London Design Biennale

London Design Biennale, Somerset House, Strand, London WC2, until 27th September 2016

Albania Credit - Ed Reeve Images

Albania
Credit – Ed Reeve Images

This is London’s first Design Biennale and is in partnership with Jaguar and Somerset House. Its theme is ‘Utopia by Design’ and there is such a wide-range of works and ideas from writers, artists, designer, architects and scientists drawn from the thirty-seven participating countries that I will in fact leave it to you to go along and discover them for yourselves.  I really urge you to do so because it is worth it as these images suggest.

Lebanon Credit - Ed Reeve Images

Lebanon
Credit – Ed Reeve Images

The Biennale’s president Sir John Sorrell sums it up saying: “The London Design Biennale celebrates design as an international language, which everyone can understand. It does not recognise boundaries or borders. It is always seeking to make the world a better place. All over the world, nations and cities are increasingly recognising the power of design to bring social change and economic growth. They are realising that creativity, with design at its heart, can play a vital role in providing solutions to problems which affect the way people live.”

India Credit - Bradley Lloyd Barnes

India
Credit – Bradley Lloyd Barnes

 

Australia Credit - Ed Reeve Images

Australia
Credit – Ed Reeve Images

 

South Africa Credit - Bradley Lloyd Barnes

South Africa
Credit – Bradley Lloyd Barnes

 

 

 

 

 

 

 

 

Shenzhen, China Credit - Ed Reeve Images

Shenzhen, China
Credit – Ed Reeve Images

 

Turkey Credit - Bradley Lloyd Barnes

Turkey
Credit – Bradley Lloyd Barnes

 

The Netherlands Credit - Ed Reeve Images

The Netherlands
Credit – Ed Reeve Images

 

http://www.londondesignbiennale.com

INDIA: COLOUR and LIGHT

Pigment, Form and Light: The Arts of India 1550-1900,  Prahlad Bubbar, 33 Cork Street, London, W1, until 14thNovember 2015

A Vision of an Elephant Hunt Attributed to the artist Mir Kalan Khan Lucknow, India, circa 1760 Opaque watercolour and gold on paper 21.5 x 13.2 cm

A Vision of an Elephant Hunt
Attributed to the artist Mir Kalan Khan
Lucknow, India, circa 1760
Opaque watercolour and gold on paper
21.5 x 13.2 cm

This show is an elegant celebration of Indian court life, revealed through classical paintings, objects and early photographs.

Bell-shaped Huqqa Base with Poppy design Bidri alloy inlaid with silver Bidar, Deccan, India Circa 1750-1780 Height: 16.5 cm Diameter: 16 cm

Bell-shaped Huqqa Base with Poppy design
Bidri alloy inlaid with silver
Bidar, Deccan, India
Circa 1750-1780
Height: 16.5 cm Diameter: 16 cm

The 18th century Indo-Islamic courts of Hyderabad and Lucknow as well as early 19th century Mughal Delhi are revealed through works commissioned by resident Europeans.  They reflect the spirit of tolerance, curiosity and romance of the time. While colour is a part of Indian life it is its light that unifies paintings, photographs and objects.

http://www.prahladbubbar.com 

 

The Fabric of India, V&A Museum, London SW7, until 10thJanuary 2016

Installation view of The Fabric of India at the VA_ (c) Victoria and Albert Museum

Installation view of The Fabric of India at the VA_
(c) Victoria and Albert Museum

This is an extensive exhibition which is a must for all interested in textiles, costume and Indian culture. You will discover bandanna handkerchiefs, the tent of Tipu Sultan (1750-1799), saris, temple hangings, floor spreads as well as the chintzes and hangings sought by Western consumers either to wear or adorn beds and rooms in Europe.

Hanging Wall hanging of embroidered cotton with silks, for the Western Market Gujarat, ca. 1700. (c) Victoria and Albert Museum

Hanging
Wall hanging of embroidered cotton with silks, for the Western Market
Gujarat, ca. 1700.
(c) Victoria and Albert Museum

It is also a history of the production of these glorious textiles, with many processes explained and highlighted.  The influence and threat to Indian hand-made textiles by the industrial processes of European textile making is examined as is the resistance movement to such processes which led to a resurgence of pride and opposition to them by supporting indigenous production.  A stand which is possibly best exemplified in the 1930s by Mahatma Gandhi asking the Indian people to spin and weave their own cloth, Khadi.  Khadi as many of you will know, became a tool of the Independence Movement. Nor is the importance of contemporary Indian textiles ignored with fine examples highlighting its importance both at home and internationally.

