the highlights are bronze maquettes by Henry Moore and bronzes by the famous American sculptor Robert Graham. Her art collection included prints and paintings by artists, including David Hockney, Jim Dine, Richard Avedon, Henry Moore and John James Audubon, Sir Noel Coward, Aaron Shikler, and Georges Wakhevitch.

An amethyst, turquoise and diamond ring Jean Schlumberger, French Centering an oval-cut amethyst measuring approximately 14.75 x 13.90 x 10.00mm, within a pavé-set foliate surround, extending turquoise beads, enhanced by circular-cut diamonds; signed Schlumberger, with French assay marks, maker's mark and signed box. amethyst weighs approximately 11 carats; estimated total diamond weight 1.55 carats; mounted in 18k gold and platinum; size 7 1/4 US$8,000-12,000

An amethyst, turquoise and diamond ring
Jean Schlumberger, French
Centering an oval-cut amethyst measuring approximately 14.75 x 13.90 x 10.00mm, within a pavé-set foliate surround, extending turquoise beads, enhanced by circular-cut diamonds; signed Schlumberger, with French assay marks, maker’s mark and signed box.
amethyst weighs approximately 11 carats; estimated total diamond weight 1.55 carats; mounted in 18k gold and platinum; size 7 1/4
US$8,000-12,000

On a more personal level are pieces of her jewellery, some of which was designed by the legendary Jean Schlumberger and a specially commissioned camel brooch by the celebrated English jeweller Elizabeth Gage.

DAVID HOCKNEY (British, born 1937) Two Pembroke Studio Chairs, from Moving Focus (MCA Tokyo 276; T. 264), 1984 Lithograph in colors on HMP handmade paper, signed in pencil, dated, and numbered 46/98 (there were also 10 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., Mount Kisco, New York, with full margins. 16 x 19in (40.6 x 48.2cm) sheet 18 7/8 x 22in (47.7 x 55.9cm) US$5,000-7,000

DAVID HOCKNEY (British, born 1937)
Two Pembroke Studio Chairs, from Moving Focus (MCA Tokyo 276; T. 264), 1984
Lithograph in colors on HMP handmade paper, signed in pencil, dated, and numbered 46/98 (there were also 10 artist’s proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., Mount Kisco, New York, with full margins.
16 x 19in (40.6 x 48.2cm)
sheet 18 7/8 x 22in (47.7 x 55.9cm)
US$5,000-7,000

Miss Bacall wrote of her meeting with Henry Moore at his studio in 1975 ‘It was and will be ever a high point of my life … [it was the] realization of a dream.’ I must admit to feeling something similar when I briefly met her a few years ago here in London.

HENRY MOORE O.M., C.H. (British, 1898-1986) Standing Man and Woman signed and numbered Moore 7/9 (on the reverse of the base) bronze with gold patina, cast in an edition of 9+1 in 1981 height 7 1/4in (18.5cm) US$40,000-60,000

HENRY MOORE O.M., C.H. (British, 1898-1986)
Standing Man and Woman
signed and numbered Moore 7/9 (on the reverse of the base)
bronze with gold patina, cast in an edition of 9+1 in 1981
height 7 1/4in (18.5cm)
US$40,000-60,000

 

Opening hours are 9am – 4.30pm, and admission is free.

 

The auction is at Bonhams New York on 31st March and 1st April.

 

http://www.bonhams.com

The Years of La Dolce Vita – The Birth of Celebrity Culture in Focus, Estorick Collection of Modern Italian Art

The Years of La Dolce VitaThe Birth of Celebrity Culture in Focus, Estorick Collection of Modern Italian Art, 39a Canonbury Square , London N1, until 29th June 2014

 Marcello Geppetti (1933-1998) Richard Burton and Liz Taylor kissing in Ischia, June 1962 MGMC & Solares Fondazione delle Arti

Marcello Geppetti (1933-1998)
Richard Burton and Liz Taylor kissing in Ischia, June 1962
MGMC & Solares Fondazione delle Arti

Rome in the1950s and 1960s saw the birth of celebrity culture and the establishment of paparazzi photographers who often are the bane of the famous but whose images the public eagerly await.

Marcello Geppetti (1933-1998) Audrey Hepburn, Rome, 1961 MGMC & Solares Fondazione delle Arti

Marcello Geppetti (1933-1998)
Audrey Hepburn, Rome, 1961
MGMC & Solares Fondazione delle Arti

It started because Italian cinema was flourishing thanks to the films of directors such as Fellini, Antonioni and Pasolini and the fact that American filmmakers wanted to use Cinecittà Studios as they were less costly than Hollywood. Stalwarts of the cinematic archive such as Ben-Hur (1959) and Cleopatra (1963) were shot there.

 Marcello Geppetti (1933-1998) Rock Hudson and Cary Grant at Cinecittà, June 1961 MGMC & Solares Fondazione delle Arti

Marcello Geppetti (1933-1998)
Rock Hudson and Cary Grant at Cinecittà,
June 1961
MGMC & Solares Fondazione delle Arti

This meant that film stars came to Rome and after working at the studio in the day time went to the vibrant Via Veneto with its bars and restaurants to relax in the evening. Thus stars such as Elizabeth Taylor and Richard Burton, Alain Delon, Audrey Hepburn, Lauren Baccall, John Wayne and Charlton Heston became targets of the paparazzi.

Marcello Geppetti (1933-1998) Carlo Ponti, Sophia Loren and Vittorio De Sica, Rome, 1961 MGMC & Solares Fondazione delle Arti

Marcello Geppetti (1933-1998)
Carlo Ponti, Sophia Loren and Vittorio De Sica, Rome, 1961
MGMC & Solares Fondazione delle Arti

However, then as now, not all stars appreciated being the focus of a camera lens in their personal time and there are some images of them trying to stop the photographer shooting them. The ones of Anita Ekberg trying to scare off paparazzi are well worth going to see on their own.

Marcello Geppetti (1933-1998) Franco Nero assaulting Rino Barillari at the Trevi Fountain, 1965 MGMC & Solares Fondazione delle Arti

Marcello Geppetti (1933-1998)
Franco Nero assaulting Rino Barillari at the Trevi Fountain, 1965
MGMC & Solares Fondazione delle Arti

Ekberg was, of course, a major star in Fellini’s 1960 film La Dolce Vita (The Sweet Life) and this eponymously titled exhibition combines the real-life images of Marcello Geppetti with behind-the-scenes shots on the film set by its cameraman Arturo Zavattini. Indeed it should be remembered that Paparazzo was the name of a charcter in the film.  It adds up to a very enjoyable and heady mixture that brings the era to life with clarity and focus.

 Arturo Zavattini (b. 1930) Set of ‘La Dolce Vita’, Marcello Mastroianni Solares Fondazione delle Arti

Arturo Zavattini (b. 1930)
Set of ‘La Dolce Vita’, Marcello Mastroianni
Solares Fondazione delle Arti

www.estorickcollection.com

Marcello Geppetti (1933-1998) Jayne Mansfield and Mike Hargitay leaving “Piccola Budapest”, Rome, October 1962

Marcello Geppetti (1933-1998)
Jayne Mansfield and Mike Hargitay leaving “Piccola Budapest”, Rome, October 1962