The Palais Rose recalled

Boni de Castellane & Anna Gould, La Mémoire Du Palais Rose, Christie’s Paris, 9 avenue Matignon, 75008 Paris, 7th March 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

This sale takes us back into the Belle Époque where Boniface de Castellane, known as Boni, was one of the more famous dandies of the time and regarded as a tastemaker.  In 1895 he married the American railway heiress Anna Gould and her substantial dowry allowed them the following year to start building the Grand Trianon inspired Palais Rose which was completed in 1902.  It became a major centre in Parisian social life where Kings, Queens and aristocracy were received. The house was sumptuously furnished with old master paintings and drawings, furniture and porcelain of the best quality.

LOT 19 NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER Estimation : €1.000.000-1.500.000 AN ART DECO 'JARDIN JAPONAIS' DESK SET, BY CARTIER Mouvement no. 2968872 ©Christie’s Images Ltd, 2017

LOT 19
NÉCESSAIRE DE BUREAU ART DÉCO « JARDIN JAPONAIS », PAR CARTIER
Estimation : €1.000.000-1.500.000
AN ART DECO ‘JARDIN JAPONAIS’ DESK SET, BY CARTIER
Mouvement no. 2968872
©Christie’s Images Ltd, 2017

However this idyll was not long-lived for in early 1906 Anna filed for divorce with Boni’s extravagances and expenditure being a major cause. Some of their collections were disposed of after the divorce and more after Anna’s death in 1961.  Anna however did leave a mixture of wonderful things to her grand-daughter Diane de Castellane and she lived surrounded by these elegant pieces, including the group of Boulle furniture which so evocatively recalls the interiors, sadly not photographed for posterity, with the exception of the staircase and a fireplace of the Palais Rose.  The building was demolished in 1969 but its large Salon des Arts decorated with marble carvings celebrating the arts by Jean-Paul Aubé are remembered in the four tinted plaster preparatory studies which hung in the dining room of Diane de Castellane’s apartment.

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

I think you will agree with me that the photographs of the apartment show what a beautiful place it was, filled with great treasures and giving us a fascinating glimpse into a world gone by.

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

BIBLIOTHÈQUE, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 74 JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS) L’heureux ménage huile sur toile, circulaire Diam.: 34,2 cm. (12.3/4 in.) Estimation : €500.000-700.000 J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR ©Christie’s Images Ltd, 2017

LOT 74
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
L’heureux ménage
huile sur toile, circulaire
Diam.: 34,2 cm. (12.3/4 in.)
Estimation : €500.000-700.000
J.-H. FRAGONARD, THE HAPPY HOUSEHOLD, OIL ON CANVAS, CIRCULAR
©Christie’s Images Ltd, 2017

 

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

SALLE À MANGER, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

 

 

 

 

 

 

 

 

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris ©Christie’s Images, Ltd, 2017

GRAND SALON, Diane de Castellane’s apartment rue d’Andigné, Paris
©Christie’s Images, Ltd, 2017

 

LOT 52 PAIRE DE "VASES" EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE CIRCA 1770, MARQUE EN CREUX P Hauteur totale: 44 cm. (17.3/8 in.) Estimation : €80.000-120.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris A PAIR OF 18TH CENTURY SEVRES PORCELAIN "VASES", WITH ORMOLU MOUNTS ©Christie’s Images, Ltd, 2017

LOT 52
PAIRE DE “VASES” EN PORCELAINE TENDRE DE SEVRES DU XVIIIe SIECLE, A MONTURES EN BRONZE DORE
CIRCA 1770, MARQUE EN CREUX P
Hauteur totale: 44 cm. (17.3/8 in.)
Estimation : €80.000-120.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris
A PAIR OF 18TH CENTURY SEVRES PORCELAIN “VASES”, WITH ORMOLU MOUNTS
©Christie’s Images, Ltd, 2017

 

LOT 142 PAIRE DE MEUBLES À HAUTEUR D’APPUI DU DÉBUT DE L’ÉPOQUE LOUIS XVI ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV Estimation: €1.000.000-1.500.000 Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris. A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS ©Christie’s Images Ltd, 2017

