BOOK REVIEW: Robert Adam’s London

Robert Adam’s London

Frances Sands

£25

Archaeopress

Printed ISBN 9781784914622.

Epublication ISBN 9781784914639. 

This book is a delight and has wide appeal for devotees of Robert Adam’s architecture and interiors and lovers of London. Written by Dr Frances Sands (Curator of Drawings and Books at Sir John Soane’s Museum) to mark the exhibition held earlier there at the turn of the year it is a very much stand-alone volume too.  The starting point is Richard Horwood’s map of London (1792-99) and through this each of Adam’s projects can be discovered. It takes us on a fascinating stroll through the areas of London, both north and south of the river, where Adam worked and reveals that some buildings and interiors survive albeit much altered but certainly more than I had expected while others totally lost. So whether in the comfort of an armchair or in hand while searching the streets where Adam worked it is very much a book to savour and enjoy.

http://www.archaeopress.com

Plywood Triumphant!

PLYWOOD: MATERIAL OF THE MODERN WORLD, Victoria and Albert Museum, Cromwell Road, London SW7, until 12th November 2017

 

I am grateful to John Kirkwood to visiting and writing about this exhibition:

 

© John Kirkwood

Perhaps not surprisingly this is a world-first exhibition featuring as it does the many uses to which plywood has been put.

 

Like me, I’m sure you thought it was a twentieth century invention but apparently fragments of layered board have been found in Egyptian tombs – perhaps they thought if the mummies came back to life they might fancy a bit of DIY to amuse themselves – but it really came into its own in the late nineteenth century with the advent of mass production.

 

Plywood’s ubiquity has been embraced by furniture makers, manufacturers of surfboards and skateboards, designers, architects and engineers and this very interesting exhibition takes visitors through plywood’s many transformations from a cheap product to material prized by mid-century modernists and by today’s flourishing maker movement.

©John Kirkwood

I so enjoyed the exhibition that I left feeling that ‘plywood is my wood!’

 

http://www.vam.ac.uk

Royal Gifts

Royal Gifts – the Summer Opening of the State Rooms, Buckingham Palace, until 1st October 2017

Australian State Coach
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017. Photographer: David Cripps

From the moment you arrive at the Grand Entrance and espy the Australian State Coach, a gift to Her Majesty in 1988 from the people of Australia to mark the Australian Bicentenary, you know you are in for something rather exciting. Indeed many of the State Rooms are transformed by special displays of over two hundred gifts that have been presented to The Queen in the sixty-five years of her reign.

‘Royal Gifts’, the special exhibition at the Summer Opening of Buckingham Palace.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017.

You will discover a remarkable cross section of items and every gift reflects the donor whether a town, organisation or country.  Each in its own way is uniquely special. I am not going to mention examples because it is something to be experienced in person. I found it all fascinating and engrossing in a way that I had not expected but will remember for a long time.

A Royal Collection Trust member of staff adjusts the Vessel of Friendship, a model of the ‘treasure ship’ sailed by the 15th-century Chinese navigator and diplomat Zeng He. The model was presented to Her Majesty by President Xi Jinping of the People’s Republic of China during the State Visit to Buckingham Palace in October 2015.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017.

 

Members of Royal Collection Trust staff put the finishing touches to a display of gifts from around the United Kingdom as part of ‘Royal Gifts’, the special exhibition at the Summer Opening of Buckingham Palace.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017.

In the Music Room is a charming display to mark the twentieth anniversary of the death of Diana, Princess of Wales. Many of the objects and mementos on and around her desk from her Sitting Room in Kensington Palace were chosen by the The Duke of Cambridge and Prince Harry.

A tribute to Diana, Princess of Wales in the Music Room, one of the State Rooms open to the public as part of the Summer Opening of Buckingham Palace. The centrepiece of the display is the desk at which The Princess worked in her sitting room at Kensington Palace, writing letters and reading official briefings and correspondence.
Credit: Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2017

www.royalcollection.org.uk

Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

I thought I would share this interesting blog with you:

 

It is impossible to walk in a room designed by Garrow Kedigian and not be blown away immediately by his clear enthusiasm and passion for what he does. Born in Montreal, Garrow attended the McGill School of Architecture and trained with renowned designer William Hodgins in Boston before moving to New York to start his […]

via Designer Spotlight: Garrow Kedigian of Garrow Kedigian Designs — The Source

Gilded Furniture!

Gilded: Golden Treasures of Georgian Furniture, Mackinnon Fine Furniture, 5 Ryder Street,
St. James’s, London SW1

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720

This beautiful display of gilded furniture is an absolute joy to behold.  We are more used to gilded arms and legs on chairs and stools or gilt mirror and picture frames but this collection includes furniture where the whole piece is gilded such as this outstanding bureau cabinet. C1720. Originally one of a pair intended for the Portuguese royal court it is attributed to James Moore who worked for George I. It really is as good as it looks.

A George I Giltwood Secretaire Cabinet attributed to James Moore made for the Portuguese Royal Court, England circa 1720 – Interior

As Charlie Mackinnon rightly says: ‘Gilt furniture is synonymous with Georgian elegance and glamour.  Bringing this group of pieces together is a rare opportunity to explore the style in depth and understand its value and attraction—especially for contemporary collectors.’

A Pair of George III Giltwood Armchairs attributed to John Linnell, England, circa 1775

 

A George I Carved Gilt Gesso Settee of Rare Small Proportions, England circa 1720

 

A George II Giltwood Table in the manner of William Kent, England circa 1730

 

 

 

 

 

 

 

 

 

 

 

 

http://www.mackinnonfineart.com

Masterpiece London 2017 – Butchoff Antiques

Butchoff Antiques at Masterpiece London 2017, until 5th July 2017

A Royal Cabinet for Prince Albert Edward by Holland & Sons, Circa 1865

Butchoff have exhibited regularly at the Fair and this year their stand evokes the feel and flavour of an interior in a 19th century chateau. It is the perfect backdrop for their choice selection of 19th century English and Continental furniture and objects. Many are signed by their makers or have an interesting provenance.

An Impressive Large Ormolu Mirror Signed Henry Dasson et Cie, 1889

Ian Butchoff sums it up: “We are proud to be one of the original exhibitors at Masterpiece, and as always will bring a range of statement pieces appealing to the diverse, international crowd at the fair.”

Pair of Urns Signed by Ferdinand Barbedienne, Circa 1880

www.butchoff.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com