Houndstooth sari by Abraham & Thakore, double ikat silk, Hyderabad Artist: Date: 2011 Credit line: Photograph courtesy of Abraham & Thakore

Houndstooth sari by Abraham & Thakore, double ikat silk, Hyderabad
Artist:
Date: 2011
Credit line: Photograph courtesy of Abraham & Thakore

http://www.vam.ac.uk

Photography in India

The New Medium: Photography In India 1855-1930, Prahlad Bubbar, 33 Cork Street, London, W1, until 10 July 2015

Dr. John Murray. Gardens of the Taj Mahal. Agra, circa 1856.  Albumen print, 37.8 x 43.4 cm

Dr. John Murray. Gardens of the Taj Mahal. Agra, circa 1856.
Albumen print, 37.8 x 43.4 cm

The newly invented camera was first seen in India in 1840 and it was a perfect marriage as amateur photographers were keen to capture the architecture, landscapes, peoples and sacred sites in this new medium.

Raja Deen Dayal. Maharaja Bhan Pratap Singh of Bijawar. Central India, circa 1882  Albumen print, 19.5 x 26.5 cm

Raja Deen Dayal. Maharaja Bhan Pratap Singh of Bijawar. Central India, circa 1882
Albumen print, 19.5 x 26.5 cm

This elegant exhibition shows important and rare photographs from the 1850s to the 1920s by leading photographers such as Raja Deen Rayal, the Nicholas brothers, Dr. John Murray and Man Ray. They provide a haunting glimpse into a world now changed or lost forever, especially those of the Princes and their courts.

Raja Deen Dayal. The Maharaja of Bijawar, with European Chairs. Central India, circa 1882.  Albumen print, 19 x 27 cm.

Raja Deen Dayal. The Maharaja of Bijawar, with European Chairs. Central India, circa 1882.
Albumen print, 19 x 27 cm.

 

 Nicholas Bros. The Qutb Shahi Tombs. Golconda, circa 1870s.  Albumen print, 23 x 29.7 cm.

Nicholas Bros. The Qutb Shahi Tombs. Golconda, circa 1870s.
Albumen print, 23 x 29.7 cm.

http://www.prahladbubbar.com

Man Ray. Maharaja Yeshwantrao Holkar II. Signed by Man Ray and stamped on the verso: ‘Man Ray/31bis Rue/Campagne/Première/PARIS/Littre 76-57’, circa 1930 Gelatin silver print, 23.2 x 17.5 cm

Man Ray. Maharaja Yeshwantrao Holkar II. Signed by Man Ray and stamped on the verso: ‘Man Ray/31bis Rue/Campagne/Première/PARIS/Littre 76-57’, circa 1930
Gelatin silver print, 23.2 x 17.5 cm

 

 

A Touch of India

Natasha Kumar

 Woven with the artist Natasha Kumar’s signature elephant motif, the ‘Red Dance of Love’ scarf is inspired by the classic Hindu  love story, the Rasa Lila.  Limited Edition of 50  92% wool, 8% silk with gold thread embroidery  Made in Calcutta, India Designed by Natasha Kumar

Woven with the artist Natasha Kumar’s signature elephant motif, the ‘Red Dance of Love’ scarf is inspired by the classic Hindu love story, the Rasa Lila.
Limited Edition of 50
92% wool, 8% silk with gold thread embroidery
Made in Calcutta, India
Designed by Natasha Kumar

The work of the British Indian artist Natasha Kumar will be deservedly recognisable to many of you, especially her RASA collections. She currently has an exhibition together with the sculptor Paul Vanstone at the Pavilion Gallery of the Royal Geographical Society (until 23rd January).

She has also launched a range of scarves whose designs are based on her RASA pictures which I am sure will become a popular accessory. She is also working with Wexas Travel on a tour of Northern India in early 2016 which will include the areas and places from which she draws her inspiration.

 

www.natashakumar.co.uk

REBECCA CAMPBELL – BEWITCHED • BEDAZZLED • BEWILDERED

REBECCA CAMPBELL –  BEWITCHED • BEDAZZLED • BEWILDERED, Jonathan Cooper Park Walk Gallery, 20 PARK WALK, LONDON, SW10, 10 – 27 September 2014

Eternal Love Oil on linen Signed 32 x 39.4ins (81 x 100cm)

Eternal Love
Oil on linen
Signed
32 x 39.4ins (81 x 100cm)

This is a delight of a show for the artist Rebecca Campbell is sharing with us her impressions of India which she first travelled across in her early twenties.

Let The Games Begin Oil on linen Signed 32 x 23.6ins (81 x 60cm)

Let The Games Begin
Oil on linen
Signed
32 x 23.6ins (81 x 60cm)

She captures both landscapes and cities with a style that combines the influences of Indian Mughal miniatures, Persian textiles and medieval tapestries.

Festival of Light Oil on linen Signed 25.6 x 21.3ins (65 x 54cm)

Festival of Light
Oil on linen
Signed
25.6 x 21.3ins (65 x 54cm)

http://www.jonathancooper.co.uk

Enlightenment Oil on linen Signed 32.3 x 25.6ins (82 x 65cm)

Enlightenment
Oil on linen
Signed
32.3 x 25.6ins (82 x 65cm)