LOT 142
PAIRE DE MEUBLES À HAUTEUR D’APPUI
DU DÉBUT DE L’ÉPOQUE LOUIS XVI
ESTAMPILLE DE JEAN-LOUIS-FAIZELOT DELORME, VERS 1770-1780, RÉEMPLOYANT DES ÉLÉMENTS DE MARQUETERIE D’ÉPOQUE LOUIS XIV
Estimation: €1.000.000-1.500.000
Provenance: Boni de Castellane et Anna Gould, Palais Rose, Paris.
A PAIR OF LOUIS XVI ORMOLU-MOUNTED TORTOISESHELL AND COPPER BOULLE MARQUETRY AND EBONY MEUBLES-A-HAUTEUR-D’APPUI STAMPED BY JEAN-LOUIS-FAIZELOT DELORME, CIRCA 1770-1780, REUSING SOME LOUIS XIV MARQUETRY ELEMENTS
©Christie’s Images Ltd, 2017

 

 

 

 

 

 

 

 

 

 

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From Versailles to Waddesdon

A Closer Look: Spotlight on French Royal Furniture by Jean-Henri Riesener (1734-1806) Waddesdon Manor, Aylesbury, Buckinghamshire until 23rd October 2016

Riesner Exhibition, The White Drawing Room, Waddesdon Manor. Photo Mike Fear (C) National Trust, Waddesdon Manor

Riesner Exhibition, The White Drawing Room, Waddesdon Manor.
Photo Mike Fear (C) National Trust, Waddesdon Manor

Among its treasures Waddesdon Manor has twelve pieces of furniture that were originally part of the furnishings at Versailles and many of them were made in the workshops of the celebrated royal cabinetmaker Jean-Henri Riesener (1734-1806) who worked for both Louis XVI and his wife Marie Antoinette.

Henri-François Riesener, Portrait of Jean-Henri Riesener, 1800; Waddesdon Manor, Photo Mike Fear © The National Trust, Waddesdon Manor

Henri-François Riesener,
Portrait of Jean-Henri Riesener, 1800;
Waddesdon Manor, Photo Mike Fear © The National Trust, Waddesdon Manor

This year two commodes which are normally in the Red Drawing Room are with a third Riesener commode the subject of a special display upstairs in the White Drawing Room. One was made for Louis XVI’s sister Madame Elisabeth, another for Louis XVI’s sister-in-law, the Comtesse de Provence and while the first owner of the third commode remains unknown it is very similar to one provided for Louis XVI’s study at the Petit Trianon.

Long-sayers cutting timber from L'Art du menuisier by André-Jacob Roubo (1739-1791), published between 1769-1774. Bibliothéque nationale de France, département Réserve des livres rares, V-3972

Long-sayers cutting timber from L’Art du menuisier by André-Jacob Roubo (1739-1791), published between 1769-1774. Bibliothéque nationale de France, département Réserve des livres rares, V-3972

 

'Fret-work' marquetry Jean-Henri Riesener, Chest of drawers, 1776. Photo Mike Fear © The National Trust, Waddesdon Manor

‘Fret-work’ marquetry Jean-Henri Riesener, Chest of drawers, 1776.
Photo Mike Fear © The National Trust, Waddesdon Manor

 

Engraving from Roubo's L'Art de Menuisier. Bibliothéque nationale de France, département Réserve des livres rares, V-3975 (1)

Engraving from Roubo’s L’Art de Menuisier.
Bibliothéque nationale de France, département Réserve des livres rares, V-3975 (1)

 

 

 

 

 

 

 

 

 

 

 

This fascinating display allows visitors to view these splendid pieces of furniture – originally intended for linens and clothes – from all angles.  One can truly appreciate the quality of their design, the marquetry inlays and the stunning gilt bronze mounts that make these such an important component in the design and furnishing of 18th century French rooms.

Riesener Exhibition, The White Drawing Room at Waddesdon Manor. Photo Stuart Bebb (c) National Trust, Waddesdon Manor

Riesener Exhibition, The White Drawing Room at Waddesdon Manor.
Photo Stuart Bebb (c) National Trust, Waddesdon Manor

http://www.waddesdon.org.uk

Jean-Henri Riesener, Chest of drawers, 1778. Photo Hugo Maertens © The National Trust, Waddesdon Manor

Jean-Henri Riesener, Chest of drawers, 1778.
Photo Hugo Maertens © The National Trust, Waddesdon Manor

 

Jean-Henri Riesener, Chest of drawers, 1776. Photo Hugo Maertens © The National Trust, Waddesdon (2)

Jean-Henri Riesener, Chest of drawers, 1776.
Photo Hugo Maertens © The National Trust, Waddesdon (2)

 

Jean-Henri Riesener, Chest of drawers, 1778; Photo Jérôme Letellier © The National Trust, Waddesdon Manor

Jean-Henri Riesener, Chest of drawers, 1778;
Photo Jérôme Letellier © The National Trust, Waddesdon Manor